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Abridged CDs, 7 CDs, 9 hours
Read by Kimberly Alexis
In Blue Moon, Anita Blake's ex, high school teacher and sexy lycanthrope Richard, has been thrown in jail for attempted rape. With an entourage of vampires and werewolves, even this preternatural expert knows all is not right in Myerton, Tennessee.
Toss everything you think you know about vampire stories and sword and sorcery novels into an open grave, because Laurell K. Hamilton is reinventing the genres with chills, thrills, and giggles. With her popular Anita Blake and Meredith Gentry series, Hamilton is making dark fantasy fantastically entertaining again.
More About the AuthorReader Rating:
See Detailed Ratings
December 20, 2009: I can't get enough of this series, and the more I read, the more I want. As the story progresses, the background characters are getting stronger by the book, and I find myself eager to find out more about them. If you like the paranormal genre, this series is a must-read!
If you like this series, I bet you would also like the "Riley Jensen" series by Keri Arthur!Reader Rating:
See Detailed Ratings
December 14, 2009: I have read all the Anita Blake books and am eagerly awaiting the next one. This was one of my favorites in the series, it deals with Anita and Richard's relationship issues and shows how much she still cares for him. Each book in the series builds her relationships with the other characters but Richard is the one person she almost married. Interesting plot, lots of sub plots for the future books and hints at future relationships.
I Also Recommend: Twilight, Interview with the Vampire (Vampire Chronicles Series #1), Eragon (Inheritance Cycle #1), Bloody Bones (Anita Blake Vampire Hunter Series #5), Guilty Pleasures (Anita Blake Vampire Hunter Series #1).
Name:
Laurell K. Hamilton
Also Known As:
Laurell Kaye Klein (birth name)
Current Home:
St. Louis, Missouri
Date of Birth:
February 19, 1963
Place of Birth:
Heber Springs, Arkansas
Education:
B.A., Marion College
Awards:
P.E.A.R.L. (Paranormal Excellence Award for Romantic Literature) for A Kiss Of Shadows, 2000
The vampire genre has enthralled readers ever since Bram Stoker introduced a certain Transylvanian count over a century ago. Since then vampires have been used as vehicles for everything from romantic novels to erotica to humor to the expected tales of terror. However, very few writers have combined all of these facets of the never-say-die vampire quite the way that Laurell K. Hamilton has.
Hamilton has not always been under the spell of undead things that go bump-and-grind in the night. When she was a young girl, her literary tastes were a bit more on the traditional side. "I wanted to be Louisa May Alcott, who wrote Little Women, because I had never read any science fiction, fantasy, or horror," she confessed in a podcast on Mayor Slay.com. "Then at 13 or 14 I found Robert E. Howard's short story collection [Pigeons From Hell]. It was the first horror, the first heroic fantasy, the first science fiction I'd ever read, and the moment I read that I knew that not only did I want to be a writer, but this is what I wanted to write."
Furthering Hamilton's burgeoning fascination with the fantastic, she discovered Anthony Masters's The Natural History of the Vampire at her high school library. Coupled with the ghost stories her grandmother had told her when she was a child and heavy doses of Hammer Horror movies from Great Britain, Hamilton was well on her way to creating a character that would only be rivaled by Buffy in the field of vampire slaying.
Hamilton first introduced vampire huntress Anita Blake in her third novel Guilty Pleasures. Blake is an unlikely combination of action hero, federal marshal, "necromancer," and lusty dame. Her exploits between the sheets and in the graveyard won Hamilton a rabid following hungry for something new in the well-traveled vampire genre.
Along with the kinds of scares normally associated with vampire stories, Hamilton's books are notable for their unflinching eroticism. Vampires have had a sexual lure since Stoker, but Hamilton particularly draws that aspect to the surface of her work as one of her creatures might draw blood from a victim. "I [want] a kiss to be so believable it gives the reader shivers," she says on her website. "Two things I do well are sex and violence, but I don't want gratuitous sex or violence. The sex and violence is only as graphic as need be. And never included unless it furthers the plot or character development."
Another unlikely trait of her books is humor, vampire tales classically being of the more solemn sort. However, a writer weaned on a book titled Pigeons From Hell is not likely going to shy away from wit. Consequently, her books have been consistently entertaining and fun, as well as creepy and sexy.
Hamilton has also brought her delicious combination of sex, humor, and frights to another series, this one more ingrained in dark fantasy than horror. Her faerie princess/P.I. Meredith Gentry made her debut in Kiss of Shadows in 2001 and has since sparked her own crowd-pleasing sword and sorcery meets pulp series.
Increasingly, the Anita Blake and Merry Gentry books have added more sexual content to their story lines, classifying both series in a new hybrid genre that blends romance, erotica, and paranormal fantasy. To judge from Hamilton's consistent appearance on the bestseller charts, readers find the mix spellbinding.
