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Silver Bells by Debbie Macomber
In this classic story, Debbie brings those Manning men and Manning sisters home for a mistletoe marriage when a single dad finally says "I do."
The Perfect Holiday by Sherryl Woods
Will bachelor Trace Franklin become a groom-to-be by Christmastime? He sure will…if Savannah Holiday's aunt Mae has anything to do with it.
Under the Christmas Tree by Robyn Carr
When the folks of Virgin River discover a box of adorable puppies under the town's Christmas tree they call on local vet Nathaniel Jensen for help. But it's his budding romance with Annie McCarty that really has tongues—and tails—wagging!
When Debbie Macomber started out, she was a young, dyslexic mother of four who wrote in her kitchen on a rented typewriter. Years later, she's the blockbuster bestselling author of dozens of heartwarming novels that celebrate love, laughter, and the bonds of family and friendship.
More About the AuthorReader Rating:
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February 06, 2010: well written. love all of Debbie Macomber's books. enjoyed it very much.
Reader Rating:
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February 06, 2010: I would recommend this book. It was a fun read.
Name:
Debbie Macomber
Current Home:
Port Orchard, Washington
Date of Birth:
October 22, 1948
Place of Birth:
Yakima, Washington
Education:
Graduated from high school in 1966; attended community college
Publishing did not come easy to self-described "creative speller" Debbie Macomber. When Macomber decided to follow her dreams of becoming a bestselling novelist, she had a lot of obstacles in her path. For starters, Macomber is dyslexic. On top of this, she had only a high school degree, four young children at home, and absolutely no connections in the publishing world. If there's one thing you can say about Debbie Macomber, however, it is that she does not give up. She rented a typewriter and started writing, determined to break into the world of romance fiction.
The years went on and the rejection letters piled up. Her family was living on a shoestring budget, and Debbie was beginning to think that her dreams of being a novelist might never be fulfilled. She began writing for magazines to earn some extra money, and she eventually saved up enough to attend a romance writer's conference with three hundred other aspiring novelists. The organizers of the conference picked ten manuscripts to review in a group critique session. Debbie was thrilled to learn that her manuscript would be one of the novels discussed.
Her excitement quickly faded when an editor from Harlequin tore her manuscript to pieces in front of the crowded room, evoking peals of laughter from the assembled writers. Afterwards, Macomber approached the editor and asked her what she could do to improve her novel. "Throw it away," the editor suggested.
Many writers would have given up right then and there, but not Macomber. The deeply religious Macomber took a lesson from Job and gathered strength from adversity. She returned home and mailed one last manuscript to Silhouette, a publisher of romance novels. "It cost $10 to mail it off," Macomber told the Milwaukee Journal Sentinel in 2000. "My husband was out of work at this time, in Alaska, trying to find a job. The children and I were living on his $250-a-week unemployment, and I can't tell you what $10 was to us at that time."
It turned out to be the best $10 Macomber ever spent. In 1984, Silhouette published her novel, Heartsong. (Incidentally, although Heartsong was Macomber's first sale, she actually published another book, Starlight, before Heartsong went to print.) Heartsong went on to become the first romance novel to ever be reviewed in Publishers Weekly, and Macomber was finally on her way.
Today, Macomber is one of the most widely read authors in America. A regular on the New York Times bestseller charts, she is best known for her Cedar Cove novels, a heartwarming story sequence set in a small town in Washington state, and for her Knitting Books series, featuring a group of women who patronize a Seattle yarn store. In addition, her backlist of early romances, including several contemporary Westerns, has been reissued with great success.
Macomber has made a successful transition from conventional romance to the somewhat more flexible genre known as "women's fiction." "I was at a point in my life where I found it difficult to identify with a 25-year-old heroine," Macomber said in an interview with ContemporaryRomanceWriters.com. "I found that I wanted to write more about the friendships women share with each other." To judge from her avid, ever-increasing fan base, Debbie's readers heartily approve.
Some outtakes from our interview with Macomber:
"I'm dyslexic, although they didn't have a word for it when I was in grade school. The teachers said I had 'word blindness.' I've always been a creative speller and never achieved good grades in school. I graduated from high school but didn't have the opportunity to attend college, so I did what young women my age did at the time -- I married. I was a teenager, and Wayne and I (now married nearly 37 years) had four children in five years."
