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A handsome British knight travels to Scotland eager to fulfill a marriage contract, but finds the feisty temper of his stinning bride to be more than he bargained for.
Born in Southern Ontario, Lynsay Sands is the New York Times bestselling author of the Argeneau Vampire series. She has written more than 34 books and anthologies since her first novel was published in 1997. Her romantic comedies span three genres—historical, contemporary, and paranormal—and have made the Waldenbooks, Barnes & Noble, USA Today, and New York Times bestseller lists.
Lynsay's books are read in more than twelve countries and have been translated into at least six languages. She's been a nominee for both the Romantic Times Best Historical Romance Award and the Romantic Times Best Paranormal Romance Award, was nominated and placed three times in the RIO (Reviewers International Organization) Awards of Excellence, and has several books on All About Romance's Favorite Funnies list.
Author biography courtesy of HarperCollins Publishers
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May 04, 2009: I enjoyed this book. I think that people need to remember that it is a historical fiction though. Anyways,the characters were interesting. I really like Lynsay's humor;she is very witty. My favorite is still her Argeneau vampire series. If you haven't read any, you don't know what you're missing:)
I Also Recommend: A Quick Bite (Argeneau Vampire Series #1), Bite Me If You Can (Argeneau Vampire Series #6), Tall, Dark and Hungry (Argeneau Vampire Series #4), Single White Vampire (Argeneau Vampire Series #3), Love Bites (Argeneau Vampire Series #2).
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November 15, 2005: This book really is all about 'the chase'- which is good and bad...I did like the plot (and there are a couple of interestinig subplots, too), but I didn't like that it seemed to take forever for our hero and heroine to get together. I like Sionaid's character, but am not sure I bought the attraction between her and Blake. I have also read 'The Deed' and enjoyed that Amaury and Emmalene were in this book, but all in all it was just OK. I certainly don't regret reading it, but I wouldn't rush out to the bookstore to buy this one either.
Name:
Lynsay Sands
Current Home:
London, Ontario
Place of Birth:
Leamington, Ontario
Born in Southern Ontario, Lynsay Sands is the New York Times bestselling author of the Argeneau Vampire series. She has written more than 34 books and anthologies since her first novel was published in 1997. Her romantic comedies span three genres—historical, contemporary, and paranormal—and have made the Waldenbooks, Barnes & Noble, USA Today, and New York Times bestseller lists.
Lynsay's books are read in more than twelve countries and have been translated into at least six languages. She's been a nominee for both the Romantic Times Best Historical Romance Award and the Romantic Times Best Paranormal Romance Award, was nominated and placed three times in the RIO (Reviewers International Organization) Awards of Excellence, and has several books on All About Romance's Favorite Funnies list.
Author biography courtesy of HarperCollins Publishers
1.) I started The Deed (my first romantic comedy and the first book to be published) a year after my mother's death. I was very close to my mother and the year following her death was about the most miserable time imaginable. But then I decided I was tired of being down and unhappy, and looked around for something to lift my spirits and make me laugh. When I couldn't find anything, I decided to sit down and write my own. It worked! Emmalene and Amaury's antics in The The Deed had me chuckling as I wrote.
2.) I met my husband in New York in July 2003. I was there because of the RWA conference and he was there on vacation. The first day there we kept running into each other and chatting in front of the hotel, and then he asked to join our group (it was very brave of him. He was the lone male amongst six or seven women, lol). He's a Brit and I'm Canadian and the first two months of our relationship were conducted by phone as well as over the internet. Our first date was a week in New York in September, followed by three weeks in England. He then came to Canada in both November and December, the first time to propose and the second time for Christmas with my family and then to take me back to England with him for New Years. I lived in Northern England for two years. We married in New York and now live in Canada.
3.) I was writing about my husband before I met him. Single White Vampire came out in September 2003 and I took a copy with me to England when I went for the three weeks. I walked into my now-hubby's house to find at least six months worth of mail unopened and stacked up on a shelf inside the front door. When I stopped dead, eyes going wide with shock and asked "My God. That's mail. You don't open your mail?" He looked embarrassed and muttered some explanation about bills automatically being paid by the bank so no need to open those and everything else was unsolicited and he couldn't be bothered. When I burst out laughing, he started to frown and said "What?" My response was to dig out the copy of Single White Vampire and hand it over with the suggestion he read it. The mail thing wasn't the only similarity he had to Lucern Argeneau. There are many more and when he sat down to read the book, he kept stopping and turning a rather startled and even suspicious gaze my way and muttering that this sounded familiar" or that did. I had to point out that it really was coincidence, that I had written that story at least nine months before meeting him. LOL.
