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(Mass Market Paperback - Reprint)
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"Sometimes dead is better...."
When the Creeds move into a beautiful old house in rural Maine, it all seems too good to be true: physician father, beautiful wife, charming little daughter, adorable infant son and now an idyllic home. As a family, they've got it all...right down to the friendly cat.
But the nearby woods hide a blood-chilling truth more terrifying than death itself...and hideously more powerful.
Like most of Mr. King novels, Pet Sematary loses credibility toward the end, as it gains in gore. . . Nor is Pet Sematary his best book as a piece of writing. . . . Reader, beware. This is a book for those who like to take their scare straight -- with a chaser of despair.
More Reviews and RecommendationsFew authors have tapped into our secret fears as adeptly as Stephen King, Master of the Macabre and one of the most widely read novelists writing today. With his trademark blend of fantasy, horror, and psychological suspense, this prolific and immensely popular contemporary writer continues to remind us that evil is still a potent force in the world.
More About the AuthorName:
Stephen King
Also Known As:
Stephen Edwin King (full name); Richard Bachman
Current Home:
Bangor, Maine
Date of Birth:
September 21, 1947
Place of Birth:
Portland, Maine
Education:
B.S., University of Maine at Orono, 1970
Awards:
O. Henry Award for "The Man in the Black Suit", 1995; National Book Foundation Medal for Distinguished Contribution to American Letters, 2003
Fiction powerhouse Stephen Edwin King was born in Portland, Maine, in 1947. As a student at the University of Maine at Orono, he wrote a weekly column for the school newspaper, became active in political causes, and met his wife, the former Tabitha Spruce. In the early years of his marriage, King augmented his meager teacher's salary by selling short stories to men's magazines. Then, in 1973 he hit pay dirt: his novel Carrie was accepted for publication, and a major paperback deal provided the means for him to leave teaching and concentrate full-time on writing. Since then, the prolific author has never looked back.
Dubbed the Master of the Macabre for his domination of the horror genre, King has also written bestselling thrillers, mysteries, fantasies, novellas, and short stories, many of which have been turned into blockbuster films and miniseries (A partial list includes Carrie, The Shining, The Stand,, Misery, It, The Shawshank Redemption, The Langoliers, Stand by Me, and The Green Mile). He also has two works of nonfiction to his credit: a gorgeously crafted memoir/scribbler's how-to (On Writing) and Faithful, a chronicle of the Boston Red Sox' stellar 2004 season, cowritten with Stewart O'Nan. In 2003, he received the National Book Foundation Medal for Distinguished Contribution to American Letters.
In between books, the indefatigable King performs in the Rock Bottom Remainders, a rock band that includes among its rotating personnel fellow authors Dave Barry and Amy Tan; attends as many Boston Red Sox games as is humanly possible; and contributes with his wife, Tabitha, to many local and national charities.
Don't believe everything you read about Stephen King. Among the gossip circulating about the scribe is the rumor that he is going blind. King assures his fans that while he is genetically predisposed to a disease called macular degeneration, which could result in blindness, he is not actually going blind.
King is probably one of the most easily recognizable authors alive, and it's not just because of his string of bestsellers. King has appeared in a number of films based on his work, including Pet Semetary, Thinner, and The Stand.
If you've ever wondered why Stephen King has written several books under the pseudonym Richard Bachman, there is actually a very simple explanation: King is so prolific that he felt it necessary to create an alter-ego so that he could publish more than one book a year. The name was a hastily hobbled together combination of writer Richard Stark (ironically, a pseudonym for Donald Westlake) and Randy Bachman of rock group Bachman-Turner Overdrive.
"Sometimes dead is better...."
When the Creeds move into a beautiful old house in rural Maine, it all seems too good to be true: physician father, beautiful wife, charming little daughter, adorable infant son and now an idyllic home. As a family, they've got it all...right down to the friendly cat.
But the nearby woods hide a blood-chilling truth more terrifying than death itself...and hideously more powerful.
Like most of Mr. King novels, Pet Sematary loses credibility toward the end, as it gains in gore. . . Nor is Pet Sematary his best book as a piece of writing. . . . Reader, beware. This is a book for those who like to take their scare straight -- with a chaser of despair.
In this BBC dramatization of King's (Wizard and Glass, Audio Reviews, LJ 2/15/98) 1983 best seller, Dr. Louis Creed moves his ideal family from congested, urban Chicago to the rural simplicity of Ludlow, ME. His property sits near a long-established pet burial ground and a mysterious Indian burial ground from which the dead can be raised. The program effectively draws us into the characters' world: marriage and family, then shock, grief and madness as we explore the nature and mystery of death. Presenting a multivoiced dramatization rather than a reading of the novel, the actors work together, with added music and sound effects, to create King's macabre world. Recommended.--Kristen L. Smith, Loras Coll. Lib., Dubuque, IA
Unrelenting, convincing...awesome power...his best yet!