One thing you will never find in a Hamilton novel is a cliffhanger. She believes that cliffhangers unfairly tease readers who would then have to wait six months to a year to have some sense of resolution. As she said during an interview with Bill Thompson of Eye On Books, "Every book is a full meal. All the way from the appetizer to the dessert, so that you come away feeling that you've had an experience... and at the end you have that satisfied, full feeling."
Before Laurell K. Hamilton made a full-time career of blood, guts, murder, and mayhem, she had more humane pursuits -- she volunteered at an animal shelter where she played with unwanted pets.
In our interview, Hamilton shared some fun and fascinating facts about herself with us:
"I am incredibly stubborn. Telling me I cannot do something, especially if you cite the fact that I am a girl, will make me want to do it more and do it better."
"I am not my characters. We have some of the same traits in common, but we are very different people."
"Everything inspires me. Getting up in the morning, walking the dogs, watching a music video. Inspiration comes from everywhere."
"I love animals. I own four dogs, two of whom are rescues. In fact, Jimmy is with us because they were going to gas him if we didn't take him with us. As an older dog his chances of finding a home were fairly slim. But he has been a wonderful addition to our home."
"I like spending time with my family and friends. Something I often feel I do not do enough of. But there are only so many hours in a day."
"I like to read other people's works. I love reading cozy or historical mysteries when I can."
"I enjoy interacting with fans at planned public events. I enjoy talking to them and have met many wonderful people."
What was the book that most influenced your life or your career as a writer?
Pigeons From Hell by Robert E. Howard -- it was the first heroic fantasy/horror novel I ever read. I read it and knew that not only did I want to be a writer, but this was what I wanted to write.
Andre Norton was important both for her science fiction and fantasy novels, and the fact that she was a woman. Before I became enamored of fantastic literature, my first writing hero was Louisa May Alcott, as in Little Women, and many more books. When I began writing horror and the like, I thought I'd left her far behind, only to discover that Ms. Alcott had also written gothic horror stories.
What are your favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Tori Amos is a perennial favorite, but I have listened to everything from Nine Inch Nails to The Veggie Tales Christmas album.
If you had a book club, what would it be reading?
Any Nero Wolf books by Rex Stout -- because we (my husband and I) started reading them a year ago. They are clever, charming and the quality of the writing is consistently high. They are a wonderful hybrid of hardboiled detective and super-genius detective.
What are your favorite kinds of books to give -- and get -- as gifts?
I try to pick books that the recipient will actually read. I find most folks give books that they want to read or ones they hope will expand the mind of the recipient whether they like it or not. Books can do all that and still be entertaining. Books should be about the person you're giving it to rather than the gift giver.
As to what kind of books I like to get, I tend to like animal books -- ones with lovely pictures of dogs or other animals.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I don't really have any rituals. And my desk needs to be an uncluttered space for me to work. So most likely I will have a cup of hot tea and the music I have chosen for this book. Much else and I tend to get distracted.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Nearly fourteen years ago when I was first trying to sell Guilty Pleasures, I had one publishing house reject the book on the grounds that the market couldn't bear another vampire book, and the week they were going to make the decision another vampire novel came out from another publisher. They used that as a reason to reject me, and Anita. They said that the vampire market was dying out, and no one wanted to read about vampires anymore.
I was told by a prominent mystery editor that if my Anita Blake mysteries had been straight mystery, no horror elements, or fantastic elements at all, that I'd have never gotten published. Because I am a woman writing from a first person woman's point of view, that no one would have touched it. Maybe that's true. Maybe it was one of the things that sent Anita around to nearly every publisher before it found a home. I don't know. No one complained about the sexual content of the first book, but then, there wasn't any.
I don't know if I'd have had more trouble if the first few books had had a higher content or not. I do know that by using the tropisms of several different genres, I get to play exactly the way I want to play. I get the tough as nails attitude of a hardboiled-mystery, the monsters and gore level of horror, the sex and sensuality of romance, the sheer wonderment of fantasy, and the feeling of reality that the best science fiction gives to amazingly odd facts. If I hadn't chosen to mix genres I might have had a harder time. Though most people told me that mixing genres this badly would doom me. Just goes to prove that you have to believe in yourself and your vision.
If you could choose one new writer to be "discovered," who would it be?
Rett MacPherson. The Victory O'Shea mysteries are delightfully different. First, the main character, Torie, is happily married, has more than one child and a mother who has been wheelchair bound most of Torie's life. The books are set around a small Missouri town that is a concentrated version of several historic towns here. Rett makes good use of Torie's extended family in the books and explains dramatic versions of some of the problems we all face with blood relatives. The series began in 1998 with Family Skeletons and is now in it's eighth book with the just-published In Sheep's Clothing.
