A Poisoned Season (Lady Emily Series #2) by Tasha Alexander

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The Barnes & Noble Review
Tasha Alexander returns to Victorian England in the sequel to her 2005 debut, And Only to Deceive, a historical whodunit that featured amateur sleuth Lady Emily Ashton, the spirited young widow of a wealthy viscount, who finds more than a few obstacles in the chauvinistic culture of late-19th-century London.

The high-society circles of Greater London are abuzz with gossip concerning Charles Berry, a decidedly ill-mannered gentleman who claims to be a direct descendant of Louis XVI and Marie-Antoinette. The intrigue surrounding Berry is intensified when a thief begins breaking into the homes of the aristocracy and stealing only items that used to belong to the infamous French queen. Lady Ashton is drawn in when a mysterious suitor begins leaving strange gifts, including love poems written in Greek and a rare pink diamond that was once owned by Marie-Antoinette herself. When a man linked to Berry is found poisoned to death, Ashton's curiosity gets the best of her, and ignoring warnings from her love interest Colin Hargreave, she investigates…

Blending elements of historical fiction, Regency romance, and knotty amateur detective mystery à la Agatha Christie's Miss Marple saga, Alexander's Emily Ashton novels should appeal to readers who enjoy meticulously researched and vividly described historical whodunits, as well as those who are partial to mysteries featuring courageous and shrewd female protagonists. Fans of authors like Anne Perry and Clare Langley-Hawthorne in particular will thoroughly enjoy Alexander's lavish jaunt through upper-crust Victorian society. Paul Goat Allen

From the Publisher

London's social season is in full swing, and Victorian aristocracy can't stop whispering about a certain gentleman who claims to be the direct descendant of Louis XVI and Marie Antoinette. But he's not the only topic of wagging tongues. Drawing rooms, boudoirs, and ballrooms are abuzz with the latest news of an audacious cat burglar who has been systematically stealing valuable items that once belonged to the ill-fated queen.

Light gossip turns serious when the owner of one of the pilfered treasures is found murdered, and the mysterious thief develops a twisted obsession with Lady Emily Ashton. It will take all of Emily's wit and perseverance to unmask her stalker and ferret out the murderer, while faced with a brewing scandal that threatens both her reputation and her romance with her late husband's best friend, the dashing Colin Hargreaves.

Publishers Weekly

When Lady Emily Ashton, an unconventional young widow, comes to London for the social season at the start of Alexander's highly enjoyable late Victorian novel of suspense (the sequel to And Only to Deceive), a presumptive heir to the French throne and a slew of robberies by a thief obsessed with Marie Antoinette soon become the talk of the town. The stakes rise after the murder of one of the thief's victims. As Emily risks her reputation to solve the crimes, she must contend with a mysterious beau, who woos her in Greek. The author deftly works in background material pertinent to Emily's life as well as period detail that never slows the narrative. Emily sometimes behaves in unlikely ways (e.g., visiting a man at his bachelor residence, getting on a first-name basis with a woman after a brief acquaintance), but readers looking for a lighter version of Anne Perry will be well rewarded. (Apr.)

Library Journal

London high society is all abuzz about a mysterious gentleman, a cat burglar, murder, and a stalker threatening Lady Emily Aston in her second historical mystery (after And Only To Deceive). Alexander lives in Tennessee. Copyright 2006 Reed Business Information.

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Chapter One

There are several things one can depend upon during the London Season: an overwhelming barrage of invitations, friends whose loyalties turn suspect, and at least one overzealous suitor. This year was to prove no exception.

Having recently come out of mourning for my late husband, Philip, the Viscount Ashton, I was determined to adopt a hedonistic approach to society, something that I imagined would involve refusing all but the most enticing invitations and being forced to cull disloyal acquaintances. This would allow me to enjoy the summer months instead of trudging from party to party, feeling like one of the exhausted dead, finding myself the subject of the gossip that fuels young barbarians at play.

