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A delightfully dishy novel about the all-time most impossible boss in the history of impossible bosses.
Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child.
THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous,however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.
From the Hardcover edition.
Lauren Weisberger burst into literary stardom with her bestselling look at the fashion-magazine world, The Devil Wears Prada. For her next act, the author turned her gimlet eye on another facet of the industry that manufactures celebrity and glamour: the racy realm of PR.
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July 22, 2009: I really enjoyed the book....then I watched the movie....eeehh not even close to as good!
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May 24, 2009: Andrea Sachs, a recent college graduate, lands a job as an assistant to the editor in chief of Runway Magazine, Miranda Priesly. Little did she know that her boss would be the most demanding, overbearing, ruthless person in the world.
The author's style in the novel is simplistic. The narrator is Andrea who takes the reader on a whirlwind adventure into her daily life. The plot line is predictable and the diction is colloquial. This book was entertaining due to the humorous language that the narrator uses.If you are a recent college grad or have been there before, you will be able to relate to Andrea. She struggles with making ends meet on a new college grad income while working in an industry that is obsessed with fashion and perfection. Andrea also learns some important lessons around friendship by letting fear dictate her work career because of how intimidating Miranda was with her. Her constant fear and 'marriage' to her work got in the way of her relationships. As a result, she lost some trust with her friends, broke up with her boyfriend, and weakened relations with her friends. Lauren Wiesberger graduated from Cornell University then moved to New York to pursue her career as a magazine writer. However, for six months prior to this, she spent time in Europe backpacking with her boyfriend. When she retuned from her trip she realized she had no money and no place to live. So she applied for an assistant position at Vogue magazine to the editor in chief. Her boss had bizarre, demanding requests and made her work like a mad woman to the point where she became isolated with the world around her. She eventualy quit the position and she became a freelance journalist. Lauren's own personal life is seen through the storyline in this book.This novel is an easy read book that has simplistic word choice. It is also an escape from the everyday kind of book. If you like fashion and humor The Devil Wears Prada is an excellent choice for you.Name:
Lauren Weisberger
Current Home:
New York, New York
Date of Birth:
March 28, 1977
Place of Birth:
Scranton, Pennsylvania
Education:
B.A. in English, Cornell University, 1999
Lauren Weisberger graduated from Cornell University. Her first novel, The Devil Wears Prada, was on the New York Times hardcover bestseller list for six months. It has been published in twenty-seven countries. She lives in New York.
Author biography courtesy of Simon & Schuster, Inc.
"I'm addicted to Lonely Planet guides. Naturally, I'll buy one whenever I take a trip somewhere, but it goes beyond that: I've begun buying them for cities and countries I just hope to visit one day. I read all the minutiae for a given place, so that when (or really if) I ever get there, I'll know where to sleep, sightsee, and meet lots and lots of Australian backpackers."
"My obsession with jeans is bordering on the unhealthy, especially my ability to justify how many pairs I currently own or ‘need.' With very, very few exceptions (black-tie weddings being the only one that comes to mind), I wear jeans everywhere, for all occasions. The rest of the outfit doesn't interest me all that much and certainly doesn't inspire this level of devotion, but I'm both proud and embarrassed to admit that I can identify brand and fit from a distance of six city blocks."
"I am inordinately skilled at stalking people online. Googling is for amateurs: if you're serious about finding someone (and I am), there are so many better ways of approaching it. Typing someone's name and college into the computer and reading what comes up won't get you very far. Try to be more creative. For example, if you want to know more about an author, read the acknowledgments in their books, search their name and the names of the people they thank simultaneously, and work from there. Same goes for a guy you might like: try typing in keywords like ‘dating,' ‘girlfriend,' and ‘sex' to see if it unearths anything more interesting than his high school swimming records. I can't believe I'm admitting to this right now."
What are some of your favorite films, and what makes them unforgettable to you?
I'm a child of the ‘80s, so like everyone else, I love all those classic, formative movies -- Ferris Bueller's Day Off, Pretty in Pink, Sixteen Candles, Dirty Dancing, etc. with St. Elmo's Fire and The Breakfast Club existing on a separate, slightly higher plane.
