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The #1 New York Times Bestseller!
“Diabolically funny.” –The New York Times
“A National Phenomenon.” -Newsweek
Wanted:
One young woman to take care of four-year-old boy. Must be cheerful, enthusiastic and selfless—bordering on masochistic. Must relish sixteen-hour shifts with a deliberately nap-deprived preschooler. Must love getting thrown up on, literally and figuratively, by everyone in his family. Must enjoy the delicious anticipation of ridiculously erratic pay. Mostly, must love being treated like fungus found growing out of employers Hermès bag. Those who take it personally need not apply.
Who wouldn’t want this job? Struggling to graduate from NYU and afford her microscopic studio apartment, Nanny takes a position caring for the only son of the wealthy X family. She rapidly learns the insane amount of juggling involved to ensure that a Park Avenue wife who doesn’t work, cook, clean, or raise her own child has a smooth day.
When the Xs marriage begins to disintegrate, Nanny ends up involved way beyond the bounds of human decency or good taste. Her tenure with the X family becomes a nearly impossible mission to maintain the mental health of their four-year-old, her own integrity and, most importantly, her sense of humor. Over nine tense months, Mrs. X and Nanny perform the age-old dance of decorum and power as they test the limits of modern-day servitude.
“[Nanny is] Mary Poppins channeling Dorothy Parker.” -Time
“Impossible to put down.” –Vogue
“McLaughlin and Kraus... [have a] carefullycalibrated sense of compassion and delicious sense of the absurd.” -Entertainment Weekly
[Nanny is] Mary Poppins channeling Dorothy Parker.
More Reviews and RecommendationsDrawing on their own harrowing experience as nannies to NYC's pampered and powerful, Emma McLaughlin and Nicola Kraus penned the breakout No. 1 New York Times bestseller The Nanny Diaries. Their latest irresistibly entertaining satire, Citizen Girl, takes aim at the working world.
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September 29, 2009: I enjoyed it. . .it was an easy read and entertaining. I found the X's very annoying, which was the point, but it made it very frustrating at times. It was hard not to fall in love with Grayer, and my heart broke for him at the end.
Reader Rating:
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August 03, 2009: I started to read this book, very easy reading and you get into the story line quickly. I was on a flight and didn't put the book down until the end. The problem is that the ending is so anti-climatic. I put the book down and don't plan to pick it up again, nor give it to a friend to borrow. Read the book, good writing but don't plan to like the ending.
Name:
Emma McLaughlin & Nicola Kraus
Current Home:
New York, New York
Place of Birth:
McLaughlin: Elmira, New York; Kraus: New York, New York
Education:
B.A., Gallatin School of Individualized Study, NYU (McLaughlin, 1996; Kraus, 1995)
When Emma McLaughlin and Nicola Kraus met, they were both students at New York University and both working as part-time nannies for families on the Upper East Side. (Kraus was a native of the city; McLaughlin was from upstate New York.)
They didn't dream then that the shared experience that cemented their friendship would lead to fame and fortune as the authors of The Nanny Diaries, a fictional account of their years working in childcare.
"We wrote it for ourselves, really," McLaughlin told a reporter from The Washington Post. "We wrote it to share with our parents and our close friends. And we wrote it to see if we could."
The result was a scathing portrait of emotionally unavailable parents who obsess over private school admissions but coolly deflect the kids' hands when they come in search of a hug. The New York Times' Janet Maslin called it "perfectly pitched social satire."
And it struck a nerve with readers -- not only in New York City, but across the country and around the world. More than 2 million copies have been printed, and rights to the book were purchased in 32 countries.
"It was unbelievable to us," Kraus said in an interview with Rocky Mountain News. "I don't think we ever wrapped our heads around it."
At the age of 28, the two were celebrity writers, able to devote themselves full-time to the task of co-authoring another novel. First, though, there were some hurdles to clear: their publishers at St. Martin's Press didn't want their second book, so a new agent got them a two-book deal at Random House. But the deal fizzled, and their much-publicized $2 million advance was rescinded.
Finally, they landed at Atria Books, an imprint of Simon & Schuster, which published Citizen Girl, another satirical take on a young New Yorker's travails in the work world -- this time, a woman in her twenties who is fired from her feminist nonprofit and lands a new job at a dot-com.
