The Idiot (Pevear and Volokhonsky translation) by Fyodor Dostoevsky, Richard Pevear (Translator), Larissa Volokhonsky (Translator), Richard Pevear (Introduction)

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(Paperback - First Vintage Classics Edition)

  • Pub. Date: July 2003
  • 656pp
  • Sales Rank: 63,579

    Reader Rating: (10 ratings)

    Detailed Rating: "Originality" See All

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    Product Details

    • Pub. Date: July 2003
    • Publisher: Knopf Publishing Group
    • Format: Paperback, 656pp
    • Sales Rank: 63,579

    Synopsis

    Written by one of the greatest literary minds the world has ever known, this ambitious novel is the story of Prince Myshkin, an almost comically innocent Christ-figure who is Dostoyevsky's vision of salvation for a cynical Russia.

    Publishers Weekly

    Richard Pevear and Larissa Volokhonsky, justly acclaimed for their translations of such Russian classics as Gogol's Dead Souls and Dostoyevski's The Brothers Karamazov, Crime and Punishment and Notes from Underground, have now undertaken another major Dostoyevski novel, The Idiot. Their trademark style fresh, crisp and faithful to the original (bumps and blemishes included) brings the story of nave, truth-telling Prince Myshkin to new life. As is true of their other translations of Dostoyevski, this will likely be the definitive edition for years to come. Intro. by Pevear. (May) Copyright 2002 Cahners Business Information.

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    Biography

    About the Translators:

    Richard Pevear has published translations of Alain, Yves Bonnefoy, Alberto Savinio, Pavel Florensky, and Henri Volohonsky, as well as two books of poetry. He has received fellowships or grants for translation from the National Endowment for the Arts, the Ingram Merrill Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the French Ministry of Culture.

    Larissa Volokhonsky was born in Leningrad. She has translated works by the prominent Orthodox theologians Alexander Schmemann and John Meyendorff into Russian. Together, Pevear and Volokhonsky have translated Dead Souls and The Collected Tales by Nikolai Gogol, and The Brothers Karamazov, Crime and Punishment, Notes from Underground, Demons, and The Idiot by Fyodor Dostoevsky. They were awarded the PEN Book-of-the-Month Club Translation Prize for their version of The Brothers Karamazov, and more recently Demons was one of three nominees for the same prize. They are married and live in France.

    Customer Reviews

    A beautiful and horrifying masterwork of "psychic violence."by Ninja_Dog

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    August 29, 2009: Rarely does one have the experience to read a novel that truly packs a shocking ending. Being Dostoevsky's more overshadowed works, "The Idiot" manages to do exactly that.

    In the Pevear/Volokhonsky translation, Richard Pevear writes in his introduction that while the novel features the most morally sound character in Dostoevsky's works, the ending is perhaps the darkest of all his other novels. This is a serious understatement, to say the very least!

    While there are very few instances of physical violence, the kind of psychic violence perpetrated in this novel is believable to the reader and absolutely devastating to the characters. Nastasya Fillipovna, the novel's would-be heroine, is the best example of this kind of "psychic violence" I speak of, as she has an utterly explosive effect each time she appears in a scene. Later on in the story, both Ippolit and Lebdev refer to being "slapped in the face," but "morally, not physically." These kinds of moral attacks run rampant throughout the novel and the effects upon the characters are far more damaging than physical trauma... with the protagonist himself being the greatest victim of this kind of violence.

    The "moral beauty" and ultimate fate of Lev Nicholievich Myshkin is like a Christian allegory and a Lovecraft horror mixed into the same narrative. He is a moral superior, a spiritual superman, who gives so freely of his time and his fortune to people who otherwise deserve neither. The Prince's singular and fatal flaw was his inability to accept a sense of moral superiority. While this would have likely provided the perspective he sorely needed to escape his fate, it would also have been cognitively impossible to remain in this state of superiority while consciously acknowledging it. This novel plays out the deep moral paradox; that we can be good only if we rigorously question our goodness. The strength a truly good person can lend to another may make that good person vulnerable in many ways. "The Idiot" dares to explore these deep themes, while delivering a dramatic narrative that is horrifying, heartbreaking and classically tragic.

    Though I am an avid reader, I can honestly say that I have not been so powerfully moved by a novel in a long, long time. "The Idiot" encompasses romance, class warfare, political philosophy, Christian philosophy and social norms in a way that forces the thoughtful reader to examine morality and madness in a way that to me is utterly unique in literature. For that, I give "The Idiot" my highest possible recommendation. I view this novel as a standard by which moralist narratives must be measured.

    I Also Recommend: Ethan Frome, American Psycho, The Great Gatsby.

    Great for Dostoevsky readers.by Anonymous

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    March 07, 2009: This is an amazing book, even by Dosoevsky's standards, and has been giving an excellent translation. However, it's not as compusively readable as say Crime and Punishment, so if your new to Dostoevsky it's best not to start with The Idiot. Readers will get much more out of this one if they have wider knowledge of his other books.

    I Also Recommend: The Brothers Karamazov (Pevear / Volokhonsky Translation), Crime and Punishment (Pevear / Volokhonsky Translation).


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