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Twelve-thousand feet beneath the Atlantic Ocean . . .
scientists are excavating the most extraordinary undersea discovery ever made. But is it the greatest archaeological find in history—or the most terrifying?
Former naval doctor Peter Crane is urgently summoned to a remote oil platform in the North Atlantic to help diagnose a bizarre medical condition spreading through the rig. But when he arrives, Crane learns that the real trouble lies far below—on “Deep Storm,” a stunningly advanced science research facility built two miles beneath the surface on the ocean floor. The topsecret structure has been designed for one purpose: to excavate a recently discovered undersea site that may hold the answers to a mystery steeped in centuries of myth and speculation.
Sworn to secrecy, Dr. Crane descends to Deep Storm. A year earlier, he is told, routine drilling uncovered the remains of mankind’s most sophisticated ancient civilization: the legendary Atlantis. But now that the site is being excavated, a series of disturbing illnesses has begun to affect the operation. Scientists and technicians are experiencing a bizarre array of symptoms—from simple fatigue to violent psychotic episodes. As Crane is indoctrinated into the strange world of Deep Storm and commences his investigation, he begins to suspect that the covert facility conceals something more complicated than a medical mystery.The discovery of Atlantis might, in fact, be a cover for something far more sinister . . . and deadly.
Like Lincoln Child’s spectacular bestsellers coauthored with Douglas Preston (The Book of the Dead,Relic), Deep Storm melds scientific detail and gripping adventure in a superbly imagined, chillingly real journey into unknown territory. Child is a master of suspense, and Deep Storm is his most ambitious novel to date.
Best known as the coauthor (with Douglas Preston) of such bestselling thrillers as Dance of Death, Child delivers a well-crafted and literate science fiction thriller, his third solo effort (after 2004's Death Match). Peter Crane, a former naval doctor, faces the challenge of his career when he investigates a mysterious illness that has broken out on a North Atlantic oil rig. Sworn to secrecy, Crane is transported from the rig to an amazing undersea habitat run by the military that's apparently pursuing evidence that Atlantis exists. Psychotic episodes among the scientific staff as well as the activities of a saboteur that threatens the project's safety keep Crane busy, even as some of the staff members confront him with concerns that exploring the Earth's core could be fatal to all life on earth. Crisp writing energizes a familiar plot, which builds to an unsettling climax with echoes of Child and Preston's The Ice Limit. Author tour. (Jan.) Copyright 2006 Reed Business Information.
More Reviews and RecommendationsLincoln Child is the co-author with Douglas Preston of a bestselling thriller/adventure series. A former book editor at St. Martin's Press, he has published numerous short story anthologies and founded the company's mass market horror division. He also writes novels and techno-thrillers on his own.
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September 02, 2009: This book kept me interested from the start, until about 2/3 of the way through, then it started dragging. I couldn't wait to find out what was down below, and when the answer finally came, I was disappointed. This is definitely a one time read. --K--
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June 20, 2009: I could not put this book down. I read the whole thing in 3 days which is saying A LOT because I am generally a slow reader. Lincoln Child's writing style just sucked me in and held me all the way to the end. What I liked are the characters, the technical depth, and the general sense of urgency.
The characters are so good in this book, as they are in all Lincoln Child's books. The man has mad skills at making people unique,important, interesting, and just plain alive. While this book is not as thrilling as 'The Relic', it does have a greater "I have to find out what happens" quality to it. Highly recommended.Name:
Lincoln Child
Place of Birth:
Westport, Connecticut
Education:
B.A., Carleton College, 1979
Born in Westport, CT, in 1958, Preston Child grew up with a consuming interest in writing. (On his website, he acknowledges several short stories from his youth and two "exquisitely embarrassing" novels penned in high school -- and currently kept under lock and key!) He graduated from Carleton College in Minnesota with a degree in English. In 1979, he moved to New York to pursue a career in publishing and was hired by St. Martin's Press as an editorial assistant. By 1984, he had worked his way up to full editor.
It was around this time that Child met Douglas Preston, a writer employed by the American Museum of Natural History. Author and editor bonded while working together on the nonfiction book Dinosaurs in the Attic; and when the project ended, Preston treated Child to a private midnight tour of the AMNH. The excursion proved fateful: Exploring the deserted corridors and darkened nooks and crannies of the museum, Child turned to Preston and said, "This would make the perfect setting for a thriller!" Although the book would not see print until 1995, the idea for Relic was born that night, cementing a friendship and launching a unique cross-country writing partnership.
Child left St. Martin's in 1987 to went to work for MetLife as a systems analyst. Shortly after the publication of Relic, he resigned his position to become a full-time writer. Subsequent collaborations with Preston have produced an intriguing string of interconnected novels that are less a series than what the authors call a "pangea." The books are self-contained, but the stories take place in the same universe and they share events and characters -- including many introduced in Relic. Readers obviously enjoy this cross-pollination, since the Preston-Child thrillers turn up regularly on the bestseller charts.