"I'm a yarnaholic. That means I have more yarn stashed away than any one person could possibly use in three or four lifetimes. There's something inspiring about yarn that makes me feel I could never have enough. Often I'll go into my yarn room (yes, room!) and just hold skeins of yarn and dream about projects. It's a comforting thing to do."
"My office walls are covered with autographs of famous writers -- it's what my children call my ‘dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few."
"I'm morning person, and rip into the day with a half-mile swim (FYI: a half mile is a whole lot farther in the water than it is on land) at the local pool before I head into the office, arriving before eight. It takes me until nine or ten to read through all of the guest book entries from my web site and the mail before I go upstairs to the turret where I do my writing. Yes, I write in a turret -- is that romantic, or what? I started blogging last September and really enjoy sharing bits and pieces of my life with my readers. Once I'm home for the day, I cook dinner, trying out new recipes. Along with cooking, I also enjoy eating, especially when the meal is accompanied by a glass of good wine. Wayne and I take particular pleasure in sampling eastern Washington State wines (since we were both born and raised in that part of the state).
What was the book that most influenced your life or your career as a writer?
The one book that has had the strongest influence on my life, without question, is the Bible. God's Word has been the guiding force behind all I do. I read the Bible each and every day and gain inspiration, encouragement, and joy.
What are your ten favorite books, and what makes them special to you?
Before I answer this, I feel it's necessary to mention that I read widely, across the board. In compiling this list I discovered several of my favorite books are nonfiction. I have not noted the Bible a second time, although as I indicated above, it is the most influential book in my life.
What are some of your favorite films, and what makes them unforgettable to you?
I'm a big film buff, although I'm not fond of movies with excessive violence. I've always enjoyed musicals. My first exposure was with West Side Story. I memorized all the songs and belted them out for months afterward. I almost entered the convent after watching The Sound of Music. Thankfully, I didn't; it wouldn't have been a good fit for either of us. In recent years I've enjoyed The Princess Bride and the Star Wars series. I like movies with what I call a zinger -- Collateral and The Replacement Killers are good examples. And comedies, too. I don't think I've ever laughed so hard as when I watched The Gods Must Be Crazy, It's a Mad, Mad, Mad World, and The Hallelujah Trail.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I don't listen to music while writing. It's not that I need silence in order to create. I started out writing when our four children were small and I needed to keep my ears tuned to them in case one of them decided to play Superman and fly out a window or start a campfire in the middle of the living room. When it comes to listening to the radio, I prefer the oldies stations. When I'm on the treadmill, I play Christian CDs and make a joyful noise. Correction: It's a joyful noise to me, but I doubt others would think so.
What are your favorite kinds of books to give -- and get -- as gifts?
There's a bookstore directly below my office. It's hard to believe but I write above a bookstore and an ice cream parlor. This, my friends, is a writer's nirvana. On average I buy a book a day, and that's no exaggeration. Mostly I purchase nonfiction for gifts. One of my favorites is Gifts from the Sea by Anne Morrow Lindberg. For my writer friends I've bought Goals by Brian Tracy, and for friends who are animal lovers I've bought The Dog Who Rescues Cats by Gonzalez & Fleischer.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have a cherrywood desk with a glass top to protect the wood. Over the years a number of things have made their way under the glass. There's a picture of my dad and his brother, who looked so much alike that they were often mistaken for identical twins -- only my dad was a full foot shorter than his brother. Then there are pictures of my grandchildren (by far the cutest grandkids in the universe), and there's a slip of paper on which I've written four words. They are: "provocative," "relevant," "creative," and "honest." When I decide on a plot for one of my big hardcover stories, I weigh the story against each of these words. I want to provoke my readers to think. I want the story to be relevant to them and to our times. My goal is to tell this story in as creative a way as possible and to be honest with my readers and with myself. As you might have guessed, I'm a lover of words. As for rituals, I really don't have any.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
In my humble opinion, there are a lot of writers out there who haven't suffered enough. I suffered plenty. When I first started writing, I didn't know another writer in the world. This was back in the late 1970s before Romance Writers of America was formed. For nearly five years I wrote and submitted my manuscripts. My work was rejected so fast it practically hit me in the back of the head on my way home from the post office. At one point in my lonely sojourn, an editor read and reviewed my manuscript, and with the utmost sincerity told me there was no use in revising it and the best thing I could do was throw it away. Thankfully, I didn't take her advice, because that same manuscript sold to a rival publishing house and launched my writing career.
