The Nudist on the Late Shift is the true story of a new generation at the proving point of their lives, written by Po Bronson. This is a defining portrait of young people in the whirl of an information revolution and an international gold rush. Masses of entrepreneurs and tech wizards, immigrants and investors, dreamers and visionaries, are heading west to seek their fortune and a new destiny. In Bronson, they have found their troubadour. Now he has woven those stories together, taking us inside the world of the newcomers, brainiacs, salespeople, headhunters, utopians, plutocrats, and innovators who are transforming our culture.
When satirical-fiction wunderkind Bronson set out to write about what exactly was happening in Silicon Valley, he had plenty of details to report but a much more difficult time finding a theme or metaphor to hang them all on. Bronson tries to link everything together by reporting on all the fabulously energetic, talented and truly odd people he discovered there. It’s an amazing group: headhunters, Imagineers, VCs (Venture Capitalists), a group of extreme sport-playing programmers living in a place called The Geekhaus, and the hip-hop computer kid from Massachusetts who raised the money for his new venture by growing weed in the woods. Fortunately, Bronson does not stick to the gee-whiz tone taken by many reporters telling the story of the geek who had an idea and then a year later got $20 million from his IPO. For every Sabeer Bhatia (inventor of HotMail), there are Dreiser-esque tales of starry-eyed programmers who never find the Yellow Brick Road to their first $20 million. Bronson (who covers the high-tech industry for Wired and Forbes ASAP, among others) has a nose for interesting people and events, but ultimately this seems more like a greatest hits collection of his magazine pieces than a bona fide book.
More Reviews and RecommendationsAlthough it took him some time to find his literary niche, Po Bronson has settled into his role as “social documentarian” with great ease, penning two books that have become tremendous commercial, critical, and personal successes in the process.
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June 12, 2000: For all those outside of Silicon Valley, this is truly what is going on. Nowhere else but here... for this reason - Check it out, have fun, and be fearful. Also give a read to another San Francisco Bay area writer's book - 'Youth in Revo
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January 29, 2000: This is not normally my type book but I enjoyed it so much I just had to pass on my feelings. I had just read an article about Fouche Media, a small start up which recently invented a revolutionary new behavior modification software, Neurosync, out of their home, and one of the people mentioned in the article led me to this book. Amazing how many new and original ideas and products almost fail for lack of Venture Capitol before making it. It's a great read and now I know just how much some of these 'mega-rich mega-nerds' risked to achieve what we all envy. How many of us, no matter how secure or insecure would beg, borrow, hock, and invest all our money, sweat, and tears to succeed at this level? Just like the amazing product I was reading about described the risk the inventors took to achieve a goal many of us wouldn't understand. The limbo period between exausting all and success is a fearful time I imagine. Highly Recommended and Great Reference!!!
Name:
Po Bronson
Current Home:
San Francisco, California
Date of Birth:
March 14, 1964
Place of Birth:
Seattle, Washington
Education:
B.A., Stanford University, 1986; M.F.A., San Francisco State University, 1995
Po Bronson is the rare writer that makes no claims to having an extraordinary or controversial history. On his web site, he states, "I'm a regular guy. I don't have much of a particularly unusual story." While some may assume such a description might not be the makings of a person with any stories worth telling, it actually provides the perfect background for a writer such as Bronson. He has made it his mission to relate the stories of his fellow everyday people, and with books such as What Should I Do With My Life? and Why Do I Love These People?, he has proved that ordinary people can lead extraordinary lives.
A prolific writer with a talent well-suited for a variety of genres, Bronson started out dabbling in screenplays, op-eds, TV and radio scripts, performance monologues, and literary reviews, and his first two books were satirical novels. Bombardiers (1995) was a sort of Catch 22 set in the bond-trading business; The First $20 Million Is Always the Hardest: A Silicon Valley Novel, Vol. 4 (1997) a tale about the West Coast tech boom of the late 1990's. With his third book, The Nudist on the Late Shift: And Other Tales of Silicon Valley, he turned his focus away from fiction and toward the true stories of the tech-heads he encountered while working as a writer in Silicon Valley. Hailed by The Village Voice Literary Supplement upon its publication as "the most complete and empathetic portrait of the Valley so far," the breakout bestseller established Bronson as the first author to truly capture the spirit of the high-tech heyday.
