Origin of Species (Barnes & Noble Classics Series) by Charles Darwin, George Levine

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The Origin of Species, by Charles Darwin, is part of the  series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

• New introductions commissioned from today's top writers and scholars
• Biographies of the authors
• Chronologies of contemporary historical, biographical, and cultural events
• Footnotes and endnotes
• Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
• Comments by other famous authors
• Study questions to challenge the reader's viewpoints and expectations
• Bibliographies for further reading
• Indices & Glossaries, when appropriate

On December 27, 1831, the young naturalist Charles Darwin left Plymouth Harbor aboard the HMS Beagle. For the next five years, he conducted research on plants and animals from around the globe, amassing a body of evidence that would culminate in one of the greatest discoveries in the history of mankind—the theory of evolution.

Darwin presented his stunning insights in a landmark book that forever altered the way human beings view themselves and the world they live in. In The Origin of Species, he convincingly demonstrates the fact of evolution: that existing animals and plants cannot have appeared separately but must have slowly transformed from ancestral creatures. Most important, the book fully explains the mechanism that effects such a transformation: natural selection, the idea that made evolution scientifically intelligible for the first time.

One of the few revolutionary works of science that is engrossingly readable, The Origin of Species not only launched the science of modern biology but also has influenced virtually all subsequent literary, philosophical, and religious thinking.

George Levine, Kenneth Burke Professor of English Literature at Rutgers University, has written extensively about Darwin and the relation of science and literature, particularly in Darwin and the Novelists. He is the author of many related books, including The Realistic Imagination, Dying to Know, and his birdwatching memoirs, Lifebirds.

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From George Levine's Introduction to On the Origin of Species by Means of Natural Selection

On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life (1859)1 is one of the major books of Western civilization, and possibly the last major scientific text fully readable by nonscientists. It was written before the full force of scientific specialization had created the division we are used to today: science written for scientists, and intelligible only to them, or popular science aimed not at being science but at explaining it, and (usually) making otherwise too difficult scientific ideas attractive to the nonexpert.

Darwin was certainly writing for scientists, but he knew that his book would be read by many nonprofessionals, and by many who were deeply invested in the religious and cultural implications of his ideas. The book is thus a work of real science, offering the strongest possible technical arguments for its ideas, while at that same time it does much of the work of popular science. But Darwin was never a popularizer like his "bulldog" and partisan, T. H. Huxley (also a distinguished scientist), who took upon himself the job of fighting all the fights, particularly the cultural ones, that Darwin's ideas were to arouse. More than a hundred years later, and despite the triumph of his ideas in the world of science, Darwin continues to need his bulldogs, for the very availability of his text to lay readers makes it particularly susceptible to critique from the whole spectrum of cultural and religious critics, many of whom do not seem really to understand its arguments. The upsideof this condition is that the book has survived longer than virtually all other scientific texts—whose usual life span is necessarily very short because science moves so quickly. Its ideas remain important, and they are well and lucidly argued. Evolution, the dominant idea with which Darwin's name is permanently associated (though he didn't actually use the word), was promulgated and firmly established in The Origin of Species. And we can still read the book now, even without the help of Huxley or the modern polymath popularizer and scientist Stephen Jay Gould.

This is not to say it is an "easy" book, or one that prima facie will thrill lay readers out for a good read. It really is a good read, despite (or, one might say, because of) the rigor of its argument and the almost overwhelming accumulation of details deployed in support; but it is deceptively simple. No book with so clear and well argued a position has been so variously interpreted and so widely misunderstood; few have been as difficult for its readers fully to absorb. The simple argument is so fundamentally anti-intuitive that even now, after 150 years, it has been difficult not to distort it in directions more comfortably consistent with readers' assumptions about the way the world is. Reading the book remains an adventure, and the activity of imagining Darwin's prolific, diverse, and often very beautiful world continues to be an exciting challenge to one's tacit assumptions about the way the world works.

The Origin of Species is not only a fundamental work in the history of science; it is a unique book in the history of English literature. There are few as important. That Darwin was a great scientist everyone knows, but it is not immediately obvious that he was a great writer as well. Yet no writer of the nineteenth century had to struggle more strenuously with the limits of language, none was more imaginatively and creatively metaphorical, few were more influential in shaping other writers' imagination of the world: none had a more significant and lasting effect on Western culture.