Bend In The Road by Jeanne Barrack

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(Paperback)

  • Pub. Date: January 2009
  • 284pp
  • Sales Rank: 536,160

    Reader Rating: (1 ratings)

    Detailed Rating: "Originality" See All

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    Product Details

    • Pub. Date: January 2009
    • Publisher: MLR Press
    • Format: Paperback, 284pp
    • Sales Rank: 536,160

    Synopsis

    Set in Eastern Europe in the 1880s, introduces us to two couples that find safe havens in the insular world of a traveling Yiddish theater troupe. IN THE LION'S DEN introduces us to Daniel Bercovich, a young man in the first throes of finding his identity. Can the man he comes to love accept a new side to him? Yuval Smolenski finds more than the inspiration for his music, he finds something everlasting in FROM STAGE TO STAGE. These Jewish men in love must deal not only with the stigma of that love but also fear the rise of anti-Semitism. Can their love survive all the forces that surround them?

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    Charming Storiesby vjbanis

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    June 17, 2009: Set in 19th century Poland, Bend in the Road is really two novellas, linked together by common setting and common characters. In the first of the two stories, In The Lion's Den, a penniless vagabond, Aryeh, joins a traveling troupe of Yiddish performers in need of a leading man. Aryeh meets and falls in love with the pretty young man, Dani, who is soon playing the female lead, Esther, in their upcoming play, opposite Aryeh's King Ahasuerus. But Aryeh, experienced in the homosexual life, thinks Dani is too young, and Dani thinks Aryeh doesn't find him appealing.

    In the 2nd of the novellas, From Stage to Stage, the troupe is hired by a prominent Jewish merchant to perform for his daughter's wedding, and the group's musician, Yuval, composes a musical version of The Emperor's Nightingale. Yuval, secretly gay, is fascinated by the merchant's homely gardener, Tvsi, whom Yuval recognizes as a kindred spirit, and when he hears Tvsi sing, Yuval realizes that he has found his nightingale - and also the love of his life. But, things don't go smoothly.

    The stories are both charming and sentimental, in the nicest sense of the word. The settings are colorfully evoked and one truly gets a sense of sharing the lives of these people. For the most part the characters, even the minor ones, are well limned. Both stories have a folkloric air about them, almost a fairy tale quality, so it is probably less critical than it might otherwise have been that the two villains are mostly one-dimensional, almost the archetypical ogres of old legend. Or, Golems, if you will. Indeed, the stories remind me of fables handed down through generations rather than stories recently penned, which gives them a nice sense of authenticity.

    It is self evident that this was a labor of love for the author, and ultimately the affection she so obviously feels for her characters and their lives overrules all other considerations.