Loading...Contents
Introduction
Part OneThe Pet Sematary
Part TwoThe Micmac Burying Ground
Part ThreeOz the Gweat and Tewwible
Chapter One
Louis Creed, who had lost his father at three and who had never known a grandfather, never expected to find a father as he entered his middle age, but that was exactly what happened...although he called this man a friend, as a grown man must do when he finds the man who should have been his father relatively late in life. He met this man on the evening he and his wife and his two children moved into the big white frame house in Ludlow. Winston Churchill moved in with them. Church was his daughter Eileen's cat.
The search committee at the university had moved slowly, the hunt for a house within commuting distance of the university had been hair-raising, and by the time they neared the place where he believed the house to be all the landmarks are right...like the astrological signs the night before Caesar was assassinated, Louis thought morbidly they were all tired and tense and on edge. Gage was cutting teeth and fussed almost ceaselessly. He would not sleep, no matter how much Rachel sang to him. She offered him the breast even though it was off his schedule. Gage knew his dining schedule as well as she better, maybe and he promptly bit her with his new teeth. Rachel, still not entirely sure about this move to Maine from Chicago, where she had lived her whole life, burst into tears. Eileen promptly joined her. In the back of the station wagon, Church continued to pace restlessly as he had done for the last three days it had taken them to drive here from Chicago. His yowling from the cat kennel had been bad, but his restless pacing after they finally gave up and set him free in the car had been almost as unnerving.
Louis himselffelt a little like crying. A wild but not unattractive idea suddenly came to him: He would suggest that they go back to Bangor for something to eat while they waited for the moving van, and when his three hostages to fortune got out, he would floor the accelerator and drive away without so much as a look back, foot to the mat, the wagon's huge four-barrel carburetor gobbling expensive gasoline. He would drive south, all the way to Orlando, Florida, where he would get a job at Disney World as a medic, under a new name. But before he hit the turnpike big old 95 southbound he would stop by the side of the road and put the fucking cat out too.
Then they rounded a final curve, and there was the house that only he had seen up until now. He had flown out and looked at each of the seven possibles they had picked from photos once the position at the University of Maine was solidly his, and this was the one he had chosen: a big old New England colonial (but newly sided and insulated; the heating costs, while horrible enough, were not out of line in terms of consumption), three big rooms downstairs, four more up, a long shed that might be converted to more rooms later on all of it surrounded by a luxuriant sprawl of lawn, lushly green even in this August heat.
Beyond the house was a large field for the children to play in, and beyond the field were woods that went on damn near forever. The property abutted state lands, the realtor had explained, and there would be no development in the foreseeable future. The remains of the Micmac Indian tribe had laid claim to nearly eight thousand acres in Ludlow and in the towns east of Ludlow, and the complicated litigation, involving the federal government as well as that of the state, might stretch into the next century.
Rachel stopped crying abruptly. She sat up. "Is that "
"That's it," Louis said. He felt apprehensive no, he felt scared. In fact he felt terrified. He had mortgaged twelve years of their lives for this; it wouldn't be paid off until Eileen was seventeen.
He swallowed.
"What do you think?"
"I think it's beautiful," Rachel said, and that was a huge weight off his chest and off his mind. She wasn't kidding, he saw; it was in the way she was looking at it as they turned in the asphalted driveway that curved around to the shed in back, her eyes sweeping the blank windows, her mind already ticking away at such matters as curtains and oilcloth for the cupboards, and God knew what else.
"Daddy?" Ellie said from the back seat. She had stopped crying as well. Even Gage had stopped fussing. Louis savored the silence.
"What, love?"
Her eyes, brown under the darkish blond hair in the rearview mirror, also surveyed the house, the lawn, the roof of another house off to the left in the distance, and the big field stretching up to the woods.
"Is this home?"
"It's going to be, honey," he said.
"Hooray!" she shouted, almost taking his ear off. And Louis, who could sometimes become very irritated with Ellie, decided he didn't care if he ever clapped an eye on Disney World in Orlando.
He parked in front of the shed and turned off the wagon's motor.
The engine ticked. In the silence, which seemed very big after Chicago and the bustle of State Street and the Loop, a bird sang sweetly in the late afternoon.
"Home," Rachel said softly, still looking at the house.
"Home," Gage said complacently on her lap.
Louis and Rachel stared at each other. In the rearview mirror, Eileen's eyes widened.
"Did you "
"Did he "
"Was that "
They all spoke together, then all laughed together. Gage took no notice; he only continued to suck his thumb. He had been saying "Ma" for almost a month now and had taken a stab or two at something that might have been "Daaa" or only wishful thinking on Louis's part.
But this, either by accident or imitation, had been a real word. Home.
