A Map of Home by Randa Jarrar

From the Publisher

From America to the Middle East and back again- the sparkling story of one girl's childhood, by an exciting new voice in literary fiction

In this fresh, funny, and fearless debut novel, Randa Jarrar chronicles the coming-of-age of Nidali, one of the most unique and irrepressible narrators in contemporary fiction. Born in 1970s Boston to an Egyptian-Greek mother and a Palestinian father, the rebellious Nidali-whose name is a feminization of the word "struggle"-soon moves to a very different life in Kuwait. There the family leads a mildly eccentric middle-class existence until the Iraqi invasion drives them first to Egypt and then to Texas. This critically acclaimed debut novel is set to capture the hearts of everyone who has ever wondered what their own map of home might look like.

Publishers Weekly

Jarrar's sparkling debut about an audacious Muslim girl growing up in Kuwait, Egypt and Texas is intimate, perceptive and very, very funny. Nidali Ammar is born in Boston to a Greek-Egyptian mother and a Palestinian father, and moves to Kuwait at a very young age, staying there until she's 13, when Iraq invades. A younger brother is born in Kuwait, rounding out a family of complex citizenships. During the occupation, the family flees to Alexandria in a wacky caravan, bribing soldiers along the way with whiskey and silk ties. But they don't stay long in Egypt, and after the war, Nidali's father finds work in Texas. At first, Nidali is disappointed to learn that feeling rootless doesn't make her an outsider in the States, and soon it turns out the precocious and endearing Arab chick isn't very different from other American girls, a reality that only her father may find difficult to accept. Jarrar explores familiar adolescent ground-stifling parental expectations, precarious friendships, sensuality and first love-but her exhilarating voice and flawless timing make this a standout. (Sept.)

Sarah Conrad Weisman - Library Journal

Born in the United States to a Palestinian father and an Egyptian mother of Greek descent, Nidali begins life with an identity crisis on many levels. Originally assumed to be a boy, she is given a name that means "strife" or "struggle" by her father, who adds the feminizing "i" when he realizes that she is actually a girl. The family moves to Kuwait when Nidali is a baby and lives there until Iraq invades the country on Nidali's 13th birthday, forcing them to flee to Alexandria, Egypt, and eventually to Texas. Jarrar's debut novel is a coming-of-age tale told from Nidali's perspective, spanning her birth through acceptance into college. Since her parents fight constantly and her father is abusive, school serves as a refuge throughout, as Nidali studies hard, establishes friendships, and faces issues of belonging, parental expectations, religion, sexual experimentation, and rebellion. This wonderfully engaging work has vivid descriptions of the different places Nidali lives and the culture she grows up in; the only negative is that the novel is perhaps unnecessarily laced with strong language, which may make it less universally appealing. Highly recommended.

Kirkus Reviews

A first-time novelist offers a fictional take on her own complex heritage. Nidali's Baba is Palestinian. Her Mama is half-Greek and half-Egyptian. In addition to this mixed-up background, Nidali has an American passport and a precociously peripatetic personal history. Born in Boston, Nidali grows up in Kuwait, but her family flees to Egypt during the 1990 Iraqi invasion. By the time she lands in Texas, Nidali has become a seasoned traveler, and, wherever she goes, she carries with her a keen awareness of her inescapable difference. Nidali's story is shaped by the harsh realities of ethnic division, political uncertainty and war, but it is also, essentially, a typical coming-of-age story. Jarrar is a funny, incisive writer, and she's positively heroic in her refusal to employ easy sentimentality or cheap pathos. Nidali is a misfit living through calamitous times, but Jarrar understands that all adolescents feel like misfits living through calamitous times. The political is always personal for Nidali. For her, bombs dropping on Kuwait mean that nobody remembers her 13th birthday. As her family drives across Iraq on their way to Egypt, she writes a letter to Saddam Hussein complaining that his invasion has separated her from her boyfriend. And, ultimately, international crises have less impact on Nidali's life than ongoing battles between her and her Baba on subjects like curfew and college. A coming-of-age story that's both singular and universal-an outstanding debut. Agent: Jin Auh/The Wylie Agency

Product Details

• Reading Group Guide
• Forewords & Introductions

Reading Group Guide

1. Nidali opens with the story of her birth and says, "Baba realized that he didn't know my sex for sure but that didn't matter; he'd always known I was a boy." How does the fact that Nidali is female affect her relationship with her father? Do you think Waheed would have been as hard on her if she had been a boy? Examine the dynamics of this father-daughter relationship.

2. Nidali grows up in several different countries. What do you learn about adolescence from her varied perspective? Is it a universal experience?

3. Examine the several passages in which Nidali reflects on the idea of home and what it means to her. How does she define home? Is it a concept or something more concrete? What does the title refer to?

