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Alan Furst’s 14th novel opens in late 1937, in a Warsaw menaced by approaching war and teeming with spies of every stripe. Among them is Colonel Jean-François Mercier, an aristocratic French military attaché and beau idéal of the dashing secret agent. Forty-six years old, his tall frame a palimpsest of war wounds, he is a melancholy widower. Among the many other spies afoot in these pages is German businessman Edvard Uhl, entrapped by a supposed countess into smuggling information on German tank design to the French. Uhl’s activities come to the attention of some exceedingly unpleasant Nazi secret agents, and his life becomes a problem for Mercier to solve. The only non-spy in this espionage-steeped arena seems to be Anna Szarbek, a lawyer for the League of Nations and Mercier’s serious love interest The novel moves back and forth between Warsaw and Paris with excursions, among them to the Polish-German border where our hero, creeping through the forest in his waxed Barbour field jacket, observes German military preparations and, later, to the Black Forest, where he witnesses tank maneuvers. Both forays produce evidence suggesting German plans of attack for invasions of Poland and France. If you think Mercier manages to convince anyone with authority to act on his discoveries, you have forgotten your history. What we have here is a thrilling, cleverly plotted re-creation of the sort of hugger-mugger, double-dealing, and wishful thinking that marked the last crepuscular years before full-scale war plunged Europe into darkness. --Katherine A. Powers
More Reviews and Recommendations-- Houston Chronicle
Autumn 1937: War is coming to Europe. French and German intelligence operatives are locked in a life-and-death struggle on the espionage battlefield. At the French embassy, the new military attaché, Colonel Jean-François Mercier, a decorated hero of the 1914 war, is drawn into a world of abduction, betrayal, and intrigue in the diplomatic salons and back alleys of Warsaw. At the same time, the handsome aristocrat finds himself in a passionate love affair with a Parisian woman of Polish heritage, a lawyer for the League of Nations.
Colonel Mercier must work in the shadows, amid an extraordinary cast of venal and dangerous characters -- Colonel Anton Vyborg of Polish military intelligence; the mysterious and sophisticated Dr. Lapp, senior German Abwehr officer in Warsaw; Malka and Viktor Rozen, at work for the Russian secret service; and...
Furst is that rarity, a writer of popular fiction who is also a serious novelist. This is the third of his novels that I've reviewed, and the steady growth of his achievement almost can be measured with calipers. At times his prose can get a little strained, as he reaches a little far for effects, but it's now much more controlled than it was a dozen years ago in The World at Night. Like a handful of other writers who have turned espionage fiction into something approximating artJohn le Carre, of course, and Charles McCarryFurst combines the craft of entertainment with the exploration of important themes, and in no way does the entertainment diminish the themes. The Spies of Warsaw is entertaining from first page to last.
More Reviews and RecommendationsWhen it comes to spy novels, no one is more erudite or elegant than Alan Furst, whose novels -- all set in the European theater of World War II – are rich with both historical fact and brilliantly imagined circumstances.
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January 02, 2010: This is one of the most well written books in this genre ever. Te depth of character development, the knowledge of the history of the sub-surface political and espionage intrigue is unparalleled.
I warn readers to buy the audio books not the down loads from Barnes and Noble because I paid for one download but it was never delivered to my computer.Reader Rating:
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October 14, 2008:
I have read every one of Alan Furst's books concerning the period around WW II but have been very disappointed in the last two - The Foreign Correspondent and The Spies of Warsaw. For me, I most enjoyed the imagery and descriptions that made me feel as if I were in the locale of the story. As someone else wrote, "I could feel and taste the fog."
In each of the last two novels Furst has abandoned the rich, detailed descriptions which made his stories so enthralling. Rather it is as if, he starts a description and then says, "Dear reader, you can fill in the rest, I'm bored with writing this stuff."
