| Acknowledgments | |
| Introduction: The Library Doors of Classical Africa | 1 |
| 1 | Africa's Classical Legacy - Athens' African Legacy | 7 |
| Greek Colonization and the Greek Construction of Africa | 8 |
| Afrocentric Classicism | 15 |
| The Impact of Afrocentric Classicism on Greco-African Adaptations | 20 |
| 2 | Attic Tragedy - Afric Tragedy | 23 |
| Tragedy, Myth, and Orality: Athens and Africa | 24 |
| Homer and Indigenous African Epic | 28 |
| The Introduction of Greek Tragedy to Africa | 30 |
| Postcolonial Theatre, Transculturation, Hybridity, and the Art of Adaptation | 35 |
| Tragic Theory and African Tragic Theory | 44 |
| Summary: Greek Tragedy in Africa | 48 |
| Aristophanes in Africa | 50 |
| 3 | Ritual, Roots, and Tragic Form | 53 |
| Ritual and Sacrifice in Greece and Africa | 57 |
| A Return to Origins: Song of a Goat | 62 |
| Dionysus and Ogun: The Yoruba Tragedy of Wole Soyinka | 75 |
| Ritual and Revolution: Soyinka and The Bacchae of Euripides | 81 |
| 4 | The Voice of the Polis | 99 |
| Political Theatre in Athens and Africa: Myth as Civic Lesson | 99 |
| Fate and the State: Ola Rotimi's The Gods Are Not to Blame | 103 |
| The Household Suffers as Society Suffers: Edufa | 120 |
| South Africa as Tragic Protagonist: Demea | 130 |
| 5 | Orestes in South Africa | 143 |
| The Myth of Orestes | 143 |
| Orestes the Mother-Killer: Fugard's Orestes | 145 |
| Orestes on Trial: The Song of Jacob Zulu | 153 |
| Changing Orestes, Changing South Africa | 166 |
| 6 | African Antigones | 169 |
| Antigone in Africa | 169 |
| African and Greek Attitudes to Death, Burial, and the Gods | 173 |
| Antigone in Exile 1: Odale's Choice | 176 |
| Antigone in Exile 2: Tegonni | 181 |
| Antigone Under Apartheid: The Island | 194 |
| Life Mirrors Art: Black Wedding Candles for Blessed Antigone | 203 |
| Conclusion: African Theatre in a Postcultural World | 213 |
| Bibliography | 219 |
| Index | 229 |