What are your ten favorite books, and what makes them special to you?
This is a hard question for me. I am horrible at recalling names and titles. Aside from that, when it comes to books I'm kind of like a cheap tart dropped amongst a boat load of sailors. I love them all. While I keep every book I read, I've never read a book more than once, there's always another one to read. However, regarding favorites...
For me the first book that stands out in my mind isn't one but many. The Nancy Drew series. I adored those books when young and am pretty sure I read every one. I don't think they have a single author but various. Either way, I couldn't tell you names of authors or even book titles, just that I loved the books and that if I couldn't grow up to be Nancy Drew and have the adventure and mystery in life that she had, then growing up to write such things is a lovely alternative.
Another early influence was Julie Garwood's early works. I'm afraid when I was young I was completely turned off historical romance by some pretty horrid bodice rippers owned by my grandmother on my father's side. Stories from the day when the "hero" could be completely horrid to the female; abuse her verbally, treat her cruelly and even rape her and yet the heroine "loved him" and understood he was just "wounded" and that - with the love of a good woman - he could be tamed, changed, healed. Ugh! Bleck! Yuck! I mean geeeeeeez, how could any woman fall in love with a man who starts out by being beastly? Puhleeeeze!! So, I was totally anti-romance, and then, while I was in University, my sister brought me a Julie Garwood book. I'm afraid I can't remember which one, but she brought it around and said I should read it. I wasn't interested. She pestered me to read it. I just kept shaking my head with disgust and muttering "Historical romance! No thanks!" She assured me it wasn't "like that" and begged me to read it. Nope, not me. This went on for months. I forget now how she actually convinced me to read it. It might have been sheer determination and that I read it just to get her off my back. Certainly, I read it expecting to toss it aside after a chapter or so and inform her - with some vindication - that historicals were utter. . . ummm . . . garbage. Instead, I had to admit it was good, and fun, and the hero was actually worthy of the title. It was the first time I saw historicals as something that could be fun and entertaining.
If I'm going to list favorites, I also have to mention anything by Dean Koontz. I've been reading him FOREVER. Okay, that makes us both sound ancient, but you know what I mean. Dean Koontz just somehow manages to grab you with the first paragraph and hold onto you until the end. And while he's listed as a horror writer, really his books usually have everything in them; suspense, adventure, action, romance and even mystery. I've never read a Dean Koontz I haven't liked.
And then, of course, there's J. K. Rowling. Few people have managed to avoid getting drawn into her Harry and Hogwarts world, and I'm afraid I was in the first wave of converts. How could you help but love a story that was like a fairy tale. There's poor Harry a male Cinderella being treated so shabbily and forced to live under the stairs until along comes Hagrid to inform him he's special. He's taken away to an amazing world, an incredible and fascinating alternate reality where he's famous and where he finds a family of his own as well as people who care about him. It's classic!
The most recent favorite I've found is Deborah MacGillvray. I read her first book Restless Knight before it was published and gave a quote for the cover. I don't often experience envy of other author's skills, but will admit that I did while reading Restless Knight. This author is very, very talented. I am not big on books that spend thirty or forty pages describing a room or scene. They bore me. I've always felt self-conscious about admitting that because someone once said that it was a sign of the MTV age and immaturity and a short attention span. Basically, they made me feel a complete idiot with "immature and unrefined" tastes for not enjoying a three page description of a leaf on the ground. Well, my answer to that will now be that it's a shame to waste so much space on such descriptions when a really gifted writer can give you enough description with just a few deft words that you can feel the warmth of a fire on your cheek and hear the crackle and hiss of it as it burns. Ms MacGillvray can do that. That first book was exceptional and I have since purchased her second historical as well as her two contemps that have followed . . . now I just have to find the time to read them. That's something I'm looking forward to. If they're half as good as her first book, I know I'll enjoy them.
I guess I'd best stop there. Each favorite author or series I've mentioned has anywhere from 4 to 60 books so I've definitely done the ten.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like all types of music; pop, rock, classic rock, classical. Sometimes I'll restrict myself to classical music while writing historicals, but otherwise anything goes and the music I listen to depends on my mood.
If you had a book club, what would it be reading -- and why?
Harry Potter and the Deathly Hallows. Because its one book I could be relatively certain everyone would enjoy.
What are your favorite kinds of books to give -- and get -- as gifts?
