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When Susannah Nelson turned eighteen, she said goodbye to her boyfriend, Jakeand never saw him again. She never saw her brother, Doug, again, either. He died unexpectedly that same year.
Now, at fifty, Susannah finds herself regretting the paths not taken. Long married, a mother and a teacher, she should be happy. But she feels there's something missing in her life. Not only that, she's balancing the demands of an aging mother and a temperamental twenty-year-old daughter.
Her mother, Vivian, a recent widow, is having difficulty coping and living alone, so Susannah goes home to Colville, Washington. In returning to her parents' house, her girlhood friends and the garden she's always loved, she also returns to the pastand the choices she made back then. What she discovers is that things are not always as they once seemed. Some paths are dead ends. But some gardens remain beautiful
.
Bestselling author Macomber (There's Something About Christmas) explores the intricate dynamics of family with sincerity and wit in this well-crafted novel. At 50, Seattleite Susannah Nelson is unsatisfied with her American dream: she's got a devoted husband, two teenage children and a rewarding career teaching fifth grade. She's also got a recently deceased father, a mother increasingly unable to care for herself,and recurring dreams about her high school sweetheart, Jake Presley, who disappeared around the time of the death of her brother, Doug, 30 years ago. Returning to her hometown of Colville, Wash., over the summer to look after her mother, Susannah has an ulterior motive: to find Jake. As she orchestrates her mother's rocky move to a nursing home and tries to keep track of her household (particularly her petulant daughter, recently taken with shiftless townie Troy Nance), Susannah picks up Jake's trail with the help of a private investigator and a childhood friend. As tension mounts between Susannah and her family, she uncovers the shocking details of Jake's disappearance-and of Doug's death-and ultimately faces her long-buried resentment toward her father. Macomber excels at detailing family conflict and the resulting tangle of regret and anger, but her God's-eye-view keeps her characters at arm's length, showing readers their emotional complexity rather than providing a view from within. (May) Copyright 2006 Reed Business Information.
More Reviews and RecommendationsWhen Debbie Macomber started out, she was a young, dyslexic mother of four who wrote in her kitchen on a rented typewriter. Years later, she's the blockbuster bestselling author of dozens of heartwarming novels that celebrate love, laughter, and the bonds of family and friendship.
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February 23, 2009: As always I love Debbie Macombers work and have read almost everything she has written or at least trying to catch up to all of them.
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June 30, 2008: This story dragged and I was bored but then the ending was really good and made reading the book worth it.
Name:
Debbie Macomber
Current Home:
Port Orchard, Washington
Date of Birth:
October 22, 1948
Place of Birth:
Yakima, Washington
Education:
Graduated from high school in 1966; attended community college
Publishing did not come easy to self-described "creative speller" Debbie Macomber. When Macomber decided to follow her dreams of becoming a bestselling novelist, she had a lot of obstacles in her path. For starters, Macomber is dyslexic. On top of this, she had only a high school degree, four young children at home, and absolutely no connections in the publishing world. If there's one thing you can say about Debbie Macomber, however, it is that she does not give up. She rented a typewriter and started writing, determined to break into the world of romance fiction.
The years went on and the rejection letters piled up. Her family was living on a shoestring budget, and Debbie was beginning to think that her dreams of being a novelist might never be fulfilled. She began writing for magazines to earn some extra money, and she eventually saved up enough to attend a romance writer's conference with three hundred other aspiring novelists. The organizers of the conference picked ten manuscripts to review in a group critique session. Debbie was thrilled to learn that her manuscript would be one of the novels discussed.
Her excitement quickly faded when an editor from Harlequin tore her manuscript to pieces in front of the crowded room, evoking peals of laughter from the assembled writers. Afterwards, Macomber approached the editor and asked her what she could do to improve her novel. "Throw it away," the editor suggested.
Many writers would have given up right then and there, but not Macomber. The deeply religious Macomber took a lesson from Job and gathered strength from adversity. She returned home and mailed one last manuscript to Silhouette, a publisher of romance novels. "It cost $10 to mail it off," Macomber told the Milwaukee Journal Sentinel in 2000. "My husband was out of work at this time, in Alaska, trying to find a job. The children and I were living on his $250-a-week unemployment, and I can't tell you what $10 was to us at that time."
