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From the award-winning author of the Native American classic Fools Crow, a richly crafted novel of cultural crossing that is a triumph of storytelling and the historical imagination.
Charging Elk, an Oglala Sioux, joins Buffalo Bill's Wild West Show and journeys from the Black Hills of South Dakota to the back streets of nineteenth-century Marseille. Left behind in a Marseille hospital after a serious injury while the show travels on, he is forced to remake his life alone in a strange land. He struggles to adapt as well as he can, while holding on to the memories and traditions of life on the Plains and eventually falling in love. But none of the worlds the Indian has known can prepare him for the betrayal that follows. This is a story of the American Indian that we have seldom seen: a stranger in a strange land, often an invisible man, loving, violent, trusting, wary, protective, and defenseless against a society that excludes him but judges him by its rules. At once epic and intimate, The Heartsong of Charging Elk echoes across time, geography, and cultures.
"Not a casual read." Welch's novel is an "interesting, complicated, and completely different" tale of an Oglala Sioux's odyssey from the Great Plains to the back streets of nineteenth-century France. "Very well-written and entertaining." "A definite recommendation."
More Reviews and RecommendationsJames Welch is the author of four previous novels, including Fools Crow, which won the American Book Award and the Los Angeles Times Book Award. He attended schools on the Blackfeet and Fort Belknap reservations and studied writing under the legendary teacher Richard Hugo. He lives with his wife in Missoula, Montana.
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June 16, 2001: Charging Elk is an intense book about how a Native American who maintains his sense of identity through his heritage in a foreign land, with romance and courage, the book takes you back into time when life was simple among the Oglala Sioux in North America to a more complicated life among the French. Very sophisticated reading. Enjoy!
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October 30, 2000: My third novel by James Welch, and while beautifully written with elegant prose, the story lags and proves to be rather unconvincing...improbable events occur and much of the story becomes predictable and tedious...page 250 is where the novel seems to begin and while the animus of Charging Elk is clear and cogent, his story seems to drag.
Stranger in a Strange Land
The historically inspired premise of James Welch's The Heartsong of Charging Elk -- an Oglala Sioux, stranded in late 19th-century Marseilles -- is so rich and intriguing that one fears the novel's action might not be able to support it. That Welch succeeds is testament to his sympathetic characters and the ingenious patience of his storytelling.
This patience echoes the consciousness of the novel's protagonist, Charging Elk. In his youth, he'd hoped to follow Crazy Horse; a "wild Indian from the badlands" who "never surrendered" to reservation life, Charging Elk finds himself prized in Buffalo Bill's Wild West Show. He chases buffalo in the arenas of Europe and marvels at the unexpected cities ("Once they looked at statues or pictures in a long house of wood floors and stone stairs; once they went to a showhouse and listened to a lady with large breasts sing high and big"). An accident under the big top, combined with a series of bureaucratic confusions, strands Charging Elk in France, where various people -- a newspaperman, a vice consul of the U.S. embassy, a fishmonger -- take an interest and attempt to help the disoriented "savage."
As Charging Elk slowly adjusts, learning French and struggling to find his place, these other perspectives suggest how good deeds are colored by self-interest and add new dimensions to the novel's world. Welch deftly illuminates many lives while always maintaining the narrative's momentum. What is daring is the patience with which characters' humanity is investigated and how this is managed within a wildly inventive plot. Charging Elk's adventures lead through love to murder and beyond. The writing's texture and dexterity are amplified with each complication.
The Heartsong of Charging Elk shows us unfamiliar lands from unexpected angles. It fascinates us with details of 19th-century France yet never forgets the homeland that Charging Elk has left behind -- a place that is vanishing and to which it may be impossible to return. This is the rare novel that is consistently surprising: The prostitute does not turn out to have a heart of gold, people do not always overcome their prejudices, and characters disappear from the plot when their lives seem to call from beyond the margins. "The Great Mystery works that way," Charging Elk reminds us. "All things have reason, but He chooses to let his children figure them out."
Peter Rock is the author of the novels Carnival Wolves and This Is the Place. Born in Salt Lake City, Utah, he now lives in Philadelphia. His email address is rock@aya.yale.edu.
From the award-winning author of the Native American classic Fools Crow, a richly crafted novel of cultural crossing that is a triumph of storytelling and the historical imagination.
Charging Elk, an Oglala Sioux, joins Buffalo Bill's Wild West Show and journeys from the Black Hills of South Dakota to the back streets of nineteenth-century Marseille. Left behind in a Marseille hospital after a serious injury while the show travels on, he is forced to remake his life alone in a strange land. He struggles to adapt as well as he can, while holding on to the memories and traditions of life on the Plains and eventually falling in love. But none of the worlds the Indian has known can prepare him for the betrayal that follows. This is a story of the American Indian that we have seldom seen: a stranger in a strange land, often an invisible man, loving, violent, trusting, wary, protective, and defenseless against a society that excludes him but judges him by its rules. At once epic and intimate, The Heartsong of Charging Elk echoes across time, geography, and cultures.
"Not a casual read." Welch's novel is an "interesting, complicated, and completely different" tale of an Oglala Sioux's odyssey from the Great Plains to the back streets of nineteenth-century France. "Very well-written and entertaining." "A definite recommendation."
