From the Publisher

As she begins a very tough last semester of high school, Holland finds herself puzzled about her future and intrigued by a transfer student who wants to start a lesbigay club at school.

Publishers Weekly

When popular high school senior Holland discovers that "the man of her dreams is a girl," she faces homophobia at school and, most painfully, at home. Peters (Define "Normal") raises important points about the ramifications of coming out, but covers so much territory that her plotting suffers. Holland is juggling a tough school schedule, responsibilities as student council president, college applications, a serious boyfriend and a meddling mom when open lesbian Cece transfers to her school. The instant spark between them leads to flirtation, then to an intense relationship. Holland is thankful she "risked change" despite the serious consequences: not only does her mother throw her out of the house, but Cece is keeping something from her. Holland's adjustment to her new sexuality after she first kisses Cece seems too sudden, and while Peters foreshadows her mother's intolerance in some ways (she throws out a T-shirt belonging to Holland's goth stepsister, Faith), her reaction when Holland confesses comes across as extreme. Secondary story lines, such as Holland's abrupt discovery of her artistic ability, and her budding friendship with Faith, whom she originally judged harshly, feel contrived. Readers will appreciate Holland's new ability to live free of others' expectations-and they may learn a great deal about the spectrum of reactions a teen can face in coming out-but the messages here seem to take precedence over plot. Ages 14-up. (May) Copyright 2003 Reed Business Information.

Cynthia Winfield - VOYA

Anyone who has ever fallen in love will recognize themselves in the realistic characters of this captivating love story. Holland Jaeger, high school senior and student council president, is comfortable with the status quo. She has a steady boyfriend, Seth, and her mother, who dropped out of high school to have Holland, pushes the college applications that Holland is avoiding. When the new student, Cecelia Goddard, catches her eye, Holland's world is soon turned upside down. Cece's IMRU? T-shirt with a rainbow triangle is Holland's first clue that any students at Southglenn High might be gay-let alone out and proud. Although Cece permeates her thoughts and dreams, Holland is unready to acknowledge the attraction. Adolescent pains multiply when Holland does not want to hurt Seth, but she realizes that their relationship is over. How will others close to her react to Holland's new lesbian identity? Readers will anticipate, cringe, laugh, and cry along as Holland grows into her new love and new life. When her mother overreacts, readers realize that the story is not atypical for gay youth. Not just a gay love story, this book transcends barriers, allowing readers of all persuasions to revel in its universal truths about self-knowledge, acceptance, pride, and the hardships of wrestling with the perceptions and comfort of others. There is no graphic sex but excessive excitement of new love that is right; however, although Holland's mother monitors her birth control pills, there is no mention of safe sex. VOYA Codes: 5Q 5P J S (Hard to imagine it being any better written; Every YA (who reads) was dying to read it yesterday; Junior High, defined as grades 7 to 9; Senior High, defined as grades 10to 12). 2003, Little Brown, 250p,

School Library Journal

Gr 9 Up-Holland Jaeger goes steady with a good-looking boy and contemplates attending an Ivy League college in the fall. Then she meets "out-and-proud" lesbian Cece Goddard, and her life changes. Within a matter of weeks, the two begin an affair that eventually leads to a committed relationship. Holland loses old friends, encounters vicious discrimination, and is thrown out of the house by her hysterical mother. She finds help at the local Gay Resource Center, however, and begins to look forward to attending a local college after high school, with Cece by her side. Peters knows how to tell an intriguing story. However, while both teens are likable, believable characters, the confidence with which Cece proudly proclaims her sexual orientation at school strains credibility. This aside, the antigay slurs, viciousness, and prejudice the girls endure certainly leave an indelible impression. Peters's message may be heavy-handed at times, but, overall, this is a well-written and thought-provoking novel.-Robert Gray, East Central Regional Library, Cambridge, MN Copyright 2003 Reed Business Information.

Kirkus Reviews

Holland's life is directed by those around her, her Mom, boyfriend, even her school's career counselor. Discovering she's attracted to the new, out-and-proud lesbian is not on anyone's agenda, however. Not that all has been smooth for this student-body president, busy with job, swim team, and school. Sex with boyfriend Seth is a take-it-or-leave-it deal, but when Cece's presence begins to cause an emotional reaction, Holland is stunned. Gradually the two girls become a couple; Cece pleads for secrecy and Holland acquiesces. The reason for the secrecy is slightly unconvincing, but Peters keeps the action flowing as Mom throws Holland out when she discovers what she's up to, and Holland discovers more resources in herself than she ever imagined. Holland's experiences will inform readers who are also discovering their sexual identity. Gay or straight, they'll identify with the excitement that accompanies that first love affair. At the heart is the realization that secrecy can damage many relationships, no matter the connection. Revealing. (Fiction. YA)

Product Details

• Read a Sample Chapter

Read a Sample Chapter

Keeping You A Secret

LB Childrens

Chapter One

Great. Now I was obligated to rag on her for violating the new dress code. Forget it, I decided. My vote - the only dissenting one in the whole student council - still counted. With me, anyway. People could come to school buck naked for all I cared. It wasn't about clothes.

