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Born in Southern Ontario, Lynsay Sands is the New York Times bestselling author of the Argeneau Vampire series. She has written more than 34 books and anthologies since her first novel was published in 1997. Her romantic comedies span three genres—historical, contemporary, and paranormal—and have made the Waldenbooks, Barnes & Noble, USA Today, and New York Times bestseller lists.
Lynsay's books are read in more than twelve countries and have been translated into at least six languages. She's been a nominee for both the Romantic Times Best Historical Romance Award and the Romantic Times Best Paranormal Romance Award, was nominated and placed three times in the RIO (Reviewers International Organization) Awards of Excellence, and has several books on All About Romance's Favorite Funnies list.
Author biography courtesy of HarperCollins Publishers
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March 05, 2002: This tale is a delightful fresh gem....from the opening pages that finds the sensible, but somehow always in odd situations, Maggie dressed as the famous Madam X balanced precarious on the window ledge outside a Baudy House, she can little know her climbing back inside will be witnessed by her brother's friend, James. See Maggie's brother died at the battle of Waterloo saving James' life, and as he lie dying in James' arms, he extracted a promise that James would protect and take care of Maggie. Maggie has found herself in a difficult situation of the family money passing on to the heir, leaving her with a huge London townhouse and a large staff of servants she cannot turn away....so she is forced to 'moonlight' to keep everyone fed and housed. James is sure she is the famous Madam X, and woman of great allure and the current rage of the males of the Ton...and he is going to reform her and starts by kidnapping Maggie....for her own good, mind you!! It is one mad comedy of errors and one delightful read.
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February 13, 2002: Lord James Huddleton promised to protect the sister of his now deceased friend. However in 1815 he never expected to learn from Bow St. that the sibling Margaret Wentworth is the notorious courtesan Lady X. As bad, the chit is heading to Madame DuBarry?s establishment frequented only by male members of the aristocracy.
Not sure how to reform the fallen lady, who apparently has had sex with everyone but him, James kidnaps Margaret even though she denies his accusations. However, James soon finds himself falling in love with his captive who reciprocates his feelings. As he learns that she is not Lady X, James needs to keep his beloved safe, as someone wants her dead.
James is a caring individual who sticks by his word though no one but he knows what he vowed. However, he also learns that good intentions can prove a strange road. The identity crisis is amusing, as readers who like an earnest battle between the sexes will laugh a lot. Though Margaret?s danger adds excitement, that subplot spins away from the prime theme of THE RELUCTANT REFORMER. Still, Lynsay Sands furbishes an engaging tale that the Regency crowd will find delightful.
Harriet Klausner
Name:
Lynsay Sands
Current Home:
London, Ontario
Place of Birth:
Leamington, Ontario
Born in Southern Ontario, Lynsay Sands is the New York Times bestselling author of the Argeneau Vampire series. She has written more than 34 books and anthologies since her first novel was published in 1997. Her romantic comedies span three genres—historical, contemporary, and paranormal—and have made the Waldenbooks, Barnes & Noble, USA Today, and New York Times bestseller lists.
Lynsay's books are read in more than twelve countries and have been translated into at least six languages. She's been a nominee for both the Romantic Times Best Historical Romance Award and the Romantic Times Best Paranormal Romance Award, was nominated and placed three times in the RIO (Reviewers International Organization) Awards of Excellence, and has several books on All About Romance's Favorite Funnies list.
Author biography courtesy of HarperCollins Publishers
1.) I started The Deed (my first romantic comedy and the first book to be published) a year after my mother's death. I was very close to my mother and the year following her death was about the most miserable time imaginable. But then I decided I was tired of being down and unhappy, and looked around for something to lift my spirits and make me laugh. When I couldn't find anything, I decided to sit down and write my own. It worked! Emmalene and Amaury's antics in The The Deed had me chuckling as I wrote.
2.) I met my husband in New York in July 2003. I was there because of the RWA conference and he was there on vacation. The first day there we kept running into each other and chatting in front of the hotel, and then he asked to join our group (it was very brave of him. He was the lone male amongst six or seven women, lol). He's a Brit and I'm Canadian and the first two months of our relationship were conducted by phone as well as over the internet. Our first date was a week in New York in September, followed by three weeks in England. He then came to Canada in both November and December, the first time to propose and the second time for Christmas with my family and then to take me back to England with him for New Years. I lived in Northern England for two years. We married in New York and now live in Canada.
