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| Hardcover - Modern Library ed | $24.65 |
Audiolibro dramatizado en español basado en la historia original de Víctor Hugo. Catalogada como la primera novela social de su época, Los miserables, es una de obras literarias las más famosas de todos los tiempos. Es la historia de Jean Valjean, un convicto que estuvo injustamente encarcelado por 19 años por haberse robado una rebanada de pan. Al ser liberado de su injusta condena, Valjean trata de escapar de su pasado, lleno de maldad y depravación, para vivir una vida digna y honesta. Sin embargo, esto se ve truncado al ser reconocido por el inspector Javert, quien lo persigue obsesionadamente para enviarlo de nuevo a prisión. Esta persecución consume la vida de ambos hombres, terminando en un inesperado desenlace. FonoLibro les presenta esta excelente dramatización de la obra maestra de Víctor Hugo, con un elenco completo, música original, y excelentes efectos de sonido, la cual le estremecerá, y le llegará al corazón. (Duración: 4 horas. 4 CDs)
Trying to forget his past and live an honest life, escaped convict Jean Valjean risks his freedom to take care of a motherless young girl during a period of political unrest in Paris.
As part of the "Bullseye Step into Classics" series, this book offers young readers a simplified version of the classic tale of the haunted and hunted man relentlessly pursued by the unforgiving police inspector. The opening scenes of the story, depicting the desperate poverty that drives Jean Valjean to steal a loaf of bread and, after his release from prison, to treat his benefactor dishonestly, are passed over quickly in narrative form and don't engage the reader on an emotional level. However, once Jean Valjean rescues Cosette from a terrible life and takes her as his daughter, the story becomes more and more compelling. This version will hold the interest of young readers and it is to be hoped that, when they are a few years older, they will search out the original masterpiece and become immersed in the drama of Jean Valjean, the hunted and Inspector Javert, the hunter. 1995, Random House, $3.99. Ages 9 to 12. Reviewer: Carolyn Mott Ford
More Reviews and Recommendations"If a writer wrote merely for his time, I would have to break my pen and throw it away," the larger-than-life Victor Hugo once confessed. Indeed, this 19th-century French master's works -- from the epic drama Les Misérables to the classic unrequited love story The Hunchback of Notre Dame -- have spanned the ages, their themes of morality and redemption ever applicable to our times.
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December 26, 2007: I first read Les Miserables when I was in Junior High. I was mesmerized by the detail and strength of Hugo's writing. I soaked up every word and could not put it down. I read it in High School and again felt the depth of writing and emotion in those pages. As an adult I read this novel and it has never ceased to be my favorite. There are alot of 'fluff' books out there, but if you like books that make you THINK, then read this one (over and over again). Social Injustice, Compassion, Hatred, Love, Anger, Passion, Joy, Deep Sorrow...this book has it all. Please don't skimp by reading abridgements, the unabridged version is the best.
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March 12, 2006: This book was an alright book. I thought it would be alot more exciting and action packed but it was a while until that came out in the story. There were some gripping parts but there was lots of other not so exciting material in between.
Name:
Victor Hugo
Also Known As:
Victor-Marie Hugo
Date of Birth:
February 26, 1802
Place of Birth:
Besançon, France
Date of Death
May 22, 1885
Place of Death
Paris, France
Education:
Pension Cordier, Paris, 1815-18
Novelist, poet, dramatist, essayist, politician, and leader of the French Romantic movement from 1830 on, Victor-Marie Hugo was born in Besançon, France, on February 26, 1802. Hugo's early childhood was turbulent: His father, Joseph-Léopold, traveled as a general in Napoléon Bonaparte's army, forcing the family to move frequently. Weary of this upheaval, Hugo's mother, Sophie, separated from her husband and settled in Paris. Victor's brilliance declared itself early in the form of illustrations, plays, and nationally recognized verse. Against his mother's wishes, the passionate young man fell in love and secretly became engaged to Adèle Foucher in 1819. Following the death of his mother, and self-supporting thanks to a royal pension granted for his first book of odes, Hugo wed Adèle in 1822.
In the 1820s and 1830s, Victor Hugo came into his own as a writer and figurehead of the new Romanticism, a movement that sought to liberate literature from its stultifying classical influences. His 1827 preface to the play Cromwell proclaimed a new aesthetic inspired by Shakespeare, based on the shock effects of juxtaposing the grotesque with the sublime. The great success of Notre-Dame de Paris (The Hunchback of Notre Dame) confirmed Hugo's primacy among the Romantics.