What tips or advice do you have for writers still looking to be discovered?
I would suggest that writers pay close attention to the market -- read the bestsellers, analyze each story and look for the key element that is drawing an audience. Who would ever have imagined that Life of Pi by Yann Martel would command the audience it has? Or The Da Vinci Code? As writers, it's important we not follow trends but observe and understand life -- and start our own. It was when I saw a lot of angel figurines turning up in catalogs that I wrote the first Shirley, Goodness, and Mercy Christmas book.
Silver Bells by Debbie Macomber
In this classic story, Debbie brings those Manning men and Manning sisters home for a mistletoe marriage when a single dad finally says "I do."
The Perfect Holiday by Sherryl Woods
Will bachelor Trace Franklin become a groom-to-be by Christmastime? He sure will…if Savannah Holiday's aunt Mae has anything to do with it.
Under the Christmas Tree by Robyn Carr
When the folks of Virgin River discover a box of adorable puppies under the town's Christmas tree they call on local vet Nathaniel Jensen for help. But it's his budding romance with Annie McCarty that really has tongues—and tails—wagging!
Loading..."Dad, you don't understand."
"Mackenzie, enough."
Carrie Weston hurried through the lobby of her apartment complex. "Hold the elevator," she called, making a dash for the open doors. Her arms were loaded with mail, groceries and decorations for her Christmas tree. It probably wasn't a good idea to rush, since the two occupants appeared to be at odds—which could make for an awkward elevator ride—but her arms ached and she didn't want to wait. Lack of patience had always been one of her weaknesses; equally lacking were several other notable virtues.
The man kept the doors from closing. Carrie had noticed him earlier, and so had various other residents. There'd been plenty of speculation about the two latest additions to the apartment complex.
"Thanks," she said breathlessly. Her eyes met those of the teenager. The girl was around thirteen, Carrie guessed. They'd moved in a couple of weeks earlier, and from the scuttlebutt Carrie had heard, they'd only be staying until construction on their new home was complete.
The elevator doors glided shut, as slowly as ever, but then the people who lived in the brick three-story building off Seattle's Queen Anne Hill weren't the type to rush. Carrie was the exception.
"What floor?" the man asked.
Carrie shifted her burdens and managed to slip her mail inside her grocery bag. "Second. Thanks."
The thirtysomething man sent her a benign smile as he pushed the button. He stared pointedly away from her and the teenager.
"I'm Mackenzie Lark," the girl said, smiling broadly. The surly tone was gone. "This is my dad, Philip."
"I'm Carrie Weston." Bybalancing the groceries on one knee she was able to offer Mackenzie her hand. "Welcome."
Philip shook her hand next, his grip firm and solid, his clasp brief. He glared at his daughter as though to say this wasn't the time for social pleasantries.
"I've been wanting to meet you," Mackenzie continued, ignoring her father. "You look like the only normal person in the entire building."
Carrie smiled despite her effort not to. "I take it you met Madame Frederick."
"Is that a real crystal ball?"
"So she claims." Carrie remembered the first time she'd seen Madame Frederick, who'd stepped into the hallway carrying her crystal ball, predicting everything from the weather to a Nordstrom shoe sale. Carrie hadn't known what to think. She'd plastered herself against the wall and waited for Madame Frederick to pass. The crystal ball hadn't unnerved her as much as the green emeralds glued over each eyebrow. She wore a sort of caftan, with billowing yards of colorful material about her arms and hips; it hugged her legs from the knees down. Her long, silver-white hair was arranged in an updo like that of a prom queen straight out of the sixties.
"She's nice," Mackenzie remarked. "Even if she's weird."
"Have you met Arnold yet?" Carrie asked. He was another of the more eccentric occupants, and one of her favorites.
"Is he the one with all the cats?"
"Arnold's the weight lifter."
"The guy who used to work for the circus?"
Carrie nodded, and was about to say more when the elevator came to a bumpy halt and sighed loudly as the doors opened. "It was a pleasure to meet you both," she said on her way out the door.
"Same here," Philip muttered, and although he glanced in her direction, Carrie had the impression that he wasn't really seeing her. She had the distinct notion that if she'd been standing there nude he wouldn't have noticed or, for that matter, cared.
The doors started to shut when Mackenzie yelled, "Can I come over and talk to you sometime?"
"Sure." The elevator closed, but not before Carrie heard the girl's father voice his disapproval. She didn't know if the two of them were continuing their disagreement, or if this had to do with Mackenzie inviting herself over to visit.