3.) I was writing about my husband before I met him. Single White Vampire came out in September 2003 and I took a copy with me to England when I went for the three weeks. I walked into my now-hubby's house to find at least six months worth of mail unopened and stacked up on a shelf inside the front door. When I stopped dead, eyes going wide with shock and asked "My God. That's mail. You don't open your mail?" He looked embarrassed and muttered some explanation about bills automatically being paid by the bank so no need to open those and everything else was unsolicited and he couldn't be bothered. When I burst out laughing, he started to frown and said "What?" My response was to dig out the copy of Single White Vampire and hand it over with the suggestion he read it. The mail thing wasn't the only similarity he had to Lucern Argeneau. There are many more and when he sat down to read the book, he kept stopping and turning a rather startled and even suspicious gaze my way and muttering that this sounded familiar" or that did. I had to point out that it really was coincidence, that I had written that story at least nine months before meeting him. LOL.
What are your ten favorite books, and what makes them special to you?
This is a hard question for me. I am horrible at recalling names and titles. Aside from that, when it comes to books I'm kind of like a cheap tart dropped amongst a boat load of sailors. I love them all. While I keep every book I read, I've never read a book more than once, there's always another one to read. However, regarding favorites...
For me the first book that stands out in my mind isn't one but many. The Nancy Drew series. I adored those books when young and am pretty sure I read every one. I don't think they have a single author but various. Either way, I couldn't tell you names of authors or even book titles, just that I loved the books and that if I couldn't grow up to be Nancy Drew and have the adventure and mystery in life that she had, then growing up to write such things is a lovely alternative.
Another early influence was Julie Garwood's early works. I'm afraid when I was young I was completely turned off historical romance by some pretty horrid bodice rippers owned by my grandmother on my father's side. Stories from the day when the "hero" could be completely horrid to the female; abuse her verbally, treat her cruelly and even rape her and yet the heroine "loved him" and understood he was just "wounded" and that - with the love of a good woman - he could be tamed, changed, healed. Ugh! Bleck! Yuck! I mean geeeeeeez, how could any woman fall in love with a man who starts out by being beastly? Puhleeeeze!! So, I was totally anti-romance, and then, while I was in University, my sister brought me a Julie Garwood book. I'm afraid I can't remember which one, but she brought it around and said I should read it. I wasn't interested. She pestered me to read it. I just kept shaking my head with disgust and muttering "Historical romance! No thanks!" She assured me it wasn't "like that" and begged me to read it. Nope, not me. This went on for months. I forget now how she actually convinced me to read it. It might have been sheer determination and that I read it just to get her off my back. Certainly, I read it expecting to toss it aside after a chapter or so and inform her - with some vindication - that historicals were utter. . . ummm . . . garbage. Instead, I had to admit it was good, and fun, and the hero was actually worthy of the title. It was the first time I saw historicals as something that could be fun and entertaining.
If I'm going to list favorites, I also have to mention anything by Dean Koontz. I've been reading him FOREVER. Okay, that makes us both sound ancient, but you know what I mean. Dean Koontz just somehow manages to grab you with the first paragraph and hold onto you until the end. And while he's listed as a horror writer, really his books usually have everything in them; suspense, adventure, action, romance and even mystery. I've never read a Dean Koontz I haven't liked.
And then, of course, there's J. K. Rowling. Few people have managed to avoid getting drawn into her Harry and Hogwarts world, and I'm afraid I was in the first wave of converts. How could you help but love a story that was like a fairy tale. There's poor Harry a male Cinderella being treated so shabbily and forced to live under the stairs until along comes Hagrid to inform him he's special. He's taken away to an amazing world, an incredible and fascinating alternate reality where he's famous and where he finds a family of his own as well as people who care about him. It's classic!