I never buy books as gifts. Book choices are very personal and I'd be afraid to get them the wrong book. Besides, hanging out at the bookstore and picking the book is half the fun in my opinion. So, instead I give them gift cards so that they can make the selection themselves.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I clean my desk and office before I start a new story. I think it's a mental "clearing of the path" for me. I also have a lucky troll that sits on my desk. He's been there from the start.
What are you working on now?
The next Argeneau story.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I sent my first book in to Harlequin between high school and university and received -- not a rejection, but a letter basically saying to make some changes and send it back in, as well as to send in anything else I'd written. Unfortunately, I didn't realize how wonderful a letter that was at the time or that it meant I'd caught this editor's attention or even what that meant. All I really registered was that the story wasn't good enough and was being rejected. In truth, I don't think I was ready to enter the publishing world (grin). So, I got a full time job and went to University full time and so on. It was ten years before I wrote The Deed, sent it in and sold it.
If you could choose one new writer to be "discovered," who would it be -- and why?
Deborah MacGillvray - The woman can write. Everything of hers I've read so far is great, but her historicals are especially powerful. Her plots are solid, characters are loveable and she has a way with description that draws you in and puts you right there with the characters amongst the heather and mist.
What tips or advice do you have for writers still looking to be discovered?
Write what you love to read. If you're loving it, others are more likely to love it too.
Start with a bang!! Editors are busy people, you want to grab their attention right away, not be tossed aside after they've skimmed a couple of pages. So, grab their attention with your opening and then don't let it go.
Try to avoid the slush pile, query rather than just send the manuscript in cold. Go get a copy of The Writer's Market for this year (they put one out every year) This book will help with the query and help you figure out which publishers print your sort of story, which of them accept unagented, unsolicited manuscripts, and just basically who to query.
Good luck!!
What else would you like your readers to know? Consider here your likes and dislikes, your interests and hobbies, your favorite ways to unwind -- whatever comes to mind.
I'm a very shy person. Really, it's true. No one believes me but it is true.
A handsome British knight travels to Scotland eager to fulfill a marriage contract, but finds the feisty temper of his stinning bride to be more than he bargained for.
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ISBN: 0-8439-5324-1
Rolfe ignored the question as they crested the hill and Dunbar
keep came into view. He sighed his relief. The castle
symbolized an end to the sorry task he'd been burdened with,
an end he would be happy to see. While loyal to the King, he
was beginning to think Richard II was going out of his mind.
Rolfe Kenwick, Baron of Kenwickshire was no cupid; and yet he
had already been forced to arrange two weddings, was seeing to
one at the moment, and no doubt would have another to see to
on returning to court.
Rolfe finally turned to peer at the strong, blonde warrior at
his side. Blake Sherwell, the heir to the Earl of Sherwell,
one of the wealthiest lords in the kingdom. He was called the
'Angel' by the women at court. The name suited him. The man
had been blessed with the appearance of an angel, not the
sweet innocence of a cherub, but the hard, lean, pure looks of
one of heaven's warriors. His eyes were as blue as the
heavens themselves, his nose acquiline, his face sharp and
hard and his fair hair hung to his shoulders in long
glistening golden locks. Just over six feet in height,
Blake's shoulders were wide and muscular, his waist narrow,
and his legs long and hard from years of hugging a horse.
Even Rolfe had to admit the other man's looks werestunning.
Unfortunately, Blake had also been blessed with a tongue as
sweet as syrup; honeyed words dripped off his tongue like rain
drops off a rose petal, a skill he used to his advantage with
the ladies. It was said he could have talked Saint Agnes into
his bed had he lived in her time, which was why the men
generally referred to him as the 'Devil's own'. Too many of
them had wives who had proven themselves susceptible to his
charms.
"What does she look like?"
Rolfe put aside his thoughts at the repeated question. He
opened his mouth to snap at Blake, then caught the expression
on the face of the over-large man riding a little behind the
warrior and nearly smiled. Little George was the giant's name.
Where Blake was blond, Little George was dark, where Blake
was handsome, Little George had been cursed with the face of a
bull-dog, but what the man lacked in looks, he made up for in
strength.
Regaining some of his patience, Rolfe turned back to the man
beside him. "You have asked - and I have answered - that
question at least thirty times since leaving castle Eberhart,
Blake."
"And now I ask again," the fair-haired man said grimly.
An exasperated tsking drew Rolfe's attention to the Bishop who
rode at his other side. The King had dragged the elderly
prelate out of retirement to perform several weddings he
wished to take place.
Despite having been contracted some twenty years ago, no one
seemed to wish the wedding to go ahead. Not the families, the
groom, nor even the bride-to-be.
"As I have told you - at least fifty times since starting our
journey - she is tall."