We slammed our lockers in unison and turned. Her eyes met mine. "Hi," she said, smiling. My stomach fluttered. "Hi," I answered automatically. She was new. Had to be. I would've noticed her. She sauntered away, but not before I caught a glimpse of her T-shirt. It said: imru? Am I what?

She glanced back over her shoulder, the way you do when you know someone's watching. That's when it registered - the rainbow triangle below the message. My eyes dropped. Kept her in sight, though, as she disappeared around the corner. I shifted my attention to my schedule. Brit Lit, calc, U.S. History, then art and econ after lunch. Was I out of my mind? Why was I taking a full load my last semester of high school? Weren't we supposed to revel in this time, embrace our friends, screw around until graduation? At some pivotal point, of course, we'd decide the direction our lives were going to take. A derisive laugh might've escaped my lips. Like I got to decide anything about my life.

I headed down the deserted hallway, clutching my books to my chest. This is insane, I thought. I don't even need the credits. I'd gotten to choose the early track - first class at seven, last class at one -but then I added econ at the last minute so I'd be finishing the day with everyone else. I drew a deep breath - and coughed. Who needed to get stoned before school when you got a free ride from the carpet-cleaning fumes?

Morning was a blur. As I stumbled to lunch, my head reeling from the volume of homework I'd already accumulated, my anxiety mounted. I'd be up till midnight, easy. "Babe!" Seth called across the crowded cafeteria. He loped to the double doorway to meet me. Kiss me. "We're over here." He thumbed toward the vending machines, snaking an arm around my waist and steering me along.

"Hi, Holland. Hey, Seth," a few people greeted us as we weaved between tables. I assumed my oh-so-happy face. Plaster-casted smile. What was wrong with me? I loved school. I couldn't wait to get back after winter break.

"Holland, did you see Mrs. Lucas? She was looking for you," Leah said as she cleared a place beside her for me to sit. "She said to tell you to drop into the career center sometime today." Today, tomorrow, never. Popping the top on a can of Pepsi Twist that Seth had set in front of me, I said to Kirsten across the table, "How was Christmas in Texas?" Leah kicked my shin. Uh-oh.

Kirsten sighed theatrically. "You had to ask." She launched into a psychodrama about how her mother was a raving lunatic the whole two weeks and all they did was scream at each other. Seth split his fries with me and I zoned. He said in my ear, "You want ketchup?" I must've nodded because he got up and left.

Leah and Kirsten began to talk about college - again. Could we get through one whole day without bringing up the subject? Kirsten said, "Mom wants me to commute to Metro Urban and live at home. Like that's going to happen." She rolled her eyes. "All I want to do is graduate and get the hell out of this rat hole." I checked out again. At some point Seth returned with the ketchup and I swabbed a greasy fry through the watery blob. Round and round it goes; where it stops, nobody knows. Seth nudged me. "You okay?"

I glanced up to find everyone staring at me. Was I chanting out loud? Relinquishing my hold on the mutilated fry, I crossed my eyes and said, "I got Arbuthnot for Brit Lit." They all went, "Eeooh." Leah added, "Don't ever be late. She'll ream you out in front of everyone." I grimaced. I hated when teachers did that. "You know," I said, picking up my cheeseburger, "all these anti-bullying policies should apply to teachers. I mean, corporal punishment is illegal." I chomped into my burger and chewed. "Public humiliation," I said with my mouth full, "is a form of psychological abuse." By their bobbing heads, I assumed they all agreed. What were we going to do about it? Nothing. Even though I was president of student council, I felt powerless to effect change of any social significance at our school.

I take that back. We now had a pop machine in the hall. Drawing Level I was, as Seth referred to it, a bullshit class. But I needed to fill time between lunch and econ. As I wandered down the arts wing, feeling totally out of my element, I wondered what mental aberration had possessed me when I chose an art elective. Drawing, no less, which probably required talent. More than doodling in notebooks.

The assigned studio, 212A, had four rows of tables set end-to-end with chairs arranged haphazardly. No semblance of order. I slid into a plasti-seat in the back. My uneasiness grew as I studied the crowd clogging the doorway and milling around the display cases. Not the kind of people I usually associated with - which was okay. I didn't have a problem with diversity. It was just ... I don't know. I felt weird. I decided to drop the class. Maybe add another study hall. I was going to need it.