The most recent favorite I've found is Deborah MacGillvray. I read her first book Restless Knight before it was published and gave a quote for the cover. I don't often experience envy of other author's skills, but will admit that I did while reading Restless Knight. This author is very, very talented. I am not big on books that spend thirty or forty pages describing a room or scene. They bore me. I've always felt self-conscious about admitting that because someone once said that it was a sign of the MTV age and immaturity and a short attention span. Basically, they made me feel a complete idiot with "immature and unrefined" tastes for not enjoying a three page description of a leaf on the ground. Well, my answer to that will now be that it's a shame to waste so much space on such descriptions when a really gifted writer can give you enough description with just a few deft words that you can feel the warmth of a fire on your cheek and hear the crackle and hiss of it as it burns. Ms MacGillvray can do that. That first book was exceptional and I have since purchased her second historical as well as her two contemps that have followed . . . now I just have to find the time to read them. That's something I'm looking forward to. If they're half as good as her first book, I know I'll enjoy them.
I guess I'd best stop there. Each favorite author or series I've mentioned has anywhere from 4 to 60 books so I've definitely done the ten.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like all types of music; pop, rock, classic rock, classical. Sometimes I'll restrict myself to classical music while writing historicals, but otherwise anything goes and the music I listen to depends on my mood.
If you had a book club, what would it be reading -- and why?
Harry Potter and the Deathly Hallows. Because its one book I could be relatively certain everyone would enjoy.
What are your favorite kinds of books to give -- and get -- as gifts?
I never buy books as gifts. Book choices are very personal and I'd be afraid to get them the wrong book. Besides, hanging out at the bookstore and picking the book is half the fun in my opinion. So, instead I give them gift cards so that they can make the selection themselves.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I clean my desk and office before I start a new story. I think it's a mental "clearing of the path" for me. I also have a lucky troll that sits on my desk. He's been there from the start.
What are you working on now?
The next Argeneau story.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I sent my first book in to Harlequin between high school and university and received -- not a rejection, but a letter basically saying to make some changes and send it back in, as well as to send in anything else I'd written. Unfortunately, I didn't realize how wonderful a letter that was at the time or that it meant I'd caught this editor's attention or even what that meant. All I really registered was that the story wasn't good enough and was being rejected. In truth, I don't think I was ready to enter the publishing world (grin). So, I got a full time job and went to University full time and so on. It was ten years before I wrote The Deed, sent it in and sold it.
If you could choose one new writer to be "discovered," who would it be -- and why?
Deborah MacGillvray - The woman can write. Everything of hers I've read so far is great, but her historicals are especially powerful. Her plots are solid, characters are loveable and she has a way with description that draws you in and puts you right there with the characters amongst the heather and mist.
What tips or advice do you have for writers still looking to be discovered?
Write what you love to read. If you're loving it, others are more likely to love it too.
Start with a bang!! Editors are busy people, you want to grab their attention right away, not be tossed aside after they've skimmed a couple of pages. So, grab their attention with your opening and then don't let it go.
Try to avoid the slush pile, query rather than just send the manuscript in cold. Go get a copy of The Writer's Market for this year (they put one out every year) This book will help with the query and help you figure out which publishers print your sort of story, which of them accept unagented, unsolicited manuscripts, and just basically who to query.
Good luck!!
What else would you like your readers to know? Consider here your likes and dislikes, your interests and hobbies, your favorite ways to unwind -- whatever comes to mind.
I'm a very shy person. Really, it's true. No one believes me but it is true.
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ISBN: 0-8439-4974-0
Maggie shifted her feet slightly, trying to ease the ache her
cramped position was causing in her legs. The small movement
was enough to bang her knees against the door of the armoire
she presently sat in, making it rattle. Wincing at the pain
that shot up her leg, Maggie was busily rubbing the appendage
when the cupboard door opened and soft candlelight spilled in
over her.
"Stop yer banging about, or ye'll be givin' away that yer in
there."
"Daisy, is it?"
"Maisey," the girl corrected.
"Yes, well ... Maisey then," Maggie said. "This is all really
rather silly, and quite beyond the information for which I was
looking. All I really wanted was to -"
The sound of a rap at the door made Maggie pause, alarmed. The
young woman before her was startled too, but then steel seemed
to enter her eyes and she shoved Maggie firmly back into the
armoire. Maggie landed on her behind with a grunt.
"It's too late to be changing yer mind now, m'lady," she
announced. "Madame says yer to watch, and watch you will. Now
keep quiet," she hissed. The door closed with a decided snap.
Frowning, Maggie lifted a hand to push experimentally forward,
but the door stayed firmly shut. The girl had locked her in!
