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New York Times bestselling author Michael Connelly delivers his first legal thriller--an incendiary tale about a cynical defense attorney whose one remaining spark of integrity may cost him his life.
Mickey Haller has spent all his professional life afraid that he wouldn't recognize innocence if it stood right in front of him. But what he should have been on the watch for was evil.<
Haller is a Lincoln Lawyer, a criminal defense pro who operates out of the backseat of his Lincoln Town Car, to defend the clients at the bottom of the legal food chain. It's no wonder that he is despised by cops, prosecutors, and even some of his own clients.
From bikers to con artists to drunk drivers and drug dealers, they're all on Mickey Haller's client list. But when a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years. It's a franchise case and he's sure it will be a slam dunk in the courtroom. For once, he may be defending a client who is actually innocent.
But an investigator is murdered for getting too close to the truth and Haller quickly discovers that his search for innocence has taken him face-to-face with a kind of evil as pure as a flame. To escape without being burned, Haller must use all of his skills to manipulate a system in which he no longer believes.
The book is haunted by Mickey's worst nightmare: the thought of having to defend an innocent man. He starts out without the foggiest idea of what to do with someone like that. But by the end of the story an Honest Abe conscience has begun to kick in. That's when Mickey becomes a Connelly character through and through.
More Reviews and RecommendationsA former Los Angeles Times crime reporter, Michael Connelly’s familiarity with the seamy side of L.A. adds a steamy kind of street cred to his hardboiled, gritty detective novels -- especially his bestselling series of mysteries featuring dark detective Hieronymous “Harry” Bosch.
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July 18, 2009: I purchased the unabridged version of the CD. It was woth listening too & I was not bored.
Mr Connelly did a great job pulling you into the story, the characters & the drama. No good deed goes unturned-when he took on the case of the clean cut, blonde, naive' looking, wealthy client. He thought it would be a piece of cake - NOT & as it turned out, the Lawyer ends up on the wrong side of the law without the financial support that his wealthy client has & his friends & colleagues are metholically murdered.This time, the LAW isn't available to the Lawyer, only to the criminals.Really good read/listen.Reader Rating:
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June 30, 2009: I read the Brass Verdict which was the second of the Mickey Haller series and I loved it. It made me want to read the Lincoln Lawyer. As fate would have it I ran across it in a book store at a half price sale. It was worth every penny and more. It started off a bit slow but then wow!! The action never ended and the ending wasn't predictable. The characters were well defined and the writing style made the story even more enjoyable.
Name:
Michael Connelly
Current Home:
Sarasota, Florida
Date of Birth:
July 21, 1956
Place of Birth:
Philadelphia, Pennsylvania
Education:
B.A. in Journalism, University of Florida, 1980
Awards:
Edgar Award for Best First Novel for The Black Echo
Best known for his dark police procedurals featuring the tough, complex and emotionally scarred LAPD detective, Hieronymous "Harry" Bosch, Michael Connelly has been called "infernally ingenious" (The New York Times), "one of those masters...who can keep driving the story forward in runaway locomotive style" (USA Today) and "the top rank of a new generation of crime writers" (The Los Angeles Times).
Consistently exquisite prose and engrossing storylines play an integral role in his swelling success. However, Connelly believes that solid character development is the most important key. As he explained to MagnaCumMurder.com, "I think books with weak or translucent plots can survive if the character being drawn along the path is rich, interesting and multi-faceted. The opposite is not true."
A native of Philadelphia, Pennsylvania, Connelly attended the University of Florida; there he discovered the works of Raymond Chandler -- author of many classic Los Angeles-based noir dramas such as The Big Sleep, The Long Goodbye, and Farewell, My Lovely. The cases of Philip Marlowe inspired Connelly to be a crime novelist -- and by studying journalism, he put himself in the perfect position. "I went into journalism to learn the craft of writing and to get close to the world I wanted to write about -- police and criminals, the criminal justice system," he told MagnaCumMurder.com.
After graduation, Connelly worked the crime beat for two Florida newspapers. When a story he and a colleague wrote about the disastrous 1985 crash of Delta Flight 191 was short-listed for the Pulitzer, Connelly landed a gig in Marlowe's backyard, covering crime for one of the nation's largest newspapers -- The Los Angeles Times. Three years later, Harry Bosch was introduced in The Black Echo, which earned Connelly the Edgar Award for Best First Novel. Connelly has since won every major mystery honor, including the Anthony (The Poet, Blood Work) and the Macavity Award (Blood Work).
