In this poignant collection of short stories, Spokane/Coeur d'Alene Indian Sherman Alexie paints a picture of reservation life that is at once lyrical and darkly ironic. Alexie's characters live in an ethereal world where visions of tribal dances mix with government subsidies and graveyard shifts at the 7-11. Amidst poverty and police cars, the Indians of the Spokane reservation find relief in alcohol, laughter and stories of their shared heritage. With a spare yet powerful voice, Alexie reveals the tensions Indians face both on and off the reservation, as well the daily conflicts between the realities of their present and the traditions of the past.
These spare, disturbing stories trace with stark, lyric power the experience of American Indians in the modern world.
More Reviews and RecommendationsA National Book Award-winning author, poet, and filmmaker, Sherman has been named one of Granta's Best Young American Novelists and has been lauded by The Boston Globe as "an important voice in American literature." He is one of the most well known and beloved literary writers of his generation, with works such as The Long Ranger and Tonto Fistfight in Heaven and Reservation Blues and has received numerous awards and citations, including the PEN/Malamud Award for Fiction and the Lila Wallace-Reader's Digest Award.
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October 10, 2009: Mr. Sherman weaves together inter connected stories about the plight of the Native Americans on one particular reservation in the state of Washington. The novel comprises wit and heart wenching testimony from characters like Victor and Thomas about growing up Indian and the poverty they faced. Even though the culture of Native Americans is often mentioned, this book is completley universal. It's at times a coming of age tale, at other points it's historical, and in a few instances, the reader sees magic.
The prose is brillantly composed in a manner that will quickly engage the reader. If you love short stories, then you will love this. If you hate short stories, this will take some getting use to but you'll quickly see the payoff. Also, the last two stories included in the collection make the overall novel all the more poignant.I Also Recommend: The Man of Property (1906), A Thousand Acres.
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April 23, 2007: This book is primarily about the worst thing that could happen to you if you lived on a reservation. The truth is that this is a small and isolated case and by no means represents the whole Indian population on a reservation
About the Author
SHERMAN ALEXIE has been described as "one of the major lyric voices of our time" by the New York Times Book Review, which selected his The Business of Fancydancing as a "1992 Notable Book of the Year." Alexie's several books of poetry include Old Shirts & New Skins, The Summer of Black Widows, and the recently published One Stick Song. Named one of "20 Writers for the 21st Century" by The New Yorker, Alexie competed in and won the World Heavyweight Championship Poetry Bout at the Taos Poetry Circus in 1998, 1999 and 2000, becoming the first poet in the history of the Bout to hold the title for three years.
Alexie's first screenplay, Smoke Signals, based on his book The Lone Ranger and Tonto Fistfight in Heaven, became the first feature film produced, written, and directed by American Indians. It premiered at the 1998 Sundance Film Festival, where it won the Audience Award and Filmmakers Trophy. In 1999 Smoke Signals received a Christopher Award, an award given for works of art "which affirm the highest values of the human spirit."
The Lone Ranger and Tonto Fistfight in Heaven, published in 1994, was a citation winner for the PEN/Hemmingway Award for Best First Fiction. Other works of fiction include Reservation Blues, selected as a Booklist Editor's Choice Award for Fiction; Indian Killer, a New York Times Notable Book and one of People magazine's "Best of Pages" choices; and his most recent short story collection, The Toughest Indian in The World, published by Atlantic Monthly press in May 2000.
Sherman Alexie is a Spokane/Coeur d'Alene Indian from Wellpinit, Washington-a town on the Spokane Indian reservation. He currently resides in Seattle, WA, with his wife and son, and is working on new poems and stories.
These spare, disturbing stories trace with stark, lyric power the experience of American Indians in the modern world.
These spare, disturbing stories trace with stark, lyric power the experience of American Indians in the modern world.
Alexie blends an almost despairing social realism with jolting flashes of visionary fantasy and a quirky sense of gallows humor.
A compelling and impressive collection.
Poetic [and] unremittingly honest...The Long Ranger and Tonto Fistfight in Heaven is for the American Indian what Richard Wright's Native Son was for the black American in 1940.
These spare, disturbing stories trace with stark, lyric power the experience of American Indians in the modern world.
Stunning and compelling. Alexie is a visionary and by far the best writer I've seen published in recent years.
