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Chief Inspector Chen Cao of the Shanghai Police Department is the head of the Special Case group and is often put in charge of those cases that are considered politically "sensitive" since, as a rising party cadre, he's regarded by many as reliable. But Inspector Chen, though a poet by inclination and avocation, takes his job as a policeman very seriously, despite the pressures put upon him from within and without, and is unwilling to compromise his principles as a policeman in favor of political expedience. However, after the new Minister of Public Security insists that Chen personally take on a 'special assignment', an investigation already begun by Internal Security, he may no longer be able to resist those pressures. The party, increasingly leery of international embarrassment, is unhappy about two recent books that place Mao in a bad light. Now, Jiao, the granddaughter of an actress who was likely one of Mao's mistresses - a woman suspected of being Mao's own granddaughter - has recently quit her job, moved into a luxury apartment, and, without any visible means of support, become a part of a new social set centered around the remnants of pre-Communist Shanghai society. What they fear is that, somehow, she has inherited some artifact or material related to Mao that will, when made public, prove embarrassing. Even though there is no evidence that such even exists, Chen has been charged to infiltrate her social circle, determine if the feared material exists and, if it does, retrieve it quietly. And in only a few days - because if he can't resolve this 'Mao case' within the deadline, the party will resort to harsher, more deadly means.
Reviled or revered, the specter of Mao still looms large over contemporary China, as shown in Qiu's cerebral sixth mystery to feature Chief Insp. Chen Cao (after 2007's Red Mandarin Dress). Just how charged that legacy remains becomes clear to the unorthodox but uncompromising Shanghai policeman as soon as he receives a top secret new assignment. Beijing wants Chen to find out-fast-the source of beautiful young painter Jiao's sudden wealth and whether it might be linked to any potentially embarrassing "Mao material" inherited from her ill-fated grandmother, a movie queen and onetime favorite of the late chairman. When Chen goes undercover to infiltrate Jiao's fashionable social circle, he discovers a group nostalgic for an idealized pre-Communist past-as well as deadly danger. Qiu's deftly paced suspense keeps the reader flipping pages until the over-the-top climax, but what lingers is his compelling portrait of China past and present, the eternal phoenix rising from the ashes. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. More Reviews and RecommendationsQIU XIAOLONG is a poet, professor and author. He is the author of books of poetry and poetry translations, as well as previous books in the award-winning series of novels featuring Inspector Chen. Born and raised in Shanghai, he now lives with his family in St. Louis, Missouri.
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February 15, 2009:
The Beijing leadership is concerned with the sudden appearance of wealth by a seemingly impoverished young artist living well above her means. Normally no one would think twice of Jiao?s affluence, but she is the granddaughter of Xie, a film star who Chairman Mao personally liked; additionally Jiao?s mother died during the Cultural Revolution cleansing. Needing expeditious subtly to determine if the painter is peddling ?Mao material? five decades old that could embarrass the Party and China, the brass hand the Top Secret case to Shanghai Police Department's Special Case Chief Inspector Chen Cao; known for his success, speed and especially discretion.
Chen begins with the mother whose life was explored in a bestseller. Using Cloud and Rain as access, Chen goes undercover pretending to be an author conducting research into a historical novel. This enables him to meet Jiao and her friends at the still alive Xie?s run down home. There the older woman hosts a group who cherishes the pre-Communist culture until murder leave Chen suspecting grandmother and or granddaughter as the killer(s) especially their shared convenient alibi.
The sixth Chen Chinese police procedural (see WHEN RED IS BLACK and RED MANDARIN DRESS) contains a strong investigation, but it is the profound look at the early Mao days in comparison to modern day China that brings the uniqueness to the story line. Chen is at his best with his asides about brass, bureaucrats, and bull as he diligently works the ?Mao material? inquiry that turns into a homicide; he is more comfortable with the latter as the former is loaded with pompous interference. Mindful of the Bush Administration concealing Korean War Era documents that have been declassified for years and open to the public in the government archives, fans of the Shanghai inspector will enjoy his latest case as a reluctant Chen knows the penalty of dealing with anything Maoist even decades old.
Harriet Klausner