DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.

Reserve it at BN.com & pick it up in 60 minutes at your local store.
Enter a zip code
(Hardcover)
A Vintage Contemporaries Original
Includes:
Jim Shepard's "Tedford and the Megalodon"
Glen David Gold's "The Tears of Squonk, and What Happened Thereafter"
Dan Chaon's "The Bees"
Kelly Link's "Catskin"
Elmore Leonard's "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"
Carol Emshwiller's "The General"
Neil Gaiman's "Closing Time"
Nick Hornby's "Otherwise Pandemonium"
Stephen King's "The Tale of Gray Dick"
Michael Crichton's "Blood Doesn’t Come Out"
Laurie King's "Weaving the Dark"
Chris Offutt's "Chuck’s Bucket"
Dave Eggers's "Up the Mountain Coming Down Slowly"
Michael Moorcock's "The Case of the Nazi Canary"
Aimee Bender's "The Case of the Salt and Pepper Shakers"
Harlan Ellison's "Goodbye to All That"
Karen Joy Fowler's "Private Grave 9"
Rick Moody's "The Albertine Notes"
Michael Chabon's "The Martian Agent, a Planetary Romance"
Sherman Alexie's "Ghost Dance"
''As late as about 1950,'' Michael Chabon writes in his introduction, short fiction meant stories with plots — ''the ghost story; the horror story'' — and not the ones we run across today, ''plotless and sparkling with epiphanic dew.'' Sick of his own epiphanies, Chabon invited category brand names like Elmore Leonard and Stephen King to break bread with Nick Hornby and others not known for hatching science fiction, mystery or adventure plots. The result is an uneven, somewhat gentrified ''Treasury,'' the self-consciousness of the exercise making it more fun in parts than as a whole. Michael Crichton writes pitch-perfect noir, but his loner-detective tale doesn't add up to much. Aimee Bender misfires with her cozy, as does Sherman Alexie with his zombie cannibals. There are thrills, though. Rick Moody's mournful, postapocalyptic thriller about a drug that lets people relive memories — and alter the remembered events — manages to feel personal while recycling Philip K. Dick. Chabon blends alternate history with Jules Verne to gripping effect. Karen Joy Fowler's and Neil Gaiman's acute tales skirt the edge of the supernatural. And Dave Eggers's story about tourists climbing Kilimanjaro seems suspiciously short on plot, but long on character and place, which anywhere else would be a compliment. — Matthew Flamm
More Reviews and RecommendationsAlthough his novels and short stories have varied in setting -- from the 1940s New York of the Pulitzer Prize-winning The Amazing Adventures of Kavalier & Clay to the contemporary Pittsburgh of The Mysteries of Pittsburgh -- all of Michael Chabon’s witty and understated books feature memorable, deftly-drawn characters trying to find their place in the world.
More About the AuthorName:
Michael Chabon
Current Home:
Berkeley, California
Date of Birth:
May 24, 1963
Place of Birth:
Washington, D.C.
Education:
B.A., University of Pittsburgh; M.F.A., University of California at Irvine
Awards:
Pulitzer Prize for The Amazing Adventures of Kavalier & Clay, 2001
In 1987, at 24, Michael Chabon was living a graduate student's dream. His masters thesis for the writing program at UC Irvine, a novel called The Mysteries of Pittsburgh, was not only published -- it was published to the tune of a $155,000 advance, a six-figure first printing, a movie deal, and a place on the bestseller lists. Mysteries, a coming-of-age story about a man caught between romances with a man on one side, a woman on the other, and the shadow of his gangster father over it all, drew readers with its elegant prose and an irresistibly cool character, Art Bechstein, racing through a long, hot summer.
Following this auspicious debut, Chabon penned a follow-up short story collection, then hit a serious snag. After five years of fits and starts, he abandoned a troublesome work in progress and began work on another novel, a wry, smart book about, natch, an author hoplessly stuck writing his endless, shapeless novel! With 1995's Wonder Boys and its successful film adaptation by Curtis Hanson, Chabon found both critical praise and a wider audience.