"We set out to write something we had not come across," McLaughlin told Rocky Mountain News. "And we had not come across a book that takes a young woman through a professional odyssey, where the odyssey is 99 percent of the experience and her sex life is 1 percent of it."
The phenomenally successful Nanny Diaries was a tough act to follow, and some critics found the new book disappointing. USA Today suggested that the authorial duo might be a "one-hit wonder."
But other reviewers were positively buoyant about Citizen Girl and the way its heroine struggles to hang onto her integrity, self-respect and feminism in a world of "Girls Gone Wild."
"Thank God for Citizen Girl," wrote Sacha Zimmerman in The New Republic. "Girl is a self-possessed, moral, intelligent, and open feminist who is not a militant-chic refugee from Lilith Fair or an NPR-tote-bag carrying blue-stater in a hemp dress. She isn't a loveable oaf like Bridget Jones who only obsesses over weight and boys and little else. McLaughlin and Kraus pull it off because they are so wry and so spot on."
McLaughlin and Kraus insist they aren't joined at the hip -- but they are good partners, and fans can expect their partnership to continue. "With any luck," wrote Emily Gordon for Newsday, "even if their next collaboration is a book about the pitfalls of creating a sane but beautiful wedding, the trials of loft buying or the stresses of professional pregnancy, they'll do it with panache."
A few fun outtakes from our interview with McLaughlin and Kraus:
"We love our dogs."
"We can't write something we don't feel passionate about -- we tried, it doesn't work."
"Eddie Izzard's comedy show, Dressed to Kill, is our crack. Whenever the writing gets too stuck, we take a breather and fire him up."
"While we spend an inordinate amount of time together and it may frequently feel like we are, we are actually not a) living together, b) married to each other, or c) otherwise joined at the hip. Luckily, our own homes and lives allow us a few moments of daily rest to restore and revive before we head back into the writing cave."
What was the book that most influenced your life or your career as a writer?
Emma McLaughlin:
Life Influence: Read at a time when everything feels intense, seminal, and like you're the first person to discover it, freshman year of college, Carol Gilligan's In a Different Voice made my hair stand on end with awe. She introduced me to a completely different lens for looking at identity and put forth a productive language with which to deconstruct gender. Her work set my college studies on fire in the best possible way.
Career Influence: Read on a miserable family vacation in your early 20s when you're too old to share a motel room with the cousins and too poor to afford your own escape -- David Sedaris' SantaLand Diaries, quickly followed by Naked, brought me a clinical amount of joy. In retrospect, it was the pivotal "ah-ha!" He flipped the light switch on the tremendous humor and politics to be explored in the rarely mined professional landscape, for which I will be eternally grateful.
What are your favorite books, and what makes them special to you?
Nicola Kraus:
Well, I have realized in attempting to list these books that my response to a good story is highly visceral and challenging to quantify. Often what remains in my memory are the emotions the story evoked, rather than an autopsy of its compelling qualities; so noted, here are my impressions:
McLaughlin:
What are some of your favorite films, and what makes them unforgettable to you?
Kraus:
McLaughlin:
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Kraus:
I always listen to music when I write, usually instrumental soundtracks, like High Heels, The Lover, Talk to Her. Or else songs that I'm so familiar with that I no longer hear the lyrics and the language won't distract me. Music can be an invaluable tool for conjuring a mood.
McLaughlin:
I am just the opposite. I can't listen to anything when I write, not even the TV. I do have to listen to music when I drive, though. Short drives: dance stuff I can bop along to. Long drives: the somewhat modern musical (early '70s forward), in particular Sondheim. As a novelist, I find it mind-blowing that people take the story even further, out into this thematic, harmonic realm. From a painting to Sunday in the Park with George -- it's so inspiring that hours of road fly by.
If you had a book club, what would it be reading?
Kraus:
Anna Karenina by Leo Tolstoy -- I've never read it (shame, I know) and if I had a deadline I'd finally pull my socks up and take it on.
McLaughlin:
Sadly, I share the shame. I think we're onto something, though -- the Guilt Book Club! I'll bring Crime and Punishment!
What are your favorite kinds of books to give -- and get -- as gifts?