It turned out to be the best $10 Macomber ever spent. In 1984, Silhouette published her novel, Heartsong. (Incidentally, although Heartsong was Macomber's first sale, she actually published another book, Starlight, before Heartsong went to print.) Heartsong went on to become the first romance novel to ever be reviewed in Publishers Weekly, and Macomber was finally on her way.
Today, Macomber is one of the most widely read authors in America. A regular on the New York Times bestseller charts, she is best known for her Cedar Cove novels, a heartwarming story sequence set in a small town in Washington state, and for her Knitting Books series, featuring a group of women who patronize a Seattle yarn store. In addition, her backlist of early romances, including several contemporary Westerns, has been reissued with great success.
Macomber has made a successful transition from conventional romance to the somewhat more flexible genre known as "women's fiction." "I was at a point in my life where I found it difficult to identify with a 25-year-old heroine," Macomber said in an interview with ContemporaryRomanceWriters.com. "I found that I wanted to write more about the friendships women share with each other." To judge from her avid, ever-increasing fan base, Debbie's readers heartily approve.
Some outtakes from our interview with Macomber:
"I'm dyslexic, although they didn't have a word for it when I was in grade school. The teachers said I had 'word blindness.' I've always been a creative speller and never achieved good grades in school. I graduated from high school but didn't have the opportunity to attend college, so I did what young women my age did at the time -- I married. I was a teenager, and Wayne and I (now married nearly 37 years) had four children in five years."
"I'm a yarnaholic. That means I have more yarn stashed away than any one person could possibly use in three or four lifetimes. There's something inspiring about yarn that makes me feel I could never have enough. Often I'll go into my yarn room (yes, room!) and just hold skeins of yarn and dream about projects. It's a comforting thing to do."
"My office walls are covered with autographs of famous writers -- it's what my children call my ‘dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few."
"I'm morning person, and rip into the day with a half-mile swim (FYI: a half mile is a whole lot farther in the water than it is on land) at the local pool before I head into the office, arriving before eight. It takes me until nine or ten to read through all of the guest book entries from my web site and the mail before I go upstairs to the turret where I do my writing. Yes, I write in a turret -- is that romantic, or what? I started blogging last September and really enjoy sharing bits and pieces of my life with my readers. Once I'm home for the day, I cook dinner, trying out new recipes. Along with cooking, I also enjoy eating, especially when the meal is accompanied by a glass of good wine. Wayne and I take particular pleasure in sampling eastern Washington State wines (since we were both born and raised in that part of the state).
What was the book that most influenced your life or your career as a writer?
The one book that has had the strongest influence on my life, without question, is the Bible. God's Word has been the guiding force behind all I do. I read the Bible each and every day and gain inspiration, encouragement, and joy.
What are your ten favorite books, and what makes them special to you?
Before I answer this, I feel it's necessary to mention that I read widely, across the board. In compiling this list I discovered several of my favorite books are nonfiction. I have not noted the Bible a second time, although as I indicated above, it is the most influential book in my life.
What are some of your favorite films, and what makes them unforgettable to you?
I'm a big film buff, although I'm not fond of movies with excessive violence. I've always enjoyed musicals. My first exposure was with West Side Story. I memorized all the songs and belted them out for months afterward. I almost entered the convent after watching The Sound of Music. Thankfully, I didn't; it wouldn't have been a good fit for either of us. In recent years I've enjoyed The Princess Bride and the Star Wars series. I like movies with what I call a zinger -- Collateral and The Replacement Killers are good examples. And comedies, too. I don't think I've ever laughed so hard as when I watched The Gods Must Be Crazy, It's a Mad, Mad, Mad World, and The Hallelujah Trail.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I don't listen to music while writing. It's not that I need silence in order to create. I started out writing when our four children were small and I needed to keep my ears tuned to them in case one of them decided to play Superman and fly out a window or start a campfire in the middle of the living room. When it comes to listening to the radio, I prefer the oldies stations. When I'm on the treadmill, I play Christian CDs and make a joyful noise. Correction: It's a joyful noise to me, but I doubt others would think so.
What are your favorite kinds of books to give -- and get -- as gifts?