While Connelly has written stand-alone novels that don't feature his tragic protagonist Harry Bosch, he is best identified by his rigid, contentious and fiery -- but also immensely skilled and compassionate -- detective. According to The Boston Globe, the Bosch series "raises the hard-boiled detective novel to a new level...adding substance and depth to modern crime fiction."
Called "one of the most compelling, complex protagonists in recent crime fiction" (Newsweek) and "a terrific...wonderful, old-fashioned hero who isn't afraid to walk through the flames -- and suffer the pain for the rest of us" (The New York Times Book Review), Bosch faces unforgettable horrors every day -- either on the street or in his own mind. "Bosch is making up for wrongs done to him when he rights wrongs as a homicide detective," Connelly explained in an interview with his publisher. "In a way, he is an avenging angel."
Bosch is clearly a product of his deadly, unforgiving environment. "The philosopher Friedrich Nietzsche once wrote that when you look into the darkness of the abyss the abyss looks into you. Probably no other line or thought more inspires or informs my work," said Connelly in the same interview. With each passing novel, Bosch looks deeper and deeper into the abyss; and readers continue to return to see just how far he will gaze.
"I wrote a mystery story as a class paper in high school. It was called The Perfect Murder. The protagonist's named was McEvoy, a name I later used for the protagonist in The Poet. Being a witness to a crime when I was 16 was what made me interested in crime novels and mystery stories."
"I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes."
"Everything I want people to know about me is in my books."
What was the book that most influenced your life or your career as a writer -- and why?
The Long Goodbye by Raymond Chandler. I read it in college and immediately subscribed to the idea of the crime novel as art. The book's evocation of Los Angeles and the social commentary on the city inspired me to become a writer.
What are your favorite books, and what makes them special to you?
I don't like listing or ranking favorites. I would say The Long Goodbye by Raymond Chandler, Red Dragon by Thomas Harris, The Black Marble by Joseph Wambaugh and The Underground Man by Ross MacDonald are very important to me because they inspired me as a writer.
I also have loved The Little Sister by Chandler, Slaughterhouse Five by Kurt Vonnegut, Ask the Dust by John Fante, Day of the Locust by Nathaniel West, To Kill a Mockingbird by Harper Lee and The Great Gatsby by F. Scott Fitzgerald.
What are some of your favorite films, and what makes them unforgettable to you?
Chinatown, Bullitt, The Long Goodbye (with Elliot Gould), The Conversation, The Godfather, The Godfather Part II, and One Flew Over the Cuckoo's Nest. I like movies where characters are put into extreme situations and we get to watch how they react.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like blues, rock and roll and jazz. I listen exclusively to jazz when writing, because it is not as intrusive as music with lyrics and its improvisational nature is inspiring to me while I do my own kind of improvisation.
If you had a book club, what would it be reading?
The books of George P. Pelecanos because they would be entertained at the same time they would learn the social history of a place and time.
What are your favorite kinds of books to give -- and get -- as gifts?
I like to give something that I have read and can absolutely vouch for. Lately, in nonfiction I have given Flyboys by James Bradley and in fiction, Night Fall by Nelson DeMille.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I like to control my environment and make it feel the same no matter what time of day I am writing. So I have blackout shades and write by a single lamp that is on my desk.
What are you working on now?
I am in the editing phase on a book called The Lincoln Lawyer, which will be out in October.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I wrote two books as learning experiences before I wrote the book that was the first published. From the time I decided to try to write a novel until the day I held a published novel in my hands was about six years. But I don't think it was a frustrating or arduous time. I had fun writing. If you are not enjoying it, you shouldn't be doing it.
If you could choose one new writer to be "discovered," who would it be?
I just finished a legal thriller called The Lincoln Lawyer. I am now reading a legal thriller called Final Verdict by Joel Goldman. It will be out in January as a paperback original. As I am reading it -- I am almost finished -- I am really enjoying it but at the same time it makes me wonder at the vagaries of the publishing business. I know Lincoln Lawyer will get a lot of attention and a good ride. I think Final Verdict is in the same league, and I hope that it gets some of the same attention.
What tips or advice do you have for writers still looking to be discovered?
Put your efforts into the writing. Its either on the page or not and it has to be there before you can even hope to be discovered.
The Barnes & Noble Review
In the first-ever legal thriller by crime novelist Michael Connelly, author of the bestselling Harry Bosch saga (The Closers, The Narrows, Lost Light, et al.), ethically ambiguous defense attorney Mickey Haller's search for innocence in a high-profile case involving a young Beverly Hills playboy leads him to the ultimate evil...