Kraus:
I don't have a favorite type of book to get, but I love getting books, especially when the person has read the book already themselves. Then, while I'm reading, I feel as if I'm visiting a place my friend has been before me. And I enjoy discovering why the book brought me to mind. I think of whoever gave it to me as the story unfolds and, the best part, I can talk about it with them when I'm done.
McLaughlin:
I agree. Also, when I find something I love I push it like a drug dealer -- I gave Naked to everybody for every occasion for a year straight.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
Kraus:
I have to have everything neat and tidy to start -- it's a little OCD. And if things shift around while Emma and I are brainstorming, I'll reach around her to put everything back at right angles. Snacks are also crucial. And also knowing when to get up and get some fresh air; sometimes stepping away gets the brain unstuck.
McLaughlin:
I have to walk around a lot. I used to think it was procrastination, but I've learned that I just have to work and work at an idea or scene before I sit down to write, and then it just comes rolling out. The upside is I have a much cleaner house when we're in "generating" mode.
What are you working on now?
McLaughlin & Kraus:
We are writing a screenplay to give ourselves a break before our next novel. It's enormously challenging, and we're greatly enjoying flexing different mental muscles.
If you could choose one new writer to be "discovered," who would it be?
McLaughlin & Kraus:
Allison McGhee. She was our pick for the Today show's book club. She is an extraordinary writer. Her stories are that delicious and rare blend of warmth, humor, exquisite imagery and lightening pacing. We recommend all her novels, especially Was It Beautiful? and Shadow Baby.
What tips or advice do you have for writers still looking to be discovered?
McLaughlin & Kraus:
Look in the acknowledgments of books you enjoyed that you feel are similar in some way to your own manuscript. Then send your manuscript to the editor and agent listed, with a letter mentioning how much you enjoyed the other book they worked on and why you think your manuscript is comparable and should be published. This way you know you're approaching people who have a similar sensibility to you and are much more likely to be responsive to your work.
Wanted:
One young woman to take care of four-year-old boy. Must be cheerful, enthusiastic and selfless—bordering on masochistic. Must relish sixteen-hour shifts with a deliberately nap-deprived preschooler. Must love getting thrown up on, literally and figuratively, by everyone in his family. Must enjoy the delicious anticipation of ridiculously erratic pay. Mostly, must love being treated like fungus found growing out of employers Hermès bag. Those who take it personally need not apply.
Who wouldn’t want this job? Struggling to graduate from NYU and afford her microscopic studio apartment, Nanny takes a position caring for the only son of the wealthy X family. She rapidly learns the insane amount of juggling involved to ensure that a Park Avenue wife who doesn’t work, cook, clean, or raise her own child has a smooth day.
When the Xs marriage begins to disintegrate, Nanny ends up involved way beyond the bounds of human decency or good taste. Her tenure with the X family becomes a nearly impossible mission to maintain the mental health of their four-year-old, her own integrity and, most importantly, her sense of humor. Over nine tense months, Mrs. X and Nanny perform the age-old dance of decorum and power as they test the limits of modern-day servitude.
[Nanny is] Mary Poppins channeling Dorothy Parker.
...the details, devastating as they are, ring true, making this [book]...impossible to put down.
...the wicked fascination of this novel lies in all the wacky tidbits about life in the social stratosphere....very funny...
...diabolically funny...
This bestselling debut novel by two former nannies parodies the lifestyles of wealthy New Yorkers. Mrs. X, the pampered wife of a nearly absent husband, impulsively hires Nanny to take care of her son after meeting her on the street. Over the next nine months, Nanny's life becomes entangled with the Xs and their woefully ignored son, Grayer. Though hired as part-time help, Nanny is soon working not only full time, but overtime. Narrator Julia Roberts takes advantage of every comedic moment in this entertaining production.
—Rochelle O'Gorman
This bestselling debut novel by two former nannies parodies the lifestyles of wealthy New Yorkers. Mrs. X, the pampered wife of a nearly absent husband, impulsively hires Nanny to take care of her son after meeting her on the street. Over the next nine months, Nanny's life becomes entangled with the Xs and their woefully ignored son, Grayer. Though hired as part-time help, Nanny is soon working not only full time, but overtime. Narrator Julia Roberts takes advantage of every comedic moment in this entertaining production.
