The Mighty Wurlitzer: How the CIA Played America by Hugh Wilford

From the Publisher

In 1967 the magazine Ramparts ran an exposé revealing that the Central Intelligence Agency had been secretly funding and managing a wide range of citizen front groups intended to counter communist influence around the world. In addition to embarrassing prominent individuals caught up, wittingly or unwittingly, in the secret superpower struggle for hearts and minds, the revelations of 1967 were one of the worst operational disasters in the history of American intelligence and presaged a series of public scandals from which the CIA's reputation has arguably never recovered.

CIA official Frank Wisner called the operation his "mighty Wurlitzer," on which he could play any propaganda tune. In this illuminating book, Hugh Wilford provides the first comprehensive account of the clandestine relationship between the CIA and its front organizations. Using an unprecedented wealth of sources, he traces the rise and fall of America's Cold War front network from its origins in the 1940s to its Third World expansion during the 1950s and ultimate collapse in the 1960s.

Covering the intelligence officers who masterminded the CIA's fronts as well as the involved citizen groups—émigrés, labor, intellectuals, artists, students, women, Catholics, African Americans, and journalists—Wilford provides a surprising analysis of Cold War society that contains valuable lessons for our own age of global conflict.

The Washington Post - Michael Kazin

Wilford, who was educated in Britain and teaches history at California State University Long Beach, is hardly the first author to tell such tales. But no one has written a more comprehensive or sophisticated account of the pro-American fronts from their creation in the late 1940s to the investigative report 20 years later in Ramparts magazine that first exposed the CIA's cultural offensive and left people such as Steinem with a bit of explaining to do…Wilford writes with smoothness and wit.

The New York Times - Nathan Glazer

The Mighty Wurlitzer is fascinating, involving a surprising collection of well-known figures in American life…Wilford has consulted an astonishing number of scholarly and popular accounts, along with the papers and records of some of the central participants and organizations…Wilford has mastered an enormously complex tale in almost every detail.

Publishers Weekly

Well before the beginning of the Cold War, the Soviet Union achieved a series of propaganda successes by using "front" organizations that ostensibly served independent purposes but were orchestrated by Moscow. In the late 1940s, Frank Wisner, chief of political warfare for the newly created CIA, proposed a U.S. version: a "mighty Wurlitzer" that like its namesake would play the music America desired. California State-Long Beach professor Wilford describes the "Wurlitzer" as most successful in supporting Western Europe's noncommunist leftist unions, students and intellectuals during the 1950s. As the Cold War spread, the CIA organized programs in the Third World combining development with anticommunism. The CIA was more a source of funding and fine-tuning than the master player its organizers intended; few of its front groups were unaware of the connection. What made the system work was a shared, principled and intense anticommunism combined with trust in America's intentions and capabilities. As these eroded during the Vietnam era, the Wurlitzer's music grew discordant, then ceased altogether. Wilford's conclusion that winning hearts and minds is best left to overt processes and organizations is predictable and defensible. Still, Wisner's Wurlitzer helped level the playing field at a crucial period of the Cold War. (Jan.)

Peter Preston - The Observer

[An] elegantly written, diligently researched examination of the CIA's glory days...The fronts that Wisner built were more errors than terrors, shrill tunes on that tin whistle--which Hugh Wilford plays with sentient skill.

London Review of Books

The term "Mighty Wurlitzer" was coined by CIA agent Frank Wisner to describe the network of small organizations and magazines that the agency used to propagate its message during the Cold War. With meticulous research Hugh Wilford has unpicked the seams of CIA cultural influence, revealing a surprisingly complex picture of divided loyalties and tangled motives.

Nathan Glazer - New York Times Book Review

Remarkably detailed and researched...There were indeed fronts directly established by the C.I.A. for a particular goal, and the story Wilford tells of them in The Mighty Wurlitzer is fascinating, involving a surprising collection of well-known figures in American life...There is a great deal to be learned from this book. Wilford has consulted an astonishing number of scholarly and popular accounts, along with the papers and records of some of the central participants and organizations. He's done a remarkable job of research...Wilford has mastered an enormously complex tale in almost every detail.

