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THE ANGELS PRACTICE, OR TAP, is the kind of cult that doesn't exist. There are no rules and no records, just a MySpace-like website. All you need to know is that it will define who you are and what you will become.
Amidst the glittering L.A. nightlife, TAP parties are the place to see and be seen, especially in the exclusive back room. Taj and her rocker boyfriend, Johnny, are TAP elite, so when Taj meets preppie outsider Nick at a party, she doesn't give him a second thought. But then Johnny goes missing, along with Nick's sister. And suddenly Taj and Nick are teaming up to question TAP's darker side....
De la Cruz (the Au Pairs series) invents a dark world against an L.A. backdrop in this novel, giving readers plenty to puzzle over and ponder. A fictional social networking Web site called TAP.com lies at the center of this story about a missing rock star, the girl who loved him, and rich boy Nick, who is learning to see beneath the surface. Johnny Silver, Taj's boyfriend and "the kind of star that spoke for a generation," literally vanishes from the stage, and he is not alone. Nick's sister goes missing, and soon, so does his best friend. Through Taj's and Nick's alternating perspectives, readers not only watch the mismatched pair fall for each other, they learn TAP's secrets, from the "otherworldly" punch served at the site's sponsored parties, to the strange ritual that happens in the parties' secret rooms. ("TAP—The Angels' Practice... the website was only the beginning. It was also a movement, a phenomenon, and a drug," says Taj.) Nick suspects the Web site is connected to the disappearances. Memorable secondary characters people the novel, such as Taj's drag queen uncle, Mama Fay, and Sutton, Johnny's teen manager with "the smile of the devil." But the story wraps up before readers get enough of them. Teens may have trouble tracking all the pieces of the mystery, but will compulsively turn the pages—and be haunted by the story's provocative themes, such as the underbelly of social networking sites, and why "sixty percent of America's teenagers believe they will become famous." Ages 14-up. (Mar.)
Copyright 2007 Reed Business Information More Reviews and RecommendationsMelissa de la Cruz is the author of the novel Cat's Meow and the co-author of How to Become Famous in Two Weeks or Less. Her work has been translated into several languages. She writes regularly for Marie Claire, Gotham, Hamptons, and Lifetime magazines and has contributed to the New York Times, Glamour, Allure, and McSweeney's. She recently moved from New York City and now lives in Los Angeles with her husband. She has never dared use her cell phone on the Hampton Jitney. This is not her dog.
THE ANGELS PRACTICE, OR TAP, is the kind of cult that doesn't exist. There are no rules and no records, just a MySpace-like website. All you need to know is that it will define who you are and what you will become.
Amidst the glittering L.A. nightlife, TAP parties are the place to see and be seen, especially in the exclusive back room. Taj and her rocker boyfriend, Johnny, are TAP elite, so when Taj meets preppie outsider Nick at a party, she doesn't give him a second thought. But then Johnny goes missing, along with Nick's sister. And suddenly Taj and Nick are teaming up to question TAP's darker side....
De la Cruz (the Au Pairs series) invents a dark world against an L.A. backdrop in this novel, giving readers plenty to puzzle over and ponder. A fictional social networking Web site called TAP.com lies at the center of this story about a missing rock star, the girl who loved him, and rich boy Nick, who is learning to see beneath the surface. Johnny Silver, Taj's boyfriend and "the kind of star that spoke for a generation," literally vanishes from the stage, and he is not alone. Nick's sister goes missing, and soon, so does his best friend. Through Taj's and Nick's alternating perspectives, readers not only watch the mismatched pair fall for each other, they learn TAP's secrets, from the "otherworldly" punch served at the site's sponsored parties, to the strange ritual that happens in the parties' secret rooms. ("TAP—The Angels' Practice... the website was only the beginning. It was also a movement, a phenomenon, and a drug," says Taj.) Nick suspects the Web site is connected to the disappearances. Memorable secondary characters people the novel, such as Taj's drag queen uncle, Mama Fay, and Sutton, Johnny's teen manager with "the smile of the devil." But the story wraps up before readers get enough of them. Teens may have trouble tracking all the pieces of the mystery, but will compulsively turn the pages—and be haunted by the story's provocative themes, such as the underbelly of social networking sites, and why "sixty percent of America's teenagers believe they will become famous." Ages 14-up. (Mar.)
