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Homer's account of the adventures of Odysseus has stood at the center of classical literature for centuries. It is a sweeping story of a great warrior who wanders the world, but also an intensely domestic tale of a loving husband's struggle to protect an enduring union with his faithful wife. Meticulously studied and commented upon by innumerable scholars, The Odyssey remains, nonetheless, a uniquely personal literary experience, startling each new generation of readers with its excitement, its drama, and its remarkably contemporary hero.
A landmark in the history of modern translation....Lattimore has reanimated Homer for this generaiton, and perhaps for other generations to come.
More Reviews and RecommendationsAncient Greek poet Homer established the gold standard for heroic quests and sweeping journeys with his pair of classic epic poems, The Iliad and The Odyssey.
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February 01, 2010: Lattimore's translation preserves the dactylic hexameter of the original and therefore is very useful as a guide to translating from the original. There are many verse translations of The Odyssey, but this is certainly one of the best.
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July 02, 2005: Lattimore is the best tranlator of Ancient Greek I've seen. As a classics major I have translated numberous tragedies as well as both the Iliad and the Odyssey and Lattimore's translations have often helped me through some rough spots. If you want to get a true idea of the way the Greek was meant to be understood, your best bet is to read translations done by Lattimore.
Name:
Homer
We know very little about the author of The Odyssey and its companion tale, The Iliad. Most scholars agree that Homer was Greek; those who try to identify his origin on the basis of dialect forms in the poems tend to choose as his homeland either Smyrna, now the Turkish city known as Izmir, or Chios, an island in the eastern Aegean Sea.
According to legend, Homer was blind, though scholarly evidence can neither confirm nor contradict the point.
The ongoing debate about who Homer was, when he lived, and even if he wrote The Odyssey and The Iliad is known as the "Homeric question." Classicists do agree that these tales of the fall of the city of Troy (Ilium) in the Trojan War (The Iliad) and the aftermath of that ten-year battle (The Odyssey) coincide with the ending of the Mycenaean period around 1200 BCE (a date that corresponds with the end of the Bronze Age throughout the Eastern Mediterranean). The Mycenaeans were a society of warriors and traders; beginning around 1600 BCE, they became a major power in the Mediterranean. Brilliant potters and architects, they also developed a system of writing known as Linear B, based on a syllabary, writing in which each symbol stands for a syllable.
Scholars disagree on when Homer lived or when he might have written The Odyssey. Some have placed Homer in the late-Mycenaean period, which means he would have written about the Trojan War as recent history. Close study of the texts, however, reveals aspects of political, material, religious, and military life of the Bronze Age and of the so-called Dark Age, as the period of domination by the less-advanced Dorian invaders who usurped the Mycenaeans is known. But how, other scholars argue, could Homer have created works of such magnitude in the Dark Age, when there was no system of writing? Herodotus, the ancient Greek historian, placed Homer sometime around the ninth century BCE, at the beginning of the Archaic period, in which the Greeks adopted a system of writing from the Phoenicians and widely colonized the Mediterranean. And modern scholarship shows that the most recent details in the poems are datable to the period between 750 and 700 BCE.
No one, however, disputes the fact that The Odyssey (and The Iliad as well) arose from oral tradition. Stock phrases, types of episodes, and repeated phrases -- such as "early, rose-fingered dawn" -- bear the mark of epic storytelling. Scholars agree, too, that this tale of the Greek hero Odysseus's journey and adventures as he returned home from Troy to Ithaca is a work of the greatest historical significance and, indeed, one of the foundations of Western literature.
Author biography from the Barnes & Noble Classics edition of The Odyssey.
The meter (rhythmic pattern of syllables) of Homer's epic poems is dactylic hexameter.
The greatest adventure story of all time, this epic work chronicles Odysseus's return from the Trojan War and the trials he endures on his journey home. Filled with magic, mystery, and an assortment of gods & goddesses who meddle freely in the affairs of men.
The most eloquent translation of Homer's Odyssey into modern English.
A landmark in the history of modern translation....Lattimore has reanimated Homer for this generaiton, and perhaps for other generations to come.
Rex Warner
"The best translation there is of a great, perhaps, the greatest poet."
Paul Engle
"Lattimore's translation of Homer'sOdyssey is the most eloquent, persuasive and imaginative I have seen. It reads as if the poem had originally been written in English."
Gilbert Highet
"This is the best Odyssey in modern English."
Loading...| Preface | ||
| Introduction | ||
| Suggestions for further reading | ||
| A note on the Greek text | ||
| Bk. 1 | The Gods, Athene and Telemachos | 1 |
| Bk. 2 | Telemachos and the Suitors | 10 |
| Bk. 3 | Telemachos in Pylos | 19 |
| Bk. 4 | Telemachos in Sparta | 30 |
| Bk. 5 | Odysseus and Kalypso | 47 |
| Bk. 6 | Nausikaa | 57 |
| Bk. 7 | Odysseus in Phaiacia | 64 |
| Bk. 8 | Phaiacian Games and Song | 71 |
| Bk. 9 | The Cyclops | 83 |
| Bk. 10 | Kirke | 95 |
| Bk. 11 | The Underworld | 107 |
| Bk. 12 | Skylla and Charybdis | 120 |
| Bk. 13 | Return to Ithaka | 130 |
| Bk. 14 | Odysseus and Eumaios | 140 |
| Bk. 15 | Telemachos Returns | 151 |
| Bk. 16 | Odysseus and Telemachos | 163 |
| Bk. 17 | Odysseus Comes to his House | 173 |
| Bk. 18 | Odysseus as Beggar | 186 |
| Bk. 19 | Eurykleia Recognises Odysseus | 195 |
| Bk. 20 | Insults and Omens | 208 |
| Bk. 21 | The Trial of the Bow | 217 |
| Bk. 22 | The Suitors Killed | 226 |
| Bk. 23 | Odysseus and Penelope | 237 |
| Bk. 24 | The Underworld, Laertes, Peace | 245 |
| Index | 257 |
Tell me, Muse, of the man of many ways, who was driven far journeys, after he had sacked Troy's sacred citadel. Many were they whose cities he saw, whose minds he learned of, many the pains he suffered in his spirit on the wide sea, struggling for his own life and the homecoming of his companions. Even so he could not save his companions, hard though he strove to; they were destroyed by their own wild recklessness, fools, who devoured the oxen of Helios, the Sun God, and he took away the day of their homecoming. From some point here, goddess, daughter of Zeus, speak, and begin our story.
