Interviews & Essays
California Dreamer: John Steinbeck, Born a Century Ago This Year, Left Us
with The Grapes of Wrath -- and Its Seismic Effects
From the May/June 2002 issue of Book
magazine.
The masterpiece
The Grapes of Wrath appeared in 1939, when
the Depression had dragged on for nearly a decade and seemed to stretch endlessly ahead. Thousands of families had been dislodged from small farms in the Southwest, their plight exacerbated by drought
conditions and a moribund economy. Like the Joads of John Steinbeck's novel, these distraught families piled into old jalopies and headed west, to California, hoping for work and a better life. When they arrived, they discovered that Californians didn't need them or even want them. They were herded into dismal government "sanitary camps," where illness and hunger were pervasive.
Steinbeck was sent by a newspaper to report on the migrant situation. Notebook in hand, he toured the camps in an old bakery truck, driving up and down California's Central Valley, an area that he knew well from his childhood. In one of his first newspaper articles for
The San Francisco News, Steinbeck described the predicament of the migrants who would inspire his novel:
They arrive in California usually having used up every resource to get here, even to the selling of the poor blankets and utensils and tools on the way to buy gasoline. They arrive bewildered and beaten and usually in a state of semi-starvation, with only one necessity to face immediately, and that is to find work at any wage in order that the family may eat.
In one camp, not far from Steinbeck's hometown of Salinas, he found about 2,000 people crammed into a pathetic shelter, many suffering from typhoid, flu, tuberculosis, and pneumonia. There was little food to be had, and the drinking water was foul. Once, when a riot broke out, the police squashed it brutally. "You couldn't fight back if you didn't feel good," Steinbeck wrote. "That was the secret the bosses and police had, and they knew they'd win."
After publishing his articles on the migrants, Steinbeck correctly guessed that his material was substantial enough to form the basis of a novel, and the first glimmerings of
The Grapes of Wrath came into his head. In his journal, he wrote: "If only I could do this book properly it would be one of the really fine books and a truly American book." With eight books under his belt already, including 1937's
Of Mice and Men, which had been a huge success as both a novel and a play, Steinbeck felt well prepared for the task at hand; indeed, he set to work with a vengeance.
He planned to write the book on an epic scale and decided it should alternate chapters of exposition and narrative. To keep it focused, he would center the story on one family, the Joads, tracking them from their farm in Oklahoma, along Route 66, and into California, where they would be forced into a camp with thousands of other "Okies" like themselves. The book, Steinbeck noted in the journal that he kept alongside the novel, would be composed "in a musical technique." He would try "to use the forms and the mathematics of music rather than those of prose." It would be "symphonic," he said, "in composition, in movement, in tone and in scope."
Steinbeck struggled to keep his concentration and remain disciplined, and one can follow his ups and downs in his journal. The entry for June 13, 1938, is typical. Steinbeck had been drinking with his friend Martin Ray the night before, and he came into his study the next day with a hangover:
Now a new week starts and unpropitiously for me. Last night up to Ray's and drank a great deal of champagne. I pulled my punches pretty well but I am not in the dead sober state I could wish. However, I will try to go to work. Don't have to because I have a day caught up. All sorts of things might happen in the course of this book, but I must not be weak. This must be done. The failure of will even for one day has a devastating effect on the whole, far more important than just the loss of time and wordage. The whole physical basis of the novel is discipline of the writer, of his material, of the language. And sadly enough, if any of the discipline is gone, all of it suffers. And this slight fuzziness of mine may be a break in the discipline. I don't know yet. But right now I intend to find out.
Despite the hangovers and self-doubts, the writing progressed with astonishing speed and fluency. Between May and October 1938, he produced a manuscript of 200,000 words, writing in longhand with Tchaikovsky and Stravinsky playing on the gramophone behind his desk. On September 3rd, he christened the book
The Grapes of Wrath, a title suggested by his wife and plucked from "The Battle Hymn of the Republic." The narrative was completed on October 26th, when Steinbeck wrote in his journal: "Finished this day -- and I hope to God it's good."
Published in April 1939,
The Grapes of Wrath became an enormous bestseller, winning critical praise from many of the best reviewers in the country. It also earned the Pulitzer Prize and was made into a film by director John Ford. Not surprisingly, the novel helped to focus national attention on the migrant situation. Popular first lady Eleanor Roosevelt supported the book, and her strong views were widely reported in the press. Soon after, large sums of federal money were directed to California to aid the migrants, and Steinbeck's novel became a catalyst for the change in attitude of
Californians themselves, many of whom had not understood the extent of the plight of the migrants.
Steinbeck had, in fact, managed to write his "big book."