HAnyone who has read Welch's Fools Crow, that masterly evocation of life among the Plains Indians, is aware of his extraordinary ability to convey the experience of Native American tribal society. This book will stand as another literary milestone. Here Welch illuminates the experience of an Oglala Sioux trapped in an alien culture, lacking the resources to emerge from a nightmare of dislocation, isolation and fear. When 23-year-old Charging Elk awakens in a French hospital in 1892, he has already witnessed the battle of Little Big Horn and the incarceration of his Lakota tribe in the Pine Ridge Reservation. Unable to bear the loss of his freedom, he joined Buffalo Bill's Wild West Show, but debilitated by the flu in Marseilles, he fell from his horse and was injured. Unaccountably, the show has moved on without making provisions for Charging Elk to join them. The plight of this desperate young man, barely literate in English, unable to speak French or to read any language, confused by nearly every aspect of the white world and a visible outcast from its society, is the burden of this haunting novel, based on an actual incident. Fleeing the hospital, Charging Elk begins a painful emotional odyssey. He is arrested for vagabondage and, when released, a bureaucratic error forbids him to leave the country. The kindness of strangers rescues him several times, but his basic innocence of French culture and his instinctive reaction to what his tradition considers spiritual evil culminate in a tragic act. Welch's achievement here lies in his ability to convey the way a Lakota Indian would have interpreted the wasichu's world. Questions about the hallmarks of civilization and implicit observations about the ease of betrayal and the rarity of true Christian behavior are integral. This story has the potential of melodrama, but Welch tells it quietly, in clear, lucid prose suitable to the restraint of his hero. Redolently atmospheric of late-19th-century France, this is a stirring tale of a man's triumph over circumstances, a gripping story of solid literary merit and surprising emotional clout. National author tour. (Aug.) Copyright 2000 Cahners Business Information.|
Based on historic fact, this is a moving story of cultural alienation and assimilation. Charging Elk, a "wild Indian" (an Oglala who has not moved to the Reservation or learned English) is recruited for Buffalo Bill's Wild West Show. During a performance in Marseilles, Charging Elk, sick with influenza, falls from his horse, breaking several ribs. He is hospitalized, and by the time he regains consciousness the Wild West Show has moved on. Unable to communicate with the hospital staff, and noticing that people seem to leave the hospital only when they die, Charging Elk determines to recover his strength enough to make his escape. After living on the streets for four days, Charging Elk is arrested for vagabondage, and his problems multiple. He and his captors have no common language; the American consulate is involved, although Charging Elk is not an American citizen; and it is learned that a hospital mix-up has resulted in the issuance of a death certificate for this "Peau Rouge" instead of another. Sixteen years go by before Charging Elk sees another Indian, when the Wild West Show again returns to Marseilles. He learns that the wilderness he left in Dakota is no more. But it matters less than Charging Elk thought it would, since he realizes that France has become his home. Recommended for large public libraries. [Previewed in Prepub Alert, LJ 4/1/00.]--Debbie Bogenschutz Cincinnati State Technical and Community Coll., OH Copyright 2000 Cahners Business Information.\
...powerfully and movingly spoken. The work is much more than a tale about an Indian man. It is sometimes sorrowful, as it would have to be given the way things have turnes out for Native Americans. But in the end, the book is healing and redemptive, a revelation of the human heart and spirit...This is Welch's eighth book. One looks forward to the ninth, tenth and eleventh.
In this ambitious novel, the central character's odyssey takes us beyond alienation and separateness toward personal reintegration and community. That odyssey and the book as a whole not only dramatize the traumatic effects and ironies of cultural alienation, but also expand our capacity to wonder at the tranforming and redemptive power of the human spirit.
Award-winning Native American novelist Welch (Fools Crow, 1986, etc.) tells a powerful story of a young Lakota who's stranded in Franceand who will spend an ordeal of dark years in that strange land before regaining a life and his dignity. Charging Elk was only a boy when his Sioux band surrendered to US soldiers and became reservation Indians in 1877. Twelve years later, he seizes a chance to tour the world with Buffalo Bill's Wild West show as an alternative to rotting on the rez. Hospitalized with broken ribs and the flu in Marseille, he recovers to find himself abandoned by the traveling show and takes to the streets in confusion. Arrested as a vagabond, Charging Elk comes to the attention of the American consul, who gets him out of jail and into better quarters. But his supposedly brief stay with a kind family of fishmongers turns into years when French authorities refuse to let him go home. Speaking scant French and no English, Charging Elk eventually gets a menial job and moves out on his own. Then his loneliness places him in a compromising situation: a prostitute he's come to love betrays him to a black-hearted homosexual chef. Provoked into killing the man, he goes to trial and becomes a cause célèbre, but he's convicted of murder anyway and sent to prison for life. Incredibly, after 11 years of quiet gardening, he receives a pardon, and in a remarkable series of reversals he makes a family in Marseille and finds a measure of peace . . . until the day when a chance suddenly appears for Charging Elk to return home. Despite some contrived plot twists, Welch's study of a man forced to adapt to a world utterly unlike his ownand a richly imagined worlditisis well sustained. An amply rewarding read.
Leslie Marmon Silko
I just finished reading The Heartsong of Charging Elk. I think Jim
Welch has written a masterpiece.
(Leslie Marmon Silko, author of Ceremony, a classic of Native American literature)
Sherman Alexie
There are books you read once and put away. There are books you read once and never forget. And then there are those special books you keep returning to, reading them once or twice a year for the rest of your life.
(Sherman Alexie, author of The Lone Ranger and Tonto Fistfight in Heaven and writer of the acclaimed indy film Smoke Signals).
William Kittredge
The Heartsong of Charging Elk is vividly imagined and wonderfully
readable, a romance, a fable, and a sternly realistic story about salvaging
emotional victory. Hats off to James Welch.
(William Kittredge, author of Hole in the Sky)
Ivan Doig
James Welch, who long has been one of our finest American voices, here reaches the goal of all great literature: to transform words into worlds.
(Ivan Doig, author of Dancing at the Rascal Fair)
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