Bookforum

Hugh Wilford has unearthed from archives the myriad links between the CIA and various citizen front groups attempting to counter communist influence in The Mighty Wurlitzer: How the CIA Played America. Coming forty years after the magazine Ramparts exposed the CIA propaganda program, this book is sure to be relevant to our own era of "hearts and minds" campaigning.

Michael Kazin - Washington Post Book World

[A] brisk yet thorough narrative...No one has written a more comprehensive or sophisticated account of the pro-American fronts from their creation in the late 1940s to the investigative report 20 years later in Ramparts magazine that first exposed the CIA's cultural offensive and left people such as [Gloria] Steinem with a bit of explaining to do.

Times Higher Education Supplement

Wilford provides a comprehensive account of the clandestine relationship between the CIA and its front organizations, tracing the rise and fall of America's front network from its origins in the 1940s to its collapse in the 1960s.

Ronald Radosh - New York Sun

Hugh Wilford has given us the first comprehensive and thorough report of how the CIA--modeling its policies on the Comintern's creation of Communist front groups--created their own fronts, with recipients who included not only the white male writers and artists who made up much of the postwar cultural establishment, but women, African-Americans, students, the labor movement, Catholics, and journalists. Mr. Wilford undermines rather than bolsters the boast made by CIA man Frank Wisner, who called his agency a "Mighty Wurlitzer," a mass of information and intelligence capable of playing the tunes the rest of the world would dance to. The old view, that the Agency was composed of "puppet masters" and that its recipients were simple marionettes, is not only inaccurate, but highly misleading. Mr. Wilford carefully shows that in almost all the cases, those funded understood the high stakes of the Cold War with the Soviets. Rather than following CIA orders, most used whatever funds they received to carry on the work they had already started, and often discarded the advice of the Agency handlers...[A] first-rate book. It is doubtful whether another survey of this subject will ever be necessary. One can differ with his own conclusion that covert funding "stained the reputation" of America and still find the book of immeasurable merit.

Charles Trueheart - Bloomberg.com

[A] superb new account of the underground combat in ideas and checkbooks that unfolded in the 1950s and early '60s...One important insight Wilford brings to this history is that it wasn't necessarily ignoble to promote American values in the face of a menacing communist alternative in those two decades.

Will Podmore - Tribune Magazine

An astonishing account of the CIA's front operations in the United States during the Cold War.

Kirkus Reviews

By turns hilarious and horrifying, the story of the CIA's attempts to disseminate anticommunist propaganda through a variety of front organizations. Since the agency's inception in 1947, writes Wilford (History/California State Univ., Long Beach), its leaders envied communist-front organizations that (they believed) accepted KGB money, slavishly carried out its wishes and won hearts and minds throughout the world. To counteract this, the CIA began funneling funds to students, unions, women's groups, political parties, governments-in-exile, arts organizations and anticommunist left-wing periodicals. Readers' jaws will drop at the Who's Who of prominent Americans who took the agency's money: Richard Wright, Gloria Steinem, a young Henry Kissinger, AFL president George Meany and the UAW's Reuther brothers, among many others. Until the mid-1960s, if an international gathering of students, women, writers, blacks or journalists took place, the CIA probably footed the bill for the American delegation. This was not viewed as hypocritical in the way it would be today, argues Wilford, whose previous scholarly publications have also dealt with the complex relationships between government agencies and private organizations. Members of the cash-strapped avant-garde and activist groups funded by the CIA were usually idealists with admirable goals. More liberal than most government departments, the agency refused McCarthy's demand to fire ex-communists and homosexuals, and the beneficiaries of its largesse often ignored the suggestions that accompanied it. Amusing passages describe CIA fronts feuding with other CIA fronts and activists on CIA expense accounts who traveled the world denouncing U.S.policies. Everything unraveled in 1967, after a series of exposes sparked by a Ramparts magazine article converted chronic rumors into headlines and Congressional investigations. Those who accepted CIA money had always worried that revelation of this link would convert their good work into a public-relations catastrophe, and that is precisely what happened. Everyone now agrees it was a bad idea from the start. Unlike Tim Weiner's brilliant Legacy of Ashes, whose litany of disastrous covert operations makes for painful reading, this superb account will provide CIA aficionados with some welcome comic relief. Agent: Felicity Bryan/Felicity Bryan Literary Agency

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