A Slight Trick of the Mind by Mitch Cullin

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  • Pub. Date: April 2005
  • 272pp
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    Product Details

    • Pub. Date: April 2005
    • Publisher: Doubleday Publishing
    • Format: Hardcover, 272pp

    Synopsis

    Mitch Cullin’s engrossing A Slight Trick of the Mind is an original portrait of literature’s most beloved detective, Sherlock Holmes, in the twilight of his illustrious life.

    Holmes—“a genius in whom scientific curiosity is raised to the status of heroic passion”—is famous for his powers of deduction. His world is made up of hard evidence and uncontestable facts, his observations and conclusions unsullied by personal feelings, until novelist Cullin goes behind the cold, unsentimental surface to reveal for the first time the inner world of an obsessively private man.

    It is 1947, and the long-retired Holmes, now 93, lives in a remote Sussex farmhouse, where his memories and intellect begin to go adrift. He lives with a housekeeper and her young son, Roger, whose patient, respectful demeanor stirs paternal affection in Holmes. Holmes has settled into the routine of tending his apiary, writing in journals, and grappling with the diminishing powers of his razor-sharp mind, when Roger comes upon a case hitherto unknown. It is that of a Mrs. Keller, the long-ago object of Holmes’s deep—and never acknowledged—infatuation.

    As Mitch Cullin weaves together Holmes’s hidden past, his poignant struggle to retain mental acuity, and his unlikely relationship with Roger, Holmes is transformed from the machine-like, mythic figure into an ordinary man, confronting and acquiescing to emotions he has resisted his entire life. This subtle and wise work is more than just a reimagining of a classic character. It is a profound meditation on faultiness of memory and how, as we grow older, the way we see the world isinevitably altered.

    The Washington Post - Carolyn See

    This is a lovely, tenderhearted book, full of reserve, good manners, elegance of feeling. It's what a novel should be. You don't read it to be "improved" but for the plain joy of seeing what the language can do in the hands of an affectionate, very accomplished writer.

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    Biography

    MITCH CULLIN is the author of six books, including Tideland and Branches, a novel-in-verse. He lives in California’s San Gabriel Valley, where in addition to writing fiction, he collaborates on various projects with the artist Peter I. Chang.

    Customer Reviews

    Not your typical Sherlock Holmes storyby nprfan1

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    November 23, 2008: If you bought this book with the expectation of reading about a "new" Sherlock Holmes mystery, think again. Despite the fact that the novel contains a story purportedly written by the Great Detective, I believe you'll be disappointed. The only mystery Holmes encounters in this well-written book is the greatest one of all - life, and its approaching termination.

    The year is 1947. Holmes is ninety-three years old. Watson, Mrs Hudson, and his brother Mycroft have long since shuffled off this mortal coil, and also, so it seems, has a great deal of Holmes vaunted intellect. He is not senile by any means. On the other hand, he is suffering the same maladies borne by a great number of people who reach his age - for example, it's easier for him to recall things that happened forty years ago than events that took place four days ago.

    Mitch Cullin takes this basic concept and gives us an idea of what Holmes might have been like at this age, and does so beautifully. As one might expect, Holmes at ninety-three is irascible and impatient, but he has also surprisingly mellowed. He has much more patience with others than is mentioned by Watson in Conan Doyle's original tales.

    There is also something of a plot, but you need to remember that there is no mystery, scandal, or intrigue involved. The story deals basically with a trip made by Holmes to Japan after the end of World War II, and the relationship he develops with the man who invited him there; and the relationship he has with the son of his new housekeeper - something I am sure the Holmes of Conan Doyle's stories would have emphatically disdained.

    Since Cullin has implied that Holmes basically retired from the trade of a consulting detective after moving to his Sussex cottage (with the obvious exception of the story related in "His Last Bow"), one wonders what his life would have been like between that relocation and the time of the current tale. I for one would like to know.

    The Literary Sherlocksby Anonymous

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    July 06, 2005: What a joy it has been of late for us Sherlockians. Not only has there been a batch of new scholarly Holmes-related books to digest and debate--among them THE NEW ANNOTATED SHERLOCK HOLMES--but we?ve also been blessed with three very interesting and top-notch pastiches. What makes this trio of recent novels so unique is that they come from unlikely writers, individuals who fall more into the literary category than the mystery genre. I am, of course, referring to the three-headed prong that is Caleb Carr (THE ITALIAN SECRETARY), Michael Chabon (THE FINAL SOLUTION), and Mitch Cullin (A SLIGHT TRICK OF THE MIND). *** As I decided to read all three books back to back, I shall comment on them in the order in which they were read. For better or worse, I started with the one that I believed would be the most satisfying of the trio: Caleb Carr?s THE ITALIAN SECRETARY. However, while I found Carr?s book engaging and fun for the most part, I was somewhat disappointed with it. In hindsight, my feelings might have more to do with my high regard for Carr?s previous novels--such as THE ALIENIST--than it does with the actual quality of his Sherlock novel. In other words, had THE ITALIAN SECRETARY been written by someone else, I might not have found myself feeling it lacked the strength and depth of story that I?ve come to expect from, yes, a Caleb Carr novel. So putting those thoughts aside, I will say that Carr?s book is mostly well written and he has done a good job at capturing the spirit, intrigue, and style of Doyle. However, it fell a little flat toward the end, giving me the sense of a rushed job. Even so, both his Holmes and Watson are vivid and quite enjoyable, and I do hope he tries his hand at another Sherlock pastiche, taking his time to draw the story out rather than move it so swiftly to its conclusion. A somewhat slight but worthy read nevertheless. *** Next up was Michael Chabon?s THE FINAL SOLUTION, the Pulitzer-Prize winning writer?s look at an unnamed Sherlock in retirement, set with World War II as the backdrop. This novella--not novel--is actually quite wonderful and the writing is fluid, lyrical, and overall rather excellent. To be frank, I wasn?t expecting much from such a slim volume that offered us Sherlock as an elderly gentleman. But I was mistaken. It is an intelligent diversion, and, like Mitch Cullin?s novel, brings the character into a modern age that somewhat confounds him. If I have any complaints, though, it is that Chabon made a point of never mentioning Sherlock by name (he is simply The Old Man), and, by doing so, skirted the character?s history and much of his background, making him a bit one dimensional. The shortness of the book, too, didn?t leave much room for the plot (which is, by the way, very interesting) or other characters to be developed at any great length. Still, there was enough here to hold my interest, and, in its own way, THE FINAL SOLUTION not only compliments Mitch Cullin?s longer work but its themes and story also function as a kind of extended prologue to the last book in the threesome. A wonderfully written, thoughtful addition to Holmes literature that manages to pack a decent punch in too few pages. *** Poor Mitch Cullin, I thought when I finally got around to his A SLIGHT TRICK OF THE MIND. Besides holding the distinction of being ?the best American novelist you`ve probably never heard of,? his attempt to capture Sherlock followed in the shadows of both Carr...


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