McLaughlin and Kraus spent a combined eight years nannying for wealthy families in New York City. What they witnessed has driven them to write an amusingly cutthroat novel based on their experiences. The main character named Nan, of course is nanny to four-year-old Grayer. Mrs. X, Grayer's mother and Nan's boss, is a snob of the highest order, spending so much time shopping and gossiping that she doesn't have a spare second for her child. Nan, however, is called upon to become Grayer's stand-in mom on countless occasions. Some of these episodes are hilarious, as when Nan has to dress in a full-size Teletubby outfit that matches Grayer's. And some are horribly sad, as when Grayer is ill and his own mother couldn't care less, leaving Nan to stay up all night with the feverish child. Nan has to ferry Grayer to countless lessons, make him meals of steamed organic kale and tofu, and protect him from the wrath of his uncaring parents. Looking through Nan's eyes into the lives of Manhattan's rich is a lot of fun she's biting. Film rights have already been sold to Miramax. Look for this to be a popular title. [Previewed in Prepub Alert, LJ 11/15/01.] Beth Gibbs, Davidson, NC Copyright 2001 Cahners Business Information.
Rich parents, neglected brats, an overworked caregiver. First-novelists and former nannies McLaughlin and Kraus get the details right: in acid asides, they limn the decor, trendy therapies, and the pretensions of social-climbing Manhattanites. It's the woebegone children who often suffer, according to the authors' young heroine (her name: Nanny), a child-development major at NYU. Mrs. X, a perfectly groomed Park Avenue princess, hires Nanny to care for four-year-old Grayer, and the girl does her best to comply with a long list of rules. The boy is rarely permitted to play inside the luxurious apartment, eat anything made with refined flour, and so forth. Mrs. X is too busy with committee work and salon treatments (and keeping an eye on her philandering husband) to do much mothering. Though Grayer is a holy terror, Nanny has a way with kids-and a family of her own to give advice when the tot falls ill. Racking cough? High fever? When Mrs. X is away at a spa and has left orders that she's not to be disturbed for any reason, Nanny's mother diagnoses croup. But "tragedy" strikes again: Nanny is hoping for a lavish Christmas present but all she gets is earmuffs. When she isn't microwaving tofu snacks or teaching Grayer the intricacies of the Hokey Pokey, Nanny indulges in daydreams about the Harvard hottie she's been flirting with in the elevator-and participates in obligatory gripe-and-gossip fests with her girlfriends. Should she tell Mrs. X about the black thong panties that Mr. X's bitchy mistress left behind? And how about going with them to Nantucket? There's nothing to buy there except candles and nautical trinkets, and her employers are sure to be at each other's throats. When Nanny quits, she tells off Grayer's indifferent parents at last, having discovered they they've been spying on her through a nannycam concealed in a stuffed bear. Sometimes farcical, largely sincere-and ultimately trivial.
Loading...2. Considering the harsh and fickle treatment Nan receives from Mrs. X, why do you think she stays with the family?
3. What kind of person do you think Grayer will grow up to be?
4. Why do you think that Nanny told Mrs. X about Mr. X's mistress before she left for good? Was it to protect her or was it for revenge?
5. If you were Nanny's family (parents, grandmother, boyfriend) would you support her decision to work for the X's? Consider her almost missing her graduation, her time constraints with finding a new apartment, as well as her emotional health and unfair compensation.
6. Would you have spoken your mind on the teddy bear tape recorder before leaving the X's household for good? Why do you think Nanny erased her initial outburst? How long would you be able to hold your tongue if found in a comparable work situation?
7. If you had the money that the X's had and could enrich your child's life with exotic foods, violin lessons, private schooling and French classes, would you and why? What do you think is appropriate for a child and what crosses the line?
8. How much responsibility should a nanny take in raising her employer's child?
9. Do you think Nanny will stay in the child-care profession after this experience?
10. Do you think this book is depressing or hopeful? How much is realistic vs. imaginary (a stretch) in your opinion?
11. If you employ domestic help, has this book changed your dialogue and/or view of that relationship? What rules of nannying would you require if you were hiring someone to take care of your child?
12. Why do you think this book has struck a chord with readers at this time?
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See a Spanish-language edition of this title.
Hear our exclusive audio interview with Emma McLaughlin & Nicola Kraus (11:04).
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