In writing What Should I Do With My Life? (2003), Bronson posed that very question to a variety of regular folks all around the globe. The result: a rich and fascinating compendium of inspirational, witty, and insightful personal stories about finding one's direction, vocational and otherwise. The book was a tremendous success, and Bronson had clearly found his niche. Why Do I Love These People? followed in late 2005. This time around, Bronson questioned a multitude of people about illness, resolving familial conflicts, infidelity, prejudice, money problems, abuse, death, and other provocative issues, once again illustrating that one need not be a celebrity to lead a life worth reading about. Among others, Bronson encounters a Southern Baptist in the Ozarks who tracks down the teenage son he had abandoned at birth, a woman who fought for her life and the life of her children while trapped underwater in a Texas river, and a Turkish Muslim who wed a U.S. naval officer -- a union resulting in death threats from her own father.
Bronson characterizes his recent books as "social documentaries," but he doesn't rule out returning to the other genres he's loved. He does, however, credit his recent work with one important feature: "I used to write novels, and maybe I will again one day," he told BN.com in an audio interview, "but I have found that writing these social documentaries is good for me as a person."
Some fun factoids gleaned from our interview with Bronson:
"Well, when I look upon what I've written to the below questions, there's a lot on how I became a writer, but not much on how I came to write the books I have been doing the last six years. I write social documentaries, in which I tell the life stories of ordinary people. I used to write novels, and maybe I will again one day. But I have found that writing these social documentaries is good for me as a person; they make me a better person. I put myself in a position where I need to listen and learn from other people I interview. And even if the books were not successes, I would be a better person just for doing so much listening."
"Okay, I realize now that's now what you were really asking. It sounds like you want personal details -- you want to know me through my lists: my lists of books, films, music, restaurants I eat at, hobbies I enjoy. I'm not sure that's the best way to know the soul of a person, because it kind of suggests that who we are = what we consume. However, I'll answer, by all means. Here we go:
What was the book that most influenced your life or your career as a writer?
It would be untruthful of me to pin it all on one book, so let me describe how a few books have saved me at different times as I've matured. At each of these junctions, I was facing a decision in my creative direction.
1989. I had been writing at night for a couple years. I was wondering whether it was worth it. I had applied to a night-program in Creative Writing at our local state school, and I was unsure whether to attend -- where this might take me. Certainly, it would take me away from the working world I felt practical and safe in. Then I read Ethan Canin's first story collection, Emperor of the Air. The beauty and grace of the book stunned me, and in its pages I found an indescribable answer as to why to pursue such an impractical dream.
1993. I had been writing short stories for four years. They were decent and well crafted, but I felt trapped by the conventions of straightforward, chronological narrative. I was suffocating inside my stories and my characters. Another way to say it is, I was letting only a little of myself into my fictional realms. There was no humor in my work, no anger, no politics, and no ideas. Then I read Catch-22. It allowed me to put my whole self into my writing, to unleash my personality and my anger.
1998. With two successful novels under my belt, it was occurring to me that I was going to have to do something for money between writing novels. The magazines were calling. I didn't consider non-fiction to be my art form. Then I read Tom Wolfe's The Right Stuff, and the whole realm of non-fiction became my new playground of experimentation.
2001. Six years after "turning pro," I once again started to feel like my writing paled compared to the life around me. In particular, I grew tired of my relentless ironic dark humor. I had stopped making fun of people years earlier, in my personal life -- why was I still doing it in print? I was hungry for a compassionate voice, a voice that respected people, treasured them. I found it in Irvin Yalom's Love's Executioner, his book of nonfiction tales of psychotherapy. The way he loved his subjects allowed me to do the same in my writing.
What are your ten favorite books, and what makes them special to you?