Copyright 2007 Reed Business Information"Once readers get started, they'll find this hard to put down."
"This is Sex and the City lite, where everyone is a little more fabulous, flirtatious, snobby, and deceitful than we are -- and it's quite all right with us."
"A beach read without a doubt."
"A guilty-pleasure beach read....What could be better than taking a nanny job that's guaranteed to be a VIP pass to celebrity parties and cute guys?"
"Nothing is more glam than a summer in the Hamptons."
"Fans of the Gossip Girl series will love this novel."
"...a hip and light-hearted page turner."
"...jump on board with the hottest book of the summer."
Nick Huntington is a Westside golden boy who has everything easy, and he knows it. Taj is a quirky-but-gorgeous skater girl with secrets, who lives in shady West Hollywood. And Johnny Silver, the biggest rock star of his generation, is who brings them togetherafter he mysteriously disappears at the moment of his debut concert at the Viper Room. All is not what it seems in this ambitious mystery-meets-glamour novel that is the first in a new series from Melissa de la Cruz, author of the popular "Au Pairs" and "Blue Bloods" series. A social networking site, TAP.com, run by the diabolical Sutton Werner, is at the heart of Johnny Silver's success, and when Nick begins investigating the strange disappearances of some of its membersincluding his younger sisterhe discovers a scary underground cult with exclusive parties, ironclad rules, and frightening consequences for those who dare violate those rules. While de la Cruz attempts in the final chapters to clarify her intention to comment on the shallowness of consumerism, it is difficult to swallow after she has spent much of the book glorifying fashion designers, expensive cars, and grand houses in southern California's most expensive neighborhoods. Alcohol consumption, drug use, and casual sex are portrayed in a relatively glamorous light, though not without some consequences. Unevenly paced and difficult to follow, the story is told from Nick and Taj's alternating viewpoints and includes illustrations of the character's TAP web pages. The strange and rushed ending, on the heels of a convoluted plot, leaves readers with more questions than answers, and the disappointing realization that the book does not stand alone butrequires future books to fulfill its promise. Those looking for an excellent treatment of greed would be better served by reading M.T. Anderson's Feed.
Loading...After
Saturday night at the In-N-Out and a steady parade of drunken rockers, skater kids, Chicano families, frat boys, Beverly Hills princesses, East L.A. gangbangers, Hollywood hippies, artists, and stoners walked through the swinging glass doors, a microcosm of Los Angeles itself.
Nick Huntington sat alone in the front booth, listlessly watching the local citizenry and unconsciously eavesdropping on two hyperactive film typesboneheads, in his humble opinionhoning a movie pitch at the next table, dreams of Hollywood the backbone of every conversation within a ten-mile radius of the studios.
He was holding a fry in midair when he spotted the boy. Nick froze, and the fry dangled on his mouth, the ketchup dripping from the tip and burning the edge of his tongue.
The boy was shaking visibly, his entire body vibrating from an uncontrollable compulsionknees knocking against each other, teeth chattering, head twitching from side to side. His long hair was matted against his forehead and the back of his neck, and his jeans were torn and holey. After midnight at the In-N-Out Burger on the corner of Orange Drive and Sunset Boulevard and no one paid much attention as he shuffled up to the front of the line, dirt-black fingers trembling as they dug into his pants pockets for grimy dollar bills and change.
"The number one," he mumbled, so softly that the cashier had to repeat it. A flat chemical scent emanated from his pores as if he were sweating aluminum.