They are fun to read and I don't think enough people have found them yet. Rett is also a personal friend and member of my writing group.
What tips or advice do you have for writers still looking to be discovered?
Write. You'd be surprised how many wanna-be writers never seem to do that. Write, then finish it. Finish the story. Finish the book. Do two pages a day, every day. Do not revise as you go. If you come to something you don't know, like what does 14th century underwear look like, put a note, skip it, and keep writing. I hear the wailing and gnashing of teeth, but trust me I've met too many writers that have the perfect three chapters of their book, but nothing more. Three chapters isn't a book, it's a beginning -- finish it.
Once you have hundreds of pages on the other side of your computer, then go through and fill in those blank spots with research. Now, you can look up how to undress your 14th century heroine. Now you can chorography that fight scene. If you spend more than a week on a scene, maybe two days, skip it, write a note that says, fight scene here. You know who wins, just move on, keep going. The second draft is just filling in the blank notes. The third draft is where you begin to edit, and polish the writing. I did seven drafts of my first book, and I wrote it just like I've described. It sold. Most first novels don't. My way is not the only way, heaven knows, but it's the way that allowed me to write my first five to six books.
I've gotten better at my job, and I no longer need seven drafts to get it where I want to be. But I find even today, as I write my seventeenth novel, that if I spend more than a week on a scene, I'm stuck, and I need to move on. Perfectionism has set in, and I'm trying to make it perfect. Perfection is an unattainable goal -- trust me on that. Just write, try not to worry, and when it's done, send it out. Try to sell it. For money. Not copies, not for friends to read. Sell it. This is a business, not a charity. Remember that. Your goal is to earn a living writing what you most love, right? Well, if that's your goal, act like it.
I always started at the highest paying appropriate market for my short stories, and then worked down as they got rejected. I'm assuming that you have researched your markets and aren't trying to send vampire stories to magazines that don't even buy fiction. It's a business, remember. Sending your stories to inappropriate markets is like showing up for a job interview because you really want to edit fiction books, but you've walked into a computer-engineering firm. They don't edit fiction books there. Sending your story to the wrong market is the same deal.
Here's another important piece of advice: send the story, or book out, then get started on the next one. Don't fret, and hover around the mailbox angsting over that one story. It's like a mother with one child -- you worry more. So have more literary children, that way when one is rejected you know that there are others out there, that haven't been. It takes some of the sting out of the rejection process. Not a lot, but some. You've got to want this more than any other job, and you've got to toughen your ego, so that the business doesn't crush you. Be tough. Believe in yourself and your dreams.
Abridged CDs, 7 CDs, 9 hours
Read by Kimberly Alexis
In Blue Moon, Anita Blake's ex, high school teacher and sexy lycanthrope Richard, has been thrown in jail for attempted rape. With an entourage of vampires and werewolves, even this preternatural expert knows all is not right in Myerton, Tennessee.
Loading...I was dreaming of cool flesh and sheets the color of fresh blood. The phone shattered the dream, leaving only fragments, a glimpse of midnight blue eyes, hands gliding down my body, his hair flung across my face in a sweet, scented cloud. I woke in my own house, miles from Jean-Claude with the feel of his body clinging to me. I fumbled the phone from the bedside table and mumbled, "Hello."
"Anita, is that you?" It was Daniel Zeeman, Richard's baby brother. Daniel was twenty-four and cute as a bug's ear. Baby didn't really cover it. Richard had been my fiancé once upon a time -- until I chose Jean-Claude over him. Sleeping with the other man put a real crimp in our social plans. Not that I blamed Richard. No, I blamed myself. It was one of the few things Richard and I still shared.
I squinted at the glowing dial of the bedside clock. 3:10 A.M. "Daniel, what's wrong?" No one calls at ten after the witching hour with good news.
He took a deep breath, as if preparing himself for the next line. "Richard's in jail."
I sat up, sheets sliding in a bundle to my lap. "What did you say?" I was suddenly wide awake, heart thudding, adrenaline pumping.
"Richard is in jail," he repeated.
I didn't make him say it again, though I wanted to. "What for?" I asked.
"Attempted rape," he said.
"What?" I said.
Daniel repeated it. It didn't make any more sense the second time I heard it. "Richard is like the ultimate Boy Scout," I said. "I'd believe murder before I'd believe rape."
"I guess that's a compliment," he said.
"You know what I meant, Daniel. Richard wouldn't do something like that."
"I agree," he said.
"Is he in Saint Louis?" I asked.
"No, he's still in Tennesse. He finished up his requirements for his master's degree and got arrested that night."
"Tell me what happened."
"I don't exactly know," he said.
"What do you mean?" I asked.