I just listed four. They're so good that sometimes I wish I had never read them, just so I could have the pleasure of discovering them all over again. Six more I feel that way about:
As for why, all I can say is I turned the pages as fast as they could come, and they humbled me, and they inspired me to keep writing.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Ha ha. Few readers will know these references, but I would characterize these bands as urban hipster listening, eloquent guys with guitars with an occasional female at the mic. I see a lot of live music at small clubs. Okay, tonight I'm going to see Wolf Parade, they're a Montreal band on tour. I've been listening to them constantly. I've also been listening to The Magic Numbers. While writing Why Do I Love These People?, I listened to a half dozen albums, most prominently Stars Set Yourself on Fire, (another Canadian band), The Wrens Meadowlands (from Jersey, obviously) and Fivehead's Guests of the Natio (from Austin). Any one of these bands could be the next Modest Mouse or Death Cab.
Perhaps of more interest to the reader: I write with headphones on my ears (well, ear buds), and I crank it, and I use the repeat button. I will listen to the same song for a week or more. It becomes a sort of mood-setter, and energizer, but a pleasant white noise that almost disappears. It helps me concentrate when I'm in my writing closet (What? A writing closet? More on that below!).
If you had a book club, what would it be reading?
This is a hard question for me. I've never been in a book club. I'm not sure exactly what happens in one. I've attended two in my life -- once it was my own novel being talked about, and another time it was a female book club and so I was only allowed to be present for half of it. So it's a great mystery to me what goes on in one. But I have been in year after year or writer's workshops, and writers discussing literary work do so quite differently than it is done in an English class -- we talk less about what's there, but rather how it can be a little bit better than it already is. We are supportive as we can. Basically, I hated English class, I hated the way they talked about books, it seemed so unnatural. So maybe from that, I have a mild fear that a book club might be like an English Class, and it scares me away.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I write in a closet. Literally. I'm on my fifth closet. They are small, tight, and dark. I don't recommend it for anyone with claustrophobia, but I do recommend it as the best way to avoid all distractions. My first closet was the smallest -- it was 2 feet by 3.5 feet. The only light comes from the laptop screen. I spend most of all day in there when I am in a writing phase.
If it sounds somewhat deranged, please know that for the last ten years, my closets haven't been at home. We founded a cooperative writing space in San Francisco, where every writer has a private room. It costs about $250 a month. We are on our fourth location. The first location had 6 writers; today we have 32 working here. So whenever I pop out of my closet, three or four times a day, there are other writers to chew the fat with and eat lunch with. So I don't write in a closet because I'm antisocial. I write in a closet because I'm naturally social, and I need the isolation chamber to cut off distraction. Our website is www.sfgrotto.org.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I have a series of essays on my web site about my process of becoming a writer, which are too long to reprint here. So I will pass on this one crucial idea. I want you aspiring writers to keep this in mind.
You hear all the time about slush piles of manuscripts, how editors are inundated, so much so that they don't even look at their piles anymore. Many houses don't even accept un-agented manuscripts. So you feel despair at the numbers, and this sick thought occurs to you: even if I write a great book, will anyone be there to notice it? Once this thought gets hold, it eats at you, makes you doubt yourself, slow down, stop. Well, I used to work in small press publishing, and I know a ton of New York editors, and so I've seen it from both sides. Let me assure you: editors are dying for a great manuscript. They have piles of mediocre manuscripts, but they would do anything for a rare, great, new, original voice. These editors live in a fishbowl, Manhattan, and it's very status-driven. The way you get status in that world is by having the hot new book. An editor would rather buy something special and exciting than a work that is super proficient and polished but lacking in uniqueness.
All of the editors I know -- and I know a ton -- are dying to find a great book. They can't find manuscripts worth buying. That's how they think. By no means do they feel like they are gatekeepers or kingmakers. They're desperate. If you write something great, they will find it.
If you could choose one new writer to be "discovered," who would it be?
I have to laugh again. The last time a publication asked me to discover a new book, it was People magazine and the book I picked was James Frey's A Million Little Pieces. Four million copies later (all thanks to Oprah, not to me)....
Okay, here's a wonderful novel that was completely overlooked -- a novel by my friend Noah Hawley, called Other People's Weddings. It's the story of a female wedding photographer who's divorced and jaded, until she realizes, in going through her wedding prints, that one guy keeps appearing at all these weddings. He's a wedding crasher. They fall in love, of course, and then have to let go of their skepticism about love. It's a short novel you can read in a few hours.