There is very little plot in any of {the stories}--plot in the sense of consecutive action with emotional outcome. Little human conflict is witnessed in present time; almost no attention is paid to whatever visible world surrounds the vocal line of narration. . . . The great surprise is that given such narrow bounds, Mr. Alexie's strength proves sufficient to compel clear attentionthrough sizable lengths of first-person voice. . . . Above all, he lures us with a live and unremitting lyric energy in the fast-moving, occasionally surreal and surprisingly comic language of his progress.
{The author's} latest work, The Lone Ranger and Tonto Fist-fight in Heaven, somewhere between a novel and a collection of short stories, a la Louise Erdrich's {book} Love Medicine {BRD 1985}, establishes him not only as one of the best of the Indian writers but as one of the most promising of the new generation of American writers.
This work chronicles modern life on the Spokane Indian Reservation. Victor, through whose eyes we view the community, is strongly aware of Native American traditions but wonders whether his ancestors view today's Indians--mired in alcohol, violence, and an almost palpable sense of despair--with sympathy or disgust. In spite of the bleakness of reservation life, the text brims with humor and passion as it juxtaposes ancient customs with such contemporary artifacts as electric guitars and diet Pepsi. The author of two previous poetry collections, Alexie writes with grit and lyricism that perfectly capture the absurdity of a proud, dignified people living in the squalor, struggling to survive in a society they disdain. Highly recommended for all fiction collections. Previewed in Prepub Alert, LJ 5/15/93.-- Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, Pa.
With wrenching pain and wry humor, the talented Alexie, a Spokane/Coeur d'Alene Indian-and previously a small-press author (The Business of Fancydancing, a collection of poetry and prose-not reviewed-etc.)-presents contemporary life on the Spokane Indian Reservation through 22 linked stories. Here, people treat each other (and life) with amused tolerance-although anger can easily erupt in this environment of endemic alcoholism and despair. The history of defeat is ever- present; every attempt to hold onto cultural tradition aches with poignancy: Thomas-Builds-the-Fire is the storyteller everyone mocks and no one listens to; Aunt Nezzy, who sews a traditional full- length beaded dress that turns out to be too heavy to wear, believes that the woman "who can carry the weight of this dress on her back...will save us all." Meanwhile, young men dream of escape-going to college, being a basketball star-but failure seems preordained. These tales, though sad and at times plain- spokenly didactic, are often lyrically beautiful and almost always very funny. Chapters focus on and are narrated by several different characters, but voices and perspectives often become somewhat indistinguishable-confusing until you stop worrying about who is speaking and choose to listen to the voice of the book itself and enter into its particular sensibility. Irony, grim humor, and forgiveness help characters transcend pain, anger and loss while the same qualities make it possible to read Alexie's fiction without succumbing to hopelessness. Forgiveness seems to be the last moral/ethical value left standing: the ability both to judge and to love gives the book itssearing yet affectionate honesty. (First printing of 25,000; First serial rights to Esquire and Story)
Known primarily as a poet, Alexie ( Old Shirts and New Skins ), a Spokane/Coeur d'Alene Indian, here offers 22 extremely fine short stories, all set on or around the Spokane reservation in Washington state. Characters flow from one tale to the next; many involve Victor, who grows from a small child watching relatives fight during a New Year's Eve party (``Every Little Hurricane'') to a dissolute man sitting on his broken-down porch with a friend, watching life pass him by (``The Only Traffic Signal on the Reservation Doesn't Flash Red Anymore''). The author depicts with fierce determination all the elements of modern Native American life, from basketball and alcoholism to powwows and the unexplained deaths of insignificant people. Humor and tragedy exist side by side, and stories often jump back and forth in time and space, recounting two narratives that ultimately prove to be skeins of the same tale. Alexie writes with simplicity and forthrightness, allowing the power in his stories to creep up slowly on the reader. He captures the reservation's strong sense of community and attitude of hope tinged with realism as its inhabitants determine to persevere despite the odds. In ``Imagining the Reservation'' (a title that evokes John Lennon's song ``Imagine'') he writes, ``Survival = Anger Imagination. Imagination is the only weapon on the reservation''--a weapon this author wields with potent authority. First serial to Esquire. (Sept.)
