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Bum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry.
“Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam–not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is.”
–Tony Medina, from the Introduction
To most readers, the hundreds of tightly rhymed, orally friendly poems here will read as "slam." But in his introduction, Medina, a poet and activist, takes great pains to separate the poems from slam's crowd-pleasing limitations, and uses the term "def jam" to describe the political spoken-word poetry he and Rivera, also a poet-activist, have collected. Medina's and Rivera's emphasis is on the poem and its subject matter, not the poet, which makes for a remarkably democratic anthology. Every poet has about the same page and a half of space. The book's design puts the poets' names in a very small type. None of the big names June Jordan, Reg E. Gaines, Edwin Torres, Wanda Coleman, Patricia Smith and Amiri Baraka are given more attention than the less published. Organized by subjects such as "Blood, I Say, Study our Story, Sing this Song," "Drums Drown Out Our Sorrow" and "Seeds of Resistance," most of the poems use urban imagery, tough talk and declaration. Most are identity-centered, anti-racist and pro-activist. Many focus on current events. There are, for instance, at least four poems about Amadou Diallo, the unarmed Ghanaian immigrant killed by New York policemen as he stood in his doorway. All mention the 41 shots; all include the word "mother." There are poems about Shaka Sankofa (convicted of murder at 17, and executed nearly 20 years later under Texas's then-Governor George W. Bush), and homages to Cuban bandleader Tito Puente. Some readers will wish for more variation of theme and for more layered meanings, but the topicality and directness of the poems make this an ideal textbook for introductory poetry classes, especially for urban high school students, and for anyone interestedin poetry as a social art. (Oct.) Copyright 2001 Cahners Business Information.
More Reviews and RecommendationsTony Medina is a poet, professor, activist, and author of ten books, including DeShawn Days, Love to Langston, and Role Call: A Generational Anthology of Social and Political Black Literature & Art.
Louis Reyes Rivera is a professor of Pan African, Caribbean, Puerto Rican, and African American history and literature. A noted poet and essayist, he is the recipient of more than twenty citations, including a Special Congressional Recognition Award for his work as an activist poet. Def Poetry Jam is a multimedia poetry project featuring live showcases and jams across the country, a website, and other projects aimed at bringing poetry to new audiences.
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January 30, 2010: New poetry, unlike anything you've read unless you're familiar with the movement. Contemporary genius.
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October 22, 2007: In reading Bum Rush the Page, the reader feels as if being thrown into the audience of an open mic or poetry cipher that Medina and Reyes have masterfully organized. With a powerful foreword by Sonia Sanchez and poetry adorning even the invocation, the subtitle brings no false heat in declaring this work a `def poetry jam?. The first portion of this anthology, entitled, Blood I Say, Sing Our Story, Sing this Song contains pieces that, much like the title, tell a story and have a narrative-like feel for them. Pieces that stand out specifically in this section are An Asian Am Anthem and And the Saga Continues, which capture the title and tell of history and pain. Emotionally charged pieces, such as On the Other Side and Lonely Women tell painful stories of domestic violence and love gone wrong. The accompanying section, Open Your Mouth and Smile, kicks of with poems such as 450 Years of Selective Memory (Smile) that begs the reader to smile amidst all of the reasons in the world to do just the opposite. Following this the sections, Every Word Must Conjure Up and Drums Drown Out the Sorrow both contain masterful works from poets young, old, near, and far. The climax of this anthology is reached in the section entitled, When the Definition of Madness is Love. When the poets of Bum Rush the Page speak of love, it is unlike anything I have ever heard before. The metaphoric content for happiness, love, tears, pain, and heartache is brought to a higher exponential level than ever thought possible. The reader can feel the sorrow and heartbreak in pieces such as The Hardest Part About Love or Bullet Hole Man. Emotion is felt at its highest point in this section, thus making it, in my opinion, the strongest. These poets truly know how to tug on reader?s heartstrings. The sections that come after, We Whose Fathers Are Hidden, Seed of Resistance, Beauty is Moving Us Forward, It Was the Music that Made Us, and Children of the Word provide even more heartfelt work from poets who have captivating stories to tell and complicated emotions to free. Comical pieces, such as Owed to Eminem, show diversity in that these writings can not only make you cry, but they can make you laugh. Specifically, I would recommend this publication to people ages 16 with an open mind Overall, I would recommend Bum Rush the Page to anyone who enjoys poetry and spoken word.