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Anne Tyler’s richest, most deeply searching novel–a story about what it is to be an American, and about Iranian-born Maryam Yazdan, who, after 35 years in this country, must finally come to terms with her “outsiderness.”
Two families, who would otherwise never have come together, meet by chance at the Baltimore airport – the Donaldsons, a very American couple, and the Yazdans, Maryam’s fully assimilated son and his attractive Iranian wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the instant babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate: an “arrival party” that from then on is repeated every year as the two families become more and more deeply intertwined. Even Maryam is drawn in – up to a point. When she finds herself being courted by Bitsy Donaldson’s recently widowed father, all the values she cherishes – her traditions, her privacy, her otherness–are suddenly threatened.
A luminous novel brimming with subtle, funny, and tender observations that immerse us in the challenges of both sides of the American story.
Like Ms. Tyler's best novels, Digging to America gives us an intimate picture of middle-class family life: its satisfactions and discontents, its ability to suffocate and console. But at the same time the story ventures into territory more usually associated with writers like Jhumpa Lahiri and Gish Jen. It looks at the promises and perils of the American Dream and the knotty, layered relationship — made up in equal parts of envy, admiration, resentment and plain befuddlement — that can develop between native-born Americans and more recent immigrants intent on making their way through the often baffling byways of the New World.
More Reviews and RecommendationsPulitzer Prize-winning writer Anne Tyler has made a glorious career of telling the often less-than glorious stories of small-town people enduring life’s every day ups and downs. Having come of age in rural Raleigh, North Carolina, the enigmatic Tyler draws upon her background to fashion tales of the South that are quirky, humorous, and insightful.
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July 19, 2009: Anne Tyler never fails to write an interesting story with quirky characters. I have enjoyed every single thing she has written, and would recommend all her books.
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July 13, 2009: As I have read all of Anne Tyler's previous books I was disappointed in this one and definitely wouldn't recommend it to anyone.
Name:
Anne Tyler
Current Home:
Baltimore, Maryland
Date of Birth:
October 25, 1941
Place of Birth:
Minneapolis, Minnesota
Education:
B.A., Duke University, 1961
Awards:
Pulitzer Prize, 1989, for Breathing Lessons; National Book Critics Circle Award, 1986, for The Accidental Tourist; PEN/Faulkner Award, 1983, for Dinner at the Homesick Restaurant
Anne Tyler has had a very active imagination all her life. When she was a young girl, she would spend an hour or two after being put to bed every night fantasizing that she was a doctor. She imagined conversations with patients, and pictured their lives as she did so, considering both their illnesses and the intricacies of their backgrounds. She constructed little mental plays around these characters that she would whisper to herself in the dark -- much to the chagrin of her brother, with whom she shared a room. "[H]e used to call out to our parents, ‘Anne's whispering again!'" she once told Barnes & Noble.com. As much as she may have vexed her brother, she also believes that these fantasies helped her to develop into the beloved, award-winning novelist she is today.
Tyler's work is characterized by a meticulous attention to detail, a genuine love of her characters, and a quirky sense of humor. Her public persona is characterized by its own quirks, as well. She refuses to grant face-to-face interviews. She has never publicly read from any of her books. She does not do book signings or tours. All of this has lent a certain mystique to her novels, although Tyler has said that her reluctance to become a public figure status is actually the result of simple shyness, not to mention her desire for her writing to speak for itself. Fortunately, Anne Tyler's work speaks with a clear, fully-realized voice that does not require unnecessary elucidation by the writer.
Tyler published her first novel If Morning Ever Comes in 1964, and that singular voice was already in place. This astute debut that tracks the self-realization of a young man named Ben Joe Hawkins displayed Tyler's characteristic wit and gentle eccentricity right off the bat. Harper's declared the novel "a triumph," and Tyler was on her way to creating an impressive catalog of novels chronicling the every day hopes, fears, dreams, failures, and victories of small-town Americans. Having come of age, herself, in rural North Carolina, Tyler had particular insight into the lives of her characters. Each novel was a little shimmering gem, winning her a devoted following and public accolades that more than compensated for her refusal to appear in public. Her novel Earthly Possessions, the story of a housewife who is taken hostage by a young man during a bank robbery, was released the same year she won an award for "literary excellence and promise of important work to come" from the American Academy and Institute of Arts and Letters. The book also went on to become a television movie starring Susan Sarandon and Stephen Dorff in 1999.
