From the Publisher
Praised in The New York Times as a "wise, scrupulous, resolutely admiring biography," here is the first full-length portrait of Bernard Malamud, the self-made son of poor Jewish immigrants who became one of the foremost novelists and short-story writers of the post-war period. To tell Malamud's story, Philip Davis has drawn on exclusive interviews with family, friends, and colleagues; unfettered access to private journals and letters; and detailed analysis of Malamud's working methods through previously unresearched manuscripts. Davis's meticulous biography explores the many connections between Malamud's life and work, revealing all that it meant for this man to be a writer, both in terms of how he brought his life into his writing and how his writing affected his life. He shows that nothing came easily to Malamud: his family was poor, his mother probably committed suicide when Malamud was 14, and his younger brother inherited her schizophrenia. Most important, Davis restores Bernard Malamud's literary reputation as one of the great original voices of his generation, a writer of superb subtlety and clarity.
The New York Times -
Lee Siegel
…[a] wise, scrupulous, resolutely admiring biography…Davis is out to remove the slur of moral uptightness and narrow virtue from Malamud's reputation. Gratifyingly, he wants to restore him to the pantheon of great American writers in which Malamud, in our flash-in-the-pan culture, once belonged.
Publishers Weekly
On his first day of teaching composition at Oregon State College in 1949, Bernard Malamud (1914-1986) told his class, "It has been brought to my attention that many of you people here today are practicing celibacy. I have nothing against this practice and will not penalize you for it." This note of almost delightful silliness (or weird social inappropriateness) stands out in this important, thorough and at times compelling biography-the first ever of the Pulitzer Prize-winning writer. That scene stands out against the ordinariness of Malamud's life, which was essentially dedicated to work, though he had a more-or-less happy marriage (not without infidelities) and two children. This is at times more a literary analysis than a strict biography, as Davis, a professor of English literature at Liverpool University, strives to connect Malamud's life to his work: how the writer's preoccupation with his father's Brooklyn grocery, for example, is reflected in The Assistant. There is some fascinating background: wanting to write a novel about social injustice, Malamud considered the Sacco and Vanzetti and Caryl Chessman cases before settling on the blood libel case of Mendel Beilis, in The Fixer. Davis places Malamud in the context of American and Jewish-American literature, but this is written in a style that will appeal more to scholars than the general public. 32 b&w illus. (Oct.)
Copyright 2007 Reed Business Information
Gene Shaw
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Library Journal
Bernard Malamud (1914-86) was one of America's major post-World War II Jewish writers. Here, Davis (English literature, Liverpool Univ.; The Victorians, 1830-1880) does an excellent job describing the interrelation between Malamud's difficult life and his profound art. He gives a careful and honest account of Malamud's upbringing (his mother and brother both suffered from mental illness), his early poverty, and his complicated marriage and clearly describes Malamud's dedication to his art and his desire to be a good and moral person. He further examines Malamud's short stories and novels (e.g., The Natural; The Assistant; The Fixer) for themes, ideas, and symbols. In an important contribution, Davis shows Malamud's drafts at various stages of completion, explaining how Malamud created his style through the development of structure, language, and rhythm. This first full-length biography of the author, for which Davis drew on private journals and letters and interviewed many of Malamud's family members, friends, and colleagues, is a wonderful addition to Malamud studies; recommended for literature collections.
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