"They won't let me see him," Daniel said.
"Why not?"
"Mom got in to see him, but they wouldn't let all of us in."
"Has he got a lawyer?" I asked.
"He says he doesn't need one. He says he didn't do it."
"Prison is full of people who didn't do it, Daniel. He needs a lawyer. It's his word against the woman's. If she's local and he isn't, he's in trouble,"
"He's in trouble," Daniel said.
"Shit," I said.
"There's more bad news," he said.
I threw the covers back and stood, clutching the phone. "Tell me."
"There's going to be a blue moon this month." He said it very quietly, no explanation, but I understood.
Richard was an alpha werewolf. He was head of the local pack. It was his only serious flaw. We'd broken up after I'd seen him eat somebody. What I'd seen had sent me running to Jean-Claude's arms. I'd run from the werewolf to the vampire. Jean-Claude was Master of the City of Saint Louis. He was definitely not the more human of the two. I know there isn't a lot to choose from between a bloodsucker and a flesh-eater, but at least after Jean-Claude finished feeding, there weren't chunks between his fangs. A small distinction but a real one.
A blue moon meant a second full moon this month. The moon doesn't actually turn blue most of the time, but it is where the old saying comes from -- once in a blue moon. It happens about every three years or so. It was August, and the second full moon was only five days away. Richard's control was very good, but I'd never heard of any werewolf, even an Ulfric, a pack leader, who could fight the change on the night of the full moon. No matter what flavor of animal you changed into, a lycanthrope was a lycanthrope. The full moon ruled them.
"We have to get him out of jail before the full moon," Daniel said.
"Yeah," I said. Richard was hiding what he was. He taught junior high science. If they found out he was a werewolf, he'd lose his job. It was illegal to discriminate on the basis of a disease, especially one as difficult to catch as lycanthropy, but they'd do it. No one wanted a monster teaching their kiddies. Not to mention that the only person in Richard's family who knew his secret was Daniel. Mom and Pop Zeeman didn't know.
"Give me a number to contact you at," I said.
He did. "You'll come down then," he said.
"Yeah."
He sighed. "Thanks. Mom is raising hell, but it's not helping. We need someone here who understands the legal system."
"I'll have a friend call you with the name of good local lawyer before I get there. You may be able to arrange bail by the time I arrive."
"If he'll see the lawyer," Daniel said.
"Is he being stupid?" I asked.
"He thinks that having the truth on his side is enough."
It sounded like something Richard would say. There was more than one reason why we'd broken up. He clung to ideals that hadn't even worked when they were in vogue. Truth, justice, and the American way certainly didn't work within the legal system. Money, power, and luck were what worked. Or having someone on your side that was part of the system.
I was a vampire executioner. I was licensed to hunt and kill vampires once a court order of execution had been issued. I was licensed in three states. Tennessee was not one of them. But cops, as a general rule, would treat an executioner better than a civilian. We risked our lives and usually had a higher kill count than they did. Of course, the kills being vamps, some people didn't count them as real kills. Had to be human for it to count.
"When can you get here?" Daniel asked.
"I've got some things to clear up here, but I'll see you today before noon."
"I hope you can talk some sense into Richard."
I'd met their mother -- more than once -- so I said, "I'm surprised that Charlotte can't talk sense to him."
"Where do you think he gets this 'truth will set you free' bit?" Daniel asked.
"Great," I said. "I'll be there, Daniel."
"I've got to go." He hung up suddenly as if afraid of being caught. His mom had probably come into the room. The Zeemans had four sons and a daughter. The sons were all six feet or above. The daughter was five nine. They were all over twenty-one. And they were all scared of their mother. Not literally scared, but Charlotte Zeeman wore the pants in the family. One family dinner and I knew that.
I hung up the phone, turned on the lamp, and started to pack. It occurred to me while I was throwing things into a suitcase to wonder why the hell I was doing this. I could say that it was because Richard was the other third of a triumvirate of power that Jean-Claude had forged between the three of us. Master vampire, Ulfric, or wolf king, and necromancer. I was the necromancer. We were bound so tightly together that sometimes we invaded each other's dreams by accident. Sometimes not so accidentally.
But I wasn't riding to the rescue because Richard was our third. I could admit to myself, if to no one else, that I still loved Richard. Not the same way I loved Jean-Claude, but it was just as real. He was in trouble, and I would help him if I could. Simple. Complicated. Hurtful.
I wondered what Jean-Claude would think of me dropping everything to go rescue Richard. It didn't really matter. I was going, and that was that. But I did spare a thought for how that might make my vampire lover feel. His heart didn't always beat, but it could still break.
Love sucks. Sometimes it feels good. Sometimes it's just another way to bleed.
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Hear our exclusive audio interview with Laurell K. Hamilton (12:51).
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