What tips or advice do you have for writers still looking to be discovered?
Don't be jealous of others' success. Jealousy and envy are the enemy of genuine creativity. Wish others well and hope to join them someday.
To be writing is good for the soul; it's good for your character -- to be observing, interpreting, producing (not just consuming). Pay attention to this. It's very important. Success is not measured by bestseller lists. Certain types of great books sell very well; other types of great books don't sell a lot. A great thriller might sell a million copies. A great poetry book might sell a few hundred copies. But they're both great.
Allow for many paths to your goal. Do not fixate on one path, because then you are likely to give up when that path is blocked.
It takes an average of ten years dedication before you can make a living writing creatively full time. Even those who succeed early are often rewarded with praise too early, trapping them in a yet-to-mature phase as they attempt to repeat their success. It all evens out over time. Finding a way to allow yourself the time, to buy time as you mature into your writing, is the biggest "how to."
The Barnes & Noble Review
According to Po Bronson, Silicon Valley poses two problems to any pottential chronicle. "1. There is very little there, there. 2. What is is shrouded in secrecy." Independent report seem to verify Bronson disclaimer: Some bus tours of Computer Country consist mainly of cameria-laden vacationers gawking hopelessly at well-guarded industrial parks. Somehow, our wired-covered boy/reporter managed to breach the security of this virtual world. His portraits of would be software moguls and lean and mean youths plotting quick IPOs and exits catch the nervous thrust of internet gold rushers, the anxiety of enrepenuers who know that a good java code is no substitute for luck. Bronson is a fine writer and, witness, Bombardiers, a capable novelist. But this tale of greed and idealism and rampant technology may be his best book yet.
Lori Zarahn
The Nudist on the Late Shift is the true story of a new generation at the proving point of their lives, written by Po Bronson. This is a defining portrait of young people in the whirl of an information revolution and an international gold rush. Masses of entrepreneurs and tech wizards, immigrants and investors, dreamers and visionaries, are heading west to seek their fortune and a new destiny. In Bronson, they have found their troubadour. Now he has woven those stories together, taking us inside the world of the newcomers, brainiacs, salespeople, headhunters, utopians, plutocrats, and innovators who are transforming our culture.
When satirical-fiction wunderkind Bronson set out to write about what exactly was happening in Silicon Valley, he had plenty of details to report but a much more difficult time finding a theme or metaphor to hang them all on. Bronson tries to link everything together by reporting on all the fabulously energetic, talented and truly odd people he discovered there. It’s an amazing group: headhunters, Imagineers, VCs (Venture Capitalists), a group of extreme sport-playing programmers living in a place called The Geekhaus, and the hip-hop computer kid from Massachusetts who raised the money for his new venture by growing weed in the woods. Fortunately, Bronson does not stick to the gee-whiz tone taken by many reporters telling the story of the geek who had an idea and then a year later got $20 million from his IPO. For every Sabeer Bhatia (inventor of HotMail), there are Dreiser-esque tales of starry-eyed programmers who never find the Yellow Brick Road to their first $20 million. Bronson (who covers the high-tech industry for Wired and Forbes ASAP, among others) has a nose for interesting people and events, but ultimately this seems more like a greatest hits collection of his magazine pieces than a bona fide book.
...a juicy collection of true tales...this clever storyteller keeps you laughing as you breeze from one episode to the next.
