The popularity of the first volume, Great Stories of the American West, prompted premier anthologist Martin Greenberg to bring together more stories by veteran writers who, while diverse in style and character, share both a love of the American West and a talent for bringing it to life through their prose. Here, Louis L'Amour, John Jakes, Loren D. Estelman, Mark Twain, Evan Hunter and Marcia Muller - some of the very writers who pioneered the American folk literature that has come to be known as the "Western" - succumb to the call of the West, evoking frontier life in all its complexities. Cowboy traditionalists and modernists alike will be downright satisfied by this excellent assemblage of tales, which in turn challenges and pays tribute to the myth of the mythical West.
Here are 15 all-time classic tales by some of the world's best authors--collected for the first time in one volume. Includes favorites like Loren D. Estleman's "The Bandit, " Louis L'Amour's "The Gift of Cochise, " and John D. MacDonald's "The Corpse Rides at Dawn." Fine.
An unexpected novella by Ed Gorman that deftly blends the crime and western genres anchors this adequate follow-up to Greenberg's 1994 anthology Great Stories of the American West I. The 17 other stories here come from sources both predictable and unlikely. Expectedly, Bret Harte is represented, with the masterful ``The Idyl of Red Gulch,'' about a proper schoolmarm and her intriguing and ambiguous relationship with the inhabitants of Red Gulch, especially one pupil, and so is Owen Wister (The Virginian), who shows up with ``Timberline,'' a tale of violence and unsolved murder. Also on hand are Louis L'Amour, Jack London and Stephen Crane, with his familiar ``Blue Hotel,'' a yarn of gambling, grudges and death. On the other hand, Erle Stanley Gardner, remembered almost exclusively for his Perry Mason mysteries, is represented by ``Singing Sand,'' and John Jakes, the godfather of epic historicals about the American Revolution, shows his roots in standard genre fiction in ``The Naked Gun.'' Mark Twain leavens the mix with criticism, a viciously funny assault on ``Fenimore Cooper's Literary Offenses'' in the Deerslayer, with Twain finding Cooper guilty of 114 artistic crimes out of a possible 115. Given its eccentricities, this volume is better suited to those already enamored of this peculiarly American art form than to those seeking an introduction to its pleasures. (Feb.) ~ Mystery
More Reviews and Recommendations