By 1830 the Hugos had four children. Exhausted from her pregnancies and her husband's insatiable sexual demands, Adèle began to sleep alone, and soon fell in love with Hugo's best friend, the critic Charles-Augustin Sainte-Beuve. They began an affair. The Hugos stayed together as friends, and in 1833 Hugo met the actress Juliette Drouet, who would remain his primary mistress until her death 50 years later.
Personal tragedy pursued Hugo relentlessly. His jealous brother Eugène went permanently insane following Victor's wedding to Adèle. His daughter, Léopoldine, together with her unborn child and her devoted husband, died at 19 in a boating accident on the Seine. Hugo never fully recovered from this loss.
Political ups and downs ensued as well, following the shift of Hugo's early royalist sympathies toward liberalism during the late 1820s. He first held political office in 1843, and as he became more engaged in France's social troubles, he was elected to the Constitutional Assembly following the February Revolution of 1848. After Napoléon III's coup d'état in 1851, Hugo's open opposition created hostilities that ended in his flight abroad from the new government.
Declining at least two offers of amnesty -- which would have meant curtailing his opposition to the Empire -- Hugo remained in exile in the Channel Islands for 19 years, until the fall of Napoléon III in 1870. Meanwhile, the seclusion of the islands enabled Hugo to write some of his most famous verse as well as Les Misérables (1862). When he returned to Paris, the country hailed him as a hero. Hugo then weathered, within a brief period, the siege of Paris, the institutionalization of his daughter Adèle for insanity, and the death of his two sons. Despite this personal anguish, the aging author remained committed to political change. He became an internationally revered figure who helped to preserve and shape the Third Republic and democracy in France. Hugo's death on May 22, 1885, generated intense national mourning; more than two million people joined his funeral procession in Paris from the Arc de Triomphe to the Panthéon, where he was buried.
Author biography from the Barnes & Noble Classics edition of The Hunchback of Notre Dame.
Hugo was seen by his fans as a grand, larger-than-life character -- and rumors spread that he could eat half an ox in one sitting, fast for three days, and then work without stopping for a week.
Hugo owned a pet cat named Gavroche -- the name of one of the primary characters in Les Misérables.
The longest sentence ever written in literature is in Les Misérables; depending on the translation, it consists of about 800 words.
When Hugo published Les Misérables, he was on holiday. After not hearing anything about its reception for a few days, Hugo sent a telegram to his publisher, reading, simply:
"?"
The complete reply from the publisher:
"!"
A rousing adventure story peopled with heartbreaking, unforgettable characters and a powerful allegory about the good and evil lying beneath the surfaces of human beauty, ugliness, and superior intellect.
Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, when, owing to a case of mistaken identity, another man is arrested in his place; and by the relentless investigations of the dogged policeman Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty. A compelling and compassionate view of the victims of early nineteenth-century French society, Les Miserables is a novel on an epic scale, moving inexorably from the eve of the battle of Waterloo to the July Revolution of 1830.
Norman Denny's introduction to his lively English translation discusses Hugo's political and artistic aims in writing Les Miserables
As part of the "Bullseye Step into Classics" series, this book offers young readers a simplified version of the classic tale of the haunted and hunted man relentlessly pursued by the unforgiving police inspector. The opening scenes of the story, depicting the desperate poverty that drives Jean Valjean to steal a loaf of bread and, after his release from prison, to treat his benefactor dishonestly, are passed over quickly in narrative form and don't engage the reader on an emotional level. However, once Jean Valjean rescues Cosette from a terrible life and takes her as his daughter, the story becomes more and more compelling. This version will hold the interest of young readers and it is to be hoped that, when they are a few years older, they will search out the original masterpiece and become immersed in the drama of Jean Valjean, the hunted and Inspector Javert, the hunter. 1995, Random House, $3.99. Ages 9 to 12. Reviewer: Carolyn Mott Ford
Hugo's classic tale set against the backdrop of political upheaval in 19th-century France retains its timeless appeal in this notably condensed rendition of the struggles of former convict Jean Valjean. While the abridgment inevitably cuts many of the intricate subplots and minor characters who enrich Hugo's vast tome, this suspenseful central plot tracing Valjean's endeavor to emerge from desperate circumstances while being pursued by the duty-obsessed Inspector Javert remains intact and comprehensible to listeners. The principal characters retain their epic proportions, and the major themes of redemption through good works and the importance of authentic charity are undiminished. Narrator Michael York adds vigor and distinct characterizations to the broad cast of characters in this fittingly dramatic performance. Suitable for collections that do not already contain one of the many audio versions of this work (e.g., Audio Reviews, LJ 5/1/93).--Linda Bredengerd, Hanley Lib., Univ. of Pittsburgh, Bradford
Hugo's standard is being reprinted to tie in with the Disney animated feature. Though the average kid is not likely to wade through this epic, Hyperion's illustrated edition is actually quite nice if you're looking for a quality hardcover at a good price.