In the opposite end of the spectrum, I see a lot of independent and/or foreign films. In the last couple years, the ones that especially stand out are City of God, A Time for Drunken Horses, Born Into Brothels, and August -- also movies about Brazil, Iran, India, and Israel, respectively.
And of course it goes without saying that anything with Clive Owen, especially Closer and Croupier are instant favorites.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I have a whole iPod full of exceptionally bad music, truly awful stuff including a disproportionate number of one hit wonders from the early 80's and lots of hair bands. I find it utterly impossible to love a song until I know every single word, so listening to live music or new bands is pretty much out. I tend to like anything with a catchy refrain that has hit the top 40 list at some point, so there are plenty of options. I'll occasionally listen to classical music when I'm writing away from my apartment, and every now and then I'll download a "cool" song from iTunes someone's recommended, but mostly I stick to my standbys.
If you had a book club, what would it be reading?
I do belong to a book club, one we just started a couple months ago. So far we've read A Million Little Pieces by James Frey and John Irving's Until I Find You (whose verbosity set us back by a few weeks).
I just got back from the International Festival of Authors in Toronto, where I gathered a mile-high stack of books I plan to recommend for group reading. First up is The Wonder Spot by Melissa Bank -- the excerpt she read at the Festival was hysterically funny and I adored Girls' Guide. There was a whole crew of obscenely young, talented authors with new books I'm really excited to read including The Third Brother by Nick McDonell, On Beauty by Zadie Smith, War by Candlelightby Daniel Alarcon, and The Loss of Leon Meed by Josh Emmons. As long as our book club doesn't pick another 800-pager, I might even get to all these.
What are your favorite kinds of books to give -- and get -- as gifts?
I actually love to receive photography books as gifts, probably because I don't often buy them myself. My collection isn't huge, but it's eclectic. There are the bold, gorgeous photo-essay books of various countries I've gotten from travel partners, anthologies of photos from Life and National Geographic, and a bunch of design and architecture books with an emphasis on hotels and resorts. I love giving books as gifts, too, especially first edition or signed copies of their favorites. When you know what someone loves to read, it can be the most intimate gift in the world.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
Sadly, the only constant in my writing environment stems from some inexplicable need to listen to the news. CNN loops over and over in the background from the time I wake until the time I finally, blessedly, fall asleep.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Thanks entirely to two amazing mentors, an aligning of the timing stars, and a tremendous amount of luck, my story tends to fall into the "overnight" kind.
I was working at Departures magazine as an assistant editor, learning how to write and assign and edit -- in addition to answering phones and faxing -- when I decided I wanted to take some sort of writing class. When I mentioned this to my boss, editor-in-chief Richard Story, he insisted that I take a class from one of his oldest and dearest friends, a write and teacher named Charles Salzberg. Charles has the most devoted students I've ever seen, a group of talented writers who take his workshops over and over again, semester after semester, year after year. On Richard's recommendation, Charles accepted me into his group and from there, never stopped teaching, suggesting, and encouraging.
Having just come from a stint at Vogue, I was working on a story about a young girl's first job at a fashion magazine. I turned in fifteen or so pages every couple weeks, and after a few months of this, Charles kept saying, "This is going to be a book. You need to start showing this to people; there's a book here." Naturally, I didn't believe a word he said -- I figured he was just saying it to be kind and supportive -- and so, in a demonstration of infinitely poor judgment, I ignored him. It wasn't until I'd been taking the class for almost a year that I finally listened to the man and showed it to some agents. It was sold within two weeks of that fateful day, and I owe it all to Richard and Charles.
If you could choose one new writer to be "discovered," who would it be?
I'm thinking of one friend in particular, someone who currently writes for a magazine. She has hands-down the best sense of humor I've ever encountered. Every word out of her mouth makes me laugh -- she's the type of person who can keep a table crying with laughter for hours. If she wrote a book that was even half as funny as she is, it would be an instant bestseller.
What tips or advice do you have for writers still looking to be discovered?