The ending of the Spies of Warsaw represents a good example of his unwillingness to put the effort into this story that was routinely put into his earlier work. Overall, the latest story is a B-; the premise had real possibilities but the implementation was not up to the standards longtime readers have come to expect.
Name:
Alan Furst
Current Home:
Sag Harbor, New York
Place of Birth:
New York, New York
Education:
B.A., Oberlin College
Alan Furst may have the narrowest purview in literature. His books – which he calls historical espionage novels -- are all set in Europe between 1933 and 1945, and all are stories of World War II intrigue.
But that brief eight-year period in history has given Furst a rich amount of source material; although he had published a handful of earlier novels (now out of print, some of them fetch hundreds of dollars) Furst hit his stride with 1988’s Night Soldiers , his first book to concentrate on the decade that would forever change the world. Furst had found his niche. As Salon rhapsodized in a 2001 review, "...to talk about one of his books is to talk about them all. He is writing one large book in which each new entry adds a piece to the mosaic of Europe in the years leading up to the war, as created by a partisan of the senses."
Furst's books are grounded in their author’s extensive research of the period, and are written in an almost newsy prose broken occasionally by beautiful, lyrical passages describing, say, a Paris morning in the 1940s, or night at the Czechoslavakian-Hungarian border. History buffs will find much to love here; while the books are fiction, some of the details are factual. In Night Soldiers, for example, immigrants arriving at Ellis Island exchanged their clothing for new outfits; in reality, the American government often bought clothing from immigrants to use as costumes for its spies.
And while Furst’s novels are entertaining and, often, elegant, they are not easy reads: the books traverse through a wide swath of Europe (an important character itself in Furst’s fiction), and characters duck behind corners and sometimes stumble into the continent’s more remote regions (while not partying in Paris, that is). Though his male protagonists manage to find and sometimes lose lovers, Furst’s books are primarily concerned with the moral slipperiness involved in fighting off Hitler's advance, where even the best intentions could produce regrettable results.
Furst's books have grown leaner and tauter over the years, the result of a conscious effort "to say more by saying less." Notwithstanding this paring back, or perhaps because of it, the praise for his books only seems to multiply, and Furst’s writing has lost none of its veracity or suspense. Furst, who many critics consider literature’s best-kept secret, may not be a household name yet, but with such buzz, his low profile won’t last much longer.
Night Soldiers originated from a piece Furst wrote for Esquire in 1983. He was also a reporter for the International Herald Tribune and wrote a biography of cookie entrepeneur Debbie Fields.
Furst wrote in a 2002 essay, "For me, Anthony Powell is a religion. I read A Dance to the Music of Time every few years."
For years, Alan Furst suffered that most backhanded of author compliments: He was a critical darling. With a series of elegant espionage thrillers stretching back to 1988 (when the New York native published Night Soldiers), Furst was beloved by reviewers, but for more than a decade -- in America, at any rate -- an all-too-small cadre of devotees was left asking why more people didn't read his books.
The answer may have to do with timing. While Furst's work -- set in Europe just before World War II -- remains immersed in the same romantic, meticulously researched atmosphere, over the past year his relative anonymity has all but vanished. Now, the popularity he has enjoyed in Europe has spilled over to his native land.
"They are so much more popular since 9/11," says Furst, who was working on his latest -- Blood of Victory, due in September -- at his Sag Harbor, New York, home last September 11. "People have said to me, 'There's something about your books that has to do with us, although I can't put my finger on exactly what it is,' and I can't either."
Maybe it's the air of anxiety, even dread, that fills Furst's stories. EM>Blood of Victory, for instance, follows émigré author Ilya A. Serebin as he navigates occupied Europe -- with the threat of Nazi domination increasing -- and strives to block Germany's access to its Romanian oil fields.
Furst's reluctant heroes are not fists-and-whiskey gumshoes or hard-nosed marine sergeants. Surrounded by old money, Pernod and creamy-skinned women, they are men of means and education who are thrust into action by German aggression and forced to deal with the consequences. And this resonates with his readers.