A veteran defense attorney, Haller is understandably cynical about the system. ("The law was a large, rusting machine that sucked up people and lives and money. I was just a mechanic. I had become an expert at going into the machine and fixing things and extracting what I needed from it in return.") When a "franchise" case falls into his lap, one that could give him his biggest payoff ever, Haller jumps at the chance to defend a rich realtor accused of brutally beating and attempting to rape a wannabe actress with a shady background. The baby-faced realtor is vehement about his innocence, and as Haller begins to build his case, he's confident of victory -- that is, until he inadvertently discovers something that will not only overturn an old murder case but also put him and his crew in mortal peril…
Fans of Connelly's previous Harry Bosch novels will find The Lincoln Lawyer even more compelling -- since Haller happens to be Bosch's half brother and, according to sources, there is a sequel in the works that includes the maverick former LAPD detective! Like its luxury-auto namesake, The Lincoln Lawyer is a sumptuous thriller that excels in every measurable category: plot complexity, character development, pacing, intensity, etc. It is, quite possibly, Connelly's best yet. Paul Goat Allen
New York Times bestselling author Michael Connelly delivers his first legal thriller--an incendiary tale about a cynical defense attorney whose one remaining spark of integrity may cost him his life.
Mickey Haller has spent all his professional life afraid that he wouldn't recognize innocence if it stood right in front of him. But what he should have been on the watch for was evil.<
Haller is a Lincoln Lawyer, a criminal defense pro who operates out of the backseat of his Lincoln Town Car, to defend the clients at the bottom of the legal food chain. It's no wonder that he is despised by cops, prosecutors, and even some of his own clients.
From bikers to con artists to drunk drivers and drug dealers, they're all on Mickey Haller's client list. But when a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years. It's a franchise case and he's sure it will be a slam dunk in the courtroom. For once, he may be defending a client who is actually innocent.
But an investigator is murdered for getting too close to the truth and Haller quickly discovers that his search for innocence has taken him face-to-face with a kind of evil as pure as a flame. To escape without being burned, Haller must use all of his skills to manipulate a system in which he no longer believes.
The book is haunted by Mickey's worst nightmare: the thought of having to defend an innocent man. He starts out without the foggiest idea of what to do with someone like that. But by the end of the story an Honest Abe conscience has begun to kick in. That's when Mickey becomes a Connelly character through and through.
Mickey Haller…is as cynical about the law as any of Grisham's lawyers, but one doesn't sense that this cynicism is drawn out of the deep well of experience that enriches Grisham's work. Still, if the best of Grisham's legal novels grade in at a solid A, The Lincoln Lawyer gets an equally solid B+, which isn't exactly bad for the first time out…It's not a pretty story, but the world in which Mickey Haller works isn't a pretty place. Michael Connelly knows it all too well and writes about it with chilling authority. He's not a "genre" novelist but the real thing, taking us into parts of the real America that most of our novelists never visit because they don't even know where, or what, they are.
Connelly's first legal thriller has gotten virtually universal raves for its courage, plotting and humor-and those qualities also make the audio version a triumph. Grupper vividly brings to life Connelly's large cast of characters: from the shrewd, hard-working criminal defense lawyer Mickey Haller-whose office is the back seat of his Lincoln Town Car and who spends his advertising budget in the Yellow Pages-to the sleazy collection of biker outlaws, con artists and prostitutes who make up most of his clients. Grupper is especially subtle as he reads the words of Louis Ross Roulet, a Beverly Hills real estate agent charged with attempted murder-a character whose guilt and motives darken at every appearance. Haller distrusts Roulet almost immediately, but he also sees the man's wealthy mother as the source of the long-running financial franchise every criminal lawyer longs for. Grupper's take on Connelly's scenes between Haller and Roulet is taut and fascinating: an audio tour-de-force of the highest order. Equally compelling are Haller's scenes with his two ex-wives; his friend and investigator; and a compelling client from the past who went to prison because Mickey couldn't believe he was innocent. Simultaneous release with the Little, Brown hardcover (Reviews, Sept. 5). (Oct.) Copyright 2005 Reed Business Information.
