Real Time by Pnina Moed Kass

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(Hardcover)

  • Pub. Date: October 2004
  • 192pp
  • Sales Rank: 433,584

Reader Rating: (12 ratings)

Detailed Rating: "Realism" See All

FOR PARENTS

  • Age Range: Young Adult
  • Reading Level from Lexile: 640L 
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Product Details

  • Pub. Date: October 2004
  • Publisher: Houghton Mifflin Harcourt
  • Format: Hardcover, 192pp
  • Sales Rank: 433,584
  • Age Range: Young Adult
  • Lexile: 640L 

Synopsis

Set in contemporary Israel, this powerful novel is narrated in real time by many voices: Sixteen-year-old Thomas, from Berlin, seeking answers to questions about his grandfather, a Nazi officer in World War II. Vera from Odessa, reclaiming her Jewish heritage. Baruch Ben Tov, a Holocaust survivor. Sameh Laham, illegally employed at a diner. His boss. Sameh’s friend Omar. A Palestinian doctor in an Israeli hospital. A mother. A soldier.
A newscaster . . .

Minute by minute, hour by hour, these lives and many others unfold—and then intersect in one violent moment on a highway outside Jerusalem. Each is drastically and irrevocably changed. What do secrets, hopes, dreams, and future plans mean after such a catastrophe? Can what was destroyed be made whole again?

Publishers Weekly

"This timely novel set in Israel explores the effects of a terrorist act from multiple points of view, including the members of Kibbutz Broshim, a German 16-year-old and an angry Palestinian, also 16," wrote PW. Ages 12-up. (July) Copyright 2006 Reed Business Information.

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Biography

Pnina Moed Kass is an American who has lived in Israel for more than thirty-five years. She is a professional writer whose credits include short stories, television series, and picture books. This novel was inspired by real-life events that, sadly, are a part of the complex everyday reality of living in the Middle East.

Customer Reviews

Real Story of Real Timeby No_More_Heroes

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February 09, 2010: Pnina Moed Kass' "Real Time" follows several different people as they are unwittingly involved with a terrorist attack by one of the main characters of the book. Each of the characters in the book have their own reasons for being where they are at or doing what they are doing. Their reasons are justified through first person segments that take place over a period of five days. The plot is developed through these segments, and are separated by the time these events take place. However, this can be somewhat confusing as the segments are rarely longer than a page or two which seems to lead to the author forcing in certain information while leaving much out.

Another jarring aspect about the book is the (mostly) consistent first person narrative of the story. What is so disruptive about it it that each of the many different characters tell their stories through this first person narrative. While this might be more of a personal preference a third person point of view could very well make the novel more accessible to young readers. Unfortunately the first person narrative also leads to some fairly bland characters. Slowly, over the course of the novel, the characters develop into their own but even after reading the novel few of the characters have faces.

The real strength of "Real Time" is the message being sent through its pages. The violence, as seen through the eyes of people that many young adults can easily relate to, helps to explain the actions of some to those who might be unfamiliar with the personal choices made by others.

Could be betterby Billith

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February 09, 2010: Real Time, by Kass, tries to explore the different viewpoints of a terrorist attack by providing us with a first person account of each person involved. At first this style seems interesting, yet it can easily become confusing due to the constantly changing narrative. The story seems to revolve around a German boy trying to find out about his grandfather, a slightly older girl who has a series of emotional issues, a Palestinian who gets dragged into blowing himself up by his best friend, and an old holocaust survivor.

However, even if these characters have pasts and situations that they're placed in there is little done to flesh out their appearances and personalities, they just end up becoming archetypes of very basic people and the readers may have a hard time connecting with them. This is probably due to the author trying too hard to insert the past of every character in such a short work. The only character who we can really sympathize with is the Palestinian since he's actually stuck in a real situation, one where his mother hardly works and he has to raise funds for the family by working illegally. Of course, all of these characters come together around the time of the suicidal bombing. However, this explosion seems to be one of the few times the story raises in intensity, especially since the incident is followed by a fairly monotonous eighty or so pages before a plot twist occurs. Even then, the nature of the plot twist can be seen from the explosion scene and the rest of the book crawls up to the twist's revelation. Opposed to this interpretation, the ending is actually well done to some extent. The author states that many of the main characters see the book as being over, yet there is a scene that involves a character preparing to partake in a suicide bombing. This lends a bit more realism to the story, showing that more problems continue even after the resolution of the one at hand. Yet even with these different viewpoints I feel as if the story could be more successful if written in a different manner.

I consider this book to be fairly well written, however, I do not feel as if the format compliments the story. Granted, it does allow for many views of one story yet it seems to hamper the progression of the novel to the point of a standstill at inappropriate times. This occurs a lot when characters are having flashbacks to moments in their life. All of these flashbacks are done as if they're stories, sometimes these stories could be summarized in order to keep the pace moving without causing the reader to delve too far into the events of one person that may or may not be needed to fulfill the conclusion. For example, I think a lot of the stuff revolving around Vera and Dan was pointless and that little was added to the story apart from some romance, I guess. Their characters also didn't seem very engaging, either. Personally, I would have enjoyed the novel a whole lot more if it only revolved around Thomas, Sameh, and the holocaust survivor. With the exclusion of Vera and Dan, more time would be able to be spent on developing the characters crucial to the story without jamming their history into one or two pages. Additionally, due to the format, readers may find the scenery and visual elements to be lacking unless they have a basic knowledge of the surroundings.

Real Time would recommended for an exercise about messing with viewpoints, trying to find out which perspectives get the point across in the best...


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