There's a bookstore directly below my office. It's hard to believe but I write above a bookstore and an ice cream parlor. This, my friends, is a writer's nirvana. On average I buy a book a day, and that's no exaggeration. Mostly I purchase nonfiction for gifts. One of my favorites is Gifts from the Sea by Anne Morrow Lindberg. For my writer friends I've bought Goals by Brian Tracy, and for friends who are animal lovers I've bought The Dog Who Rescues Cats by Gonzalez & Fleischer.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have a cherrywood desk with a glass top to protect the wood. Over the years a number of things have made their way under the glass. There's a picture of my dad and his brother, who looked so much alike that they were often mistaken for identical twins -- only my dad was a full foot shorter than his brother. Then there are pictures of my grandchildren (by far the cutest grandkids in the universe), and there's a slip of paper on which I've written four words. They are: "provocative," "relevant," "creative," and "honest." When I decide on a plot for one of my big hardcover stories, I weigh the story against each of these words. I want to provoke my readers to think. I want the story to be relevant to them and to our times. My goal is to tell this story in as creative a way as possible and to be honest with my readers and with myself. As you might have guessed, I'm a lover of words. As for rituals, I really don't have any.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
In my humble opinion, there are a lot of writers out there who haven't suffered enough. I suffered plenty. When I first started writing, I didn't know another writer in the world. This was back in the late 1970s before Romance Writers of America was formed. For nearly five years I wrote and submitted my manuscripts. My work was rejected so fast it practically hit me in the back of the head on my way home from the post office. At one point in my lonely sojourn, an editor read and reviewed my manuscript, and with the utmost sincerity told me there was no use in revising it and the best thing I could do was throw it away. Thankfully, I didn't take her advice, because that same manuscript sold to a rival publishing house and launched my writing career.
What tips or advice do you have for writers still looking to be discovered?
I would suggest that writers pay close attention to the market -- read the bestsellers, analyze each story and look for the key element that is drawing an audience. Who would ever have imagined that Life of Pi by Yann Martel would command the audience it has? Or The Da Vinci Code? As writers, it's important we not follow trends but observe and understand life -- and start our own. It was when I saw a lot of angel figurines turning up in catalogs that I wrote the first Shirley, Goodness, and Mercy Christmas book.
The Barnes & Noble Review
Bestselling author Debbie Macomber explores all the paths not taken by her midlife heroine, Susannah Nelson, in this tender celebration of the complexities of life, longtime friendships, and the shifting roles of family.
Despite a happy marriage, 50-year-old Susannah suddenly can't stop thinking about her old high school boyfriend, Jake, and why he disappeared on her at age 18 -- the same year her brother died. Now her father is dead, and her mother is showing signs of Alzheimer's. Susannah goes to visit her mother in Colville, Washington, for a few weeks, where she also catches up with old friends, moves her mom into an assisted living residence, and uncovers some major family mysteries.
As usual, Macomber excels in realistic depictions of family conflict, especially between Susannah and her 20-year-old daughter, Chrissie, who comes to help out and almost instantly takes up with the most unsuitable guy in town. Readers will cheer for Susannah as she solves a mystery in the midst of her midlife crisis and finds new dreams in the process. Ginger Curwen
When Susannah Nelson turned eighteen, she said goodbye to her boyfriend, Jakeand never saw him again. She never saw her brother, Doug, again, either. He died unexpectedly that same year.
Now, at fifty, Susannah finds herself regretting the paths not taken. Long married, a mother and a teacher, she should be happy. But she feels there's something missing in her life. Not only that, she's balancing the demands of an aging mother and a temperamental twenty-year-old daughter.
Her mother, Vivian, a recent widow, is having difficulty coping and living alone, so Susannah goes home to Colville, Washington. In returning to her parents' house, her girlhood friends and the garden she's always loved, she also returns to the pastand the choices she made back then. What she discovers is that things are not always as they once seemed. Some paths are dead ends. But some gardens remain beautiful
.