It's all about setting aside just a little time to write each week. I know it seems impossible when you're working full-time and trying to maintain something resembling a social life, but it's the only way anything ever gets written. It should be a realistic time, a slot you can actually stick to each week. Monday nights always seem good -- who wants to be doing anything outside the home on a Monday night? As soon as I accepted that I'd rather stay in on Saturday night than wake up even seven minutes earlier on a workday (how people get up and write before work continues to astound me), I became much more productive. Figure out what works and make it completely non-negotiable.
What would you do if your heaven-sent job turned out to be a living hell?
Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child.
The Devil Wears Prada gives a rich and hilarious new meaning to plaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties.
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The light hadn't even officially turned green at the intersection of 17th and Broadway before an army of overconfident yellow cabs roared past the tiny deathtrap I was attempting to navigate around the city streets. Clutch, gas, shift (neutral to first? Or first to second?), release clutch, I repeated over and over in my head, the mantra offering little comfort and even less direction amid the screeching midday traffic. The little car bucked wildly twice before it lurched forward through the intersection. My heart flip-flopped in my chest. Without warning, the lurching evened out and I began to pick up speed. Lots of speed. I glanced down to confirm visually that I was only in second gear, but the rear end of a cab loomed so large in the windshield that I could do nothing but jam my foot on the brake pedal so hard that my heel snapped off. Shit! Another pair of seven-hundred-dollar shoes sacrificed to my complete and utter lack of grace under pressure: this clocked in as my third such breakage this month. It was almost a relief when the car stalled (I'd obviously forgotten to press the clutch when attempting to brake for my life). I had a few seconds-peaceful seconds if one could overlook the angry honking and varied forms of the word "fuck" being hurled at me from all directions-to pull off myManolos and toss them into the passenger seat. There was nowhere to wipe my sweaty hands except for the suede Gucci pants that hugged my thighs and hips so tightly they'd both begun to tingle within minutes of my securing the final button. My fingers left wet streaks across the supple suede that swathed the tops of my now numb thighs. Attempting to drive this $84,000 stick-shift convertible through the obstacle-fraught streets of midtown at lunchtime pretty much demanded that I smoke a cigarette.
"Fuckin' move, lady!" hollered a swarthy driver whose chest hair threatened to overtake the wife-beater he wore. "What do you think this is? Fuckin' drivin' school? Get outta the way!"
I raised a shaking hand to give him the finger and then turned my attention to the business at hand: getting nicotine coursing through my veins as quickly as possible. My hands were moist again with sweat, evidenced by the matches that kept slipping to the floor. The light turned green just as I managed to touch the fire to the end of the cigarette, and I was forced to leave it hanging between my lips as I negotiated the intricacies of clutch, gas, shift (neutral to first? Or first to second?), release clutch, the smoke wafting in and out of my mouth with each and every breath. It was another three blocks before the car moved smoothly enough for me to remove the cigarette, but it was already too late: the precariously long line of spent ash had found its way directly to the sweat stain on the pants. Awesome. But before I could consider that, counting the Manolos, I'd wrecked $3,100 worth of merchandise in under three minutes, my cell phone bleated loudly. And as if the very essence of life itself didn't suck enough at that particular moment, the caller ID confirmed my worst fear: it was Her. Miranda Priestly. My boss.
"Ahn-dre-ah! Ahn-dre-ah! Can you hear me, Ahn-dre-ah?" she trilled the moment I snapped my Motorola open-no small feat considering both of my (bare) feet and hands were already contending with various obligations. I propped the phone between my ear and shoulder and tossed the cigarette out the window, where it narrowly missed hitting a bike messenger. He screamed out a few highly unoriginal "fuck yous" before weaving forward.
"Yes, Miranda. Hi, I can hear you perfectly."
"Ahn-dre-ah, where's my car? Did you drop it off at the garage yet?"
The light ahead of me blessedly turned red and looked as though it might be a long one. The car jerked to a stop without hitting anyone or anything, and I breathed a sigh of relief. "I'm in the car right now, Miranda, and I should be at the garage in just a few minutes." I figured she was probably concerned that everything was going well, so I reassured her that there were no problems whatsoever and we should both arrive shortly in perfect condition.