In his new book, master mystery novelist Connelly has created one of the most memorable characters in modern American literature, defense attorney Mickey Haller, who narrates this tale. Haller is cynical and ethically challenged (he describes how he bribes bail bondsmen to steer good cases his way), and a negligent (divorced) dad to his daughter from his first marriage. But he comes across as a sympathetic, multidimensional character in whom still lurk idealism, humanity, conscience and a desire to do better by his child, even while he exemplifies almost every stereotype of the ambulance-chasing, publicity-seeking, rule-bending defense lawyer. (31 Oct 2005)
Mickey Haller defends low-life criminals who seem to offend habitually. With no actual office in which to hang his law degree, he works out of the backseat of his car. When a wealthy client lands in Mickey's lap, he thinks he has found a dream case. The evidence indicates a frame, and Mickey believes he might actually be defending his first truly innocent client. While he manipulates the system to his advantage, Mickey discovers that he is being maneuvered as well. Connelly, author of the best-selling Harry Bosch police procedurals (e.g., The Closers), proves he can handle even the legal thriller genre with this intricate and cynical look into the criminal justice system. For all popular fiction collections. [See Prepub Alert, LJ 6/15/05; see the Q&A with Connelly on p. 66.-Ed.]-Jeff Ayers, Seattle P.L. Copyright 2005 Reed Business Information.
Fresh from returning Harry Bosch to the LAPD with The Closers (2005), veteran crime novelist Connelly offers intrigue and bracing twists in his first legal thriller. Criminal defense attorney Mickey Haller is known as a "Lincoln lawyer" because he does business while being driven from courthouse to courthouse in his Town Car. Scraping by by defending lowlifes, some of whom offer their chauffeur services to work off Haller's fees, he stumbles across a dream client: a rich boy accused of viciously beating a woman. Most important for Haller, Louis Roulet loudly proclaims his innocence, and his family has the dough to pay top-dollar for representation. But Haller's father, J. Michael Haller (making Bosch and Haller half-brothers, Connelly's wink to longtime fans) said there was "no client as scary as an innocent man," and soon Haller is confronted with the consequences that come from the system's inevitable compromises. When Haller's investigator and friend is murdered for getting too close to the truth, he's forced to confront the cost of sacrificing ideals for pragmatism. To spill more plot detail would spoil a good deal of the considerable fun here; suffice to say the conflict sparks in Haller an epic case of cognitive dissonance. Connelly gets the legal details and maneuvers just right, and Haller is a great character-world-weary but funny and likable-he's never met an angle he couldn't play or a corner he couldn't cut. Contains everything readers have come to expect from powerhouse Connelly. Bonus: Additional installments hold the intriguing possibility of one day seeing Bosch and Haller together on the streets of L.A.
Loading...The morning air off the Mojave in late winter is as clean and crisp as you'll ever breathe in Los Angeles County. It carries the taste of promise on it. When it starts blowing in like that I like to keep a window open in my office. There are a few people who know this routine of mine, people like Fernando Valenzuela. The bondsman, not the baseball pitcher. He called me as I was coming into Lancaster for a nine o'clock calendar call. He must have heard the wind whistling in my cell phone.
"Mick," he said, "you up north this morning?"
"At the moment," I said as I put the window up to hear him better. "You got something?"
"Yeah, I got something. I think I got a franchise player here. But his first appearance is at eleven. Can you make it back down in time?"
Valenzuela has a storefront office on Van Nuys Boulevard a block from the civic center, which includes two courthouses and the Van Nuys jail. He calls his business Liberty Bail Bonds. His phone number, in red neon on the roof of his establishment, can be seen from the high-power wing on the third floor of the jail. His number is scratched into the paint on the wall next to every pay phone on every other ward in the jail.
You could say his name is also permanently scratched onto my Christmas list. At the end of the year I give a can of salted nuts to everybody on it. Planters holiday mix. Each can has a ribbon and bow on it. But no nuts inside. Just cash. I have a lot of bail bondsmen on my Christmas list. I eat holiday mix out of Tupperware well into spring. Since my last divorce, it is sometimes all I get for dinner.
Before answering Valenzuela's question I thought about the calendar call I was headed to. My client was named Harold Casey. If the docket was handled alphabetically I could make an eleven o'clock hearing down in Van Nuys, no problem. But Judge Orton Powell was in his last term on the bench. He was retiring. That meant he no longer faced reelection pressures, like those from the private bar. To demonstrate his freedom-and possibly as a form of payback to those he had been politically beholden to for twelve years-he liked to mix things up in his courtroom. Sometimes the calendar went alphabetical, sometimes reverse alphabetical, sometimes by filing date. You never knew how the call would go until you got there. Often lawyers cooled their heels for better than an hour in Powell's courtroom. The judge liked that.
"I think I can make eleven," I said, without knowing for sure. "What's the case?"
"Guy's gotta be big money. Beverly Hills address, family lawyer waltzing in here first thing. This is the real thing, Mick. They booked him on a half mil and his mother's lawyer came in here today ready to sign over property in Malibu to secure it. Didn't even ask about getting it lowered first. I guess they aren't too worried about him running."