A man's voice in the hallway herded everyone inside. As people filed across the threshold, I caught sight of her. The baseball cap was gone; now her hair flowed around her shoulders. Her eyes darted across the studio and stopped on me. I wanted to look away, but couldn't. She held me somehow, spellbound. The instructor bustled in and broke the connection. Oh, God. He looked like Einstein on ecstasy. "Just find a seat anywhere," he said to the stragglers. As he turned to write his name on the board, I flipped open a spiral. When I glanced over surreptitiously, she'd slipped into a seat up front. Another girl slid in beside her. I knew that girl -Randi or Brandi. She was on swim team last year for about a week. Right about the time Seth and I hooked up. Brandi.

"I realize you can't read this," the instructor said as he ran a palm over his cotton candy hair, but it says `Jonathan McElwain.' "He was right. His handwriting was gorgeous, all loopy and bold, but you'd need clearer vision than mine to decipher it. I squinted through my contacts - that was an M? He brushed chalk off his hands and added, "You can call me Mackel." I wrote down, Mr. McElwain. Then drew a line through it and printed, Mackel.

"If I want to get paid, I have to turn this in." He flapped a computer printout at us. Hopping onto the desk, he curled cross-legged and uncapped a Flair. "Anderson, Michaela." "Present." A girl at the end of my row raised her hand, and Mackel scratched a checkmark. A few people I did actually know. It's inevitable when you've lived in the same place your whole life. The guy with the serious orange spikes and nostril ring was in my calc class. Winslow Demming. I remembered him from computer science sophomore year, except back then Winslow was a geek. Brilliant, though. And sweet. Another reminder why people shouldn't be judged on appearance.

Mr. McElwain - Mackel - progressed through the list. For some reason I was focusing on the back of the blond girl's head, only half listening for my name. "Cecelia Goddard," Mackel read. Her hand shot up and she said, "It's Cece." I wrote it down. Cecelia Goddard. CC? Cece? Cece, I decided and drew a box around it. "Holland Jaeger." A couple of heads swiveled. "What?" I blinked up. "Holland Jaeger?" "Oh, here." I raised my hand. Added in a mutter, "Apparently not all here."

She twisted around and smiled. My stomach lurched. I shielded my face with my hand and pretended to scribble notes. Mackel handed out a supplies list. It was long. There were pencils, ink, charcoal, erasers, markers, pens, two sizes of drawing tablets. God, I'd have to work a month of overtime to afford all this stuff. Mackel said, "I know it's a short week, but I'd appreciate it if you could get your supplies in the next couple of days. Go to Hobby Lobby or Wal-Mart for the best prices. If anyone has real financial need, come see me after class. That doesn't mean you'd rather spend your money on a kegger." He eagle-eyed the room. "But I have a starving artist fund, so don't be shy." I liked that. He was understanding. Maybe I'd wait to drop. At two-fifteen the bell rang and I gathered my books and notes from econ, feeling totally brain-dead. Lockers banged open and closed as I trudged down the hall. "Hi, Holland. Have a good break?" someone called.

"Great, thanks." I waved, plastering on The Smile. Get me out of here, I thought. Static crackled in my head like a radio stuck between stations. The halls began to clear and my locker materialized - finally. As I twisted the combination lock, I heard across the way, "So, you just transferred? Where'd you go before here?"

I opened the door and captured Brandi and Cece in my mirror. Cece said, "Washington Central." Brandi said, "Oh, yeah? Do you know Joanie? She's one of us. Joanie Fowler." "Doesn't sound familiar." "You have to know her."

"I said I don't." The sharpness of Cece's voice made me turn around. Brandi caught my eye and I turned back. In my mirror I watched as Cece shoved a book into her backpack and removed a fleece vest off the hook. She let out a long breath and said, "Sorry," to Brandi. "It's been a rough day."

"I can imagine." Brandi smiled knowingly. I wondered what she knew. Brandi held the backpack while Cece put on her vest. Their conversation muted as a herd of people stampeded past. I caught the tail end of Brandi's " ... go for a Coke or something?" "I can't," Cece said. "I have to work." She retrieved the pack from Brandi and slung it over her shoulder. I realized I was eavesdropping shamelessly and squatted to unzip my swimming duffel. "How come you transferred?" Brandi asked.

"Health reasons." Cece slammed her locker. "My car wouldn't start this morning and I don't really want to wait here for my brother to pick me up. Do you think you could give me a ride to work?"

"Sure," Brandi chirped. "No problem." They headed out together. Brandi had said, "One of us." Did that mean she was gay? Huh. I didn't think we had any gays in our school. Until now. I loaded up my backpack and grabbed my duffel, thinking, I guess it pays to advertise.

(Continues...)

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Excerpted from Keeping You A Secret by Julie Anne Peters Copyright © 2003 by Julie Anne Peters
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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