The Grapes of Wrath became an instant classic, and it has maintained its position over six decades, with a readership in the millions. There are precious few "great" American novels, and this is surely one of them. (
Jay Parini)
Reading Group Guide
The Grapes of Wrath
by John Steinbeck
Prepared by Dr. Donald R. Gallo
Professor of English
Central Connecticut State University
NOTE
TO THE TEACHER
The questions, exercises, and assignments on these
pages are designed to guide students' reading of the
literary work and to provide suggestions for exploring
the implications of the story through discussions,
research, and writing. Most of the items can be handled
individually, but small group and whole class discussions
will enhance comprehension. The Response Journal should
provide students with a means, first, for recording their
ideas, feelings, and concerns, and then for reflecting
these thoughts in their writing assignments and class
discussions. These sheets may be duplicated, but teachers
should select and modify items according to the needs and
abilities of their students.
INTRODUCTION
Life during the Great Depression of the 1930's was
extremely difficult for almost everyone. But for those
who had little to begin with, it created often unbearable
circumstances. By 1935, drought and poor farming
practices, especially in Oklahoma, Arkansas, Colorado,
Kansas, and Texas, led to the wind erosion of topsoil. So
severe was this problem that the affected areas of the
Great Plains were labeled the Dust Bowl. At nearly the
same time, the development of the all-purpose tractor
enabled large landowners to dispense with the labor of
farmers who were tenants on their land. By the late '30s,
a majority of the approximately 1.8 million tenant
farmers in the South had been evicted from their homes.
Many of the displaced farmers sought work in the
"promised land" of California. Eventually,
there were as many as 300,000 migrants in California,
several workers for every available job in the fertile
farming valleys of that state.
In 1936, John Steinbeck conducted research on the
people who had moved to California from Arkansas and
Oklahoma; in 1937, he toured the Dust Bowl and traveled
with migrants on their relentless drive to California.
From those experiences he wrote The Grapes of Wrath,
which upon publication in 1939 earned Steinbeck both high
praise (including the Pulitzer Prize) and harsh criticism
for its strong language and sociopolitical implications.
The novel continues to be one of the most highly praised
and vehemently criticized pieces of American literature.
PREPARING
TO READ
- In American history texts and other library
sources, read about the Dust Bowl and other
events of the Great Depression. If possible,
obtain some of the famous 1930s photographs of
poor farmers, migrant laborers, and people on
city food lines. With other students, share what
you see in the faces of those people.
- Discuss what happens when machines replace
people. What alternatives do unskilled workers
have when they are replaced?
- What is your definition of family? Is a family
made up only of relatives? What keeps a family
together? Of what importance is family unity in
today's society?
- Obtain a road map of the United States and, as
you read the first half of the novel, trace the
route taken by the Joads, noting the location of
major events along the way
- As you read through the novel, stop occasionally
to record your thoughts, reactions, and concerns
in a Response Journal. Your journal may be a
separate notebook or individual sheets which you
clip together and keep in a folder. Include
statements about the characters - what you learn
about them, how they affect you - and your
thoughts about the key issues and events which
the book explores. Also, jot down questions you
have about events and statements in the book
which you do not understand. Your Response
Journal will come in handy when you discuss the
novel in class, write a paper, or explore a
related topic that interests you. In addition,
because this novel contains several sophisticated
words (e.g., petulant) and unusual expressions
(e.g., frawny), you may want to keep a list of
some of those words and their meanings in your
journal.
UNDERSTANDING
THE STORY
Chapters 1-11: The Land
- What does the setting of the opening scene
suggest about the rest of the novel? What does it
suggest about family structure?
- Animals play an important symbolic role
throughout this novel. What important qualities
does the land turtle have as described in Chapter
3?
- What opinions does Casy, the former preacher,
have about sin and using "bad words"?
- How do the tractors operate? What role does the
bank play? What power do the small farmers have
against the banks and the tractors?
- Of what importance is Muley in this story? What's
the difference between being the hunter and being
the hunted?
- Chapters 2, 4, 6, 8, and 10 tell the narrative
about Tom Joad and his family the way novels
usually do. What is the function of the other
short chapters (1, 3, 5, etc.)? What does Chapter
7 imply about used-car salesmen?
- What do the faces of the Joad family reveal about
them? What are the most important characteristics
of Ma and Pa and of the grandparents?
- How does each member of the family feel about
going to California? How does each feel about
leaving home? What is young Tom's philosophy for
dealing with the future? What does Ma's burning
of the old stationery box illustrate?
Chapters 12-18: The Migration
- What is the first unpleasant event that occurs on
the Joads' journey? What does that event portend
about what lies ahead?