"Number one?" she asked again helpfully, breathing through her mouth so she wouldn't smell him but trying not to show itthey got all kinds there.
The boy nodded. His hair wasso dirty it looked brown, except for the roots, which were startlingly, shockingly silver, like a halo. He was so skinny his wrist bones protruded from his skin, poking out painfully. His skin was sallow, a drained, sickly, yellow colorjunkie yellowbut otherwise it was clear, free of the acne scars and hollowed craters that typically accompanied a drug-induced complexion. He scratched at his three-day-old stubble, then picked at a cuticle on his thumb, watching as the cashier punched in his order.
He accepted his food and turned to look for a seat.
His eyes met Nick's, and a chill went down Nick's spine. It was like looking into the eyes of a ghost. Nick became conscious that his jaw was hanging open and made a deliberate effort to close it. He never did eat that french fry. He'd lost his appetite.
"Aren't you Johnny Silver?" he finally asked.
Nick couldn't believe it. Johnny Silver was supposed to be onstage at the Hollywood Bowl at that very moment, in a comeback concert that was already being heralded as the most important music event of the yearif not the decade, if not the century.
Yet there he was, standing right in front of him. Johnny Silver, his violet eyes boring into Nick's skull, that otherworldly masculine beautylike David Bowie during his Ziggy Stardust phasehaughty and feral. Dirty and delirious, but alive. The famous Johnny Silver, the boy who would rock the world, standing underneath the fluorescent lights of a fast-food restaurant, looking as if the universe had just run him over.
For the longest time Johnny simply stood there. His eyes glazed, then focused. Tears sprung to his eyes, and they coursed silently down his cheeks, a river of white against the grime.
Nick stood up and approached him cautiously, as a lion tamer would approach his lion. "Johnny, man, what the hell happened to you?"
"I...I don't know," Johnny replied, and the shaking intensified. He looked around the fast-food restaurant as if he had no idea how he'd gotten there. "I don't remember anything, except that moment when I came out and strummed my guitar, and I looked out at the audience, at the lights...so many peoplethey'd all come to see meroaring my name. I blinked, then in a flash everything was gonethe club, the band, the stage, the hotels, Sunset Strip, palm trees, cars, everything disappeared. And I woke up, alone in the desert, as if none of this"he waved his hand to indicate the whole place and everything beyond it"had ever existed."
Copyright © 2007 by Melissa de la Cruz
Saturday night at the In-N-Out and a steady parade of drunken rockers, skater kids, Chicano families, frat boys, Beverly Hills princesses, East L.A. gangbangers, Hollywood hippies, artists, and stoners walked through the swinging glass doors, a microcosm of Los Angeles itself.
Nick Huntington sat alone in the front booth, listlessly watching the local citizenry and unconsciously eavesdropping on two hyperactive film typesboneheads, in his humble opinionhoning a movie pitch at the next table, dreams of Hollywood the backbone of every conversation within a ten-mile radius of the studios.
He was holding a fry in midair when he spotted the boy. Nick froze, and the fry dangled on his mouth, the ketchup dripping from the tip and burning the edge of his tongue.
The boy was shaking visibly, his entire body vibrating from an uncontrollable compulsionknees knocking against each other, teeth chattering, head twitching from side to side. His long hair was matted against his forehead and the back of his neck, and his jeans were torn and holey. After midnight at the In-N-Out Burger on the corner of Orange Drive and Sunset Boulevard and no one paid much attention as he shuffled up to the front of the line, dirt-black fingers trembling as they dug into his pants pockets for grimy dollar bills and change.
"The number one," he mumbled, so softly that the cashier had to repeat it. A flat chemical scent emanated from his pores as if he were sweating aluminum.
"Number one?" she asked again helpfully, breathing through her mouth so she wouldn't smell him but trying not to show itthey got all kinds there.
