Trutor and the Balloonist by Debbie Lee Wesselmann: Book Cover

    Trutor and the Balloonist by Debbie Lee Wesselmann

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    (Hardcover)

    • Pub. Date: April 1997
    • 288pp
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      Product Details

      • Pub. Date: April 1997
      • Publisher: MacAdam/Cage Publishing, Incorporated
      • Format: Hardcover, 288pp

      Publishers Weekly

      Wesselmann's first novel defies genre definition. Though the theme is domestic violence, the narrative itself is imbued with charm, and the skeletons in a family closet are clothed in a disarming array of riddles and eccentric characters. Michelle Trutor, a recent college grad entangled in a relationship with an abusive philosophy professor, flees his blows and seeks refuge in the New Hampshire home of elderly Arthur Wharton (called the "Balloonist" because he wears goggle-like glasses), a fellow student of philosophy. The Balloonist and his twin brother were raised by a strange paradox of a woman, Caroline Wharton, their older sister and mother figure. A brilliant professor who became a vastly successful businesswoman, Caroline was ruthlessly cruel and physically abusive, and the twins grew up wounded and confused. Moreover, the bizarre will she left when she committed suicide was designed to torture them further, and under its provisions they are virtual prisoners in their Victorian manse. Now in their twilight years, they want someone to make sense of it all: they retain the dislocated Trutor to research and write Caroline's biography. It's therapy for Trutor, and she warms to the subject and to the quirky personalities she meets in the bleak little New Hampshire town. One soon gets the impression that Trutor, like Alice, has fallen down the rabbit hole. But too many oblique riddles and a plethora of clues slow the narrative pace. Wesselmann's prose is clear and graceful, and the narrative is shot through with isolated passages of lyrical beauty. Yet one gets the sense that she couldn't decide on the appropriate tone for this essentially gothic story and the serious issues it suggests but falls short of fully exploring.(May)

      Customer Reviews

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      Trutor and the Balloonistby Anonymous

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      July 23, 2004: This book is a total waste of time and money unless one uses it as a guide on how not to write a novel. It trails off into meaningless subplots, fails to develop others and just doesn't hold together at all. It was a struggle just to finish it. Read something else instead.

      Trutor and the Balloonistby Anonymous

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      May 20, 2003: This book is well-written as far as the prose is concerned and the descriptions of New England in the late fall and early winter are very evocative and very good. However, that's as far as I can go with positive comments concerning this book. The book's biggest problem is that there really is nothing at stake, at least for the protagonist. If she solves the (very weak) story problem, all well and good, but if she doesn't, well, life will simply continue on as it did before. Worse yet, the problem isn't even the protagonist's problem. Her own life will remain unaffected either way. Another big problem revolved around the antagonist. There is an old saying among writers that 'a book is only as strong as its villain factor.' The author of this book seems to have set out to create an effective villain but then got 'cold feet' and backpeddled, giving her antagonist so many 'good' qualities that she effectively watered down any threat previously presented. One of the title characters in the book is known as 'the Balloonist.' All through the book I wondered why he was called 'the Balloonist,' yet the author chooses never to give us a reason. Odd, to say the least. Another thing I really disliked was the fact that the main character is constantly threatened by another, unseen character, yet rather than write any sort of confrontation set piece, the author backed away and let's the threatening character simply 'change his mind and go away.' And all with no apparent motivation to do so. To me, this was akin to showing us the gun in Scene One and then not using it by Scene Three. There were many instances in which I thought the author was being far too coy with us and coyness is not a quality that is prized in literature. There were several extraneous scenes in the book that had no business being there. I can think of one glaring example near the end of the book that involves 'the Balloonist' that simply had no relation to the rest of the book. The title characters also make a trip near the end of the book that seems very out of place. Had this trip come earlier, it might have been fine, but the author places it far too late in the book for an effective change of locale. Also, the trip had not been previously set up so it came 'out of the blue.' There are simply so many good books to read out there that it seems a shame to waste your time and energy with this one. Skip it.