Bestselling author Macomber (There's Something About Christmas) explores the intricate dynamics of family with sincerity and wit in this well-crafted novel. At 50, Seattleite Susannah Nelson is unsatisfied with her American dream: she's got a devoted husband, two teenage children and a rewarding career teaching fifth grade. She's also got a recently deceased father, a mother increasingly unable to care for herself,and recurring dreams about her high school sweetheart, Jake Presley, who disappeared around the time of the death of her brother, Doug, 30 years ago. Returning to her hometown of Colville, Wash., over the summer to look after her mother, Susannah has an ulterior motive: to find Jake. As she orchestrates her mother's rocky move to a nursing home and tries to keep track of her household (particularly her petulant daughter, recently taken with shiftless townie Troy Nance), Susannah picks up Jake's trail with the help of a private investigator and a childhood friend. As tension mounts between Susannah and her family, she uncovers the shocking details of Jake's disappearance-and of Doug's death-and ultimately faces her long-buried resentment toward her father. Macomber excels at detailing family conflict and the resulting tangle of regret and anger, but her God's-eye-view keeps her characters at arm's length, showing readers their emotional complexity rather than providing a view from within. (May) Copyright 2006 Reed Business Information.
Loading...Vivian Leary stood motionless at the corner of the street, her eyes darting from side to side. She had no idea where she was or how she'd gotten lost. After all, she'd lived in Colville her entire life. She should knowdid know every square inch of this town. But the last thing she remembered was going out to collect the mail and that must have been hours ago.
The street didn't look familiar and the houses weren't any she recognized. The Henderson house at the corner of Chestnut and Elm had been her marker, but it was nowhere in sight. She remembered that the Hendersons had painted their place white with green shutters. Where was it? she wondered, starting to feel frantic. Where was it? George would be upset with her for taking so long. Oh no, how could she have forgotten? George was dead.
The weight of grief settled over her, heavy and oppressive. George, her beloved husband, was gonetaken from her just two months short of their sixtieth anniversary. It had all happened so fast!.
Last November, her husband had gone outside to warm up the car before church, and a few minutes later he lay dead in the carport. He'd had a massive heart attack. The nice young man who'd come with the ambulance had told her George was dead before he even hit the pavement. He sounded as if this was supposed to comfort her. But nothing could have eased the shock, the horror, of that dreadful morning.
Vivian blinked hard, and despite the May warmth of eastern Washington, a chill raced up her bare arms. She tried to extinguish her growing panic. How was she going to find her way home?
Susannah would know what to dobut then she remembered that her daughterdidn't live in Colville anymore. Of course Susannah wasn't at home. She had her own house. In Seattle, wasn't it? Yes, in Seattle. She was married with two precious children. Susannah and Joe's children. Good grief, why couldn't she think of their names? Her grandchildren were her joy and her pride. She could picture their faces as clearly as if she was looking at a photograph, but she couldn't recall their names.
Chrissie. The relief was instantaneous. Her granddaughter's name was Chrissie. She was born first and then Brian was born three years later. Or was it four years? It didn't matter, Vivian decided. She had their names now.
What she needed to do was concentrate on where she wasand where she should go from here. It was already starting to get dark and she didn't want to wander aimlessly from street to street. But she couldn't figure out what to do next. could've stopped and asked for directions to Woods Road.
No!Woods Road had been her childhood address. She hadn't lived there since she was a schoolgirl, and that was before the war. For heaven's sake, she should be able to remember her own address! What was wrong with her?
The place she was looking for was the house she and George had bought almost forty-five years ago, when the children were still at home. She felt a mixture of fear!and shame. A woman of eighty should know where she lived. George would be so frustrated and impatient if he ever found out about this!. Only he'd never know. That didn't make her feel any better, though. She needed him, and he wasn't there to help her, and that filled her with anxiety so intense, she wrung her hands.
Vivian started walking again, although she wasn't sure where she was headed. Maybe if she kept moving, if she concentrated hard enough, the memory would eventually return to her.
Her legs tired quickly, and she sighed with relief when she saw a bench by the side of the road. Vivian couldn't understand why the city would place a nice wooden bench therenot even near a bus stop. It was a waste of taxpayers' money. If George knew about this, he'd be fuming. He'd been a public servant all those years, a superior court judge. A fine one, too, a man of principle and character. How proud Vivian was of him.