4. When Nidali’s religious cousin Esam comes to visit, he throws away her Wonder Woman stickers, proclaiming the character looks like a “naked heathen” and “a shameless prostitute.” Nidali looks at the remains of the stickers and says, “These white spots were, to me, parts of God.” What role does religion play in Nidali’s childhood? Does it change or evolve as she grows up?

5. Consider the different settings in the novel--Kuwait, Egypt, and Texas. Where do you think the Ammar family is the most content? Find instances when Jarrar weaves historical events into the plot and discuss the different ways her characters are affected by them.

6. Nidali writes a letter to Sadam Hussein to complain about the Iraqi invasion and how it is ruining her life. What does this reveal about Nidali? About the connection between the personal and the political?

7. Nidali's parents each live with thedisappointment that they gave up their dream careers: Waheed never became a great poet and Ruz never became a concert pianist. How does each parent deal with this regret? How do their failures affect Nidali and her own hopes for the future?

8. Nidali chronicles her family's new life in America in the chapter "The Shit No One Bothered to Tell Us." What is the effect of her ironic commentary in these vignettes? How does Nidali portray her new home? Does she find anything positive in Texas?

9. Waheed is a complex character, capable of extreme compassion and love as well as quick-tempered anger and abuse. Do you ever sympathize with Waheed? What are the driving forces of his behavior?

10. Nidali's sexual awakening is a significant part of her adolescence. From her first boyfriend Fakhr in Kuwait to her high-school crush Medina in Texas, Nidali goes through a range of joyous and unpleasant experiences. Compare and contrast these encounters. How does she react to heartbreak? To disappointment?

11. Growing up, Nidali is fascinated by her family history. In what ways does family history affect an individual life? How is Nidali shaped by those events in her family that occurred before her birth?

12. Does Waheed's acceptance of Nidali's final act of rebellion--going to the "forbidden fruit college in Boston"-- show he is finally ready to let go? Is his change of heart a reaction to his recent experiences as an immigrant is the U.S. or is it in keeping with his long-standing relationship with Nidali? Is this a fitting ending?

13. The book opens with Waheed holding a pen, and ends with Ruz throwing one out the window, and Nidali catching it. What role does writing play in the novel?

Forewords & Introductions

1. Nidali opens with the story of her birth and says, "Baba realized that he didn't know my sex for sure but that didn't matter; he'd always known I was a boy." How does the fact that Nidali is female affect her relationship with her father? Do you think Waheed would have been as hard on her if she had been a boy? Examine the dynamics of this father-daughter relationship.

2. Nidali grows up in several different countries. What do you learn about adolescence from her varied perspective? Is it a universal experience?

3. Examine the several passages in which Nidali reflects on the idea of home and what it means to her. How does she define home? Is it a concept or something more concrete? What does the title refer to?

4. When Nidali’s religious cousin Esam comes to visit, he throws away her Wonder Woman stickers, proclaiming the character looks like a “naked heathen” and “a shameless prostitute.” Nidali looks at the remains of the stickers and says, “These white spots were, to me, parts of God.” What role does religion play in Nidali’s childhood? Does it change or evolve as she grows up?

5. Consider the different settings in the novel--Kuwait, Egypt, and Texas. Where do you think the Ammar family is the most content? Find instances when Jarrar weaves historical events into the plot and discuss the different ways her characters are affected by them.

6. Nidali writes a letter to Sadam Hussein to complain about the Iraqi invasion and how it is ruining her life. What does this reveal about Nidali? About the connection between the personal and the political?

7. Nidali's parents each live with thedisappointment that they gave up their dream careers: Waheed never became a great poet and Ruz never became a concert pianist. How does each parent deal with this regret? How do their failures affect Nidali and her own hopes for the future?

8. Nidali chronicles her family's new life in America in the chapter "The Shit No One Bothered to Tell Us." What is the effect of her ironic commentary in these vignettes? How does Nidali portray her new home? Does she find anything positive in Texas?

9. Waheed is a complex character, capable of extreme compassion and love as well as quick-tempered anger and abuse. Do you ever sympathize with Waheed? What are the driving forces of his behavior?

10. Nidali's sexual awakening is a significant part of her adolescence. From her first boyfriend Fakhr in Kuwait to her high-school crush Medina in Texas, Nidali goes through a range of joyous and unpleasant experiences. Compare and contrast these encounters. How does she react to heartbreak? To disappointment?

11. Growing up, Nidali is fascinated by her family history. In what ways does family history affect an individual life? How is Nidali shaped by those events in her family that occurred before her birth?

12. Does Waheed's acceptance of Nidali's final act of rebellion--going to the "forbidden fruit college in Boston"-- show he is finally ready to let go? Is his change of heart a reaction to his recent experiences as an immigrant is the U.S. or is it in keeping with his long-standing relationship with Nidali? Is this a fitting ending?

13. The book opens with Waheed holding a pen, and ends with Ruz throwing one out the window, and Nidali catching it. What role does writing play in the novel?