Louis plucked Gage from his wife's lap and hugged him.
That was how they came to Ludlow.
Copyright © 1983 by Stephen King
Chapter One
Louis Creed, who had lost his father at three and who had never known a grandfather, never expected to find a father as he entered his middle age, but that was exactly what happened...although he called this man a friend, as a grown man must do when he finds the man who should have been his father relatively late in life. He met this man on the evening he and his wife and his two children moved into the big white frame house in Ludlow. Winston Churchill moved in with them. Church was his daughter Eileen's cat.
The search committee at the university had moved slowly, the hunt for a house within commuting distance of the university had been hair-raising, and by the time they neared the place where he believed the house to be all the landmarks are right...like the astrological signs the night before Caesar was assassinated, Louis thought morbidly they were all tired and tense and on edge. Gage was cutting teeth and fussed almost ceaselessly. He would not sleep, no matter how much Rachel sang to him. She offered him the breast even though it was off his schedule. Gage knew his dining schedule as well as she better, maybe and he promptly bit her with his new teeth. Rachel, still not entirely sure about this move to Maine from Chicago, where she had lived her whole life, burst into tears. Eileen promptly joined her. In the back of the station wagon, Church continued to pace restlessly as he had done for the last three days it had taken them to drive here from Chicago. His yowling from the cat kennel had been bad, but his restless pacing after they finally gave up and set him free in the car had been almost as unnerving.
Louis himself felt a little like crying. A wild but not unattractive idea suddenly came to him: He would suggest that they go back to Bangor for something to eat while they waited for the moving van, and when his three hostages to fortune got out, he would floor the accelerator and drive away without so much as a look back, foot to the mat, the wagon's huge four-barrel carburetor gobbling expensive gasoline. He would drive south, all the way to Orlando, Florida, where he would get a job at Disney World as a medic, under a new name. But before he hit the turnpike big old 95 southbound he would stop by the side of the road and put the fucking cat out too.
Then they rounded a final curve, and there was the house that only he had seen up until now. He had flown out and looked at each of the seven possibles they had picked from photos once the position at the University of Maine was solidly his, and this was the one he had chosen: a big old New England colonial (but newly sided and insulated; the heating costs, while horrible enough, were not out of line in terms of consumption), three big rooms downstairs, four more up, a long shed that might be converted to more rooms later on all of it surrounded by a luxuriant sprawl of lawn, lushly green even in this August heat.
Beyond the house was a large field for the children to play in, and beyond the field were woods that went on damn near forever. The property abutted state lands, the realtor had explained, and there would be no development in the foreseeable future. The remains of the Micmac Indian tribe had laid claim to nearly eight thousand acres in Ludlow and in the towns east of Ludlow, and the complicated litigation, involving the federal government as well as that of the state, might stretch into the next century.
Rachel stopped crying abruptly. She sat up. "Is that "
"That's it," Louis said. He felt apprehensive no, he felt scared. In fact he felt terrified. He had mortgaged twelve years of their lives for this; it wouldn't be paid off until Eileen was seventeen.
He swallowed.
"What do you think?"
"I think it's beautiful," Rachel said, and that was a huge weight off his chest and off his mind. She wasn't kidding, he saw; it was in the way she was looking at it as they turned in the asphalted driveway that curved around to the shed in back, her eyes sweeping the blank windows, her mind already ticking away at such matters as curtains and oilcloth for the cupboards, and God knew what else.
"Daddy?" Ellie said from the back seat. She had stopped crying as well. Even Gage had stopped fussing. Louis savored the silence.
"What, love?"
Her eyes, brown under the darkish blond hair in the rearview mirror, also surveyed the house, the lawn, the roof of another house off to the left in the distance, and the big field stretching up to the woods.
"Is this home?"
"It's going to be, honey," he said.
"Hooray!" she shouted, almost taking his ear off. And Louis, who could sometimes become very irritated with Ellie, decided he didn't care if he ever clapped an eye on Disney World in Orlando.
He parked in front of the shed and turned off the wagon's motor.
The engine ticked. In the silence, which seemed very big after Chicago and the bustle of State Street and the Loop, a bird sang sweetly in the late afternoon.
"Home," Rachel said softly, still looking at the house.
"Home," Gage said complacently on her lap.
Louis and Rachel stared at each other. In the rearview mirror, Eileen's eyes widened.
"Did you "
"Did he "
"Was that "
They all spoke together, then all laughed together. Gage took no notice; he only continued to suck his thumb. He had been saying "Ma" for almost a month now and had taken a stab or two at something that might have been "Daaa" or only wishful thinking on Louis's part.
But this, either by accident or imitation, had been a real word. Home.
Louis plucked Gage from his wife's lap and hugged him.
That was how they came to Ludlow.
Copyright © 1983 by Stephen King
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