Still, she was so grateful for somewhere to sit, she wasn't about to complain. George had freely voiced his opinions about matters of civic responsibility and what he called city hall's squandering of resources. While she listened to her husband's views, she didn't always share them. She had her own thoughts when it came to politics and things like that, but she usually didn't discuss them with George. That was something she'd learned early in her marriage. George always wanted to convince everyone of the superiority of his ideas and he'd argue until he wore people down. So when her views differed from his, she kept them to herself.
Sitting on the hard bench, she glanced about, hoping to find a landmark. Oh my, this was a busy street. Cars whizzed past, their lights blinding her until she felt dizzy. She wasn't nearly as tired now that she was sitting. That was good, because she needed to think. Thinking was important. She hated forgetting basic facts, like her address, her phone number, people's names. This happened more and more often now that George had died, and it frightened her.
Perhaps if she closed her eyes for a moment, that would help. She'd try to relax, clear her mind, since all this worry only made her memory less reliable.
It was chilly now that the sun had gone down. She should've brought a sweater but she'd been working in the garden earlier and it had been hot. Her irises were lovely this spring, even though her garden was in sad shape. For years, it had been a source of pride and she hated the way it looked these days. She did as much as she could, but so much else needed to be done. Weeding, pruning, planting annuals! After dinner she'd decided to do some watering and remembered that she hadn't collected the mail. That was when she'd gone out, planning to walk to the neighborhood mailbox. And now here she was, lost and confused and afraid.
That was when Vivian sensed someone's presence and opened her eyes. Joy coursed through her veins as she stared, wondering if her mind had betrayed her. "George?"
Her husband of fifty-nine years stood beside her, shadowed under the nearby streetlight. His smile warmed her and she straightened, eyes wide open, terrified he'd disappear. George had come to help her, come to save her.
"That is you, isn't it?"
He didn't answer but stood there plain as could be. He'd always been such a handsome man, she thought, admiring his broad shoulders and his confident posture.
They'd been high school sweethearts and known each other their entire lives. Vivian felt she was the luckiest girl in the world when George Leary asked her to marry him. They'd been apart for nearly three years while he was fighting in Europe. Then he'd gone to college to get his law degree on the G.I. Bill. That time of struggle had paid off, though, and after a few years of private practice, he'd been invited to join the bench. George had been the one and only love of her life and she missed him terribly. How like him to come to her now, in her hour of need.
Vivian reached out to him, but George backed away. She dropped her hand abruptly, biting her lower lip. No, of courseshe should've realized she couldn't touch him. One couldn't touch the dead.
"I'm lost," she whispered. "Don't be angry with me, but I can't find my way home."
He smiled again and she was so relieved he wasn't upset with her. She'd forgotten things before he died, too, and sometimes he got frustrated, although he tried to hide it. She'd even stopped cooking but that was because she'd forgotten so many of her recipes. The ones in cookbooks were too hard to read, too confusing. But George never complained and often heated soup for both of them.
Vivian felt she should explain what had happened. "I went to get the mail and I must've decided to go for a walk, because when I looked up I wasn't anywhere close to the house."
He stretched out his hand and she got to her feet. "Can you take me home?" she asked, hating how plaintive and helpless she sounded.
He didn't answer. Then she realized that dead men couldn't talk, either. That was all right; she didn't care as long as George stayed with her. Six months it had been since he'd died and every one of those months had seemed an eternity.
"I'm so glad you came," she whispered, trying to hide the way her voice cracked with emotion. "Oh, George, I miss you." She told him about the garden, even though she knew she was rambling. He'd never liked it when she talked too much, but she was afraid he'd have to leave soon, and there was so much to tell him. "George, I'm sure Martha is stealing. I just don't know what to do. I watch her like a hawk when she comes to clean, but still I find things missing. I can't let her rob me blind, and yet I hate to fire her after all these years. What should I do?" She hadn't really expected him to answer, and he didn't.
Then, suddenly, she saw the house. They were on Chestnut Avenue, where they'd lived since 1961. She walked laboriously to the front door, holding on to the railing and taking the steps one at a time. When she looked up to thank George for helping her, her beloved husband had vanished.
"Oh, George," she sobbed. "Come back to me!please. Please come back."
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