However, it became clear almost immediately that my theory was flawed. Declining to attend parties proved not to have the desired effect. Instead of dropping me from their guest lists, people assumed I was in such demand that I was choosing to attend events even more exclusive than their own, and there are few better ways to increase one's volume of invitations than by the appearance of popularity. So for a short while—a very short while—my peers held me in high esteem.

It was during this time that I found myself at the home of Lady Elinor Routledge, one of the finest hostesses in England and a long-standing friend of my mother's. By definition, therefore, she was more concerned with a person's societal standing than with anything else. Despite this, I had decided to attend her garden party for two reasons. First, I wanted to see her roses, whose equal, according to rumor, could not be foundin all of England. Second, I hoped to meet Mr. Charles Berry, a young man whose presence in town had caused a stir amongst all the aristocracy. The roses surpassed all of my expectations; unfortunately, the gentleman did not.

When stepping into the garden at Meadowdown, one was transported from the gritty heat of London's streets to a sumptuous oasis. For the party, lovely peaked tents were scattered between hedgerows, trees, and beds of flowers, ensuring that guests would never be more than a few paces from refreshment, and the sounds of a small orchestra wafted through the grounds. Young ladies flitted about, their brightly colored dresses competing with the flowers for attention and rarely losing the battle. The gentlemen, turned out in dark frock coats, were elegant, too, keeping their companions well supplied with ices, strawberries, or whatever delicacies might catch their fancy. Et in Arcadia ego. It would take little effort for one to imagine in this scene an eligible prince, all courtesy and ease, graciously bestowing his favor on those around him. But there was no such gentleman at Lady Elinor's that day. The only prince present—if he could be called that—was a grave disappointment.

The romantic ideals swirling around the heir to a throne are seldom capable of surviving close scrutiny. In the case of Charles Berry, these ideals hardly stood observation from afar. His appearance was not unpleasant, but his manners were dreadful, and to say that he was prone to drink more than he ought would be a very diplomatic statement indeed. The young ladies who followed his every move with admiration happily ignored all of this; they were captivated by the notion of marrying into a royal family. The situation was rendered all the more ridiculous when one considered the fact that the throne to which Mr. Berry aspired no longer existed.

"I hoped he would be more handsome." Cécile du Lac formed opinions of people quickly and rarely changed them. We had known each other for less than a year, but she had become one of my closest confidantes almost from the moment I'd met her, despite the fact that she was nearer in age to my mother than to me. She watched him as she continued. "And he lacks completely the generous spirit one likes to find in a monarch. If he could not claim a direct relation to Louis XVI and Marie Antoinette, society would hold him in much less regard."

Almost from the moment Louis XVI's son and heir had died in a French prison during the revolution, rumors that the boy had escaped began to circulate. Now, nearly a century later, gentlemen were still coming forward, insisting that they were descended from Louis Charles. Charles Berry was the most recent to make the claim, and his story was filled with enough details to convince the surviving members of the Bourbon family to accept him as the dauphin's great-grandson.

"Don't judge him too harshly," Lady Elinor said, moving her hands gracefully in a gesture designed not to emphasize her words, but to show off the spectacular ruby ring on her right hand. "He's led a difficult life."

"Do you know him well?" I asked her.

"He was at Oxford with my son, George, although they didn't move in the same crowd. George has always been very serious. He takes after his father." Lady Elinor's husband, Mr. John Routledge, had been a steady if somewhat humorless man, who served in the government as chancellor of the exchequer until his death some years ago. George, who was much older than his sister, had taken a position in the diplomatic corps and had been stationed in India for so long that I could hardly recall what he looked like. "Let me introduce you. I think you'll find Mr. Berry most charming."

The gentleman in question stood not far from us, surrounded by several very eligible heiresses whose mothers watched, hawklike, from a safe distance, eagerly trying to gauge which girl garnered the most attention from the purported heir to the House of Bourbon. I wondered if any of them gave even momentary consideration to what it might be like to actually be the wife of such a man. None of the mothers tried to hide her irritation when Lady Elinor pulled him away.