"Whatever," she said brusquely, cutting me off midsentence. "I need you to pick up Madelaine and drop her off at the apartment before you come back to the office." Click. The phone went dead. I stared at it for a few seconds before I realized that she'd deliberately hung up because she had provided all of the details I could hope to receive. Madelaine. Who the hell was Madelaine? Where was she at the moment? Did she know I was to pick her up? Why was she going back to Miranda's apartment? And why on earth-considering Miranda had a full-time driver, housekeeper, and nanny-was I the one who had to do it?
Remembering that it was illegal to talk on a cell phone while driving in New York and figuring the last thing I needed at that moment was a run-in with the NYPD, I pulled into the bus lane and switched my flashers on. Breathe in, breathe out, I coached myself, even remembering to apply the parking brake before taking my foot off the regular one. It had been years since I'd driven a stick-shift car-five years, actually, since a high school boyfriend had volunteered his car up for a few lessons that I'd decidedly flunked-but Miranda hadn't seemed to consider that when she'd called me into her office an hour and a half earlier.
"Ahn-dre-ah, my car needs to be picked up from the place and dropped off at the garage. Attend to it immediately, as we'll be needing it tonight to drive to the Hamptons. That's all." I stood, rooted to the carpet in front of her behemoth desk, but she'd already blocked out my presence entirely. Or so I thought. "That's all, Ahn-dre-ah. See to it right now," she added, still not glancing up.
Ah, sure, Miranda, I thought to myself as I walked away, trying to figure out the first step in the assignment that was sure to have a million pitfalls along the way. First was definitely to find out at which "place" the car was located. Most likely it was being repaired at the dealership, but it could obviously be at any one of a million auto shops in any one of the five boroughs. Or perhaps she'd lent it to a friend and it was currently occupying an expensive spot in a full-service garage somewhere on Park Avenue? Of course, there was always the chance that she was referring to a new car-brand unknown-that she'd just recently purchased that hadn't yet been brought home from the (unknown) dealership. I had a lot of work to do.
I started by calling Miranda's nanny, but her cell phone went straight to voice mail. The housekeeper was next on the list and, for once, a big help. She was able to tell me that the car wasn't brand-new and it was in fact a "convertible sports car in British racing green," and that it was usually parked in a garage on Miranda's block, but she had no idea what the make was or where it might currently be residing. Next on the list was Miranda's husband's assistant, who informed me that, as far as she knew, the couple owned a top-of-the-line black Lincoln Navigator and some sort of small green Porsche. Yes! I had my first lead. One quick phone call to the Porsche dealership on Eleventh Avenue revealed that yes, they had just finished touching up the paint and installing a new disc-changer in a green Carrera 4 Cabriolet for a Ms. Miranda Priestly. Jackpot!
I ordered a Town Car to take me to the dealership, where I turned over a note I'd forged with Miranda's signature that instructed them to release the car to me. No one seemed to care whatsoever that I was in no way related to this woman, that some stranger had cruised into the place and requested someone else's Porsche. They tossed me the keys and only laughed when I'd asked them to back it out of the garage because I wasn't sure I could handle a stick shift in reverse. It'd taken me a half hour to get ten blocks, and I still hadn't figured out where or how to turn around so I'd actually be heading uptown, toward the parking place on Miranda's block that her housekeeper had described. The chances of my making it to 76th and Fifth without seriously injuring myself, the car, a biker, a pedestrian, or another vehicle were nonexistent, and this new call did nothing to calm my nerves.
Once again, I made the round of calls, but this time Miranda's nanny picked up on the second ring.
"Cara, hey, it's me."
"Hey, what's up? Are you on the street? It sounds so loud."
"Yeah, you could say that. I had to pick up Miranda's Porsche from the dealership. Only, I can't really drive stick. But now she called and wants me to pick up someone named Madelaine and drop her off at the apartment. Who the hell is Madelaine and where might she be?"
Cara laughed for what felt like ten minutes before she said, "Madelaine's their French bulldog puppy and she's at the vet. Just got spayed. I was supposed to pick her up, but Miranda just called and told me to pick the twins up early from school so they can all head out to the Hamptons."
"You're joking. I have to pick up a fucking dog with this Porsche? Without crashing? It's never going to happen."