"How tall?"
"Mayhap a finger shorter than myself."
"And?"
"Lady Seonaid is well-formed with long ebony hair, large blue
eyes, a straight patrician nose, high cheekbones, and fair,
nearly flawless skin. She is attractive ..." He hesitated,
debating whether it was time to warn the other man of the less
than warm greeting he was about to receive.
"Do I hear a howbeit in there?" Blake asked, drawing Rolfe
from his thoughts.
"Aye," he admitted, deciding if he were to warn him at all,
the time was now.
"Howbeit what?" the warrior prompted, eyes narrowed in
suspicion.
"She is a bit rough around the edges."
"Rough around the edges?" Blake echoed with alarm. "What
mean you she is rough around the edges?"
"Well ..." Rolfe glanced at the Bishop for help.
Bushy white eyebrows doing a little dance above gentle green
eyes, Bishop Wykeham considered the question briefly, then
leaned forward to peer past Rolfe's bulk at the groom. "Her
mother died when she was young, leaving your betrothed to be
raised by her father and older brother. I fear she is a bit
lacking in some of the softer refinements," he said
delicately.
Blake was not fooled. The Bishop was a master of
understatement, if he said she was lacking some softer
refinements, she was most like a barbarian. He turned on the
younger man accusingly. "You did not mention this afore,
Kenwick!"
"Well, nay," Rolfe allowed reluctantly. "Nay, I did not. I
thought mayhap it would set you to fretting and there was no
sense in doing that."
"Damn!" Blake glared at Dunbar castle as they approached. It
appeared cold and unfriendly to him. The Scots had not
exactly rolled out the welcome, but then he had not expected
them to. They wanted the marriage no more than he did.
Blake could not turn and head back to England, his future was
set. By noon on the morrow, he would be a married man.
Damn ... life was a trial, and what little freedom a man enjoyed
was short lived, he mused miserably. Then he forced himself
to straighten in the saddle as he realized they were about to
pass through the gates into the bailey of Dunbar keep. He
would present a strong, confident front to these people. His
pride insisted on it.
Blake lifted his head and met the silent stares of the guards
watching from the walls, but soon found it difficult to keep
his face expressionless when the men began shouting to each
other.
"Which one be he, diya think?" shouted one man.
"The poor wee blonde one I wager," answered another, an older
soldier. "He be a fair copy of his faither."
There was a brief silence as every eye examined him more
thoroughly at this news, then someone commented, "A shame
that. I be thinkin-the dark braw one might have a chance, but
the wee one 'll no last a day."
"I say he'll no last half a day!" someone else shouted.
"Whit diya wager?"
Blake's expression hardened as the betting began. Indignity
rose in him on a wave. Never in his life had he been called
'wee' before. He was damned big next to the average man,
though he supposed he appeared smaller next to Little George.
Stiffening his back a bit more, he lead his horse up to the
steps at the front of the keep. The absence of his bride, who
should have been waiting on the stairs to greet him, was an
added insult. 'Twas damned rude, and he would be sure to say
so when he met the woman, he decided as the men in the bailey
gave up all pretense of working and began to gather around
their party to stare. Being the censure of all eyes was
discomfiting, but their mocking smiles and open laughter were
unbearable.
Blake was relieved at the distraction when one of the large
keep doors creaked open. A young boy appeared at the top of
the steps, turned to shout something back into the keep, then
bolted down the stairs.
"Thank you, son," Blake slid off his mount and smiled as the
lad took the reigns of his mount. His smile faded, however,
as he noted the mixture of pity and amusement on the boy's
face before he turned away. The child retrieved the reigns of
Rolfe, the Bishop, and Little George's horses as well, then
lead them away.
Shifting uncomfortably, Blake raised an eyebrow in Rolfe's
direction. The other man merely shrugged uncertainly, but
worry crossed his features before he turned to give
instructions to the soldiers escorting them.
Scowling, Blake turned to peer up the steps at the closed
double doors of the keep. The upcoming meeting was becoming
more intimidating every moment and he took the time to
mentally calm himself and gird his courage. Then he realized
that he was allowing himself to be unsettled by a meeting with
a mere female.
Blake paused and gave his head a shake. What the Devil was he
worried about? Women had always responded well to him. He
was considered quite attractive by the opposite sex. He
wouldn't be surprised if his soon-to-be-bride melted into a
swoon at the very sight of him. Her gratitude at being lucky
enough to marry him would know no bounds, and her apologies
for not meeting him on his arrival would flow unending.
