From the Publisher
A lot of remarkable things have happened in the life of Sam Pulsifer, the hapless hero of this incendiary novel, beginning with the ten years he spent in prison for accidentally burning down Emily Dickinson's house and unwittingly killing two people. emerging at age twenty-eight, he creates a new life and identity as a husband and father. But when the homes of other famous New England writers suddenly go up in smoke, he must prove his innocence by uncovering the identity of this literary-minded arsonist.
In the league of such contemporary classics as A Confederacy of Dunces and The World According to Garp, An Arsonist's Guide to Writers' Homes in New England is an utterly original story about truth and honesty, life and the imagination.
The New York Times Book Review -
David Bowman
An Arsonist's Guide begins with an epigraph from Muriel Spark that seems to be used to imply that this novel, too, is autobiographical. The book's first chapter began as a short story published seven years ago in The New England Review; at the end of that version, the narrator promised never again to tell the arsonist's story of Emily Dickinson's house. It is to comic fiction's advantage that Clarke reneged. An Arsonist's Guide contains sentences and images that could stand beside the works of the former owners of the literary residences put to flame. There is a single sentence of dialogue (unprintable here) that will paralyze any Willa Cather scholar. There is a lone paragraph describing a woman's head aflame—"Then she pulled out a lighter," part of it reads, "flicked it, and grabbed a clump of her hair"—that could compel Stephen King to increase the fire insurance on his own New England house.
The Washington Post -
Ron Charles
…Clarke's novel sizzles. This straight-faced, postmodern comedy scorches all things literary, from those moldy author museums to the excruciating question-and-answer sessions that follow public readings. There are no survivors here: women's book clubs, literary critics, Harry Potter fans, bookstores, English professors, memoir writers, librarians, Jane Smiley, even the author himself—they're all singed under Clarke's crisp wit. He's published a few novels before this one and garnered some attention for his short stories, but An Arsonist's Guide suggests that Clarke is a dangerous man, though not in the way the Lenox police feared: Don't shelve his book with other novels. Keep it away from fumes of pretension.
The New York Times -
Janet Maslin
An Arsonist's Guide to Writers' Homes in New England is as cheerfully oddball as its title. Its cover art includes a tiny cartoon sketch of a green-frocked literary lioness garlanded in flames, and that captures the irreverence of the author, Brock Clarke's, enterprise. Although it is his fourth book, it feels like the bright debut of an ingeniously arch humorist, one whose hallmark is a calm approach to insanely improbable behavior.
Publishers Weekly
Clarke's fourth book (after the story collection Carrying the Torch) is the delightfully dark story of Sam Pulsifer, the "accidental arsonist and murderer" narrator who leads readers through a multilayered, flame-filled adventure about literature, lies, love and life. Growing up in Amherst, Mass., with an editor for a father and an English teacher for a mother, Sam was fed endless stories that fueled (literally and figuratively) the rest of his life. Thus, the blurred boundaries between fact and fiction, story and reality become the landscape for amusing and provocative adventures that begin when, at age 18, Sam accidentally torches the Emily Dickinson Homestead, killing two people. After serving 10 years, Sam tries to distance himself from his past through college, employment, marriage and fatherhood, but he eventually winds up back in his parents' home, separated from his wife and jobless. When more literary landmarks go up in flames, Sam is the likely suspect, and his determination to find the actual arsonist uncovers family secrets and more than a bit about human nature. Sam is equal parts fall guy and tour guide in this bighearted and wily jolt to the American literary legacy. (Sept.)
Copyright 2007 Reed Business Information
Joanna M. Burkhardt
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Library Journal
When Sam Pulsifer's parents separated for three years during his childhood, his mother lied about his father's whereabouts and also told Sam ghost stories about the Emily Dickinson House in his hometown of Amherst, MA. At age 18, he broke into the house one night to verify these stories, got spooked by a noise, dropped a lit cigarette, burned down the house, and unwittingly killed its two occupants. After ten years in a minimum security prison, Sam moved to the nearby suburbs to live an anonymous life, attend college, marry, and raise children. All is well until the son of the couple who died in the fire shows up on his doorstep, and fires begin breaking out at the homes of other New England writers. While trying to unravel the mystery of the fires, Sam uncovers the deceptions that have molded his life. Clarke (Ordinary White Boy) has created a character feebly struggling against fate in a situation both sad and funny, believable and preposterous. It's a setting so bizarre that the clear moral lesson smacks of sarcasm. In the end, however, this quirky story is entertaining and readable. Recommended.
Kirkus Reviews
A subversively compelling, multilayered novel about the profound impact of literature (perhaps negative as well as positive). On one level, this is a book about the writing of a book, detailing the experiences that have inspired narrator Sam Pulsifer to compose a volume with the same title as this one. As a teenager, Sam took a tour of his hometown's Emily Dickinson house. When he returned that night, he accidentally burned it down, killing two who were staying upstairs. Though Sam presents himself as an eternal innocent, doing his best to put this unfortunate incident behind him, his narrative offers the perspectives of others who suggest Sam isn't who he appears to be, and that there's no such thing as an accident. On another level, this is a story about stories-the stories that Sam feels sealed his fate, the stories by which we live our lives, the stories we tell ourselves. As a loving father and husband and a dutiful son following his prison sentence, Sam does his best to write his life's story anew, yet he discovers that, in the narratives of others, arson is what defines his character. When a series of other legendary New England literary domiciles are torched, even Sam starts wondering how or whether he is involved. Rendered masterfully by Clarke (What We Won't Do, 2001, etc.), Sam's narrative tone is so engagingly guileless that the reader can't help but empathize with him, even as his life begins to fall apart within the causal connections of these fires. Sam ultimately forces himself to play detective (admitting that the mystery genre is one he never read), while recognizing that he might well be the criminal he is investigating. Is Sam an unconscious arsonist? Is he the productof a dysfunctional (though decidedly bookish) family? Is someone trying to set him up? Can the reader trust Sam? Can Sam trust himself?A serious novel that is often very funny and will be a page-turning pleasure for anyone who loves literature. Agent: Elizabeth Sheinkman/Curtis Brown UK
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