The boy nodded. His hair was so dirty it looked brown, except for the roots, which were startlingly, shockingly silver, like a halo. He was so skinny his wrist bones protruded from his skin, poking out painfully. His skin was sallow, a drained, sickly, yellow colorjunkie yellowbut otherwise it was clear, free of the acne scars and hollowed craters that typically accompanied a drug-induced complexion. He scratched at his three-day-old stubble, then picked at a cuticle on his thumb, watching as the cashier punched in his order.
He accepted his food and turned to look for a seat.
His eyes met Nick's, and a chill went down Nick's spine. It was like looking into the eyes of a ghost. Nick became conscious that his jaw was hanging open and made a deliberate effort to close it. He never did eat that french fry. He'd lost his appetite.
"Aren't you Johnny Silver?" he finally asked.
Nick couldn't believe it. Johnny Silver was supposed to be onstage at the Hollywood Bowl at that very moment, in a comeback concert that was already being heralded as the most important music event of the yearif not the decade, if not the century.
Yet there he was, standing right in front of him. Johnny Silver, his violet eyes boring into Nick's skull, that otherworldly masculine beautylike David Bowie during his Ziggy Stardust phasehaughty and feral. Dirty and delirious, but alive. The famous Johnny Silver, the boy who would rock the world, standing underneath the fluorescent lights of a fast-food restaurant, looking as if the universe had just run him over.
For the longest time Johnny simply stood there. His eyes glazed, then focused. Tears sprung to his eyes, and they coursed silently down his cheeks, a river of white against the grime.
Nick stood up and approached him cautiously, as a lion tamer would approach his lion. "Johnny, man, what the hell happened to you?"
"I...I don't know," Johnny replied, and the shaking intensified. He looked around the fast-food restaurant as if he had no idea how he'd gotten there. "I don't remember anything, except that moment when I came out and strummed my guitar, and I looked out at the audience, at the lights...so many peoplethey'd all come to see meroaring my name. I blinked, then in a flash everything was gonethe club, the band, the stage, the hotels, Sunset Strip, palm trees, cars, everything disappeared. And I woke up, alone in the desert, as if none of this"he waved his hand to indicate the whole place and everything beyond it"had ever existed."
"Here we are now going to the Westside, weapons in hand as we go for a ride."Moby (with gwen stefani), "South Side"
Welcome to TAP.com
TajMahal22
TajMahal22 is in your TAP network!
Tapped in: 2005
Female
99 years old
Single/Straight
Hollywood
About me:
Break Staff DJ, Skaters rule, The MiSTakes, ArtForum, AltMusic
View my wish lists:
None
"is this me? love and loyalty"
TajMahal22's blog
Last Login: 4:11 AM
TajMahal22 has
436 TAP friends
View my pics/videos:
-half-pipe/Venice/pool-
DOWNLOAD NOW!
-JohnnyandMeForever
CLICK NOW!
COMMENTS
DV844: homeslice is one hot girl! Taj the mastermind
...good luck tomorrow!
RickDeckard45: never forget the little people.
JohnnyS11: you asked me to leave you a comment.
here it is. COMMENT
Copyright © 2007 by Melissa de la Cruz
After
Saturday night at the In-N-Out and a steady parade of drunken rockers, skater kids, Chicano families, frat boys, Beverly Hills princesses, East L.A. gangbangers, Hollywood hippies, artists, and stoners walked through the swinging glass doors, a microcosm of Los Angeles itself.
Nick Huntington sat alone in the front booth, listlessly watching the local citizenry and unconsciously eavesdropping on two hyperactive film types -- boneheads, in his humble opinion -- honing a movie pitch at the next table, dreams of Hollywood the backbone of every conversation within a ten-mile radius of the studios.
He was holding a fry in midair when he spotted the boy. Nick froze, and the fry dangled on his mouth, the ketchup dripping from the tip and burning the edge of his tongue.