In the year 2000, Chabon rose to the challenge of attempting something on a more epic scale. That something was The Amazing Adventures of Kavalier & Clay, the story of two young, Jewish comic book artists in the 1940s. Like Chabon's other books, it explored a relationship between two men and dealt with their maturation. But unlike his other books, the novel was grander in scope and theme, blending the world of comic books, the impact of World War II, and the lives of his characters. It won a Pulitzer, and secured Chabon's place as an American talent unafraid to paint broad landscapes with minute detail and aching emotion.
Chabon's ability to capture modern angst in funny, intelligently plotted stories has earned him comparisons to everyone from Fitzgerald to DeLillo, but he has fearlessly wandered outside the conventions of the novel to write screenplays, children's books, comics, and pulp adventures. Clearly, Michael Chabon views his highly praised talent as a story that hasn't yet reached its climax.
Chabon usually writes from 10 p.m. to 3 a.m.
He has a side interest in television writing, having written a pilot for CBS (House of Gold) that did not get picked up, and a second one for TNT.
Chabon also has an interest in screenwriting; he was attached to X-Men but dropped from the project when director Bryan Singer signed on. Now he is adapting The Amazing Adventures of Kavalier and Clay for the big screen.
After slaving for five years on a book called Fountain City (parts of which can be read on his web site), Chabon finally decided it was not going to jell and abandoned it. At a low point, he switched gears and began Wonder Boys, the story (of course) of an author hopelessly stuck writing his endless, shapeless novel.
A Vintage Contemporaries Original
Includes:
Jim Shepard's "Tedford and the Megalodon"
Glen David Gold's "The Tears of Squonk, and What Happened Thereafter"
Dan Chaon's "The Bees"
Kelly Link's "Catskin"
Elmore Leonard's "How Carlos Webster Changed His Name to Carl and Became a Famous Oklahoma Lawman"
Carol Emshwiller's "The General"
Neil Gaiman's "Closing Time"
Nick Hornby's "Otherwise Pandemonium"
Stephen King's "The Tale of Gray Dick"
Michael Crichton's "Blood Doesn’t Come Out"
Laurie King's "Weaving the Dark"
Chris Offutt's "Chuck’s Bucket"
Dave Eggers's "Up the Mountain Coming Down Slowly"
Michael Moorcock's "The Case of the Nazi Canary"
Aimee Bender's "The Case of the Salt and Pepper Shakers"
Harlan Ellison's "Goodbye to All That"
Karen Joy Fowler's "Private Grave 9"
Rick Moody's "The Albertine Notes"
Michael Chabon's "The Martian Agent, a Planetary Romance"
Sherman Alexie's "Ghost Dance"
''As late as about 1950,'' Michael Chabon writes in his introduction, short fiction meant stories with plots — ''the ghost story; the horror story'' — and not the ones we run across today, ''plotless and sparkling with epiphanic dew.'' Sick of his own epiphanies, Chabon invited category brand names like Elmore Leonard and Stephen King to break bread with Nick Hornby and others not known for hatching science fiction, mystery or adventure plots. The result is an uneven, somewhat gentrified ''Treasury,'' the self-consciousness of the exercise making it more fun in parts than as a whole. Michael Crichton writes pitch-perfect noir, but his loner-detective tale doesn't add up to much. Aimee Bender misfires with her cozy, as does Sherman Alexie with his zombie cannibals. There are thrills, though. Rick Moody's mournful, postapocalyptic thriller about a drug that lets people relive memories — and alter the remembered events — manages to feel personal while recycling Philip K. Dick. Chabon blends alternate history with Jules Verne to gripping effect. Karen Joy Fowler's and Neil Gaiman's acute tales skirt the edge of the supernatural. And Dave Eggers's story about tourists climbing Kilimanjaro seems suspiciously short on plot, but long on character and place, which anywhere else would be a compliment. — Matthew Flamm