"She's at the East Side Animal Hospital, on Fifty-second between First and Second. Sorry, Andy, I have to get the girls now, but call if there's anything I can do, OK?"
Maneuvering the green beast to head uptown sapped my last reserves of concentration, and by the time I reached Second Avenue, the stress sent my body into meltdown. It couldn't possibly get worse than this, I thought as yet another cab came within a quarter-inch of the back bumper. A nick anywhere on the car would guarantee I lose my job-that much was obvious-but it just might cost me my life as well. Since there was obviously not a parking spot, legal or otherwise, in the middle of the day, I called the vet's office from outside and asked them to bring Madelaine to me. A kindly woman emerged a few minutes later (just enough time for me to field another call from Miranda, this one asking why I wasn't back at the office yet) with a whimpering, sniffling puppy. The woman showed me Madelaine's stitched-up belly and told me to drive very, very carefully because the dog was "experiencing some discomfort." Right, lady. I'm driving very, very carefully solely to save my job and possibly my life-if the dog benefits from this, it's just a bonus.
With Madelaine curled up on the passenger seat, I lit another cigarette and rubbed my freezing bare feet so my toes could resume gripping the clutch and brake pedal. Clutch, gas, shift, release clutch, I chanted, trying to ignore the dog's pitiful howls every time I accelerated. She alternated between crying, whining, and snorting. By the time we reached Miranda's building, the pup was nearly hysterical. I tried to soothe her, but she could sense my insincerity-and besides, I had no free hands with which to offer a reassuring pat or nuzzle. So this was what four years of diagramming and deconstructing books, plays, short stories, and poems were for: a chance to comfort a small, white, batlike bulldog while trying not to demolish someone else's really, really expensive car. Sweet life. Just as I had always dreamed.
I managed to dump the car at the garage and the dog with Miranda's doorman without further incident, but my hands were still shaking when I climbed into the chauffeured Town Car that had been following me all over town. The driver looked at me sympathetically and made some supportive comment about the difficulty of stick shifts, but I didn't feel much like chatting.
"Just heading back to the Elias-Clark building," I said with a long sigh as the driver pulled around the block and headed south on Park Avenue. Since I rode the route every day-sometimes twice-I knew I had exactly eight minutes to breathe and collect myself and possibly even figure out a way to disguise the ash and sweat stains that had become permanent features on the Gucci suede. The shoes-well, those were beyond hope, at least until they could be fixed by the fleet of shoemakers Runway kept for such emergencies. The ride was actually over in six and a half minutes, and I had no choice but to hobble like an off-balance giraffe on my one flat, one four-inch heel arrangement. A quick stop in the Closet turned up a brand-new pair of knee-high maroon-colored Jimmy Choos that looked great with the leather skirt I grabbed, tossing the suede pants in the "Couture Cleaning" pile (where the basic prices for dry cleaning started at seventy-five dollars per item). The only stop left was a quick visit to the Beauty Closet, where one of the editors there took one look at my sweat-streaked makeup and whipped out a trunk full of fixers.
Not bad, I thought, looking in one of the omnipresent full-length mirrors. You might not even know that mere minutes before I was hovering precariously close to murdering myself and everyone around me. I strolled confidently into the assistants' suite outside Miranda's office and quietly took my seat, looking forward to a few free minutes before she returned from lunch.
"And-re-ah," she called from her starkly furnished, deliberately cold office. "Where are the car and the puppy?"
I leaped out of my seat and ran as fast as was possible on plush carpeting while wearing five-inch heels and stood before her desk. "I left the car with the garage attendant and Madelaine with your doorman, Miranda," I said, proud to have completed both tasks without killing the car, the dog, or myself.
"And why would you do something like that?" she snarled, looking up from her copy of Women's Wear Daily for the first time since I'd walked in. "I specifically requested that you bring both of them to the office, since the girls will be here momentarily and we need to leave."
"Oh, well, actually, I thought you said that you wanted them to-"
"Enough. The details of your incompetence interest me very little. Go get the car and the puppy and bring them here. I'm expecting we'll be all ready to leave in fifteen minutes. Understood?"
Excerpted from The Devil Wears Prada: Movie Tie-In by Lauren Weisberger Excerpted by permission.
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