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Second Oz book; Scarecrow and Tin Woodman are back with hero named Tip. 120 black-and-white, 16 full-color illustrations.
When the Scarecrow, now the ruler of the Emerald City, is driven out by General Jinjur and her all-girl army, his friends--the Tin Woodman, a boy named Tip, and Jack Pumpkinhead--try to restore peace.
More Reviews and RecommendationsNot only is L. Frank Baum’s classic The Wonderful Wizard of Oz one of the most enduring and magical children’s books ever written, it’s also -- with its adventurousness and its lessons of resourcefulness, friendship, courage, and self-reliance -- one of the most American.
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April 27, 2009: This This book is about an adventure with tip, Jack Pumpkinhead, the saw horse, Tin woodman, and the scarecrow. They are all walking together on a journey Far Faraway to the Land of Oz. On the way a very cruel, mean Enemy of the gang plays some tricks with them trying to make them not reach their Destination. On their way they are going to need help from some unusual creatures. They have many different settings, but my favorite setting is the palace. The palace is so beautiful inside and out. I would recommend this book to people with high expectations for adventure and fantasy! If Frank Baum was ever reading this report all I could say is that he did an excellent job!!! This book was great!!!!!
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April 14, 2001: My favorite books are the Oz books and this one is one of the best!!!!! This is so good for any ages but mostly for fanasty fans like myself.
Name:
L. Frank Baum
Also Known As:
Floyd Akers, Laura Bancroft, George Brooks, Edith Van Dyne, Schuyler Staunton, John Estes Cooke, Suzanne Metcalf, Louis F. Baum, Lyman Frank Baum (full name)
Date of Birth:
May 15, 1856
Place of Birth:
Chittenango, New York
Date of Death
May 06, 1919
Place of Death
Hollywood, California
Education:
Attended Peekskill Military Academy and Syracuse Classical School
Dorothy, Toto, the Scarecrow, Aunt Em -- where would our national psyche be without The Wonderful Wizard of Oz? L. Frank Baum, who created a story with an indelible, sometimes haunting impression on so many people, led a life that had a fairy-tale quality of its own.
Baum was born in 1856 to a family that had made a fortune in the oil business. Because he had a heart condition, his parents arranged for him to be tutored privately at the family’s Syracuse estate, “Roselawn.” As an adult, though, Baum flourished and failed at a dizzying variety of ventures, from writing plays to a stint with his family’s medicinal oil business (where he produced a potion called “Baum’s Castorine”), to managing a general store, to editing the Aberdeen Pioneer in Aberdeen, South Dakota. In 1897, following his mother-in-law’s advice, Baum wrote down the stories that he told his children. The firm of Way & Williams published the stories under the title Mother Goose in Prose, with illustrations by Maxfield Parrish, and Baum’s career as a writer was launched.
With the publication of The Wonderful Wizard of Oz in 1900, Baum gained instant success. The book, lavishly produced and featuring voluptuous illustrations by William Wallace Denslow, was the bestselling children’s book of the year. It also set a new standard for children’s literature. As a commentator for the September 8, 1900 New York Times described it, “The crudeness that was characteristic of the oldtime publications...would now be enough to cause the modern child to yell with rage and vigor...” The reviewer praised the book’s sheer entertainment value (its “bright and joyous atmosphere”) and likened it to The Story of the Three Bears for its enduring value. As the film industry emerged in the following years, few books were as manifestly destined for adaptation, and although it took almost four decades for a movie studio to translate Baum’s vision to film, the 1939 film did for the movies what Baum’s book had done for children’s literature: that is, raised the imaginative and technical bar higher than it had been before.
The loss of parents, the inevitable voyage toward independence, the yearning for home -- in The Wonderful Wizard of Oz, Baum touched upon a child’s primal experiences while providing a rousing story of adventure. As his health declined, Baum continued the series with 14 more Oz books (his publisher commissioned more by other authors after his death), but none had quite the effect on the reading public that the first one did. Baum died from complications of a stroke in 1919.
Baum founded the National Association of Window Trimmers and published a magazine for the window-trimming trade – he also raised exotic chickens.
Buam was married to Maud Gage, a daughter of the famous women’s rights advocate Matilda Joslyn Gage.
Being an account of the further adventures of the Scarecrow and Tin Woodman and also the strange experiences of the highly magnified Woggle-Bug Jack Pumpkin-head- the Animated Saw-Horse and the Gump; the story being A Sequel to The Wizard of Oz
In the Country of the Gillikins, which is at the North of the Land of Oz, lived a youth called Tip. There was more to his name than that, for old Mombi oftendeclared that his whole name was Tippetarius; but no one was expected to say such a long word when "Tip" would do just as well.