However, the most well-known adaptation of one of Tyler's novels arrived more than a decade earlier when The Accidental Tourist was made into an Academy Award winning film starring Geena Davis and William Hurt. Consequently, The Accidental Tourist is viewed by some as Tyler's signature novel, covering many of the writer's favorite themes: the push and pull of marriage, the appearance of a romantic eccentric, personal tragedy, and the quest to escape from the drudgery of routine. The Accidental Tourist won the National Book Critics Circle Award and hit number one on The New York Times Bestseller list.
Three years later, Tyler received the Pulitzer Prize for Breathing Lessons, which further explored themes of marriage and self-examination. Despite having won the prestigious Pulitzer, Tyler still refused to allow herself to be drawn into the spotlight. Quietly, contemplatively, she chose to continue publishing a sequence of uniformly fine novels, including Saint Maybe, Ladder of Years, and The Amateur Marriage.
Anne Tyler's latest novel reexamines many of her chief obsessions, while also possibly drawing upon a personal triumph -- her marriage to Iranian psychiatrist and novelist Taghi Mohammad Modarressi -- and the tragedy of his death in 1997. Digging to America follows the relationship between two families, the Iranian Yazdans and the all-American Donaldsons, as they become closer and closer and affect each other deeper and deeper over a succession of years. Digging to America is arguably Tyler's deepest and most profound work to date. It also delivers more of her peculiar brand of humor, which will surely please her longtime fans, thrilled that she continues spinning tales with the trademark attention to character that has distinguished her stories ever since she was a little girl, whispering to herself in the dark. Tyler may have decided to remain in the dark and out of the public eye, but the stories she has to tell have shed more than their share of light on the lives of her readers.
Tyler first began writing stories at the innocent age of seven. At the time, most of her yarns involved, as she has said, "lucky, lucky girls who got to go west in covered wagons."
I figure that for summer, you need books at two opposite extremes: small, lightweight volumes to slip into your bag for trips, and fat, heavy volumes for long days at the beach.
Two novels by Muriel Spark, The Girls of Slender Means and The Prime of Miss Jean Brodie, manage to be small in size but large in spirit, packing a wallop at the end in a very satisfying way.
Another small-but-large book is the paperback edition of The Collected Stories of William Trevor, the man who can say more in a short story than many writers say in whole novels.
Short stories are perfect, in fact, for trips of the stop-and-start variety, and if space is no concern I'd vote for two rather hefty collections: Stories from the New Yorker, 1950-1960 -- in my opinion the best short-story anthology ever published, and John Updike's The Early Stories, a wonderful window onto a quarter of the twentieth century.
As for fatter books, I would choose something by Jane Austen.Pride and Prejudice is my favorite, but any one of them would do; they are subtle and slyly humorous and meticulously observant, the perfect thing for unhurried reading. And then there's Gabriel Garcia Marquez's One Hundred Years of Solitude, with its descriptions of hot, dusty, magical Macondo, and Eudora Welty's The Golden Apples, a portrait of a small Southern town, and William Humphrey's The Ordways, in which a group of neighbors from long ago comes touchingly alive. All three just have the right atmosphere for summer; I can imagine reading them in a hammock.
Finally, the book I used to reread every June for some seven or eight years running: Leo Tolstoy's Anna Karenina. How did that tradition begin? I can't remember. In tone it's a rather wintry book, to be honest. But the story is so absorbing, so convincing and so vivid even today; there seems no better time to read it than on a series of leisurely summer afternoons when you can pay it proper attention.
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In the winter of 2003, Anne Tyler took some time out to talk with us about some of her favorite books, authors, and interests.
What was the book that most influenced your life or your career as a writer?
It was a short story -- Eudora Welty's "The Wide Net." When I read about Edna Earle, who could spend all day pondering how the tail of the C got through the loop of the L on the Coca-Cola sign, it was a kind of revelation: I knew dozens of people like Edna Earle -- small-town, ordinary. I just didn't know you could write about them.
What are your favorite books, and what makes them special to you?
Oh, that list would change almost daily. But for the moment, I'd say:
What are some of your favorite films, and what makes them unforgettable to you?
My current favorite is Spellbound (the recent documentary). It shows such a wonderful cross section of America. And I have a longtime affection for a French movie, Dear Detective (not the American remake) because of a hilarious car chase that takes place entirely in first gear.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I think listening to music while I wrote might affect me too much -- I'd write something sentimental or overdone. My favorite sounds while I'm writing are the overheard sounds of an ordinary urban neighborhood -- children playing, mothers calling them home, dogs barking.
