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An arresting portrait of the struggles that women faced for control of their own bodies, The Birth House is the story of Dora Rare—the first daughter in five generations of Rares.
As apprentice to the outspoken Acadian midwife Miss Babineau, Dora learns to assist the women of an isolated Nova Scotian village through infertility, difficult labors, breech births, unwanted pregnancies, and unfulfilling sex lives. During the turbulent World War I era, uncertainty and upheaval accompany the arrival of a brash new medical doctor and his promises of progress and fast, painless childbirth. In a clash between tradition and science, Dora finds herself fighting to protect the rights of women as well as the wisdom that has been put into her care.
Canadian radiojournalist McKay was unable to ferret out the life story of late midwife Rebecca Steele, who operated a Nova Scotia birthing center out of McKay's Bay of Fundy house in the early 20th century; the result of her unsatisfied curiousity is this debut novel. McKay writes in the voice of shipbuilder's daughter, Dora Rare, "the only daughter in five generations of Rares," who as a girl befriends the elderly and estranged Marie Babineau, long the local midwife (or traiteur), who claims to have marked Dora out from birth as her successor. After initial reluctance and increasingly intensive training, 17-year-old Dora moves in with Marie; on the eve of Dora's marriage to Archer Bigelow, Marie disappears, leaving Dora her practice. A difficult marriage, many difficult births, a patient's baby thrust on her to raise without warning and other crises (including WWI and the introduction of "clinical" birthing methods) ensue. Period advertisments, journal entries and letters to and from various characters give Dora's voice context. The book is more about the texture of Dora's life than plot, and McKay handles the proceedings with winning, unsentimental care. (Sept.) Copyright 2006 Reed Business Information.
More Reviews and RecommendationsAmi McKay's work has aired on various Canadian radio programs. Her documentary, Daughter of Family G, won an Excellence in Journalism Medallion at the 2003 Atlantic Journalism Awards. Originally from Indiana, she now lives with her family in a former birth house in Scots Bay, Nova Scotia.
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July 18, 2009: This novel depicts an empowerment that women have and had forever: the ability to give birth, heal, and love. Miss B may well be thought of as a witch, but that doesn't stop the locals from going to her when their period mysteriously stops or they need family planning. Young Dora follows Miss B's footsteps and becomes the next midwife and surrogate mother for area children. I loved this book!
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June 17, 2009: Loved this book. I read quite a bit but don't usually write reviews. I know that whoever reads this would get something out of it. Worth reading regardless if you have given birth or not.
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Lovers of historical fiction are in for a treat with McKay's absorbing debut novel, set in an early-20th-century Nova Scotia village, and spun around the theme of time-tested, homespun wisdom verses more sterile scientific progress.
Dora Rare is a midwife's apprentice. Working closely under the tutelage of the Cajun-born Marie Babineau, Dora learns both how to deliver babies and how to concoct the herbal remedies for various womanly afflictions. Miss Babineau's expertise is unquestioned, and her place in the community seems assured. But when a medical doctor arrives from a nearby town, decrying midwifery and urging women to give birth in his newly constructed maternity ward -- complete with chloroform and sterilized forceps -- Miss Babineau's future and reputation are challenged. And when Dora is forced to flee to Boston, she's exposed to a whole new range of choices for women, but must count on the loyalty of her friends back home to pave the way for her return.
Rich with historical references, beliefs, and fears, McKay's characters wrestle with superstitions and prejudices as they strive for autonomy over their bodies -- despite the objections of their often domineering or abusive husbands. A woman's right to control her own body is a theme that still resonates today, and McKay explores it with insight, sensitivity and tremendous passion. (Holiday 2006 Selection)
An arresting portrait of the struggles that women faced for control of their own bodies, The Birth House is the story of Dora Rare—the first daughter in five generations of Rares.
As apprentice to the outspoken Acadian midwife Miss Babineau, Dora learns to assist the women of an isolated Nova Scotian village through infertility, difficult labors, breech births, unwanted pregnancies, and unfulfilling sex lives. During the turbulent World War I era, uncertainty and upheaval accompany the arrival of a brash new medical doctor and his promises of progress and fast, painless childbirth. In a clash between tradition and science, Dora finds herself fighting to protect the rights of women as well as the wisdom that has been put into her care.
