Bones (Alex Delaware Series #23) by Jonathan Kellerman

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(Hardcover)

Details from Seller

  • ISBN: 0345495136
  • Publisher: Random House Publishing Group
  • Pub. Date: October 2008
  • Condition:
  • Attributes: Dust Jacket

Comments from the Seller: 2008 Hardcover Good in Good jacket List on Amazon Cover wear and may contain some marks or writing. 100% Satisfaction Guarantee.

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Synopsis

When it comes to writing deftly layered, tightly coiled novels of suspense, #1 New York Times bestselling author Jonathan Kellerman reigns supreme as “master of the psychological thriller” (People). Now, Kellerman has worked his magic again in this chilling new masterpiece.

The anonymous caller has an ominous tone and an unnerving message about something “real dead . . . buried in your marsh.” The eco-volunteer on the other end of the phone thinks it’s a prank, but when a young woman’s body turns up in L.A.’s Bird Marsh preserve no one’s laughing. And when the bones of more victims surface, homicide detective Milo Sturgis realizes the city’s under siege to an insidious killer. Milo’s first move: calling in psychologist Alex Delaware.

The murdered women are prostitutes–except the most recent victim; a brilliant young musician from the East Coast, employed by a wealthy family to tutor a musical prodigy, Selena Bass seems out of place in the marsh’s grim tableau.

Conveniently–perhaps ominously–Selena’s blueblood employers are nowhere to be found, and their estate’s jittery caretaker raises hackles. But Milo’s instincts and Alex’s insight are too well-honed to settle for easy answers, even given the dark secrets in this troubled man’s past. Their investigation unearths disturbing layers–about victims, potential victims, and suspects alike–plunging even deeper into the murky marsh’s enigmatic depths.

Bizarre details of the crimes suggest a devilish serial killer prowling L.A.’s gritty streets. But when a newmurder deviates from the pattern, derailing a possible profile, Alex and Milo must look beyond the suspicion of madness and consider an even more sinister mind at work. Answers don’t come easy, but the darkest of drives and desires may fuel the most devious of foes.

Bones is classic Kellerman–relentlessly peeling back the skin and psyches of its characters and revealing the shadows and sins of the souls beneath. With jolt after jolt of galvanizing suspense, it drives the reader through its twists and turns toward a climax as satisfying as it is shattering.


From the Hardcover edition.

Publishers Weekly

In this run-of-the-mill police procedural from bestseller Kellerman, his 23rd novel to feature L.A. consulting psychologist Alex Delaware (after Compulsion), high school miscreant Chance Brandt has been assigned to perform community service at the Bird Marsh, a nature sanctuary near Marina del Rey. After Chance dismisses as a prank an anonymous phone call warning him that there's a corpse buried in the marsh, Lt. Milo Sturgis, now "Special Case Investigator" for the LAPD, and Sturgis's team find four bodies there, all women missing their right hand. When Sturgis identifies one of the victims as Selena Bass, who worked as a piano teacher for the wealthy Vander family, the police focus on Travis Huck, the manager of the Vanders' Pacific Palisades estate, as the prime suspect because Travis has a criminal past. Kellerman fans wanting more of the same should be satisfied, though Sturgis gets less benefit from Delaware's psychological expertise than usual. (Nov.)

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Biography

Jonathan Kellerman is one of the world’s most popular authors. He has brought his expertise as a clinical psychologist to more than two dozen bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, and Twisted. With his wife, the novelist Faye Kellerman, he co-authored the bestsellers Double Homicide and Capital Crimes. He is the author of numerous essays, short stories, scientific articles, two children’s books, and three volumes of psychology, including Savage Spawn: Reflections on Violent Children. He has won the Goldwyn, Edgar, and Anthony awards, and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California and New Mexico. Their four children include the novelist Jesse Kellerman.


From the Hardcover edition.

Customer Reviews

Typical Kellerman fair. Good writting and delivers the goods as you expect.by Joe-Mig

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10/17/2009: Typical characters, enjoyable.

Not great, not too badby MolinaroloFtL

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09/04/2009: A mysterious caller to Save the Marsh tells the young "volunteer" doing community service at the marshlands that a body is on the premises and doesn't tell anyone right away. After the brother of one teen's friend call the police to report said fact, a body of a young, gifted piano teacher to a wealthy child prodigy is found with her right hand cut off. Soon three more skeletons are found on Save the Marsh property. They are determined to be female. A man attending an auction buys a beautiful box in which are human bones. Intriguing plot, but poor execution.

Kellerman devotes an entire chapter developing the buyer of the box only to have this character to make a cameo appearance later in the novel. The reader is bombarded with the teen volunteer's usage of the F word throughout the story and even devotes a whole chapter to it, wonderful.not! Immediately the investigation focuses upon the hapless, somewhat disabled caretaker of the Vander estate, and I mean focused to the point that Milo Sturgis (is he gay?), Moses Reed, and Delaware almost exclude everyone else. When the skeleton's were identified as long missing female prostitutes, psychologist Alex Delaware should have pointed the two detectives in another direction, though he does investigate a couple of leads himself.

No red herrings here, unfortunately for an avid mystery reader. Even the dialogue was confusing. All of the characters sounded the same except Fox and Simone Vander The side story of Reed and his bi-racial brother, Aaron Fox, as well as the identity of the prostitutes' killer kept me reading. My introduction to Joseph Kellerman reminded me of James Patterson, good plots, bad dialogue, the hard deadline forced poor execution of a very promising plot.


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