Well, this is just bloody beautiful, she thought irritably.
Brilliant! I do tend to get myself into fixes, don't I?
Not that she could have gotten out now, anyway. Maggie
considered herself a thoroughly modern young woman: highly
intelligent, independent, and uncaring of what others thought
of her - but only to a certain degree. Even she, thoroughly
modern as she was, hesitated to deliberately draw the wrath
and scorn of the ton down upon herself. Especially when she
merely had to sit quietly for a short time to avoid scandal
completely. Patience was not one of her natural virtues, but
she had been attempting to cultivate it of late.
She had barely finished that thought when it occurred to her
that she was crouching in a small armoire in one of the rooms
of the infamous Madame Dubarry's. This was a brothel for God's
sake! What she would learn in this room ... well, she just
shouldn't know yet! What's more, she certainly couldn't write
about it. Good Lord, how had she ended up here? Madame
Dubarry, of course. The woman had been slow to warm to the
idea of allowing Maggie to interview her and some of her girls
for a story for the Daily Express. Once Madame had agreed to
the undertaking, however, she had become quite enthusiastic.
"You must witness this, Lady Maggie," she'd said. "Really, you
must. You shall thank me for it, I promise."
Before Maggie could even collect herself enough to ask what
she must see and why, they had reached this chamber. Madame
had shoved her inside, installed her in the cupboard with
admonishments to remain quiet and see, then had instructed
young Maisey that Maggie was to witness the night's
proceedings.
Really, had she been a bit quicker, Maggie might have managed
to flee the room before Maisey's customer arrived. Now it
appeared she was quite stuck.
The man's voice struck a chord of recognition within her. It
sounded amazingly like ... Her gaze slid to the crack despite
her best intentions, and Maggie drew her breath in with a
hiss. Good Lord, it was him: Pastor Frances. Her eyes narrowed
on the man. She had just been discussing the fact that he was
paying her court, and that she thought he might soon propose,
when Madame Dubarry had rushed her up here. Maggie was
distracted from further thought by an odd question from
Maisey.
"Who am I to be tonight, m'lord? Yer mother?"
Maggie's eyes widened in shocked dismay at that, but they
nearly fell out of her head at Frances's answer.
"Nay. Tonight you shall be my dear Margaret."
"Sweet Lady Wentworth, is it?" Maggie was almost too shocked
by Frances' presence to notice the irony in the young
prostitute's voice. Almost. "The woman who personifies the
very word 'lady'? The woman who never sets a foot wrong? Who
is discretion herself?"
"Aye, my sweet Maggie. I have decided to propose to her. I
arranged to take her to the Cousin's ball tonight. I shall
propose to her afterward. I believe she will accept."
"Fine, then. Ye step on out into the hall, and I shall change.
Give me five minutes, then knock."
"Why must I wait in the hall?" Frances whined.
"Well, ye want it to be as if ye were proposing to Lady
Wentworth, don't ye? Would she dress in front of ye? Get on
with ye. I'll only be a minute, and this will seem more real."
Through the crack, Maggie saw Maisey usher Frances out of the
room as firmly as she herself had been shoved into the
armoire. The prostitute closed the door behind the pastor with
a snap, then locked it. She was a no-nonsense type of woman,
it seemed.
"Thank God!" Maggie burst out of the armoire as Maisey
unbolted it. " Now get me out of here."
"You know where the door is," came Maisey's unconcerned
response. The young woman was digging through her clothing,
picking up and discarding gown after gown.
Maggie frowned and glanced from the door to the girl. "I can
hardly exit that way. Pastor Frances is out there."
"Then, I guess ye'll just have to get back in the closet,
won't ye?" Maisey snapped, discarding yet another gown.
Maggie looked desperately around the room. "There simply has
to be a way out of here."
"There isn't," the girl assured her. "Unless ye can fly out
the window."
"The window!" Maggie hurried over to it, then pushed it open
and leaned out. They were on the third floor. The ground was a
long way down. She was about to give up on the idea when her
gaze dropped to the wall, and she saw a ledge a couple of feet
below the window. It was just wide enough that she could walk
it if she were careful. She would be careful, she decided.