If you had a book club, what would it be reading?
Christina Stead's The Man Who Loved Children, because people either love it or hate it so passionately that it always starts a lively discussion.
What are your favorite kinds of books to give -- and get -- as gifts?
Even at my age, I like to be given children's picture books. They can pack so much into so few words. And picture books are always what I give new babies. My lifelong favorite picture book is Virginia Lee Burton's The Little House. I must have bought several dozen copies of it. I think it says everything possible about change and loss and the passage of time.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
On my desk I keep a little antique lap desk that my husband and daughters gave me many years ago. It has just the right slant for writing on in longhand, and it's positioned so it faces a window looking out into a dogwood tree, in a room that's so minuscule it must once have been a baby's room.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
My first novel somehow managed, during its two-mile trip in a mail truck to my agent, to get completely chewed up. I don't mean just ruffled a little; I mean that every single page had been wadded into a little ball. I had to spend the next several weeks retyping it on my manual typewriter. Now I think it might have been a message from heaven: that novel never did sell.
If you could choose one new writer to be "discovered," who would it be?
My favorite almost-new writer of the moment is Mark Haddon, who wrote The Curious Incident of the Dog in the Night-Time. The parents in that book make such terrible mistakes, and yet they're convincingly presented as loving and well-meaning and good at heart.
What tips or advice do you have for writers still looking to be discovered?
Don't "look" to be discovered. Just keep writing for all you're worth.
After 30 years in the United States, independent-minded Maryam Yazdan still maintains a quiet sense of otherness. After a chance encounter at the Baltimore airport, she and her family befriend the Donaldsons, and even the guarded Maryam is drawn in by their hospitality. Her attitude becomes more conflicted, though, when she is courted by an older member of the Donaldson clan. Anne Tyler's novel offers gently nuanced insights about identity, privacy, and cultural differences.
Anne Tyler’s richest, most deeply searching novel–a story about what it is to be an American, and about Iranian-born Maryam Yazdan, who, after 35 years in this country, must finally come to terms with her “outsiderness.”
Two families, who would otherwise never have come together, meet by chance at the Baltimore airport – the Donaldsons, a very American couple, and the Yazdans, Maryam’s fully assimilated son and his attractive Iranian wife. Each couple is awaiting the arrival of an adopted infant daughter from Korea. After the instant babies from distant Asia are delivered, Bitsy Donaldson impulsively invites the Yazdans to celebrate: an “arrival party” that from then on is repeated every year as the two families become more and more deeply intertwined. Even Maryam is drawn in – up to a point. When she finds herself being courted by Bitsy Donaldson’s recently widowed father, all the values she cherishes – her traditions, her privacy, her otherness–are suddenly threatened.
A luminous novel brimming with subtle, funny, and tender observations that immerse us in the challenges of both sides of the American story.
Like Ms. Tyler's best novels, Digging to America gives us an intimate picture of middle-class family life: its satisfactions and discontents, its ability to suffocate and console. But at the same time the story ventures into territory more usually associated with writers like Jhumpa Lahiri and Gish Jen. It looks at the promises and perils of the American Dream and the knotty, layered relationship — made up in equal parts of envy, admiration, resentment and plain befuddlement — that can develop between native-born Americans and more recent immigrants intent on making their way through the often baffling byways of the New World.
Blair Brown is one of those rare performers who can capture an author's voice to perfection. She's had plenty of practice performing audiobooks, including Linda Fairstein's Death Dance. Her vibrant reading of Digging manifests her outstanding talent as she moves lightly and briskly through the narrative, pausing ever so slightly before Tyler's clever punch lines for added effect. Brown makes this wry satire about the adoption of foreign babies so laugh-out-loud funny that standup comics could study her timing. Both adults and children are played to perfection. Brown's enactment of Iranian immigrant Maryam Yazdan and Ziba, her daughter-in-law, is amazing in her accurate reproduction of the soft and liquid Farsi vowels. In contrast, American-born Sami, Maryam's son, speaks like the prototypical Easterner. Brown remembers that the children of immigrants sound like their peers, not their parents. This hilarious audiobook actually improves a fine novel. Simultaneous release with the Knopf hardcover (Reviews, Feb. 27). (June) Copyright 2006 Reed Business Information.