Being the Angel, he would gallantly forgive her, then they
would be married. After which he would have done with the
business and head home. There was no law and no line in the
agreement stating he had to take her with him. Blake thought
he should leave her here, making regular if infrequent visits,
until he had a home where he could set her and forget her.
Blake did a brief scan of those present, searching for the
woman he was to marry and spend the rest of his life with, but
there seemed to be none present. Women that is. Other than a
servant or two, the great hall was entirely inhabited by men.
It mattered little, he reassured himself, he would meet her
soon enough.
Blake moved toward the head table, slowly gaining the
attention of man after man as first one spied him and nudged
another, who nudged another and gestured toward him.
Ignoring their rude behavior, he moved up the center of the
room until he stood before the grizzled old man he suspected
was the Laird, Angus Dunbar. The room had fallen to silence,
a hundred eyes fixed on and bore into him from every angle and
still the man did not look up. Blake was just becoming
uncomfortable, when Rolfe moved to his side and cleared his
throat.
"Greetings again, Lord Dunbar."
Angus Dunbar was an old man with shoulders stooped under
years of wear and worry, his hair was grey and wiry, seeming
to stand up in all directions. He took his time about
finishing the chicken leg he gnawed on, then tossed the bone
over his shoulder to the dogs and raised his head to peer, not
at the man who had spoken - but at Blake himself who
immediately had to revise his first opinion. Had he thought
the man old? Worn down by worry? Nay. Gray hair he might
have, but his eyes spat life and intelligence as he speared
Blake where he stood.
A brief flash of surprise shot across his face, then his mouth
set in grim lines and he sat back. "Soooo," he drawled.
"For guid or ill ye finally shoo yersel=". Ye look like yer
faither's whelp."
Blake took the time to translate the man's words through his
heavy accent. Once he was sure he understood, he gave an
uncertain nod.
"Weell, 'tis too late." His pleasure in making the
announcement was obvious. "Clockin' time came an' went an'
the lass done flew the chicken cavie, so I ken ye'll be
thinkin' linkin'."
"Cavie? Thinkin' linkin'?" He turned to a frowning Rolfe in
bewilderment.
"He said hatching time came and went and the girl flew the
chicken coop, so he supposes you'll be tripping along," the
other man explained, then turned to the Laird, anger beginning
to show itself. "What mean you the girl flew the cavie?
Where is she gone?"
Dunbar shrugged a dismissal. "She dinna say."
"You did not ask?"
Angus shook his head. "'Twas nigh on two weeks ago noo."
"Am I to take it then that you are breaking the contract and
are willing to forfeit her dower?" he asked.
Dunbar sat up in his seat like a spring. "When the Devil
sprouts flowers fer horns!" he spat, then suddenly went calm
and smiled. "To me thinkin', 'tis ye who forfeit by
neglectin'yer duty to collect yer bride."
"But I am arrived to collect her." He flashed a cold smile.
"She ran off to St. Simmians."
"St. Simmians?"
"'Tis an abbey two days ride from here," he explained with
amusement. "She asked for sanctuary there an' they granted
it. Though, I canna see the lass in there to save me soul."
"Damn," Rolfe snapped, then his gaze narrowed on the Scot.
"I thought you knew not where she was?"
"I said she dinna tell me," he corrected calmly. "I had one
o' me lads hie after her when I realized she was gone. He
followed her trail to Simmian's, but had no luck in gettin'
her out. Men're no'allowed inside, ye ken."
"Aye, I know," Rolfe muttered irritably.
Angus Dunbar turned his gaze back to Blake, eyes narrowing on
the small signs of relief he saw on the man's face and in his
demeanor. "Well? Ye ken where she be now, lad, why do ye
tarry? Go an' fetch 'er, she must be bored by now an'may e'en
come out to ye."
Blake glanced at Rolfe. He had been thinking for the past
couple of seconds that he may have just slipped the noose they
would place on his finger in the form of a ring, but the
expression on the other man's face and his would be
father-in-law's words told him he had thought wrong. They
expected him to fetch her out of the abbey to wed. To his
mind, it was rather like asking a man to dig his own grave,
but it seemed he had little choice.
Sighing, he turned to lead the Bishop and Lord Rolfe from the
room, but at the door to the keep he paused and waved them on
before he returned to face the Dunbar. "You say the Abbey is
two days ride away?"
"Aye. Two days. Doona fash yerself over it, sassenach. Go
fetch yer bride." He grinned, some of his grimness falling
away as he added, "If ye can."
(Continues...)
Excerpted from The Chase
by Lynsay Sands
Copyright © 2004 by Lynsay Sands .
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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