"Here!" Maisey grabbed her arm as Maggie sat on the sill and
made to climb out. "What? Are ye daft? Ye'll break yer bones
jumpin' from here." "I am not going to jump," Maggie hissed
with exasperation, tugging her arm free. "I am going to walk
that ledge to the next room, climb in through the window
there, and get away."
Leaning out, Maisey peered down, her eyes widening slightly in
surprise. "Oh well." The girl hesitated slightly, her gaze
calculating, then announced, "Well, that would be nice,
wouldn't it? Except that Lady X and Lord Hastings are in one
of the rooms next door. Yer climbin' in on them would cause
the scandal of the decade."
Maggie frowned at the news. Everyone, absolutely everyone, had
heard of the infamous Lady X. She was the most famous of
Agatha Dubarry's prostitutes, and as such, Maggie had not been
allowed to speak to her, though she had caught a glimpse of
the woman earlier while interviewing the others. From what she
had spied, Lady X was a lovely blonde with a perfect figure,
full lips and deep mysterious eyes. That was all she had seen.
Actually, it was all anyone ever saw. Her face was always
covered by a blazing red mask that never came off. Men paid
highly for the privilege of bedding her, each trying to
discover her true identity, but no one had yet figured it out.
It was rumored that the woman was actually a lady of nobility
who worked thusly on the side to help shore her family's
sagging coffers. While many disputed the idea, claiming that
surely no lady would risk being discovered in such an
endeavor, there were enough men willing to dig deep into their
pockets to try to find out, and Madame Dubarry was doing very
well.
Maggie definitely did not need the scandal of walking in on
the woman while she was entertaining, especially Lord
Hastings, one of the most distinguished royal councilors.
"Which room are they in?" she asked.
Maisey smiled, the expression of a cat that had cornered a
mouse. "Let me use your gown."
Maggie stiffened, then shook her head. "I shall find out for
myself," she declared. Sliding her legs over onto the window
ledge, she straightened slowly, clinging nervously to the sill
as she fought to maintain her balance.
"Have it your way," Maisey said with amusement, watching. "But
it does look a long way down, and I know I shouldn't like to
make it all the way along that ledge to a window, simply to
have to turn back and travel twice the distance to another."
At Maggie's obvious uncertainty, Maisey pressed her advantage.
"'Tis just a gown. I'll give ye one o' me own to wear in its
place. Then, I'll send yers back to ye first thing on the
morrow, once it's been cleaned."
Maggie took in the hopeful gaze of the prostitute, peered at
the ground such a long way down, then shifted cautiously on
the ledge. Her mind was made up by her jumping stomach.
Cursing under her breath, she maneuvered back into the room
and eyed Maisey unhappily. "The other room is empty, is it
not?" The prostitute nodded solemnly.
"Fine. But -" A tap at the door cut her off, and both women
glanced over sharply as the doorknob jiggled. Thankfully,
Maisey had locked it.
"Are you ready yet, my dear?" Frances cooed in a sickening
tone. Maggie had never heard it from the usually dignified
man.
"Oh, keep yer pants on, I'm hurryin' as fast as I can," Maisey
snapped, then grimly turned to Maggie. "Well?"
"Oh ... stuff!" Maggie huffed. She set to work disrobing as
quickly as she could. Looking pleased, Maisey began to undress
as well. The two worked in virtual silence until Maggie got
her gown off. She handed it over, then crossed her arms,
rubbing them as goose bumps began to form on her flesh.
"I will be recognized anyway if my face is seen. Oh, why did I
leave my veil Madame Dubarry's drawing room?"
Whirling, Maisey hurried to her armoire, returning a moment
later with a plain red silk mask for Maggie to wear. "Here,
put this on. With the mask, my clothes, and yer cloak, ye
should escape all right."
Maggie glanced at it curiously. "Is this Lady X's mask?"
"Nay. Mine. Lady X's mask is far fancier."
Maisey helped her climb back out onto this ledge, hissing that
Lady X and Lord Hastings were in the room on the left. She
then hurried to away to attend the impatiently pounding
Frances.
Relieved to be out of her predicament, Maggie had immediately
inched along the ledge to the next window, expecting to find
the room empty. Unfortunately, what she had not realized was
that Maisey had been referring to her own left which, of
course, with Maggie clinging to the wall facing her, was
Maggie's right. Which meant Maggie should have gone right.
