The Sky Isn't Visible from Here by Felicia C. Sullivan

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(Hardcover)

  • Pub. Date: September 2007
  • 255pp

Reader Rating: (3 ratings)

Detailed Rating: "Provocative" See All

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    Product Details

    • Pub. Date: September 2007
    • Publisher: Workman Publishing Company, Inc.
    • Format: Hardcover, 255pp

    Synopsis

    Felicia Sullivan's mother disappeared on the night Sullivan graduated from college and has not been seen or heard from in the ten years since. Sullivan, who grew up on the tough streets of Brooklyn in the 1980s, now looks back on her childhood—lived among drug dealers, users, substitute fathers, and a host of unsavory characters. Ever the responsible child, Sullivan became her mother's keeper, taking her to the hospital when she overdoses, withstanding her narcissistic rages, succombing to the abuse or indifference of so-called stepfathers, and always wondering why her mother would never reveal the truth about the father she'd never met. But then, Sullivan's volatile, beautiful, deceitful, drug-addicted mother altered the truth in many cruel ways.

    Ashamed of her past, Sullivan invented a persona to show the world. But keeping up a facade has its price, and before she knew it, she, too, was snorting coke in nightclubs, throwing back shots of tequila like candy, and eventually taking a leave of absence from her Ivy League graduate program. In fact, she had become her mother.

    A book about secrets and forgiveness, The Sky Isn't Visible from Here is also the story of a young woman unraveling—and then putting her life back together again.

    Publishers Weekly

    A poignant memoir by writer Sullivan palpates the wounds of growing up with an unstable, cocaine-abusing mother. The young narrator's emotionally manipulative mother, Rosina, worked as a waitress at whatever Brooklyn diner hadn't fired her yet for stealing from the cash box in order to feed the increasingly destructive cocaine habit she formed while living with her Israeli-born boyfriend, Avram. Sullivan grew up cringing in the shadow of her crass, chain-smoking mother, who moved from boyfriend to boyfriend, from Sunset Park, Brooklyn, to upscale Valley Stream, Long Island. Sullivan tried hard to distinguish herself in school, despite drinking heavily as a teenager to ease social pressure and shoplifting to strike back angrily at her mother. Later, she explains, she fell into similar patterns of self-anesthetizing with cocaine and alcohol while grasping after a lucrative career in finance in her early 20s. Sullivan's memoir cuts predictably back and forth in time and features some memorable types, such as needy early girlfriends whose mothers were as wacky as her own; junkie Aunt Marisol who died of an overdose; and her mother's battering boyfriend Eddie. Putting herself through Fordham, then Columbia's M.F.A. program hardly eased Sullivan's pain, but the act of writing purges her memory. (Feb.)

    Copyright 2007 Reed Business Information

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    Biography

    Felicia C. Sullivan is a graduate of the Columbia University MFA program. She is a two-time Pushcart Prize nominee and a Best American Essays notable. Her work has appeared in the Huffington Post, Swink, Post Road, Mississippi Review, and Pindeldyboz and in the anthologies Homewrecker: An Atlas of Illicit Loves and Money Changes Everything, among others. Sullivan was the recipient of the 2005 Tin House memoir fellowship, and in 2001, she founded the critically acclaimed literary journal Small Spiral Notebook. She lives in Brooklyn, New York.

    Customer Reviews

    A Ride on a Runaway Trainby Anonymous

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    December 31, 2009: NEVER. . .have I had a reading experience like this one.

    Completely unprepared for this, Sullivan's book took me by surprise. One does not expect a memoir be thrilling, terrifying, cliff-hanging -- I mean the way Tom Clancy's CLEAR AND PRESENT DANGER is.

    Reading THE SKY ISN'T VISIBLE FROM HERE is like riding on a runaway train. The journey begins:

    "In the spring of 1997, a few weeks before my college graduation my mother disappeared. Over the years, I had grown used to her leaving: a four-day cocaine binge; a wedding at City Hall to which I was not invited; the months she locked herself behind her bedroom door and emerged only to buy cigarettes. I'd spent the greater part of my life feeling abandoned by my mother. Yet she'd always return -- blazing into the kitchen to cook up a holiday feast for ten. . .back from her drug dealer on Brooklyn's Ninth Avenue.

    "On the morning of my graduation, though, dressed in a black gown, I walked up the promenade to receive my diploma. . . . My mother's face didn't appear among the proud, applauding parents. I knew then that I'd never see her again. . . ."

    Okay. Issues with the mother. This I can deal with. This I can top, actually. And it all takes place in New York (Brooklyn, Manhattan), where everything is ridiculously scattered and fast. New Yorkers scream and zoom about under the ground like crazed Formicidae, eating things I cannot pronounce -- while I am languidly, safely ensconced in the South, sipping lemonade on a porch. I've seen Sullivan on Internet videos -- a beautiful, brilliant young woman speaking four times faster than I do.

    But then the train speeds up. And now the sudden horror when you realize the train is out of control, zinging faster down the rails, my God.

    In the railroad car you're riding in, there is, figuratively, a camera. Sullivan eases you behind the camera, which records every single thing -- now and in the past. The camera is outfitted with x-ray vision into Sullivan's heart and soul, as the train plunges down the track. . . .

    Her mother would subject her to severe mental cruelty, and then rush to protect her. Felicia was emotionally abused, but she was not, at least not always, a neglected child. She was loved, to the extent that her mother was capable of loving a child, but the love was doled out in scraps and shards.

    They were poor and moved constantly. Sullivan and her mother reversed roles, with Sullivan taking charge when her mother, high on cocaine, passed out. There was a stream of boyfriends (men in her mother's life); blessedly, one of the good ones became almost a real father to her.

    Cocaine became Sullivan's nemesis and savior:

    "'So what was it [cocaine] like?' Emily asks. . . .

    We hear jackhammers and power drills outside, shaking bodies handling great machines, cracking the pavement, spilling hot tar.

    'It's like Broadway up my nose,' I say."

    Read this stunning memoir. Sullivan's writing is superb, all grace and grit, and you will not find many more accomplished wordsmiths writing today. --Arlene Sanders

    read like a novelby donna911

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    May 16, 2009: This was a gritty story of a "for-real" woman, who pulled herself up from a miserable, unsavory childhood, to an educated, and successful young woman, who lost that to the drug infused life like her mother, and then her climb back out. Although I found myself flipping to the cover to confirm this was not a novel, and found it an extemely easy read, it didn't emotionally grab me. In fact, at the end, I was glad the "story" was over. Part of me feels that I am reading a life that is going to fall apart with good sales of the book, going right up the author's nose. Maybe not, but I'm not convinced or hopeful as I close the book.


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