Cuba--Going Back by Tony Mendoza

BUY IT NEW

  • $22.95 Online price
    $20.65 Member price
    (Save 10%)
    Limited Time Offer! Everyone receives the Member Price on books.
    See Details
  • skip to cart
  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=9780292752337&productCode=BK&maxCount=100&threshold=3

GET FREE SHIPPING ON ORDERS OF $25 OR MORE

DELIVERY & GIFT DETAILS:

Usually ships within 24 hours

Delivery Time and Shipping Rates

Eligible for gift wrap & gift message.

BUY IT USED

14 copies from $1.99

See All Available

(Mass Market Paperback - 1 ED)

  • Pub. Date: October 1999
  • 155pp
    Buy it Used: 14 copies from $1.99 See All Available

    Customers who bought this also bought

     
    • Overview
    • Editorial Reviews
    • Customer Reviews
    • Features

    Product Details

    • Pub. Date: October 1999
    • Publisher: University of Texas Press
    • Format: Mass Market Paperback, 155pp

    Synopsis

    Imagine being unable to return to your homeland for thirty-six years. What would you do if you finally got a chance to go back?
    In 1996, after travel restrictions between the United States and Cuba were relaxed, Cuban exile Tony Mendoza answered that question. Taking his cameras, notebooks, and an unquenchable curiosity, he returned for his first visit to Cuba since the summer of 1960, when he emigrated with his family at age eighteen. In this book he presents over eighty evocative photographs accompanied by a beautifully written text that mingles the voices of many Cubans with his own to offer a compelling portrait of a resilient people awaiting the inevitable passing of the socialist system that has failed them.
    His photographs and interviews bear striking witness to the hardships and inequalities that exist in this workers' "paradise," where the daily struggle to make ends meet on an average income of eight dollars a month has created a longing for change even in formerly ardent revolutionaries. At the same time, Cuba--Going Back is an eloquent record of a personal journey back in time and memory that will resonate with viewers and readers both within and beyond the Cuban American community. It belongs on the shelves of anyone who values excellent photography and well-crafted prose.

    Library Journal

    In 1996 after a 36-year absence, Mendoza--a photographer by trade--returned to his native Cuba. This book, based on the photos and interviews he conducted on his trip, is a remarkable first-hand account of today's Cuba. Burdened both by the loss of Soviet aid and the American embargo, he concludes, Cuba is a testimony to the failure of Castro's socialism. He reports that he encountered very few Castro supporters and found numerous Cubans willing to speak out against the failed social experiment. He often heard them say "Fidel is no economist"--something he reflects upon through the lens of his camera. Like others, Mendoza decides that Cubans would be better off if the United States did not push so hard for an end to Castro and left him alone to deal with failure. Similar to Andrei Codrescu's Ay, Cuba! (LJ 3/1/99), this volume is best summarized in a series of photos of a Havana park bench. In each succeeding photo, the bench, much like Cuba, is dismantled by time and the very people its aims to please. Highly recommended for most libraries.--Boyd Childress, Auburn Univ.Lib., AL Copyright 2000 Cahners Business Information.

    More Reviews and Recommendations

    Customer Reviews

    • Reader Rating:
    • Ratings: 2Reviews: 2

    Cuba--Going Backby Anonymous

    Reader Rating:
    See Detailed Ratings

    November 26, 2000: This is a lovely, evocative book. It captures the paradox of modern Cuba. Lovely, yet decaying. People who are generous but struggling to survive.

    Cuba--Going Backby Anonymous

    Reader Rating:
    See Detailed Ratings

    December 13, 1999: I went to Cuba, where I was born, to satisfy a powerful desire to see Cuba, the physical place, again. Once I was there I was surprised by what I heard, in daily conversations with Cubans in the streets, in private apartments, at the paladars. I started taking notes and recording conversations. I took pictures, which in the book are used to amplify the text. I became interested in how people related to the government, to socialism, and how they solved the problems of daily life. I'm hoping the book raises as many questions as it answers, and that it contributes to intensify questions about the embargo.