- What happens to solidify the family as they drive
along? Of what significance is Grampa Joad's
death? How does Granma take it? What is Ma's
philosophy of "holdin' on"? What is the
value of Casy's prayer?
- What does it show about the Joads when they
befriend the Wilsons? What is the significance of
the change from "I" to "We"
(p. 165)?
- What is the function of Chapter 15? What does it
imply about businessmen, waitresses, and truck
drivers?
- When the car breaks down, what is significant
about Ma's reaction? How does the mechanical
difficulty affect the relationship between Tom
and Al?
- How does the one-eyed man in the junkyard feel
about the owner of the yard? What advice does Tom
give him?
- In the camping area, what information does the
ragged man give to Pa about California? What
effect does that information have on the Joads?
- What effect does the nightly camping have on the
people heading for California? How does it give
them strength and power?
- What is the Joads' first view of California? What
impressions of California do the two men from the
Panhandle provide? Why does Noah leave? What is
Ma's response?
- Why are the migrants called "Okies"?
What do the two boys in the service station in
Needles say about Okies?
- Of what symbolic value is the desert? Does
California look the way the characters thought it
would? What do we learn about Granma? What do
Ma's reactions again show about her?
Chapters 19-30: The Promised Land
- How has farming changed according to Chapter 19?
Why do the local people fear the migrants? What
is a Hooverville? How do you suppose a
Hooverville got its name? What are the
"three great facts of history" (p.
263), and what do they imply about the outcome of
the events in this novel?
- Why is it so difficult to obtain work in
California? Why do wages fall? What keeps the men
from uniting? What advice does Floyd Knowles
give? How is Rose of Sharon affected by all of
this?
- How do the police treat the migrants? Why? What
does Casy's attack on the deputy reveal about
him? Why is Uncle John so upset? What causes
Connie to leave?
- What does Ma Joad mean when she says "Why,
we're the people - we go on"?
- In what ways does the hostility of the local
people change the migrants? How are the
government camps different from the Hoovervilles?
What is effective about the way they are run?
- How does Mr. Thomas (Chapter 22) treat the
workers? How does Tom feel about working? In what
ways does Mr. Thomas represent the dilemma of the
small farmer?
- How do the Joads, especially the children, show
their ignorance of "modern"
conveniences?
- What do the events in Chapter 22 say about
charity, religion, and hard work? What and who
are "reds"?
- How is it that people are starving when fruit is
overabundant? Why do the owners destroy the
surplus?
- Why do the Joads leave the government camp at
Weedpatch? How is life at the Hooper ranch
different? How is it typical of the lives of
migrants? What does Ma's encounter in the store
show about the plight of migrant workers?
- What does Tom discover about Casy? How is Casy
different from what he once was? How does Tom
react to the attack on Casy?
- What do the boxcars provide besides shelter? In
hiding, what decision does Tom make? How does Ma
feel about that? What conclusion does Ma reach
about the family? What keeps them all from giving
up?
- How does the rain affect the lives of the
migrants? Of what importance is building the
dike, even if it breaks? How does Ma know they
will survive?
- What impact does the stillbirth of Rose of
Sharon's baby have? What does Uncle John do with
the dead baby, and what does this act signal
about him and the other migrants?
- Why is Rose of Sharon's feeding the starving man
an appropriate ending for this novel? Why is she
smiling "mysteriously"?
Digging Deeper
- In the beginning, each character has personal
reasons for wanting to go to California. In what
ways does each individual's goal change? Which
people grow to see a larger purpose in life? What
factors contribute to their changes?
- The heroes of The Grapes of Wrath are on
the bottom of the social ladder; their language
is often vile, their behavior is sometimes as
coarse as their language, and they freely discuss
bodily functions (which in the 1930s were seldom
mentioned in literature). What was Steinbeck's
purpose in portraying such unrefined and coarse
people? What would be the effect on readers if
the Joads spoke "proper" English and
did not curse?
- According to statements made in this novel, of
what importance is anger in overcoming fear? What
must be done with anger in order to make it
productive? Do you agree or disagree with that
philosophy as expressed in this novel?
- What is the effect of the chapters which come
between the narrative about the Joads? How would
the elimination of those chapters affect the
meaning and the impact of the novel?
- Identify as many Biblical references or parallels
as you can find in the novel and discuss their
effectiveness as well as their meaning.
- The political implications of this novel have
been strongly attacked. In what ways is the novel
a criticism of capitalism? Does the novel
advocate communism? Defend your opinions with
evidence from the novel.