In 2002, Child released his first solo novel, Utopia, the story of a futuristic amusement park held hostage by a group of techno-terrorists. Other solo works have followed, blending cutting-edge science and high-octane thrills. Preston, too, has produced fiction and nonfiction on his own, and the two men continue their successful collaborations. It's an arrangement that suits both writers to a tee.
While at St. Martin's, Lincoln Child assembled several collections of ghost and horror stories. He also founded the company's mass-market horror division.
On his website, Child lists the following among his interests: pre-1950s literature and poetry; post-1950s popular fiction; playing the piano, various MIDI instruments, and the 5-string banjo; English and American history; motorcycles; architecture; classical music, early jazz, blues, and R&B; exotic parrots; esoteric programming languages; mountain hiking; bow ties; Italian suits; fedoras; archaeology; and multiplayer deathmatching.
In our interview Child shared some fun and fascinating personal anecdotes.
"I try to write about things, places, events, and phenomena I know about personally. That helps make the novels more genuine. My grandmother, Nora Kubie, who was herself a published novelist, always gave me that advice. And it's probably the best I've received, or for that matter given. I even try to make use of my personal eccentricities and quirks. I hate subways, for example, and in such works as Reliquary I tried to instill -- or at least convey -- that groundless but persistent fear."
"My first job out of college was as an editorial assistant in a New York publishing house. Being an editorial assistant is the purgatory would-be editors must endure before they can ascend the ladder and begin acquiring books on their own. I spent a year filing paperwork, writing copy, and typing rejection letters."
"For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen. As long as the work, and the finished product, remains fresh and important to a writer -- and the day it stops being important to me is the day I'll lay down my pen -- said writer can never allow himself to coast, or go soft, or recycle old material, or take the easy way out."
"I like exotic parrots, motorcycles, wine from Pauillac, playing the piano and the banjo, the poetry of John Keats, the music of Fats Waller, collecting old books and new guitars, computer FPS and RPG games, and preparing dishes like caneton a l'Orange and desserts like soufflé au chocolat."
What was the book that most influenced your life or your career as a writer?
Probably the essays of E. B. White. Nobody has influenced my love for words and wordplay as much as White has. In his hands, essays become poetry, and poetry becomes music. I've wanted to be a writer from a very young age, but it was such essays in this book as "Farewell, My Lovely!'" and "Death of a Pig" and "Here Is New York" that fueled my resolve, kept me determined despite setbacks and wrong turns, and ultimately helped turn a fond dream into reality.
What are your favorite books, and what makes them special to you?
This is hard. Ask me tomorrow, and you'd probably get some different titles. But these are the ones that spring immediately to mind:
What are some of your favorite films?
I love everything from drawing-room comedies to modern thrillers to art-house films. My favorites include, in no particular order:
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I love many types of music: classical music, R&B, soul, rock, bluegrass, jazz. Of the last five categories, I'm particularly partial to music composed and performed between 1940 and 1970. I can't listen to music while writing -- any such distraction would have dreadful consequences.
If you had a book club, what would it be reading?
Probably great works of English, Russian, and French literature. There are still many important novels in the canon that have to date eluded me -- the formal structure of a book club would help give me the discipline necessary to pick them up at last.
What are your favorite kinds of books to give -- and get -- as gifts?
I'm very hard to buy for. As a collector, my favorite books to receive are obviously collectible titles: rare first editions, very old books, and the like.
As for giving books to others, any book that has had a profound effect on me, or that I think the recipient will truly enjoy, is a delight to pass on or recommend. I recently gave Doug a copy of Kenneth Roberts's Northwest Passage, and it helped him get through a grueling period of touring in support of our latest joint book. I think most readers would agree that recommending books to people can be almost as rewarding as discovering the book for yourself.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My desk is cluttered with computers, phones, fax machines, printers, network storage devices, keyboards, and flat panel displays -- all sorts of technological flotsam and jetsam.
As for writing rituals, I find that late morning through early afternoon is the best time for me to do creative writing. I can only do so many hours of that per day, however, both from standpoints of creative energy and simple logistics: there are numerous other chores that demand a writer's time, such as answering email, doing publicity....
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
As a former book editor, I had contacts in the industry among agents and publishers. That guaranteed that our first novel, Relic, would at least be given a sympathetic reading -- but it certainly didn't guarantee success. Our agent showed that manuscript to a long, long list of publishers over many months, and he was very patient, keeping hope alive when both Doug Preston and I began to despair of the book ever being published. In the end, Tor Books took a chance on us.
What tips or advice do you have for writers still looking to be discovered?
Be patient, and have fun -- it sounds like a truism, but the act of writing should be, in part, its own reward. Doug and I tried to have fun while we wrote Relic, and we also tried hard to make it the kind of book that we ourselves would like to read. Readers are very intelligent people, and they are quick to spot the difference between a book that was written with the genuine intent of pleasing the author and his/her readers, and a book written with the cynical intention of simply selling a lot of copies.