All in all, the proportion of good stuff to filler in this anthology is unusually high, and the Moody novella alone is worth the price of the book. Perhaps the book's most ironic accomplishment is the long story by Dave Eggers, Mr. McSweeney's himself. After Moody's, it's the best story here, a wholly un-self-conscious account of a troubled thirtysomething named Rita who spends four days on a guided walk up the side of Mt. Kilimanjaro. It's beautifully written, wonderfully evocative of its exotic setting and full of vivid and finely detailed characters. It ends, not with risen corpses, monster sharks or the end of the world, but with -- and here's the thrilling part -- an epiphany. — James Hynes
Pulitzer Prize-winning novelist Chabon teams up with the editors of Dave Eggers's McSweeney's magazine to create a fiction anthology with an innovative, simple concept: the stories are driven by adventurous plots and narrative action, in contrast to the current trend toward stories that are "plotless and sparkling with epiphanic dew," as Chabon writes in his introduction. The roster includes such heavyweights as Michael Crichton, Stephen King, Elmore Leonard, Nick Hornby and Harlan Ellison. As the retro title might suggest, the collection is heavy on sci-fi and detective stories, often updated with contemporary twists. Crichton offers a detective yarn called "Blood Doesn't Come Out," in which a disgruntled PI takes out his frustration on his wife in a cheeky spin on the domestic violence that punctuates the pulp fiction of Jim Thompson and James A. Cain. Hornby's contribution is an entertaining sci-fi story called "Otherwise Pandemonium," about a man who buys a VCR that fast-forwards into an apocalyptic future. In Rick Moody's "The Albertine Notes," a debilitating drug called Albertine wreaks havoc by sending users back in time to relive their memories. Dave Eggers's "Up the Mountain Coming Down Slowly" is a thoughtful story in which a woman climbs Kilimanjaro to bolster her self-confidence after experiencing a personal crisis, but proves oblivious to the deaths of three porters when the weather on the mountain turns ugly. Half a dozen or so stories are markedly slight, but overall this is a strong collection. (Apr.) Forecast: Names like Chabon, Eggers and McSweeney's will give this collection a head start, especially with the under-30 crowd. Copyright 2003 Reed Business Information.
Twenty authors write in a hodgepodge of genres, in issue ten of McSweeney’s quarterly. "I think that we have forgotten how much fun reading a short story can be, and I hope that if nothing else, this treasury goes some small distance toward reminding us of that lost but fundamental truth," says editor Chabon. There’s certainly variety to this treasury: Glen David Gold’s hanging of an elephant is just the beginning of weirdness in a story that goes on to postulate that man-killing elephants the country over may be avengers of African murders long kept in elephant memory. Michael Crichton weighs in with a Chandleresque p.i. who loses his fee when he photographs the wrong thief for a client, then loses his girlfriend, then loses his sobriety. Chris Offutt contributes an amusing SF/ghost story/semi-memoir about a writer trying to produce a story for a collection edited by Michael Chabon, eventually getting so close to the deadline that he has to use a time machine to go back in time to inspire himself. Harlan Ellison’s spiritual search for the Core of Unquenchable Perfection will find hip-hop at the mountaintop, and the golden arches awaiting him. Aimee Bender adds a pseudo-detective who is investigating a couple found dead amid their collection of salt and pepper shakers: Is it double murder, or double suicide? Other pieces include mummies (Karen Jay Fowler), Nazis (Michael Moorcock), dream women (Sherman Alexie), and witches (Kelly Link). Unlike Henry James’s ghost storieswhere genre was always used to access the literarythe emphasis here is on fun: but what about those who ask for more than that? Still, talent galore, and well worth the price of admission.
loading...
loading...
loading...
Hear our exclusive audio interview with Michael Chabon (13:58).
Terms of Use, Copyright, and Privacy Policy
© 1997-2009 Barnesandnoble.com llc