This boy remembered nothing of his parents, for he had been brought when quite young to be reared by the old woman known as Mombi, whose reputation, I am sorry to say, was none of the best. For the Gillikin people had reason to suspect her of indulging in magical arts, and therefore hesitated to associate with her.
Mombi was not exactly a Witch, because the Good Witch who ruled that part of the Land of Ozhad forbidden any other Witch to exist in her dominions. So Tip's guardian, however much she might aspire to working magic, realized it was unlawful to be morethan a Sorceress, or at most a Wizardess.
Tip was made to carry wood from the forest, that the old woman might boil her pot. He also worked in the corn-fields, hoeing and husking; and he fed the pigs andmilked the four-horned cow that was Mombi's especial pride.
But you must not suppose he worked all the time, for he felt that would be bad for him. When sent to the forest Tip often climbed treesfor birds' eggs or amusedhimself chasing the fleet white rabbits or fishing in the brooks with bent pins. Then he would hastily gather his armful of wood and carry it home. And when he was supposed to be working in the corn-fields, and the tall stalks hid him from Mombi's view, Tip would often dig in the gopher holes, or -- if the mood seized him -- lie upon his back between the rows of corn and take a nap. So, by taking care not to exhaust his strength, he grew as strong and rugged as a boy may be.
Mombi's curious magic often frightened her neighbors, and they treated her shyly, yet respectfully, because of her weird powers. But Tip frankly hated her, andtook no pains to hide his feelings. Indeed, he sometimes showed less respect for the old woman than he should have done, considering she was his guardian.
There were pumpkins in Mombi's corn-fields, lying golden red among the rows of green stalks; and these had been planted and carefully tended that thefour-horned cow might eat of them in the winter time. But one day, after the corn had all been cut and stacked, and Tip was carrying the pumpkins to the stable, hetook a notion to make a "Jack Lantern" and try to give the old woman a fright with it.
So he selected a fine, big pumpkin -- one with a lustrous, orange-red color -- and began carving it. With the point of his knife he made two round eyes, a three-cornered nose, and a mouth shaped like a new moon. The face, when completed, could not have been considered strictly beautiful; but it wore a smile so big and broad, and was sojolly in expression, that even Tip laughed as he looked admiringly at his work.
The child had no playmates, so he did not know that boys often dig out the inside of a "pumpkinjack, " and in the space thus made put a lighted candle to renderthe face more startling; but he conceived an idea of his own that promised to be quite as effective. He decided to manufacture the form of a man, who would wearthis pumpkin head, and to stand it in a place where old Mombi would meet it face to face.
"And then, " said Tip to himself , with a laugh, "she'll squeal louder than the brown pig does when I pull her tail, and shiver with fright worse than I did last yearwhen I had the ague!"
He had plenty of time to accomplish this task, for Mombi had gone to a village-to buy groceries, she said-and it was a journey of at least two days.
So he took his axe to the forest, and selected some stout, straight saplings, which he cut down and trimmed of all their twigs and leaves. From these he wouldmake the arms, and legs, and feet of his man. For the body he stripped a sheet of thickbark from around a big tree, and with much labor fashioned it into a cylinder of about the right size, pinning the edges together with wooden pegs. Then, whistlinghappily as he worked, he carefully jointed the limbs and fastened them to the body with pegs whittled into shape with his knife.
By the time this feat had been accomplished it began to grow dark, and Tip remembered he must milk the cow and feed the pigs. So he picked up his wooden manand carried it back to the house with him.
During the evening, by the light of the fire in the kitchen, Tip carefully rounded all the edges of the joints and smoothed the rough places in a neat and workmanlikemanner. Then he stood the figure up against the wall and admired it. It seemed remarkably tall, even for a full-grown man; but that was a good point in a smallboy's eyes, and Tip did not object at all to the size of his creation.
Next morning, when he looked at his work again, Tip saw he had forgotten to give the dummy a neck, by means of which he might fasten the pumpkinhead to thebody. So he went again to the forest, which was not far away, and chopped from a tree several pieces of wood with which to complete his work. When he returned he fastened a cross-pieceto the upper end of the body, making a hole through the center to hold upright the neck.
Continues...