The boy was shaking visibly, his entire body vibrating from an uncontrollable compulsion -- knees knocking against each other, teeth chattering, head twitching from side to side. His long hair was matted against his forehead and the back of his neck, and his jeans were torn and holey. After midnight at the In-N-Out Burger on the corner of Orange Drive and Sunset Boulevard and no one paid much attention as he shuffled up to the front of the line, dirt-black fingers trembling asthey dug into his pants pockets for grimy dollar bills and change.
"The number one," he mumbled, so softly that the cashier had to repeat it. A flat chemical scent emanated from his pores as if he were sweating aluminum.
"Number one?" she asked again helpfully, breathing through her mouth so she wouldn't smell him but trying not to show it -- they got all kinds there.
The boy nodded. His hair was so dirty it looked brown, except for the roots, which were startlingly, shockingly silver, like a halo. He was so skinny his wrist bones protruded from his skin, poking out painfully. His skin was sallow, a drained, sickly, yellow color -- junkie yellow -- but otherwise it was clear, free of the acne scars and hollowed craters that typically accompanied a drug-induced complexion. He scratched at his three-day-old stubble, then picked at a cuticle on his thumb, watching as the cashier punched in his order.
He accepted his food and turned to look for a seat.
His eyes met Nick's, and a chill went down Nick's spine. It was like looking into the eyes of a ghost. Nick became conscious that his jaw was hanging open and made a deliberate effort to close it. He never did eat that french fry. He'd lost his appetite.
"Aren't you Johnny Silver?" he finally asked.
Nick couldn't believe it. Johnny Silver was supposed to be onstage at the Hollywood Bowl at that very moment, in a comeback concert that was already being heralded as the most important music event of the year -- if not the decade, if not the century.
Yet there he was, standing right in front of him. Johnny Silver, his violet eyes boring into Nick's skull, that otherworldly masculine beauty -- like David Bowie during his Ziggy Stardust phase -- haughty and feral. Dirty and delirious, but alive. The famous Johnny Silver, the boy who would rock the world, standing underneath the fluorescent lights of a fast-food restaurant, looking as if the universe had just run him over.
For the longest time Johnny simply stood there. His eyes glazed, then focused. Tears sprung to his eyes, and they coursed silently down his cheeks, a river of white against the grime.
Nick stood up and approached him cautiously, as a lion tamer would approach his lion. "Johnny, man, what the hell happened to you?"
"I...I don't know," Johnny replied, and the shaking intensified. He looked around the fast-food restaurant as if he had no idea how he'd gotten there. "I don't remember anything, except that moment when I came out and strummed my guitar, and I looked out at the audience, at the lights...so many people -- they'd all come to see me -- roaring my name. I blinked, then in a flash everything was gone -- the club, the band, the stage, the hotels, Sunset Strip, palm trees, cars, everything disappeared. And I woke up, alone in the desert, as if none of this" -- he waved his hand to indicate the whole place and everything beyond it -- "had ever existed."
Copyright © 2007 by Melissa de la Cruz
After
Saturday night at the In-N-Out and a steady parade of drunken rockers, skater kids, Chicano families, frat boys, Beverly Hills princesses, East L.A. gangbangers, Hollywood hippies, artists, and stoners walked through the swinging glass doors, a microcosm of Los Angeles itself.
Nick Huntington sat alone in the front booth, listlessly watching the local citizenry and unconsciously eavesdropping on two hyperactive film types -- boneheads, in his humble opinion -- honing a movie pitch at the next table, dreams of Hollywood the backbone of every conversation within a ten-mile radius of the studios.
He was holding a fry in midair when he spotted the boy. Nick froze, and the fry dangled on his mouth, the ketchup dripping from the tip and burning the edge of his tongue.