Known primarily as a poet, Alexie ( Old Shirts and New Skins ), a Spokane/Coeur d'Alene Indian, here offers 22 extremely fine short stories, all set on or around the Spokane reservation in Washington state. Characters flow from one tale to the next; many involve Victor, who grows from a small child watching relatives fight during a New Year's Eve party (``Every Little Hurricane'') to a dissolute man sitting on his broken-down porch with a friend, watching life pass him by (``The Only Traffic Signal on the Reservation Doesn't Flash Red Anymore''). The author depicts with fierce determination all the elements of modern Native American life, from basketball and alcoholism to powwows and the unexplained deaths of insignificant people. Humor and tragedy exist side by side, and stories often jump back and forth in time and space, recounting two narratives that ultimately prove to be skeins of the same tale. Alexie writes with simplicity and forthrightness, allowing the power in his stories to creep up slowly on the reader. He captures the reservation's strong sense of community and attitude of hope tinged with realism as its inhabitants determine to persevere despite the odds. In ``Imagining the Reservation'' (a title that evokes John Lennon's song ``Imagine'') he writes, ``Survival = Anger Imagination. Imagination is the only weapon on the reservation''--a weapon this author wields with potent authority. First serial to Esquire. (Sept.)
This work chronicles modern life on the Spokane Indian Reservation. Victor, through whose eyes we view the community, is strongly aware of Native American traditions but wonders whether his ancestors view today's Indians--mired in alcohol, violence, and an almost palpable sense of despair--with sympathy or disgust. In spite of the bleakness of reservation life, the text brims with humor and passion as it juxtaposes ancient customs with such contemporary artifacts as electric guitars and diet Pepsi. The author of two previous poetry collections, Alexie writes with grit and lyricism that perfectly capture the absurdity of a proud, dignified people living in the squalor, struggling to survive in a society they disdain. Highly recommended for all fiction collections. Previewed in Prepub Alert, LJ 5/15/93.-- Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, Pa.
With wrenching pain and wry humor, the talented Alexie, a Spokane/Coeur d'Alene Indianand previously a small-press author (The Business of Fancydancing, a collection of poetry and prosenot reviewedetc.)presents contemporary life on the Spokane Indian Reservation through 22 linked stories. Here, people treat each other (and life) with amused tolerancealthough anger can easily erupt in this environment of endemic alcoholism and despair. The history of defeat is ever- present; every attempt to hold onto cultural tradition aches with poignancy: Thomas-Builds-the-Fire is the storyteller everyone mocks and no one listens to; Aunt Nezzy, who sews a traditional full- length beaded dress that turns out to be too heavy to wear, believes that the woman "who can carry the weight of this dress on her back...will save us all." Meanwhile, young men dream of escapegoing to college, being a basketball starbut failure seems preordained. These tales, though sad and at times plain- spokenly didactic, are often lyrically beautiful and almost always very funny. Chapters focus on and are narrated by several different characters, but voices and perspectives often become somewhat indistinguishableconfusing until you stop worrying about who is speaking and choose to listen to the voice of the book itself and enter into its particular sensibility. Irony, grim humor, and forgiveness help characters transcend pain, anger and loss while the same qualities make it possible to read Alexie's fiction without succumbing to hopelessness. Forgiveness seems to be the last moral/ethical value left standing: the ability both to judge and to love gives the book itssearing yet affectionate honesty. (First printing of 25,000; First serial rights to Esquire and Story)
Loading...| Every little hurricane | 1 | |
| A drug called tradition | 12 | |
| Because my father always said he was the only Indian who saw JImi Hendrix play "The star-spangled banner" at Woodstock | 24 | |
| Crazy horse dreams | 37 | |
| The only traffic signal on the reservation doesn't flash red anymore | 43 | |
| Amusements | 54 | |
| This is what is means to say Phoenix, Arizona | 59 | |
| The fun house | 76 | |
| All I wanted to do was dance | 83 | |
| The trial of Thomas Builds-The-Fire | 93 | |
| Distances | 104 | |
| Jesus Christ's half-brother is alive and well on the Spokane Indian reservation | 110 | |
| A train is an order of occurrence designed to lead to some result | 130 | |
| A good story | 139 | |
| The first annual all-Indian horseshoe pitch and barbecue | 145 | |
| Imagining the reservation | 149 | |
| The approximate size of my favorite tumor | 154 | |
| Indian education | 171 | |
| The Lone Ranger and Tonto fistfight in heaven | 181 | |
| Family portrait | 191 | |
| Somebody kept saying powwow | 199 | |
| Witnesses, secret and not | 211 | |
| Flight | 224 | |
| Junior Polatkin's wild west show | 232 |
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