Excerpted from The Marvelous Land of Oz by L. Frank Baum Copyright © 2004 by L. Frank Baum. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
In the Country of the Gillikins, which is at the North of the Land of Oz, lived a youth called Tip. There was more to his name than that, for old Mombi oftendeclared that his whole name was Tippetarius; but no one was expected to say such a long word when "Tip" would do just as well.
This boy remembered nothing of his parents, for he had been brought when quite young to be reared by the old woman known as Mombi, whose reputation, I am sorry to say, was none of the best. For the Gillikin people had reason to suspect her of indulging in magical arts, and therefore hesitated to associate with her.
Mombi was not exactly a Witch, because the Good Witch who ruled that part of the Land of Ozhad forbidden any other Witch to exist in her dominions. So Tip's guardian, however much she might aspire to working magic, realized it was unlawful to be morethan a Sorceress, or at most a Wizardess.
Tip was made to carry wood from the forest, that the old woman might boil her pot. He also worked in the corn-fields, hoeing and husking; and he fed the pigs andmilked the four-horned cow that was Mombi's especial pride.
But you must not suppose he worked all the time, for he felt that would be bad for him. When sent to the forest Tip often climbed trees for birds' eggs or amusedhimself chasing the fleet white rabbits or fishing in the brooks with bent pins. Then he would hastily gather his armful of wood and carry it home. And when he was supposed to be working in the corn-fields, and the tall stalks hid him from Mombi's view, Tip would often dig in the gopher holes, or -- if the mood seized him -- lie upon his back between the rows of corn and take a nap. So, by taking care not to exhaust his strength, he grew as strong and rugged as a boy may be.
Mombi's curious magic often frightened her neighbors, and they treated her shyly, yet respectfully, because of her weird powers. But Tip frankly hated her, andtook no pains to hide his feelings. Indeed, he sometimes showed less respect for the old woman than he should have done, considering she was his guardian.
There were pumpkins in Mombi's corn-fields, lying golden red among the rows of green stalks; and these had been planted and carefully tended that thefour-horned cow might eat of them in the winter time. But one day, after the corn had all been cut and stacked, and Tip was carrying the pumpkins to the stable, hetook a notion to make a "Jack Lantern" and try to give the old woman a fright with it.
So he selected a fine, big pumpkin -- one with a lustrous, orange-red color -- and began carving it. With the point of his knife he made two round eyes, a three-cornered nose, and a mouth shaped like a new moon. The face, when completed, could not have been considered strictly beautiful; but it wore a smile so big and broad, and was sojolly in expression, that even Tip laughed as he looked admiringly at his work.
The child had no playmates, so he did not know that boys often dig out the inside of a "pumpkinjack, " and in the space thus made put a lighted candle to renderthe face more startling; but he conceived an idea of his own that promised to be quite as effective. He decided to manufacture the form of a man, who would wearthis pumpkin head, and to stand it in a place where old Mombi would meet it face to face.
"And then, " said Tip to himself , with a laugh, "she'll squeal louder than the brown pig does when I pull her tail, and shiver with fright worse than I did last yearwhen I had the ague!"
He had plenty of time to accomplish this task, for Mombi had gone to a village-to buy groceries, she said-and it was a journey of at least two days.
So he took his axe to the forest, and selected some stout, straight saplings, which he cut down and trimmed of all their twigs and leaves. From these he wouldmake the arms, and legs, and feet of his man. For the body he stripped a sheet of thickbark from around a big tree, and with much labor fashioned it into a cylinder of about the right size, pinning the edges together with wooden pegs. Then, whistlinghappily as he worked, he carefully jointed the limbs and fastened them to the body with pegs whittled into shape with his knife.
By the time this feat had been accomplished it began to grow dark, and Tip remembered he must milk the cow and feed the pigs. So he picked up his wooden manand carried it back to the house with him.
During the evening, by the light of the fire in the kitchen, Tip carefully rounded all the edges of the joints and smoothed the rough places in a neat and workmanlikemanner. Then he stood the figure up against the wall and admired it. It seemed remarkably tall, even for a full-grown man; but that was a good point in a smallboy's eyes, and Tip did not object at all to the size of his creation.
Next morning, when he looked at his work again, Tip saw he had forgotten to give the dummy a neck, by means of which he might fasten the pumpkinhead to thebody. So he went again to the forest, which was not far away, and chopped from a tree several pieces of wood with which to complete his work. When he returned he fastened a cross-pieceto the upper end of the body, making a hole through the center to hold upright the neck. The Marvelous Land of Oz. Copyright © by L. Baum. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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