The boy was shaking visibly, his entire body vibrating from an uncontrollable compulsion -- knees knocking against each other, teeth chattering, head twitching from side to side. His long hair was matted against his forehead and the back of his neck, and his jeans were torn and holey. After midnight at the In-N-Out Burger on the corner of Orange Drive and Sunset Boulevard and no one paid much attention as he shuffled up to the front of the line, dirt-black fingers trembling as they dug into his pants pockets for grimy dollar bills and change.
"The number one," he mumbled, so softly that the cashier had to repeat it. A flat chemical scent emanated from his pores as if he were sweating aluminum.
"Number one?" she asked again helpfully, breathing through her mouth so she wouldn't smell him but trying not to show it -- they got all kinds there.
The boy nodded. His hair was so dirty it looked brown, except for the roots, which were startlingly, shockingly silver, like a halo. He was so skinny his wrist bones protruded from his skin, poking out painfully. His skin was sallow, a drained, sickly, yellow color -- junkie yellow -- but otherwise it was clear, free of the acne scars and hollowed craters that typically accompanied a drug-induced complexion. He scratched at his three-day-old stubble, then picked at a cuticle on his thumb, watching as the cashier punched in his order.
He accepted his food and turned to look for a seat.
His eyes met Nick's, and a chill went down Nick's spine. It was like looking into the eyes of a ghost. Nick became conscious that his jaw was hanging open and made a deliberate effort to close it. He never did eat that french fry. He'd lost his appetite.
"Aren't you Johnny Silver?" he finally asked.
Nick couldn't believe it. Johnny Silver was supposed to be onstage at the Hollywood Bowl at that very moment, in a comeback concert that was already being heralded as the most important music event of the year -- if not the decade, if not the century.
Yet there he was, standing right in front of him. Johnny Silver, his violet eyes boring into Nick's skull, that otherworldly masculine beauty -- like David Bowie during his Ziggy Stardust phase -- haughty and feral. Dirty and delirious, but alive. The famous Johnny Silver, the boy who would rock the world, standing underneath the fluorescent lights of a fast-food restaurant, looking as if the universe had just run him over.
For the longest time Johnny simply stood there. His eyes glazed, then focused. Tears sprung to his eyes, and they coursed silently down his cheeks, a river of white against the grime.
Nick stood up and approached him cautiously, as a lion tamer would approach his lion. "Johnny, man, what the hell happened to you?"
"I...I don't know," Johnny replied, and the shaking intensified. He looked around the fast-food restaurant as if he had no idea how he'd gotten there. "I don't remember anything, except that moment when I came out and strummed my guitar, and I looked out at the audience, at the lights...so many people -- they'd all come to see me -- roaring my name. I blinked, then in a flash everything was gone -- the club, the band, the stage, the hotels, Sunset Strip, palm trees, cars, everything disappeared. And I woke up, alone in the desert, as if none of this" -- he waved his hand to indicate the whole place and everything beyond it -- "had ever existed."
Six weeks earlier: A Star Is Born
"Here we are now going to the Westside, weapons in hand as we go for a ride."
-- Moby (with gwen stefani), "South Side"
Welcome to TAP.com
TajMahal22
TajMahal22 is in your TAP network!
Tapped in: 2005
Female
99 years old
Single/Straight
Hollywood
About me:
Break Staff DJ, Skaters rule, The MiSTakes, ArtForum, AltMusic
View my wish lists:
None
"is this me? love and loyalty"
TajMahal22's blog
Last Login: 4:11 AM
TajMahal22 has
436 TAP friends
View my pics/videos:
-half-pipe/Venice/pool-
DOWNLOAD NOW!
-JohnnyandMeForever
CLICK NOW!
COMMENTS
DV844: homeslice is one hot girl! Taj the mastermind
...good luck tomorrow!
RickDeckard45: never forget the little people.
JohnnyS11: you asked me to leave you a comment.
here it is. COMMENT
Copyright © 2007 by Melissa de la Cruz
Continues...
Excerpted from Angels on Sunset Boulevard by Melissa de la Cruz Copyright © 2007 by Melissa de la Cruz. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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