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Large Format for easy reading. From the author of The Scarlet Letter, a collection of his best short stories.
More Reviews and Recommendations"Words -- so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them," Nathaniel Hawthorne once reflected. Hawthorne's own words indeed had an undeniable power. Author of The Scarlet Letter and originator of the American short story, Hawthorne left an indelible impression on literature that would influence his fellow writers into the next century.
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April 27, 2002: The tales awakened me from a sleep that had once been unchallenged by other books of my age or those of my fathers. To those who choose to read this book I can only say that with a need for life on parchment this will quickly if not instantly become one of if not entirely your favorite book.
Name:
Nathaniel Hawthorne
Date of Birth:
July 04, 1804
Place of Birth:
Salem, Massachusetts
Date of Death
May 19, 1864
Place of Death
Plymouth, New Hampshire
Education:
Bowdoin College, Brunswick, Maine, 1824
Nathaniel Hathorne, Jr., was born into an established New England puritan family on Independence Day, 1804, in Salem, Massachusetts. After the sudden death of his father, he and his mother and sisters moved in with his mother's family in Salem. Nathaniel's early education was informal; he was home-schooled by tutors until he enrolled in Bowdoin College in Brunswick, Maine.
Uninterested in conventional professions such as law, medicine, or the ministry, Nathaniel chose instead to rely "for support upon my pen." After graduation, he returned to his hometown, wrote short stories and sketches, and chanced the spelling of his surname to "Hawthorne." Hawthorne's coterie consisted of transcendentalist thinkers, including Ralph Waldo Emerson and Henry David Thoreau. Although he did not subscribe entirely to the group's philosophy, he lived for six months at Brook Farm, a cooperative living community the transcendentalists established in West Roxbury, Massachusetts.
On July 9, 1942, Hawthorne married a follower of Emerson, Sophia Peabody, with whom he had a daughter, Una, and a son, Julian. The couple purchased a mansion in Concord, Massachusetts, that previously had been occupied by author Louisa May Alcott. Frequently in financial difficulty, Hawthorne worked at the custom houses in Salem and Boston to support his family and his writing. His peaceful life was interrupted when his college friend, Franklin Pierce, now president of the United States, appointed him U.S. consul at Liverpool, England, where he served for four years.
The publication of The Scarlet Letter in 1850 changed the way society viewed Puritanism. Considered his masterpiece, the novel focuses on Hawthorne's recurrent themes of sin, guilt, and punishment. Some critics have attributed his sense of guilt to his ancestors' connection with the persecution of Quakers in seventeenth-century New England and their prominent role in the Salem witchcraft trials in the 1690s.
On May 19, 1864, Hawthorne died in Plymouth, New Hampshire, leaving behind several unfinished novels that were published posthumously. He is buried at Sleepy Hollow Cemetery in Concord, Massachusetts.
Author biography from the Barnes & Noble Classics edition of The Scarlet Letter.
Hawthorne's birth name was actually Nathaniel Hathorne. It's rumored that he added a "w" to avoid being associated with his Puritan grandfather, Judge Hathorne -- who presided over the Salem Witch Trials.
Among Hawthorne's peers at Maine's Bowdoin College: author Henry Wadsworth Longfellow and Franklin Pierce, who would later become the country's 14th president.
In its first week of publication, The Scarlet Letter sold 4,000 copies.
Hawthorne died on May 19, 1864, at the Pemigewasset House in Plymouth, New Hampshire. Ironically, former president Franklin Pierce had advised him to go there for his health.
Large Format for easy reading. From the author of The Scarlet Letter, a collection of his best short stories.
Loading...| Biographical Note | ||
| Introduction | ||
| Preface | ||
| The Gray Champion | 3 | |
| Sunday at Home | 11 | |
| The Wedding-Knell | 17 | |
| The Minister's Black Veil | 25 | |
| The May-Pole of Merry Mount | 38 | |
| The Gentle Boy | 49 | |
| Mr. Higginbotham's Catastrophe | 78 | |
| Little Annie's Ramble | 90 | |
| Wakefield | 97 | |
| A Rill from the Town-Pump | 106 | |
| The Great Carbuncle | 112 | |
| The Prophetic Pictures | 126 | |
| David Swan | 139 | |
| Sights from a Steeple | 145 | |
| The Hollow of the Three Hills | 151 | |
| The Toll-Gatherer's Day | 156 | |
| The Vision of the Fountain | 162 | |
| Fancy's Show Box | 168 | |
| Dr. Heidegger's Experiment | 174 | |
| Legends of the Province-House: I. Howe's Masquerade | 184 | |
| Legends of the Province-House: II. Edward Randolph's Portrait | 198 | |
| Legends of the Province-House: III. Lady Eleanore's Mantle | 210 | |
| Legends of the Province-House: IV. Old Esther Dudley | 225 | |
| The Haunted Mind | 236 | |
| The Village Uncle | 241 | |
| The Ambitious Guest | 252 | |
| The Sister Years | 260 | |
| Snow-Flakes | 267 | |
| The Seven Vagabonds | 272 | |
| The White Old Maid | 288 | |
| Peter Goldthwaite's Treasure | 298 | |
| Chippings with a Chisel | 317 | |
| The Shaker Bridal | 327 | |
| Night Sketches | 333 | |
| Endicott and the Red Cross | 339 | |
| The Lily's Quest | 346 | |
| Foot-prints on the Sea-shore | 353 | |
| Edward Fane's Rosebud | 363 | |
| The Threefold Destiny | 370 | |
| Notes | 379 | |
| Reading Group Guide | 405 | |
| Note on the Text | 406 |
1. In a famous review of Twice-Told Tales published in 1842, another American writer who excelled at the short story–Edgar Allan Poe–wrote the following: “We have always regarded the Tale (using this word in its popular acceptation) as affording the best prose opportunity for display of the highest talent. It has peculiar advantages which the novel does not admit. It is, of course, a far finer field than the essay. It has even points of superiority over the poem.” Using Poe’s insight as a point of departure, discuss the short story form, and how Hawthorne makes use of it.
2. Which stories in this collection do you find most compelling, and why?
3. Discuss the figure of the Minister in “The Minister’s Black Veil,” one of Hawthorne’s most famous and enigmatic stories. What might account for his strange decision regarding the veil?
4. In the story of the same name, discuss Wakefield’s decision to leave home. Why do you think this premise appealed to Hawthorne? How might we account for Wakefield’s decision?
5. What is “Mr. Heidegger’s Experiment”? Is it successful? Is there a moral to this story?
6. What themes would you say run through Hawthorne’s stories? What preoccupations or issues unify his work?
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