"We see [World War II] as the period of our best selves, when we rose to confront evil," says Furst. "Researchers asked people who had been in the resistance, 'Why did you do it?' And again and again they got the same answer: 'Because I was asked.' I had that same response after 9/11. I said to myself, 'Half the population in America would love to be asked to do something. They would only need to be asked and they would be so happy to help.' " That, finally, is what Furst's stories are about: people responding to evil.
Furst is at work on his next book, to be set in the Baltic. While the locations change, the premise doesn't. "I'm writing about people who are attacked, who are damaged by the kind of people who damaged us on 9/11, people to whom human life is not valuable," he says. "The idea that I would write something else never occurred to me. I have greater conviction than ever."
Alan Furst’s 14th novel opens in late 1937, in a Warsaw menaced by approaching war and teeming with spies of every stripe. Among them is Colonel Jean-François Mercier, an aristocratic French military attaché and beau idéal of the dashing secret agent. Forty-six years old, his tall frame a palimpsest of war wounds, he is a melancholy widower. Among the many other spies afoot in these pages is German businessman Edvard Uhl, entrapped by a supposed countess into smuggling information on German tank design to the French. Uhl’s activities come to the attention of some exceedingly unpleasant Nazi secret agents, and his life becomes a problem for Mercier to solve. The only non-spy in this espionage-steeped arena seems to be Anna Szarbek, a lawyer for the League of Nations and Mercier’s serious love interest The novel moves back and forth between Warsaw and Paris with excursions, among them to the Polish-German border where our hero, creeping through the forest in his waxed Barbour field jacket, observes German military preparations and, later, to the Black Forest, where he witnesses tank maneuvers. Both forays produce evidence suggesting German plans of attack for invasions of Poland and France. If you think Mercier manages to convince anyone with authority to act on his discoveries, you have forgotten your history. What we have here is a thrilling, cleverly plotted re-creation of the sort of hugger-mugger, double-dealing, and wishful thinking that marked the last crepuscular years before full-scale war plunged Europe into darkness. --Katherine A. Powers
-- Houston Chronicle
Autumn 1937: War is coming to Europe. French and German intelligence operatives are locked in a life-and-death struggle on the espionage battlefield. At the French embassy, the new military attaché, Colonel Jean-François Mercier, a decorated hero of the 1914 war, is drawn into a world of abduction, betrayal, and intrigue in the diplomatic salons and back alleys of Warsaw. At the same time, the handsome aristocrat finds himself in a passionate love affair with a Parisian woman of Polish heritage, a lawyer for the League of Nations.
Colonel Mercier must work in the shadows, amid an extraordinary cast of venal and dangerous characters -- Colonel Anton Vyborg of Polish military intelligence; the mysterious and sophisticated Dr. Lapp, senior German Abwehr officer in Warsaw; Malka and Viktor Rozen, at work for the Russian secret service; and Mercier's brutal and vindictive opponent, Major August Voss of SS counterintelligence. And there are many more, some known to Mercier as spies, some never to be revealed.
The Spies of Warsaw is Furst's finest novel to date -- exciting, atmospheric, erotic, and impossible to put down.
Furst is that rarity, a writer of popular fiction who is also a serious novelist. This is the third of his novels that I've reviewed, and the steady growth of his achievement almost can be measured with calipers. At times his prose can get a little strained, as he reaches a little far for effects, but it's now much more controlled than it was a dozen years ago in The World at Night. Like a handful of other writers who have turned espionage fiction into something approximating artJohn le Carre, of course, and Charles McCarryFurst combines the craft of entertainment with the exploration of important themes, and in no way does the entertainment diminish the themes. The Spies of Warsaw is entertaining from first page to last.
