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    Shooting War by Anthony Lappe, Dan Goldman (Illustrator), Dan Goldman (Artist)

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    (Hardcover - REV)

    • Pub. Date: November 2007
    • 192pp

      Reader Rating: (1 ratings)

      Detailed Rating: "Originality" See All

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      Product Details

      • Pub. Date: November 2007
      • Publisher: Grand Central Publishing
      • Format: Hardcover, 192pp

      Synopsis

      The global war on terror is raging out of control. The president is popping Prozac. And the #1 selling videogame in 2011 America is the terrorist-simulator Infidel Massacre: Los Angeles. On the streets of gentrified Brooklyn, videoblogger Jimmy Burns' latest anti-corporate rant is cut short by a terrorist bombing of a Starbucks...but his live feed isn't. When his dramatic footage is uploaded by Global News ("Your home for 24-hour terror coverage") and rebroadcast across the planet, the obscure blogger is transformed into an overnight media sensation. The next thing he knows he's on a Black Hawk helicopter inbound for Baghdad, working for the same mainstream media monster he once loathed. Burns soon finds that everyone from his ratings-ravenous network overlords to Special Ops troops with messianic complexes to a charismatic band of tech-savvy jihadists all want to make him their pawn.

      Publishers Weekly

      A scathing near-future satire of the Iraqi occupation that rings with eerie plausibility, this Web comic-to-print hardcover collection follows a cocky young journalist named Jimmy Burns, who finds himself video-blogging across the front lines of Iraq in the year 2011. An accidental Internet celebrity transplanted suddenly to the Baghdad battlefields, Jimmy quickly progresses from arrogant to regretful, then jaded-in short, he is America in Iraq. As the world slowly disintegrates around him, Jimmy finds himself caught between the competing agendas of Muslim insurgents, the American military and a sensational cable news network as they all clamor for blood on the battlefields. Journalist and first-time graphic novelist Lappé takes obvious delight in skewering all three with a whip-smart, left-leaning indictment of both American media and foreign policy that offers little hope and fewer heroes. The bleak prognostications are cut with black humor and a penchant for explosions that keep the narrative moving. The collection adds 110 pages of new content to the Web version, and Goldman's art, a cinematic blend of photography and digital painting, is framed in widescreen panels that lend an air of video documentary to a grim graphic novel that manages to make media-and the truth-seem more fluid than ever. (Nov.)

      Copyright 2007 Reed Business Information

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      Biography

      SHOOTING WAR creator and writer Anthony Lappé is Executive Editor of GNN.tv, the web-site for the Guerrilla News Network. He is the co-author of their critically acclaimed book True Lies (Plume, 2004) and the producer of their award-winning Showtime documentary about Iraq, BattleGround: 21 Days on the Empire's Edge. He has written for The New York Times, the Huffington Post, New York, Vice, and Salon among many others, and has been a producer for MTV News and Fuse. He is a frequent guest on Air America and other radio stations across the country. SHOOTING WAR artist Dan Goldman is a writer, artist and designer. He is the co-author of the political graphic novel Everyman: Be the People, and a founding member of the daily on-line comics anthology ACT-I-VATE, where he serializes his psychedelic romance-thriller "Kelly."

      Customer Reviews

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      • Ratings: 1Reviews: 1

      Shot Downby nevermindjosh

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      April 20, 2009: This graphic novel takes many of the ideas and concepts surrounding the abundance of new media, blogs, podcasts, etc., and drops them in the middle of Iraq where they uncover a vast conspiracy. I don't want to ramble on too much, so I'll just say it's a nice commentary on the decreasing integrity and increasing corporate ownership in journalism, and how slackers hope to cash in and somehow still maintain their hip anti-consumerism stances. The problem is the weak story, the poor dialogue, and a barely believable, almost successful conspiracy. I liked the art and the graphics, and loved the concept, but over-all, the story just wasn't that great or well executed.