Then all the others, as many as fled sheer destruction, were at home now, having escaped the sea and the fighting. This one alone, longing for his wife and his homecoming, was detained by the queenly nymph Kalypso, bright among goddesses, in her hollowed caverns, desiring that he should be her husband. But when in the circling of the years that very year came in which the gods had spun for him his time of homecoming to Ithaka, not even then was he free of his trials nor among his own people. But all the gods pitied him except Poseidon; he remained relentlessly angry with godlike Odysseus, until his return to his own country.
But Poseidon was gone now to visit the far Aithiopians, Aithiopians, most distant of men, who live divided, some at the setting of Hyperion, some athis rising, to receive a hecatomb of bulls and rams. There he sat at the feast and took his pleasure. Meanwhile the other Olympian gods were gathered together in the halls of Zeus. First among them to speak was the father of gods and mortals, for he was thinking in his heart of stately Aigisthos, whom Orestes, Agamemnon's far-famed son, had murdered. Remembering him he spoke now before the immortals:
'Oh for shame, how the mortals put the blame upon us gods, for they say evils come from us, but it is they, rather, who by their own recklessness win sorrow beyond what is given, as now lately, beyond what was given, Aigisthos married the wife of Atreus' son, and murdered him on his homecoming, though he knew it was sheer destruction, for we ourselves had told him, sending Hermes, the mighty watcher, Argeiphontes, not to kill the man, nor court his lady for marriage; for vengeance would come on him from Orestes, son of Atreides, whenever he came of age and longed for his own country. So Hermes told him, but for all his kind intention he could not persuade the mind of Aigisthos. And now he has paid for everything.'
Then in turn the goddess gray-eyed Athene answered him: 'Son of Kronos, our father, 0 lordliest of the mighty, Aigisthos indeed has been struck down in a death well merited. Let any other man who does thus perish as he did. But the heart in me is torn for the sake of wise Odysseus, unhappy man, who still, far from his friends, is suffering griefs, on the sea-washed island, the navel of all the waters, a wooded island, and there a goddess has made her dwelling place; she is daughter of malignant Atlas, who has discovered all the depths of the sea, and himself sustains the towering columns which bracket earth and sky and hold them together. This is his daughter; she detains the grieving, unhappy man, and ever with soft and flattering words she works to charm him to forget Ithaka; and yet Odysseus, straining to get sight of the very smoke uprising from his own country, longs to die. But you, Olympian, the heart in you is heedless of him. Did not Odysseus do you grace by the ships of the Argives, making sacrifice in wide Troy? Why, Zeus, are you now so harsh with him?'
Then in turn Zeus who gathers the clouds made answer: 'My child, what sort of word escaped your teeth's barrier? How could I forget Odysseus the godlike, he who is beyond all other men in mind, and who beyond others has given sacrifice to the gods, who hold wide heaven? It is the Earth Encircler Poseidon who, ever relentless, nurses a grudge because of the Cyclops, whose eye he blinded; for Polyphemos like a god, whose power is greatest over all the Cyclopes. Thoosa, a nymph, was his mother, and she was daughter of Phorkys, lord of the barren salt water. She in the hollows of the caves had lain with Poseidon. For his sake Poseidon, shaker of the earth, although he does not kill Odysseus, yet drives him back from the land of his fathers. But come, let all of us who are here work out his homecoming and see to it that he returns. Poseidon shall put away his anger; for all alone and against the will of the other immortal gods united he can accomplish nothing.'
Then in turn the goddess gray-eyed Athene answered him: 'Son of Kronos, our father, 0 lordliest of the mighty, if in truth this is pleasing to the blessed immortals that Odysseus of the many designs shall return home, then let us dispatch Hermes, the guide, the slayer of Argos, to the island of Ogygia, so that with all speed he may announce to the lovely-haired nymph our absolute purpose, the homecoming of enduring Odysseus, that he shall come back. But I shall make my way to Ithaka, so that I may stir up his son a little, and put some confidence in him to summon into assembly the flowing-haired Achaians and make a statement to all the suitors, who now forever slaughter his crowding sheep and lumbering horn-curved cattle; and I will convey him into Sparta and to sandy Pylos to ask after his dear father's homecoming, if he can hear something, and so that among people he may win a good reputation.'
Speaking so she bound upon her feet the fair sandals, golden and immortal, that carried her over the water as over the dry boundless earth abreast of the wind's blast. Then she caught up a powerful spear, edged with sharp bronze, heavy, huge, thick, wherewith she beats down the battalions of fighting men, against whom she of the mighty father is angered, and descended in a flash of speed from the peaks of Olympos . . .
Excerpted from The Odyssey of Homer by Richmond Lattimore Copyright © 2007 by Richmond Lattimore. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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