"Booked for what?" I asked.
I kept my voice even. The scent of money in the water often leads to a feeding frenzy but I had taken care of Valenzuela on enough Christmases to know I had him on the hook exclusively. I could play it cool.
"The cops booked him for ag-assault, GBI and attempted rape for starters," the bondsman answered. "The DA hasn't filed yet as far as I know."
The police usually overbooked the charges. What mattered was what the prosecutors finally filed and took to court. I always say cases go in like a lion and come out like a lamb. A case going in as attempted rape and aggravated assault with great bodily injury could easily come out as simple battery. It wouldn't surprise me and it wouldn't make for much of a franchise case. Still, if I could get to the client and make a fee agreement based on the announced charges, I could look good when the DA later knocked them down.
"You got any of the details?" I asked.
"He was booked last night. It sounds like a bar pickup gone bad. The family lawyer said the woman's in it for the money. You know, the civil suit to follow the criminal case. But I'm not so sure. She got beat up pretty good from what I heard."
"What's the family lawyer's name?"
"Hold on a sec. I've got his card here somewhere."
I looked out the window while waiting for Valenzuela to find the business card. I was two minutes from the Lancaster courthouse and twelve minutes from calendar call. I needed at least three of those minutes in between to confer with my client and give him the bad news.
"Okay, here it is," Valenzuela said. "Guy's name is Cecil C. Dobbs, Esquire. Out of Century City. See, I told you. Money."
Valenzuela was right. But it wasn't the lawyer's Century City address that said money. It was the name. I knew of C. C. Dobbs by reputation and guessed that there wouldn't be more than one or two names on his entire client list that didn't have a Bel-Air or Holmby Hills address. His kind of client went home to the places where the stars seemed to reach down at night to touch the anointed.
"Give me the client's name," I said.
"That would be Louis Ross Roulet."
He spelled it and I wrote it down on a legal pad.
"Almost like the spinning wheel but you pronounce it Roo-lay," he said. "You going to be here, Mick?"
Before responding I wrote the name C. C. Dobbs on the pad. I then answered Valenzuela with a question.
"Why me?" I asked. "Was I asked for? Or did you suggest me?"
I had to be careful with this. I had to assume Dobbs was the kind of lawyer who would go to the California bar in a heartbeat if he came across a criminal defense attorney paying off bondsmen for client referrals. In fact, I started wondering if the whole thing might be a bar sting operation that Valenzuela hadn't picked up on. I wasn't one of the bar's favorite sons. They had come at me before. More than once.
"I asked Roulet if he had a lawyer, you know? A criminal defense lawyer, and he said no. I told him about you. I didn't push it. I just said you were good. Soft sell, you know?"
"Was this before or after Dobbs came into it?"
"No, before. Roulet called me this morning from the jail. They got him up on high power and he saw the sign, I guess. Dobbs showed up after that. I told him you were in, gave him your pedigree, and he was cool with it. He'll be there at eleven. You'll see how he is."
I didn't speak for a long moment. I wondered how truthful Valenzuela was being with me. A guy like Dobbs would have had his own man. If it wasn't his own forte, then he'd have had a criminal specialist in the firm or, at least, on standby. But Valenzuela's story seemed to contradict this. Roulet came to him empty-handed. It told me that there was more to this case I didn't know than what I did.
"Hey, Mick, you there?" Valenzuela prompted.
I made a decision. It was a decision that would eventually lead me back to Jesus Menendez and that I would in many ways come to regret. But at the moment it was made, it was just another choice made of necessity and routine.
"I'll be there," I said into the phone. "I'll see you at eleven."
I was about to close the phone when I heard Valenzuela's voice come back at me.
"And you'll take care of me for this, right, Mick? I mean, you know, if this is the franchise."
It was the first time Valenzuela had ever sought assurance of a payback from me. It played further into my paranoia and I carefully constructed an answer that would satisfy him and the bar-if it was listening.
"Don't worry, Val. You're on my Christmas list."
I closed the phone before he could say anything else and told my driver to drop me off at the employee entrance to the courthouse. The line at the metal detector would be shorter and quicker there and the security men usually didn't mind the lawyers-the regulars-sneaking through so they could make court on time.
As I thought about Louis Ross Roulet and the case and the possible riches and dangers that waited for me, I put the window back down so I could enjoy the morning's last minute of clean, fresh air. It still carried the taste of promise.
(Continues...)
Excerpted from The Lincoln Lawyer by Michael Connelly Copyright © 2005 by Hieronymus, Inc..
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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