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Even before earning his doctorate in education, Bill Cosby knew how to speak to the child in us all.
In this story about a zealous bird who learns to soar from under the shadow of his best friend's wing comes a powerful message about being oneself and the glorious freedom that can bring! Intended as a tribute to Dr. Cosby's son, Ennis, the book ultimately celebrates all of us who strive to become our best selves.
Despite its worthy messages and its author's track record as an entertainer, this volume is a disappointment. The tale describes a flock of birds whose stunt-flying attracts repeat audiences of humans. The narrator, Slippers, says he used to be "the bird. I mean The Bird." Then another bird, Feathers, gained the spotlight with his large wingspan and his extraordinary plumage. Five spreads with lengthy text describe Feather's beauty and his flying feats before Slippers introduces the main character, a plain-looking "dude" named Hog who takes huge risks in a fruitless pursuit of the crowd's adulation. The moral, to some extent obscured by the garrulous delivery, touts the importance of doing things for their own sake and not to impress others. The illustrator, Bill Cosby's daughter, renders props and characters in a straightforward, frontal style, and mounts them atop abstractly patterned backgrounds in the three-quarter-spread illustrations; the hand-lettered text floats atop crumpled colored-paper fields in the remaining quarter. The dissonant combination of elements and styles exacerbates the story's twisty development. With its copious digressions, folksy vocabulary and exaggerations, the text comes across as a transcription of oral storytelling; what might work in a live performance can seem coy on the page. Ages 4-up. (May) Copyright 2003 Reed Business Information.
More Reviews and RecommendationsAt 66 Years Old, Bill Cosby is Hotter than Ever
With his new book I Am What I Ate and Im Frightened, an animated series based on his best-selling book Fatherhood to launch in January on Nick at Nite, a movie based on his character Fat Albert about to go into production, his Little Bill animated series airing daily on Nickelodeon and Saturday mornings on CBS, and The Cosby Show in syndication, Bill Cosby continues to be as prolific and relevant as ever, reaching every generation and every audience since he began his career in stand-up four decades ago.
He is one of the most influential performers of the second half of the 20th century. He has had an unparalleled career in television; has sold more record albums than any other comedian; his blockbuster books have sold millions of copies; and his generous support of numerous charities, particularly in the field of education, have endowed many Americans with the gift of hope and learning.
Through his groundbreaking appearances on television, particularly in two landmark series each of which defined an American decade, Bill Cosby has touched the lives of millions of Americans. In the 1960s, "I Spy" broke the racial barrier in television by featuring Cosby as the first-ever black lead of a weekly dramatic series. In the 1980s, Cosby returned to television with a show that Coretta Scott King described as "the most positive portrayal of black family life that has ever been broadcast." "The Cosby Show" enjoyed years of number-one ratings and nearly unanimous critical praise.
Cosby's success on television has been matched in other areas. In 1986 he broke Radio City MusicHalls 53-year-old attendance record for his concert appearance. Cosby's also a giant in the publishing world. Fatherhood (1986) became one of the fastest-selling hardcover book of all time, remaining for more than half of its fifty-four weeks on The New York Times Best Seller List as Number 1. It has sold 2.6 million hardcover copies and 1.5 million paperbacks. Time Flies had the largest single first printing in publishing history1.75 million. Now, I Am What I Ate and Im Frightened is poised for the bestseller list.
A crusader throughout his career for a better world, his great success in the world of entertainment is complemented by his involvement with a host of charity organizations, making substantial gifts in support of education, most notably to predominantly black colleges and to various social service and civil rights organizations.
On the evolution of his own style of comedy, Bill Cosby states that he was drawn at an early age to the masters of jazz, learning to emulate in comedy their ability to take an idea and continually find new and innovative ways of expressing the same theme. The legacy of Bill Cosby's comedic genius is as sweet, meaningful and universal as any piece of music ever played.