As Mr. Furst plays his usual cat-and-mouse games, he lures both Mercier and the reader into high-stakes espionage activities in which prescience about a possible tank attack is all-important. To the extent that The Spies of Warsaw has a central thread, this is it. But Mr. Furst has created this book on a broad canvas. And he succeeds in doing so without losing sight of his narrative focus…As always, but with especially great efficacy in The Spies of Warsaw, Mr. Furst asks how life can go on in the face of encroaching menace. And in the book's uncommonly fine-tuned portrait of Mercier, it has some kind of answer.
Furst, master of the historical spy novel, offers this meticulously detailed and sprawling epic set at the onset of WWII. Drenched in romance and espionage and given to thrilling plot twists, the novel is beautifully realized by Daniel Gerroll, whose mastery of variously accented English dialects lends added authenticity to Furst's tale. Providing gritty and realistic German, French, and even Russian accents, Englishman Gerroll displays a natural stage presence and true performance ability. There is a subtle theatrical aspect at play here as well, creating a mysterious and enchanting atmosphere for the audience. A Random hardcover (Reviews, Apr. 14). (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Furst's latest novel is sure to be counted as one of the very best of the historical espionage genre. Literate, admirably plotted, and featuring a memorable protagonist, it is realistic and sad but hopeful and romantic. A highly competent French army officer, Jean-François Mercier is assigned in 1937 to military attaché duty in Warsaw, a position recognized by all as an opportunity, if not a duty, to engage in spying. Mercier is a World War I combat-wounded hero, a widower whose behavior reveals a nobility and a sense of honor mostly lacking in today's fiction heroes. Using Polish and German agents, he engages in thrilling derring-do and soon recognizes the sinister intentions of the Nazis, which the French high command apparently chooses to ignore. He does his best to alert the French General Staff, especially as to German invasion strategy. Furst brilliantly captures the setting, along with the cynicism of the Warsaw sociopolitical scene. His presentation of Mercier's romantic interludes with a Parisian woman of Polish heritage is sophisticated, elegant, and discreet. Enthusiastically recommended for all libraries. [See Prepub Alert, LJ2/1/08.]
As the Nazis openly plan an invasion, France's military attache in Warsaw does a little spying, eats good meals, travels a bit and spends time in pleasant surroundings with a lovely lawyer for the League of Nations. Wounded in the Great War, Col. Jean-Francois Mercier is a widower with two grown daughters, a vast Parisian apartment, a handsome, slightly shabby country estate and two fine hunting dogs. His current assignment in Poland has him mixing with the local swells-where he picks up bits of information on the tennis court and at dinners-and running a modestly successful intelligence operation involving Herr Uhl, a plump German engineer who swaps details of the Nazis new tank for nights of love with a zaftig "Countess" in Mercier's employ. From the various little bits of information Mercier has gleaned, it becomes depressingly evident that the Nazis are beefing up their tank warfare capability with an eye on the Ardennes forest, the quickest way around the "impregnable" Maginot Line in which France's thick-headed military leaders have placed their total trust. Then the Uhl operation falls apart. An obedient hausfrau sharing his train compartment reports Uhl's nervous behavior to the authorities, resulting in his nearly successful kidnapping by some overeager intelligence agents. Mercier's successful intervention in the snatch earns him a place on the Nazi hit list. Undaunted, the suave Frenchman plans a fake hike on the German border to photograph the latest tank war games, obtaining even more evidence of the Huns' strategy, which will yet again be ignored by the dinosaurs at the top of the French army. Offsetting the frustrations at work is a dalliance with beautiful Anna Szarbek,his blind date at an embassy dinner. Furst (The Foreign Correspondent, 2006, etc.) cuts back a bit on the usual tension, but there is all of the wonderfully wistful late-'30s atmosphere that is his specialty.
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Copyright © 2008 Alan Furst
All right reserved.
ISBN: 9781400066025
Excerpted from The Spies of Warsaw by Alan Furst Copyright © 2008 by Alan Furst. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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