Twelve-thousand feet beneath the Atlantic Ocean . . .
scientists are excavating the most extraordinary undersea discovery ever made. But is it the greatest archaeological find in history—or the most terrifying?
Former naval doctor Peter Crane is urgently summoned to a remote oil platform in the North Atlantic to help diagnose a bizarre medical condition spreading through the rig. But when he arrives, Crane learns that the real trouble lies far below—on “Deep Storm,” a stunningly advanced science research facility built two miles beneath the surface on the ocean floor. The topsecret structure has been designed for one purpose: to excavate a recently discovered undersea site that may hold the answers to a mystery steeped in centuries of myth and speculation.
Sworn to secrecy, Dr. Crane descends to Deep Storm. A year earlier, he is told, routine drilling uncovered the remains of mankind’s most sophisticated ancient civilization: the legendary Atlantis. But now that the site is being excavated, a series of disturbing illnesses has begun to affect the operation. Scientists and technicians are experiencing a bizarre array of symptoms—from simple fatigue to violent psychotic episodes. As Crane is indoctrinated into the strange world of Deep Storm and commences his investigation, he begins to suspect that the covert facility conceals something more complicated than a medical mystery.The discovery of Atlantis might, in fact, be a cover for something far more sinister . . . and deadly.
Like Lincoln Child’s spectacular bestsellers coauthored with Douglas Preston (The Book of the Dead,Relic), Deep Storm melds scientific detail and gripping adventure in a superbly imagined, chillingly real journey into unknown territory. Child is a master of suspense, and Deep Storm is his most ambitious novel to date.
Best known as the coauthor (with Douglas Preston) of such bestselling thrillers as Dance of Death, Child delivers a well-crafted and literate science fiction thriller, his third solo effort (after 2004's Death Match). Peter Crane, a former naval doctor, faces the challenge of his career when he investigates a mysterious illness that has broken out on a North Atlantic oil rig. Sworn to secrecy, Crane is transported from the rig to an amazing undersea habitat run by the military that's apparently pursuing evidence that Atlantis exists. Psychotic episodes among the scientific staff as well as the activities of a saboteur that threatens the project's safety keep Crane busy, even as some of the staff members confront him with concerns that exploring the Earth's core could be fatal to all life on earth. Crisp writing energizes a familiar plot, which builds to an unsettling climax with echoes of Child and Preston's The Ice Limit. Author tour. (Jan.) Copyright 2006 Reed Business Information.
When men working on an oil rig in the North Atlantic experience symptoms of a mysterious illness, former naval doctor Peter Crane is called in to diagnose. Forced to sign an oath of secrecy before he can start, Crane learns that the true source of the sickness lies miles beneath the water's surface in a state-of-the-art research laboratory called Deep Storm. A major discovery that the scientists are investigating at the bottom of the ocean will change the history of humankind forever. Crane must work through the secrecy and deception if he is going to save the lives of everyone on the rig. Never predictable and always fascinating, Child's (Death Match) thriller will be remembered as one of the best of the year. Highly recommended. [See Prepub Alert, LJ 9/1/06.]-Jeff Ayers, Seattle P.L. Copyright 2006 Reed Business Information.
Deep drilling in the North Atlantic brings discovery of considerably greater interest than the usual crude oil. Summoned mysteriously, Peter Crane, an ex-naval physician between jobs, is dropped off by helicopter on an oil rig in the turbulent seas somewhere between Greenland and Iceland, where he learns, after signing reams of secrecy pledges, that the rig has been taken over by a joint American military-scientific task force. The action is not on the platform itself in this latest almost-sci-fi novel from Child, whose 2004 thriller Death Match also flirted with the fantastic, but in an elaborate research station housed in a hemisphere miles under the ocean's surface, where spooks and scientists have gathered to plumb mysteries revealed when the rig's previous owners started bringing up bits and pieces of something that shouldn't be there. Crane is told that the huge top-secret lab is sitting on the top of the lost continent of Atlantis, and that he's gotten the call because of his expert knowledge of diving ailments. A shockingly large number of the lab's employees have turned up with a wide variety of serious physical and mental illnesses. Teaming with unfriendly Dr. Michelle Bishop, Crane pokes and prods the patients and plows into the medical evidence. But as he gets closer to a diagnosis, he also observes what's going on in the station, where security and secrecy are way out of proportion to an archaeological dig. It becomes evident that the legend of pre-historic Atlantis is just that, a legend. The elaborate setup and the continued drilling all have something to do with a cataclysmic event 600 years earlier, an event that threatens the earth today even as a saboteur threatens theunderwater lab. Mildly chilling techno-thriller.
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Excerpted from Deep Storm by Lincoln Child Copyright © 2007 by Lincoln Child. Excerpted by permission.
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