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    Ill Met by Moonlight by Sarah A. Hoyt

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    (Mass Market Paperback)

    Details from Seller

    • ISBN: 0441009832
    • Publisher: Ace
    • Pub. Date: September 2002
    • Condition:

    Comments from the Seller: 2002 Mass-market paperback Good. Mass market (rack) paperback. Glued binding. 304 p.

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    Synopsis

    A world not of this world but in it-where a transparent palace hangs suspended in mid-air and tiny fairies twinkle here and there...where a traitorous king holds court before elven lords and ladies...and where fantastical tragedies and capricious romances reach out to entangle mortal souls...

    Enter:
    William Shakespeare

    This enchanting fantasy debut begins with the disappearance of young Will Shakespeare's wife and newborn daughter-a mystery that draws the Bard into a realm beyond imagination...and beyond reality. Held captive by the devious ruler of the elves and fairies, Shakespeare's family appears lost to him forever. But an alluring elf named Quicksilver takes a fancy to Shakespeare-and sees a chance to set things right.

    Can a mere schoolteacher win his wife back from a king? Or will Shakespeare fall prey to his own desires-and the cunning schemes of the unpredictable elf?

    Author Biography: Sarah De Almeida Hoyt was born in Porto, Portugal. She holds an MA in English and Literature and has pursued Shakespeare studies as a hobby since she was twelve. Her short stories have appeared in various magazines, among them Weird Tales and Absolute Magnitude.

    Publishers Weekly

    "To be or not to be?" This is a conundrum posed not by the immortal Bard of Avon but, in newcomer Hoyt's quirky novel, by Quicksilver, heir proper to the Elven Realms Above the Air and Beneath the Hills of Avalon. William Shakespeare, who has yet to begin his career as a playwright, suffers a terrible personal blow when Sylvanus, evil king of the Elven realm, kidnaps his new wife, Nan, and their baby, Susannah. The young Shakespeare vows to get them back, but just how he'll go about it he doesn't know. Enter Quicksilver, the elf who was tricked out of his inheritance by his brother, Sylvanus. In the form of the Dark Lady (Shakespeare's supposed muse), Quicksilver allies himself with Shakespeare to bring about the downfall of Sylvanus and return Nan and Susannah to Will. Much treachery, romance and elvish behavior follow. Hoyt's Will Shakespeare makes an engaging main character, and the book generally romps along as a straightforward fantasy. Numerous references to the plays and a number of direct quotations mixed in with the text add to the fun. In her epilogue, the author discusses her sources and makes a plausible case, given the meager evidence, for assuming that the playwright was happily married. This is a literate first novel with the promise of good things to come. (Oct. 9) Forecast: The Pre-Raphaelite blonde on the jacket scarcely fits the image of the Dark Lady, but she does serve to signal that this is a quality item with crossover appeal to Shakespeare fans. Copyright 2001 Cahners Business Information.

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    Customer Reviews

    A wonderful tale worthy of the Bardby Anonymous

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    11/13/2001: Take a story that has a poor man's wife and daughter kidnapped, the mysterious death of a monarch, the rightful heir passed over due to a physical abnormality, twist them and entwine them together, and you'd have a pretty good story. Now, make the poor man none other than a young William Shakespeare, living in Stratford prior to his ascension in London. The murdered monarchs turn out to be King Oberon and Queen Titania of the fairy people. The abnormality of the rightful heir Quicksilver turns out to be the ability to shape-shift between two aspects of himself, a quality that his brother Sylvanus exploits to become the king. Now mix up these elements and you'd swear that Sarah Hoyt had three witches stirring a brew and speaking cryptic riddles in her office when she wrote 'Ill Met By Moonlight'. In this well crafted novel we meet young Will Shakespeare, before he went to London, and before he wrote his first play. Earning a meager wage as a teacher, he lives with his wife Anne and infant daughter Susannah in a small house on his father's lot. His simple life is broken apart when he returns home one night to find his family gone. In trying to locate them Will finds that Sylvanus has taken them to the fairy palace so Anne can be wet nurse for Sylvanus' daughter whose human mother has recently died. Quicksilver in turn discovers Will, and uses him as a tool, embroiling him in a plot to regain his throne that forces Will to eventually fight the powerful magic of Sylvanus not only for his family, but for his life. In the end, While the Lady Silver is captivated by Will's mortal charm, Quicksilver gains a respect for Will and looks upon him as a kindred spirit and brother. Will gains a sense of greater purpose, a deeper love for his wife, and more than a few ideas for use later in life. Hoyt's use of language not only provides the images of the places and participants, but also the feeling of the setting as it must have appeared during Shakespeare's life. She seamlessly blends the real world with that of fairy as Will moves between the two worlds to find his family, and discovers that there may be more for him in life than his role as a humble teacher. Working to stay true to what is known of Shakespeare's early life, she weaves a story full of court intrigue, mysterious deaths, and hidden motivations that introduce many character types that show up in various later plays by the as yet still mortal bard. Written for readers of the twenty-first century, using characters and locations from the sixteenth, 'Ill Met By Moonlight' is an excellent tale of heroism, conspiracy, and the search for justice. A story that would be worthy of stage presentation in five acts, if such were still being written today.

    An Original and Wonderful Entertainmentby Anonymous

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    10/20/2001: Ill Met by Moonlight is unique among the few works of fiction that use William Shakespeare as a character. The trouble with most of those novels and films is their lack of daring. The precious few facts we know about the man are treated with such reverence that the author hardly dares to make even the most believable addition. Maybe Will played detective and investigated Kit Marlowe's death? Maybe a girl sneaked in to play a girl's part? Maybe the Queen herself dropped by to catch a performance? They amuse us by timidly stepping a toe into the great unknown sea of Shakespeare's personal history. Sarah Hoyt's Ill Met by Moonlight, on the other hand, is fired by an imagination and daring worthy of the playwright. The premise is simple and grand: what if Shakespeare based A Midsummer Night's Dream on his own encounters with the world of Faerie? And this is not the fairyland of Victorian children's stories that young Will falls into, rather it is the dark ethereal realm our ancestors thought they shared their world with. Kirk's Secret Commonwealth, inhabited by Tam Lin and Allingham's Fairies, in which a man who joins the dance in the fairy circle, may wake up the next day to find twenty years have passed in the world he knew. Will's wife Nan and young daughter Susannah are spirited away to a crystal palace that appears in an enchanted wood, and Will, going to their rescue, finds himself enmeshed in the political affairs of nearly immortal creatures who, for all their great powers, are as succeptible as mortals to lust and greed and rage and the will to power. And is seduced by the impossibly beautiful Lady Silver. And finds himself loved by Lord Quicksilver, for Quicksilver and Silver are one in the same, a shapechanger who transforms between the human sexes as others of his kind transform between species. Ill Met by Moonlight is an original and truly wonderful entertainment.


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