Holding her bags, Carrie had some difficulty unlocking and opening her apartment door without dropping everything. She slammed it closed with one foot and dumped the Christmas ornaments on the sofa, then hauled everything else into her small kitchen.
"You'd been wanting to meet him," she said aloud. "Now you have." She hated to admit it, but Philip Lark had been a disappointment. He showed about as much interest in her as he would a loaf of bread in the bakery window. Well, what did she expect? The fact that she expected anything was because she'd listened to Madame Frederick one too many times. The older woman claimed to see Carrie's future and predicted that, before the end of the year, she'd meet the man of her dreams when he moved into this very building. Yeah, right. She refused to put any credence into that prophecy. Madame Frederick was a sweet, rather strange old lady with a romantic heart.
Carrie pulled out the mail, scanned the envelopes and, except for two Christmas cards and a bill, threw the rest in the garbage. She'd just started to unpack her groceries when there was a knock at the door.
"Hello again," Mackenzie Lark said cheerfully when Carrie opened the door. The quickness of her return took Carrie by surprise.
"You said I could come see you," the teenager reminded her.
"Sure, come on in." Mackenzie walked into the apartment, glanced around admiringly and then collapsed onto the sofa.
"Are you still fighting with your dad?" Carrie asked. She'd had some real go-rounds with her mother before Charlotte married Jason Manning ten years earlier. At the time, Carrie and her mother had been constantly at odds. Carrie knew she was to blame, in part, but she was also aware that her mother had been lonely and unhappy.
Hindsight told her that the root of their problem had been her parents' divorce. Carrie didn't remember a lot about her father—her parents had separated when she was four or five. As she grew older, she came to resent that she didn't have a father, and for reasons that were never clear, she'd blamed her mother.
"Dad doesn't understand." Mackenzie lowered her eyes, her mouth turned down.
"About what?" Carrie asked gently.
The girl stood and walked over to the kitchen and watched Carrie put away groceries. She folded her arms on the counter and then rested her chin there. "Everything. We can't talk without fighting. It's tough being a teenager."
"You might find this difficult to believe, but it's just as difficult raising one," Carrie said.
Mackenzie sighed. "It didn't used to be like this with Dad and me. We got along really well. It wasn't easy when Mom left, but we managed."
"So your parents are divorced?" Although she didn't mean to pry, she was definitely curious.
Mackenzie wrinkled her nose. "It was awful when they split."
"It always is. My parents divorced when I was just a kid. I barely remember my dad."
"Did you see him very much afterward?"
Carrie shook her head. It had bothered her when she was younger, but she'd made her peace with it as an adult. She'd felt hurt that her father didn't want to be part of her life, but ultimately she'd decided that was his choice—and his loss.
"I'm spending Christmas with my mom and her new husband." Mackenzie's eyes brightened. "I haven't seen her in almost a year. She's been busy," she said. "Mom works for one of the big banks in downtown Seattle and she's got this really important position and has to travel and it's hard for her to have me over. Dad's a systems analyst."
Carrie heard the pain in Mackenzie's voice. "You're fifteen?" she asked, deliberately adding a couple of years to her estimate, remembering how important it was to look older when one was that age.
Mackenzie straightened. "Thirteen, actually."
Carrie opened a bag of fat-free, cheese-flavored rice cakes and dumped them onto a plate. Mackenzie helped herself to one and Carrie did, as well. They sat across from each other on opposite sides of the kitchen counter.
"You know what I think?" Mackenzie said, her dark eyes intense. "My dad needs a woman."
The rice cake stuck midway down Carrie's throat. "A…woman?"
"Yeah, a wife. All he does is work, work, work. It's like he can forget about my mother if he stays at the office long enough." She grabbed another rice cake. "Madame Frederick said so, too. And she says he's going to meet someone, but she couldn't be any more specific than that."
"Madame Frederick?"
"She looked into her crystal ball for me and said she saw lots of changes in my future. I wasn't too happy—except for the part about my dad. There've been too many changes already with the move and all. I miss my friends and it's taking way longer to build the new house than it was supposed to. Originally we were going to be in for Christmas, but now I doubt it'll be ready before next Thanksgiving. Dad doesn't seem to mind, but it bugs me. I'm the one who's going to a strange school and everything." She frowned, shaking her head. "I want my life back."