The Hunchback of Notre Dame (40 pp.; Sept. 1997; 0-531- 30055-2): A storybook retelling of Hugo's classic of the lonely bellringer and his hopeless love for the beautiful gypsy girl, Esmerelda, whom he rescues from hanging and the evil archdeacon Dom Frollo and reunites with her mother. While remaining relatively faithful to the original, this version from Wynne- Jones (The Maestro, 1996, etc.) is always competent, but never compelling. Slavin creates lovely illustrations, but his pale washes leave even the most festive scenes sedate. The volume lacks power or emotion; adults seeking an alternativeany alternativeto the Disney film may find that this one hardly competes for the hearts and minds of the target audience.
V. S. Pritchett
Hugo's genius was for the creation of simple and recognisable myth. The huge success of Les Miserables as a didactic work on behalf of the poor and oppressed is due to its poetic and myth-enlarged view of human nature... Hugo himself called this novel 'a religious work'; and it has indeed the necessary air of having been written by God in one of his more accessible and saleable moods.
Loading...| Introduction | 7 | |
| Part 1 | Fantine | |
| I | An Upright Man | 19 |
| II | The Outcast | 71 |
| III | In the Year 1817 | 119 |
| IV | To Trust is Sometimes to Surrender | 144 |
| V | Degradation | 155 |
| VI | Javert | 191 |
| VII | The Champmathieu Affair | 202 |
| VIII | Counter-Stroke | 260 |
| Part 2 | Cosette | |
| I | Waterloo | 279 |
| II | The Ship Orion | 325 |
| III | Fulfilment of a Promise | 338 |
| IV | The Gorbeau Tenement | 385 |
| V | Hunt in Darkness | 399 |
| VI | Le Petit-Picpus | 425 |
| VIII | Cemeteries Take What They are Given | 451 |
| Part 3 | Marius | |
| I | Paris in Microcosm | 495 |
| II | A Grand Bourgeois | 512 |
| III | Grandfather and Grandson | 522 |
| IV | The ABC Society | 555 |
| V | The Virtues of Misfortune | 584 |
| VI | Conjunction of Two Stars | 603 |
| VII | Patron-Minette | 619 |
| VIII | The Noxious Poor | 627 |
| Part 4 | The Idyll in the Rue Plumet and the Epic of the Rue Saint-Denis | |
| I | A Few Pages of History | 705 |
| II | Eponine | 739 |
| III | The House in the Rue Plumet | 756 |
| IV | Help from Below May be Help from above | 788 |
| V | Of Which the End Does Not Resemble the Beginning | 797 |
| VI | The Boy Gavroche | 812 |
| VIII | Enchantment and Despair | 844 |
| IX | Where are They Going? | 876 |
| X | 5 June 1832 | 883 |
| XI | The Straw in the Wind | 904 |
| XII | Corinth | 915 |
| XIII | Marius Enters the Darkness | 943 |
| XIV | The Greatness of Despair | 953 |
| XV | In the Rue de L'Homme-Arme | 970 |
| Part 5 | Jean Valjean | |
| I | War within Four Walls | 987 |
| II | The Entrails of the Monster | 1061 |
| III | Mire, But the Soul | 1076 |
| IV | Javert in Disarray | 1104 |
| V | Grandson and Grandfather | 1110 |
| VI | The Sleepless Night | 1129 |
| VII | The Bitter Cup | 1145 |
| VIII | The Fading Light | 1162 |
| IX | Supreme Shadow, Supreme Dawn | 1173 |
| Appendix A | The Convent as an Abstract Idea (Part Two, Book VII) | 1202 |
| Appendix B | Argot (Part Four, Book VII) | 1214 |
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