Canadian radiojournalist McKay was unable to ferret out the life story of late midwife Rebecca Steele, who operated a Nova Scotia birthing center out of McKay's Bay of Fundy house in the early 20th century; the result of her unsatisfied curiousity is this debut novel. McKay writes in the voice of shipbuilder's daughter, Dora Rare, "the only daughter in five generations of Rares," who as a girl befriends the elderly and estranged Marie Babineau, long the local midwife (or traiteur), who claims to have marked Dora out from birth as her successor. After initial reluctance and increasingly intensive training, 17-year-old Dora moves in with Marie; on the eve of Dora's marriage to Archer Bigelow, Marie disappears, leaving Dora her practice. A difficult marriage, many difficult births, a patient's baby thrust on her to raise without warning and other crises (including WWI and the introduction of "clinical" birthing methods) ensue. Period advertisments, journal entries and letters to and from various characters give Dora's voice context. The book is more about the texture of Dora's life than plot, and McKay handles the proceedings with winning, unsentimental care. (Sept.) Copyright 2006 Reed Business Information.
In this dazzling first novel, McKay takes her readers to an isolated rural community in Nova Scotia, where the men fish and log, and the women do everything in between. At 17, Dara Rare is taken under the wing of the aged midwife, Acadian Marie Babineau. Dara loves Marie fiercely and learns her wisdom and craft accordingly. Although Marie and Dara are occasionally viewed as witches, the local women rely on them until the arrival of Dr. Gilbert Thomas. He does his best to turn the local women away from traditional midwifery to his modern maternity hospital. The plotting leaves a lot to be desired, but McKay is such a wonderful storyteller with a strong sense of place and time that all is forgiven. The Indiana-born author now lives in Nova Scotia; this novel, a book club natural, has been a best seller in Canada since its publication early this spring and deserves the same status here. Highly recommended for all public libraries. Mary Margaret Benson, Linfield Coll. Lib., McMinnville, OR Copyright 2006 Reed Business Information.
Men may be dogs and romance a joke, but for two country midwives in early-20th-century Canada, there's always the joy of "catching" babies. Dora Rare is an anomaly, the first female to be born into the family for five generations. She and her six siblings, all boys, bunk down together in their home in Scots Bay, Nova Scotia, until her impoverished shipbuilder father sends her to live with Miss B., an elderly Cajun midwife. Dora, 17 and never been kissed, is soon assisting with a delivery, and Miss B. designates the young woman her successor. The midwife is not without enemies. It's 1917, and the money-grubbing Dr. Thomas has established his maternity home nearby, hoping to drive Miss B. out of business. But the old lady forces the doctor to admit he has yet to deliver his first baby. Meanwhile, a marriage is being arranged for Dora, to ladies' man Archer, son of the wealthy Widow Bigelow. Dora, who has low expectations ("A love affair in Scots Bay would just look foolish"), goes along. Archer drinks heavily, abuses her and disappears three months after the wedding. But Dora is coming into her own as a midwife (Miss B. has vanished). When Brady Ketch, the community's most vicious husband and father, dumps his battered 13-year-old daughter on her doorstep, Dora can't save the young mother, but delivers a healthy baby, aided by a crow's feather and some pepper. This is grim material, but McKay has a light touch, and narrator Dora goes her own sweet way, adopting the baby and sighing with relief when she learns Archer has drowned. She's not afraid to bar Dr. Thomas with a pitchfork when he tries to interrupt a delivery, or to eventually live with Archer's kindly brother Hart as his lover, nothis wife. This unclassifiable debut was a bestseller in Canada, helped no doubt by its challenging vision of old-fashioned midwives as feminist pioneers.
