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Gardner Dozois, winner of nine Hugo Awards for best editor, pulls together the finest works of contemporary science fiction. This annual anthology, considered to be the definitive collection of the genre, blends together a wide variety of authors and styles. Space opera, Asimov, international science fiction writers, and hard sf are all found in this collection of 28 stories.
This award-winning collection continues to provide dozens of the best stories of the year, including works by renowned veterans and exciting newcomers, such as Terry Bisson, Greg Egan, Ursula K. Le Guin and Nancy Kress. Rounded out with a long list of honorable mentions, this remains the one book for every sci-fi reader.
Dozois's Year's Best, like any successful representative of a large constituency, sometimes suffers from blandness and inconsistency. As usual, it's oversized23 stories, nearly 600 pagesand includes a variety of types of SF as well as near-horror, fantasy and humor. Five of the stories are final nominees for Nebulas, and two new ``Hainish'' stories by Ursula LeGuin were nominated for Tiptree Awards; ``The Matter of Segrri'' won. No story here is less than competent and professional; but, with a few exceptions, there is a voiceless sameness in the writing, practically a house style, that over so many pages grows tedious. (Nearly half the stories, by page count, come from the Dozois-edited Asimov's Science Fiction.) A number are flawed (``hard'' SF stories about ``aliens'' that think just like humans) or unremarkable, but these are outweighed by many fine pieces and by standouts such as LeGuin's ``Forgiveness Day,'' perhaps the best story in the book; Eliot Fintushel's ``New Wave''-like ``Ylem''; William Sanders's ``Going After Old Man Alabama'' and Terry Bisson's ``The Hole in the Hole,'' both of which are winning and funny; Katherine Kerr's chilling ``Asylum''; and Michael Bishop's grand and humane ``Cri de Coeur.'' Dozois's intelligently and ably put-together anthology does its stated job as well as any one book or editor could. Even with competition, it would still be the best of the Best. (July)
More Reviews and RecommendationsGardner Dozois has won the Hugo Award for Best Editor twelve times. The editor of Asimov's SF magazine since 1986, he lives in Philadelphia, Pensylvania.
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08/12/2006: I loved this book! I adore short sf stories. My favourites in this collection were Mayflower II, Ten Sigmas, and The Clapping Hands Of God, all of which I found to be very thought-provoking. Most of the others were just good old-fashioned page-turning sf stories. The best thing about collections such as this one is that they provide an overview of the sf scene at that particular time, and they give me a sample of different authors for me to decide whether to read more of their work. I will definitely be checking out most of the authors here. All those sf books out there, and most of them I will never have time to read, unfortunately...guess it's like a NOW greatest hits collection. One question, I bought the book in the UK as 'The Mammoth Book Of SF 18'. Why is this so if there have been 22 collections? That's just a quibble, though, and I can't wait for number 23 later this year and to read the earlier ones! I like a classic story to have at least one classic line, and 'The Clapping Hands Of God' has two: 'Sometimes...I do not understand you people.' 'Hassan Maklouf was their leader, a man who had walked on eighteen worlds...On one, he had lost his soul.' Classic.
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07/07/2005: Each year this series is always one of the best anthologies on the market as evidenced by the numerous awards including several over the last year. As always the compilation provides readers with insight into what is happening in the genre. The twenty-eight chosen tales run the gamut displaying a widening genre that proves no boundaries exist except that of the imagination. The stories are all well written and fun to read especially contrasting styles and sub-genres. Of most interest to at least this reader is the increase of contributions that initially appeared on-line fans will be hard pressed to figure out which first appeared in electronic media vs. print without the insightful introduction that laments the slow decline of publications. As usual Mr. Dozois does his terrific yeomen job (sort of reminding this reviewer he and me need to get a life beyond the classic bookworm) of bringing together a broad sample of science fiction that showcases the trends of 2004 inside of superb tales. --- Harriet Klausner