- In what ways is your definition of the term
family similar to the meaning Ma Joad gives to
the term? In what ways is Ma Joad's meaning
different? What do the implications of her
meaning contribute to the author's message in the
novel?
- If you had been an owner of a large California
farm in 1939, how would you have felt about
people like the Joads? As the owner of that farm,
how might this novel have changed your feelings?
- Steinbeck wrote to his editor about this novel:
"I've done my damndest to rip a reader's
nerves to rags, I don't want him satisfied."
Did he succeed in doing that to you? If, so how
did he accomplish it? If not, why weren't you
affected in that way?
- Some critics maintain that this novel promotes
hatred between classes of people. In what ways
does it do that? In what ways does the novel's
effect go beyond that?
- What has become of Noah? What does Connie do with
the rest of his life? What will Tom become, and
will he be successful at it? What will Al do
next? How will these events change Rose of
Sharon?
- You might have utilized notes from your Response
Journal to answer some of the questions above.
Now select one specific, unanswered question that
you raised in your journal and see if your
classmates can shed some light on that issue.
WRITING
RESPONSES
- Explain the importance of the contrast between
the dryness of the first part of the novel and
the floods of the final part. Note also the
frequent references to the sun as a "large
red drop" that made a cloud look like a
bloody rag and the earth look bloody. How do
those images contribute to the meaning of the
novel?
- Describe the role women play throughout this
novel. Pay particular attention to the dialog
between Ma and Pa Joad on page 467, and be sure
to comment on the significance of Rose of
Sharon's final act in the novel.
- Explain how Tom's imprisonment affected the way
he behaved during the journey and throughout his
search for work in California.
- Steinbeck describes the migrants as
"homeless, hardened, intent, and
dangerous" (p. 257). Write a newspaper
editorial about those migrants as if you were the
editor of a small town newspaper in California.
- Steinbeck admired the poor migrants and believed
that from their enduring qualities "will
grow a new system and a new life which will be
better than anything we have had before."
Was he right? What kinds of changes have come
about because of the suffering of those migrants
of the '30s? In our society today, what similar
problems exist? What problems in recent times
have been exposed by writers the way Steinbeck
did in The Grapes of Wrath?
- Each of the characters in the novel had a dream
of what he or she wanted in the future. Describe
your own dreams and expectations for the future
and explain how you intend to go about attaining
them.
- Write a short story to describe what happens to
the Wilsons after the Joads leave them behind.
- Write a factual newspaper account of the
citizens' raid on the camp at Hooverville.
- Some Americans believe this novel is dirty,
blasphemous, advocates a communistic society, and
therefore should not be taught in high schools.
Explain to parents in your town why you feel the
novel should be read and studied in your high
school, or explain to a group of teachers why you
feel the novel should not be required.
EXPLORING
FURTHER
- To learn of the angry reactions of Californians
to The Grapes of Wrath, read Frank J.
Taylor's "California's Grapes of
Wrath," published in 1939. Similarly
interesting is Martin Shockley's "The
Reception of The Grapes of Wrath in
Oklahoma," which appeared in 1944. Both are
reprinted in The Viking Critical Library Edition
of The Grapes of Wrath: Text and Criticism,
edited by Peter Lisca.
- Read a simpler view of migrant workers in
Steinbeck's Of Mice and Men, or about a
strike of migrant workers in his In Dubious
Battle.
- Research the requirements for and the other
recipients of the Pulitzer Prize (for fiction)
and the Nobel Prize, both of which were awarded
John Steinbeck. Read his Nobel Prize speech.
- Who are the migrant workers today in California?
Are they better organized than the
"Okies" were? What are the typical
wages paid today for picking peaches, lettuce,
and other farm produce? Research the housing and
living conditions for migrant workers in your
state.
- Who picks cotton today? Find out about the
capabilities of today's modern tractors and
harvesters.
- What is the percentage of small farms in the U.S.
today? How do today's small farmers compete
against the gigantic land-owners, and what are
their relationships with today's bankers? What
has changed for farmers since the 1930s and what
problems still exist?
- View the 1940 film based on this novel (available
on video tape). How closely do Nunnally Johnson's
screenplay and John Ford's direction follow the
events and the spirit of the book?
- Write an advertisement for jobs for migrant
workers of the '30s. To what would you want to
appeal?
- Locate and play recordings of some of the music
mentioned throughout this book, such as
"Ol'' Dan Tucker" and "Chicken
Reel." In what ways is the music like the
people in The Grapes of Wrath?
- Locate drawings or photographs of some of the
different types of automobiles mentioned in the
novel, such as Cord, LaSalle, and Zephyr. Find
out why those cars are no longer manufactured.