The author's 17th novel exemplifies her skill at depicting seemingly quiet and unremarkable lives with sympathy and humor. Set in Tyler's beloved Baltimore, with some side excursions into the Washington, DC, area, the story concentrates on two middle-class couples who meet when their adopted Korean daughters arrive on the same flight from Asia. At first the new parents appear to have little in common other than the infants. The Donaldsons, who have waited many years for a child, personify stereotypical American white-bread suburbia, while the younger Yazdans are linked to a large and lively Iranian immigrant community. As years pass and the annual multicultural "arrival party" for the little girls becomes a shared tradition, the families and their sometimes eccentric relatives become ever more closely linked. Several perspectives spotlight the various characters' small misunderstandings, larger hurts, and shared moments of warmth, especially those between dignified grandmother Maryam Yazdan and a recently widowed member of the Donaldson clan, whose brief romance threatens the established web of relationships. A touching, well-crafted tale of friendship, families, and what it means to be an American. Recommended for all fiction collections. [See Prepub Alert, LJ 1/06.]-Starr E. Smith, Fairfax Cty. P.L., VA Copyright 2006 Reed Business Information.
Adult/High School-Two families arrive at the Baltimore/Washington International Airport in August 1997 to claim the Korean infants they have adopted. Strangers until that evening, they are destined to begin a friendship that will span their adoptive daughters' childhoods. Bitsy and Brad Donaldson are the quintessential middle-class, white American couple. Sami and Ziba Yazdan are Iranian Americans. From the beginning, the differences in the ways they will raise their daughters are obvious: Bitsy's well-meaning but overzealous efforts to retain her child's Korean heritage are evident in the chosen name-Jin-Ho-and in the Korean costumes that she dresses the girl in every year as they mark the anniversary of the adoption date. The Yazdans are comfortable with their daughter Susan's assimilation into their own Iranian-American culture. When Bitsy's widowed father begins to show romantic interest in Susan's grandmother, cultural differences are brought to a head. Tyler weaves a story that speaks to how we come to terms with our identity in multicultural America, and how we form friendships that move beyond the unease of differences. She does not dwell on the September 11 attacks, but subtly portrays the distrust that the Yazdans have to endure in the following months. Tyler's gift, as in her other novels, is her ability to infuse the commonplace with meaning and grace, and teens will appreciate her perceptiveness in exploring relationships within and between families across the cultural spectrum.-Kim Dare, Chantilly Regional Library, Fairfax County, VA Copyright 2006 Reed Business Information.
The veteran novelist (The Amateur Marriage, 2004, etc.) extends her range without losing her essence in this tale of two families drawn together by their adopted daughters despite the friction created by their very different personalities and ethnicities. On Aug. 15, 1997, two baby girls arrive at the Baltimore airport from Korea. Jin-Ho is swept into the exuberant arms of Bitsy and Brad Dickinson-Donaldson, who are throwing "what looked like a gigantic baby shower" in the waiting room with their extended family. Sooki is quietly handed over to the Yazdans-Sami and his wife, Ziba, accompanied by his mother, Iranian immigrant Maryam-who rename her Susan. Wanting to connect Jin-Ho with another Korean child, outgoing Bitsy pulls the Yazdans into her family's orbit and establishes the annual tradition of celebrating the girls' Arrival Day. The two couples become close, especially Bitsy and Ziba, but Maryam is dubious about these brash Americans, with their slightly tactless self-assurance and intrusive questions about Iranian traditions. The ensuing culture clash enriches Tyler's narrative without diminishing her skills as an engaging storyteller and delicate analyst of personality. She examines the insecurities underneath Bitsy's overbearing manner, American-born Sami's amused condescension toward both his natal home and the land of his ancestors and a host of other complex aspects of her well-developed characters, including Ziba's nouveau-riche parents and Bitsy's easygoing father, Dave. Maryam is the novel's central figure: a teenaged immigrant, widowed before she was 40, who has never felt quite at home anywhere and maintains a critical distance from Americans and Iranians alike. OnlyDave breaches her defenses. After his beloved wife's death-Tyler's portrait of his grieving is sensitive and touching-he unabashedly declares his need for Maryam, who reciprocates and then panics. Readers will hope that these flawed, lovable people will find happiness, but they won't be sure until the final page, so deftly has the author balanced the forces that keep us apart against those that bring us together. Vintage Tyler, with enough fresh, new touches to earn her the next generation of fans. First printing of 300,000
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