Bronson sees Silicon Valley not just as a contemporary gold rush but a magical land where everybody from bankers to clerical workers speak the babble of bandwidth and red herrings. Newsweek
Having satirized Silicon Valley in his novel The First $20 Million Is Always the Hardest, Bronson now turns a much rosier eye on the pulsing heart of the information age. As Bronson examines the pursuit of high-tech entrepreneurial glory, his method recalls the way Robert Altman's Nashville gave moviegoers a sense of the chase for country music stardom except there's very little pathos here and a lot of blue sky. Though he dutifully presents the long odds facing the would-be founders of the next Yahoo!, Bronson thrills to the culture of the Valley because he believes it fuses the often contradictory desires for security and adventure. "By injecting mind-boggling amounts of risk into the once stodgy domain of gray-suited business, young people no longer have to choose. It's a two-for-one deal: the career path has become the adventure into the unknown." Bronson clearly likes the wild-eyed optimists and masters of uncertainty he profiles. There's Sabeer Bhatia, the Indian-born founder of Hotmail, who established a company and, against the advice of more experienced heads, rejected several buyout offers from Bill Gates until Microsoft paid $400 million for Hotmail. There's the exec who let Bronson be a fly on the wall during the ulcer-inducing process of steering a company through an IPO. And there are the talented programmers, many of whom, though not yet 30, have Ancient Mariner-like tales of rejecting stock options and thus forfeiting millions in companies that were bought or went public. Bronson is tuned in to the quirks of both personality and culture. His prose, often funny, maintains impressive velocity and is well suited to the manic life of the Valley and its colorful menagerie of characters. Copyright 1999 Cahners Business Information.
For novelist Bronson, Silicon Valley "is about the opportunity to become a mover and a shaker, not about being one." In his first work of nonfiction, he turns his satirist's eye on Silicon Valley (also the subject of his second novel The First $20 Million Is Always the Hardest, 1997). Inspired by the urban legend of the nudist programmer, a folktale that turned out to be true, Bronson profiles in witty, vivid detail the people who make the Valley the exciting place it is: young newcomers who come for the adventure and the risk; entrepreneurs like Ben Chiu of Killerapp.com and Sabeer Bhatia of Hotmail who strike it rich, brilliant but socially inept programmers ("eccentricity is de riguer") who thrill to see their software "go live on the Big Green X" yet will drop everything to go squirrel hunting in Tennessee. As Michael Lewis's Liar's Poker (1989) captured Wall Street and the spirit of the greedy 1980s, so Bronson's new book reflects the Valley and the digital revolution it spawned in the 1990s. For all libraries. [Previewed in Prepub Alert, LJ 3/1/99.]--Wilda Williams, "Library Journal" Copyright 1999 Cahners Business Information.
For the record, Po Bronsons latest book is not a how-to about getting rich in the Internet business. But its easy to see how The Nudist on the Late Shift could be taken as one, because the tales that Bronson tells in this fast-moving and basically satisfying series of essays focus on the workers who indenture themselves to risky startups and end up winners.
Among them: the entrepreneur whose idea catches fire, the company staffers who complete an IPO and the programmers who earn so much they only need to work a couple weeks a month to finance private planes and exotic vacations. The overriding message: Its not who you know or how big your bankroll is. A good idea and a lot of chutzpah are all that stand between you and millions in (mostly paper) profits.
OK, youve heard that one before. True, Bronson isnt the first writer to explain why Silicon Valley has become a modern-day mecca for pilgrims praying at the altar of the almighty dollar. In fact, Bronson helped invent the genre as a Wired feature writer who became something of a golden boy of computer-industry literature with the publication of his 1997 novel, The First $20 Million Is Always the Hardest. Its this fiction writers flare for nudging out just the right detail to illustrate a point that makes Nudist more fun than most of the Silicon Valley histories that have preceded it.
The real-world characters he finds could have stepped out of the pages of a novel, including Michael, the Massachusetts transplant who earned money to fund his touchscreen keyboard company growing high-grade pot, and Oma Kemmis, aka Mom, a sixtysomething software saleswoman with a reputation as the No. 1 closer in the business, and emphysema so bad she uses a respirator.
Bronson doesnt completely overlook the captains of Net industry, though. One of the books better sections chronicles the rise of Sabeer Bhatia from starving immigrant and engineering student to cofounder of Hotmail, the Web-based e-mail provider that rocketed to success and brought Bhatia riches. Equally engaging is a profile of futurist George Gilder, whom Bronson trails as Gilder frantically casts around for just the right angle for a magazine article assignment while hopping between speaking engagements.
If Nudist were a sandwich, you might say that its filling is better than its bread. The 23-page intro is about 20 pages too long, although it does acquaint readers with the title character, a crackerjack programmer named David whose preference for working au naturel nearly gets him fired. And the final chapter isnt a summary as much as another helping of vignettes served up to show that the saga of Silicon Valley success is never-ending.
