(Hardcover)
Deeply concerned that The Protocols of the Elders of Zion continues to be published and disseminated throughout the world, Eisner came up with the idea to tell the history of the fabrication (it is a total forgery, exposed as early as 1921 in London by The Times) in graphic form. Several documentaries are in the works, both on Eisner and this book.
Famed innovator Eisner showed the creators of modern comics what a potentially rich medium they were working with. In particular, he used the term "graphic novel" to sell A Contract with God (1978), a collection of interrelated comics stories about residents in a Jewish tenement section of New York. He returned to that territory in A Life Force (1988), showing one man's uncertain progress, and in Dropsie Avenue (1995), an historical panorama of the whole neighborhood. Printed together for the first time in this volume, the works reinforce each other beautifully. Eisner's virtuoso art always has been admired, but his writing sometimes has been disparaged as thin and sentimental. Over the span of these three books, though, emotions jostle and balance each other; sometimes the stories seem upbeat, sometimes fatalistic. The characters frequently are defeated in the short term but always yearning for more than their surroundings offer. In any case, Eisner's illustrations are superb: water drenches a man walking alone at night in a thunderstorm; a fat housewife athletically performs a "heart attack" right after her husband has collapsed with a real one; aerial cityscapes expand; and every possible expression flickers over the characters' faces. This is an important, wonderful book. (Nov.) Copyright 2005 Reed Business Information.
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June 01, 2005: This book is an absolute must have. Not only for Eisner fans, as I am, but also for those who believe that truth can prevail over libel. Eisner, in his last major work before passing away, decided to use the comics medium (which he helped define over 60 years) to battle prejudice and anti-Semitism. This is a history book, so do not expect a classical graphic novel. Let?s call it a 'graphic investigation' rather than a 'graphic novel'. Eisner deliberately decided to remain off emotional grounds here, and to stick as close to the facts as possible. He does so marvelously, still bringing us behind the curtain of one of the most malignant play of the past century. His aim was to demonstrate to the reader that the Protocols are a fake, and to make the reader understand the prejudice that can be caused by accepting rumors as truth. Full point. He achieves this performance by using the comic book format, which should lead other authors to do the same, as Eisner was often opening new paths in the forest for his contemporary fellow artists. I recommend this book to anyone who is interested in history, comics, or a good (true) story.