Entertainment Industry Economics: A Guide for Financial Analysis by Vogel, Harold L. Vogel, Harold L.

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Textbook (Hardcover - Older Edition)

  • 634pp

Textbook Information

  • ISBN-13: 9780521836128
  • Edition Description: Older Edition
  • Edition Number: 6
  • Pub. Date: May 2004
  • Publisher: Cambridge University Press
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Product Details

  • Pub. Date: May 2004
  • Publisher: Cambridge University Press
  • Format: Textbook Hardcover, 634pp

Synopsis

This seventh edition includes new material on the economics of networks and advertising.

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Biography

Harold L. Vogel is the author of Travel Industry Economics: A Guide for Financial Analysis (Cambridge University Press, 2001), a companion volume to this textbook. He was senior entertainment industry analyst at Merrill Lynch & Co. for 17 years and was ranked as top entertainment industry analyst for a record 10 years by Institutional Investor magazine. A chartered financial analyst, he formerly served on the New York State Governor's Motion Picture and Television Advisory Board and as adjunct professor of media economics at Columbia University's Graduate School of Business. Mr Vogel frequently writes and speaks on investment topics related to entertainment and media, leisure, and travel and currently heads an independent investment firm in New York City.

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Entertainment Industry Economics: A Guide for Financial Analysisby Anonymous

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October 25, 2004: Author and entertainment industry analyst Harold L. Vogel sheds valuable light on the growing importance of fun in the American economy. His book shows surprising versatility, sometimes reading like an economics textbook, and other times providing an engaging and easily readable overview of the entertainment business. Vogel provides exhaustive sources and an authoritative perspective, linking the entertainment industry's technology-driven increase in productivity to the public's increased expenditures on music, movies, sports, games, theme parks and other forms of entertainment. The relatively modest attention he pays to the performing arts reflects their unfortunate status as a poor stepchild we find this book's breadth and depth impressive, and strongly recommends it to analysts, scholars and students who seek a clear picture of the economic role of entertainment.