But summing things up is beside the point. Bronson is at his best when he doesnt preach, but rather lets his eclectic characters speak for themselves. So go ahead and take notes from this cast, and you could end up a winner, too.
Michelle V. Rafter
Other New Titles of Interest
Profit Patterns
By Adrian J. Slywotzky and David J. Morrison (Times Business, $28)
The authors of the popular Profit Zone take a new tack: Rather than focus on the generals driving American business innovation, they reveal the generals codebook of business strategy.
Cyber Rules
By Thomas M. Siebel and Pat House (Doubleday/Currency, $28)
Six more rules for making your business an e-business, from the cofounders of Siebel Systems.
Bronson sees Silicon Valley not just as a contemporary gold rush but a magical land where everybody from bankers to clerical workers speak the babble of bandwidth and red herrings.
The busy world of high tech has a likable absence of cynicism, and Bronson describes it, in general, without suspicion....Bronson is one of those people who, with the stock-market boom, seem to have been mugged by a happy reality.
...[O]ne of the virtues of Po Bronson's engaging montage of Valley life is that it manages to maintain an appropriate sense of wonder at the culture that has emerged there even as it is aware of some of its favorite conceits....[He] has an eye for detail and a rare ability to spin the worlds of business and technology into entertaining stories.
The growing subspecialty of business books that deals with the brainiac talents and picaresque entrepreneurs of Silicon Valley is upgraded to version 2.0 with this knowledgeable communiqué from cyberspace. Just as Hollywood is said to have done, Silicon Valley lures mature talent and young folk bright or attractive enough to cast hundreds of sitcoms. Novelist and Wired contributor Bronson (Bombardiers, 1995; The First $20 Million Is Always the Hardest, 1997) presents the wildcatters of the valley, from the seller of used cubicles to the multimillionaire who bedded down each night under his desk, from the devious headhunters to the young CEOs of software firms with killer apps. In a series of profiles, he probes their minds and hearts. We witness the closing days of an IPO (more dramatic than the preceding scutwork). Here, among the processors, terminals, modems, and servers are the individual progrananers, salespeople, venture capitalists, visionaries who build financial empires on vapor, and the new generation of studly geniuses who truly want to change the way the world operates. It just takes being first with one big idea. Here are the superachievers who risk all for exponential dollars. And here's the nude guy, who is no urban legend. It's all quite bizarre, of course, especially the money, which is "puppylike,
Loading...1. Introduction
I search for an icon of the Valley, and eventually track down the urban legend of the Nudist on the Late Shift.
2. The Newcomers
A thrilling chronicle of six young people's lives from the day they move to Silicon Valley until they meet their fate. The only longitudinal study of the gold rush phenomenon.
3. The IPO
I was given unheard of access to write about the inner workings of what it's really like to go public. I follow one company through the journey, from Silicon Valley to the 50th floor of Goldman Sachs on Wall Street.
4. The Entrepreneur
Learn the story of one entrepreneur, from his arrival at Los Angeles airport 10 years ago with $200 in his pocket, until he sells his company to Microsoft for $400 million. Was he truly great, or was he just lucky to be here at this place in this time?
5. The Programmers
Internet programming has squared the complexity of coding and made top-flight programmers into stars with more work than they can turn down. Meet three amazing coders who live in a commune, fly planes, and attempt to craft a new community with a new attitude towards work.
6. The Salespeople
You never hear about the salespeople, but they keep the industry afloat. I spent six weeks on the road with a dozen salespeople, learning their tricks and watching them make quota.
7. The Futurist
Do those futurists really believe those bold predictions they make? Or are they just blowing smoke to get on TV?
8. The Drop-Out
He may be the smartest, most inventive genius in high-technology. Why has he given it up for a few years to build theme park rides?
9. Conclusion: Is the "Revolution!" Over?
I get passed around Silicon Valley like a piece of gossip, showing you the inner workings of this unusual world.
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Hear our exclusive audio interview with Po Bronson (11:51).
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