Loading...Chapter One
Ever since I can remember, people have had more than enough to say about me. As the only daughter in five generations of Rares, most figure I was changed by faeries or not my father's child. Mother works and prays too hard to have anyone but those with the cruellest of tongues doubt her devotion to my father. When there's no good explanation for something, people of the Bay find it easier to believe in mermaids and moss babies, to call it witchery and be done with it. Long after the New England Planters' seed wore the Mi'kmaq out of my family's blood, I was born with coal black hair, cinnamon skin and a caul over my face. A foretelling. A sign. A gift that supposedly allows me to talk to animals, see people's deaths and hear the whisperings of spirits. A charm for protection against drowning.
When one of Laird Jessup's Highland heifers gave birth to a three-legged albino calf, talk followed and people tried to guess what could have made such a creature. In the end, most people blamed me for it. I had witnessed the cow bawling her calf onto the ground. I had been the one who ran to the Jessups' to tell the young farmer about the strange thing that had happened. Dora talked to ghosts, Dora ate bat soup, Dora slit theDevil's throat and flew over the chicken coop. My classmates chanted that verse between the slats of the garden gate, along with all the other words their parents taught them not to say. Of course, there are plenty of schoolyard stories about Miss B. too, most of them ending with, if your cat or your baby goes missing, you'll know where to find the bones. It's talk like that that's made us such good friends. Miss B. says she's glad for gossip. "It keep folks from comin' to places they don't belong."
Most days I wake up and say a prayer. I want, I wish, I wait for something to happen to me. While I thank God for all good things, I don't say this verse to Him, or to Jesus or even to Mary. They are far too busy to be worrying about the affairs and wishes of my heart. No, I say my prayer more to the air than anything else, hoping it might catch on the wind and find its way to anything, to something that's mine. Mother says, a young lady should take care with what she wishes for. I'm beginning to think she's right.
Yesterday was fair for a Saturday in October--warm, with no wind and clear skies--what most people call fool's blue. It's the kind of sky that begs you to sit and look at it all day. Once it's got you, you'll soon forget whatever chores need to be done, and before you know it, the day's gone and you've forgotten the luck that's to be lost when you don't get your laundry and yourself in out of the cold. Mother must not have noticed it . . . before breakfast was over, she'd already washed and hung two baskets of laundry and gotten a bushel of turnips ready for Charlie and me to take to Aunt Fran's. On the way home, I spotted a buggy tearing up the road. Before the thing could run us over, the driver pulled the horses to a stop, kicking up rocks and dust all over the place. Tom Ketch was driving, and Miss Babineau sat in the seat next to him. She called out to me, "Goin' out to Deer Glen to catch a baby and I needs an extra pair of hands. Come on, Dora."
Even though I'd been visiting her since I was a little girl (stopping by to talk to her while she gardened, or bringing her packages up from the post), I was surprised she'd asked me to come along. When my younger brothers were born and Miss B. came to the house, I begged to stay, but my parents sent me to Aunt Fran's instead. Outside of watching farmyard animals and a few litters of pups, I didn't have much experience with birthing. I shook my head and refused. "You should ask someone else. I've never attended a birth . . ."
She scowled at me. "How old are you now, fifteen, sixteen?"
"Seventeen."
She laughed and reached out her wrinkled hand to me. "Mary-be. I was half your age when I first started helpin' to catch babies. You've been pesterin' me about everything under the sun since you were old enough to talk. You'll do just fine."
Marie Babineau's voice carries the sound of two places: the dancing, Cajun truth of her Louisiana past and the quiet-steady way of talk that comes from always working at something, from living in the Bay. Some say she's a witch, others say she's more of an angel. Either way, most of the girls in the Bay (including me) have the middle initial of M, for Marie. She's not a blood relative to anyone here, but we've always done our part to help take care of her. My brothers chop her firewood and put it up for the winter while Father makes sure her windows and the roof on her cabin are sound. Whenever we have extra preserves, or a loaf of bread, or a basket of apples, Mother sends me to deliver them to Miss B. "She helped bring all you children into this world, and she saved your life, Dora. Brought your fever down when there was nothing else I could do. Anything we have is hers. Anything she asks, we do."
Continues...
Excerpted from The Birth House by Ami McKay Copyright © 2006 by Ami McKay. Excerpted by permission.
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