"That's understandable."
Mackenzie seemed caught up in a fantasy world of her own. "You know, I think Madame Frederick might've stumbled on something here." Her voice rose with enthusiasm.
"Stumbled on something?" Carrie repeated cautiously.
"You know, about a relationship for my dad. I wonder how I could arrange that?"
"What do you mean?"
"Finding a new wife for my dad."
"Mackenzie," Carrie said and laughed nervously. "A daughter can't arrange that sort of thing."
"Why not?" She seemed taken aback.
"Well, because marriage is serious. It's love and commitment between two people. It's… it's…"
"The perfect solution," Mackenzie finished for her. "Dad and I've always liked the same things. We've always agreed on everything… well, until recently. It makes sense that I should be the one to find him a wife."
"Mackenzie…"
"I know what you're thinking," she said, without a pause. "That my dad won't appreciate my efforts, and you're probably right. I'll have to be subtle."
Carrie laughed. "I can't believe this," she whispered. This girl was like a reincarnation of herself eleven years earlier.
"What?" Mackenzie demanded, apparently offended.
"Take my advice and stay out of your father's love life."
"Love life?" she echoed. "That's a joke. He hasn't got one."
"He doesn't want your help," Carrie said firmly.
"Of course he doesn't, but that's beside the point."
"Mackenzie, if you're not getting along with your dad now, I hate to think what'll happen when he discovers what you're up to. My mother was furious with me when I offered Jason money to take her out and—"
"You were willing to pay someone to date your mother?"
Carrie didn't realize what she'd said until it was too late. "It was a long time ago," she murmured, hoping to leave it at that. She should've known better. Mackenzie's eyes grew huge.
"You actually paid someone to date your mother?" she said again.
"Yes, but don't get any ideas. He refused." Carrie could see the wheels turning in the girl's head. "It was a bad idea, and like I said, my mother was really mad at me."
"Did she ever remarry?"
Carrie nodded.
"Anyone you knew?"
Again she nodded, unwilling to tell her it was the very man she'd tried to bribe.
Mackenzie's gaze met hers and Carrie looked away. "It was him, wasn't it?"
"Yes, but I didn't have anything to do with that."
Mackenzie laughed. "You offered him money to date your mother. He refused, but dated her anyway. That's great! How long before they got married?"
"Mackenzie, what happened with my mother and Jason is… unusual."
"How long?" she repeated stubbornly.
"A few months."
She smiled knowingly. "They're happy, aren't they." It was more of a comment than a question.
"Yes."
Carrie only hoped she'd find a man who'd make her as truly contented as Jason Manning had made her mother. Despite ten years of marriage and two children, her mother and stepfather behaved like newlyweds. Carrie marveled at the strength of their love. It inspired her and yet in some ways hampered her. She wanted that kind of relationship for herself and wasn't willing to settle for anything less. Her friends claimed she was too picky, too demanding when it came to men, and she suspected they were right.
"My point exactly," Mackenzie declared triumphantly. "You knew your mom better than anyone. Who else was more qualified to choose a husband for her? It's the same with me. I know my dad and he's in a rut. Something's got to be done, and Madame Frederick hit the nail on the head. He needs a love interest."
Carrie's smile was forced. "Madame Frederick is one of my favorite people, but I think it's best to take what she says with a grain of salt."
"Well, a little salt enhances the flavor, right?" Mackenzie added. Excited now, she got to her feet. "What about you?" she asked.
"Me?"
"Yeah, you. Would you be willing to date my dad?"
"She's pretty, isn't she, Dad?"
Philip Lark glanced up. He sat at the kitchen table, filling out an expense report. His daughter sat across from him, smiling warmly. The way her eyes focused on him told him she was up to something.
"Who?" he asked, wondering if it was wise to inquire.
"Carrie Weston." At his blank look, she elaborated. "The woman we met in the elevator. We talked this afternoon." Mackenzie rested her chin in her hands and continued to gaze at him adoringly.
Philip's eyes reverted to the row of figures on the single sheet. His daughter waited patiently until he was finished. Patience wasn't a trait he was accustomed to seeing in Mackenzie. She usually complained when he brought work home, acting as though it was a personal affront. He cleared his mind, attempting to remember her question. Oh, yes, she wanted to know what he thought of Carrie Weston. For the life of him, he couldn't remember what the woman looked like. His impression of her remained vague, but he hadn't found anything to object to.
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