Which she hadn't. She had come all this way for nothing, for
while curtains shrouded the window making the images beyond
blurred and foggy, they were discernible enough to tell it was
two people engaged in the most energetic round of ride the
pony it had ever been Maggie's misfortune to witness.
She forced herself to move past the window and continue on
toward the next one along the wall.
# # # James stood uncomfortably inside the foyer at Madame
Dubarry's, waiting impatiently for Johnstone to conclude his
whispered conversation with the Madame herself. Ramsey had
already been approached by, and turned down the offers of,
three of the madame's girls, one of whom had offered to do a
thing or two that he had never considered trying before. He
certainly did not wish to attempt it now, here in this place.
"It's done, yer lordship. Madame says Lady X is with Lord
Hastings now, but you can have a go at her next."
"I do not intend to 'have a go at her,' as you so delicately
put it," James hissed.
A flicker of irritation crossed Johnstone's face before he
controlled it. "I didn't think you would, my lord. But I could
hardly tell her ye wished to kidnap the girl, now could I?"
"I am not kidnapping her. I am rescuing her."
"Surely you didn't think to march out the front door with her,
did ye? Dubarry ain't gonna like that. The girl is her golden
goose."
"Ah, yes." James sighed; then he too stared at the clock on
the wall. Ten minutes.
# # # Maggie grabbed the edge of the window with relief and
paused to rest her face on the cold glass. She was sweating.
Amazingly enough, she was more terrified of falling than of
discovery - which was amazing because she could remember a
time when the prospect of social ruin had been more frightful
than anything. But that had been when she could afford such
pretty concerns as her reputation, before she'd had the burden
of so many lives piled on her shoulders. "Damn you, Gerald,
for dying anyway," she cursed in a whisper, then immediately - if silently - apologized
to her poor brother for cussing him
so. Gerald had loved life. Every moment of the short time he
had spent on earth he had lived as if it might be his last. He
had not complained when he was ordered off to fight Napoleon.
And she had no doubt he had given his life in battle with as
much passion and as little regret as he had lived. It was just
too damn bad he'd been forced to leave her in such a fix.
# # # "Lord Ramsey, we'll have to sneak her down the back
stairs and smuggle her through the kitchen."
James nodded at Johnstone's suggestion. After a brief but
thorough examination of the brothel, it did indeed seem the
best way to get the girl out. "Go have my driver move the
carriage to the alley," he instructed, his eyes on the clock
in the hall. "Hastings's time is up. I'll go see if he has
left yet."
Nodding, Johnstone hurried away toward the front door and
James started upstairs. He was at the top of the steps before
he realized that the runner hadn't told him in which room Lady
X was supposed to be. He was about to return down stairs to
ask Madame Dubarry, when he changed his mind. He would
recognize Hastings. Everyone knew of Hastings, if not in
person, then by reputation. He was second only to the king in
power. Whichever room Hastings exited was the one he sought.
He had just come to that conclusion when the thud of a door
made him turn back around on the landing. A glance up the hall
showed Hastings strolling jauntily toward him, whistling under
his breath as he straightened his cravat. James almost cursed
aloud. He had been too slow and couldn't be sure from which
room the man had come. There were several possibilities.
He would try them all, he decided resolutely. Giving Hastings
a curt nod, he moved purposely past him to set about his work.
# # # The thud of a closing door, tore Maggie from her
thoughts, and she glanced through the window into the empty
room to which she had inched. If her thoughts had distracted
her so long that this room was now occupied too, she thought
she might very well throw up. She did not think she had the
stamina or nerve to traverse the length of the ledge again. It
was with some relief that she saw the room appeared empty.
Letting her breath out, she reached down, opened the window,
and silently slipped inside. Now that they were on solid
ground, her legs were more than just a bit rubbery. Ordering
them to stand firm, Maggie strode quickly across the room,
pausing at the door to take a breath and listen for sounds in
the hallway. When she heard only silence, she eased the door
open. Maggie was about to step out of the room when she
recalled the mask Maisey had given her. She had shoved it in
her pocket in her rush to finish dressing and escape. It would
be better to wear the thing. So thinking, she turned back into
the room and started to lift the flimsy red silk mask to her
face. Her eyes fell on a bed and a woman gaping at her from
the shadows within. The two females goggled at each other
briefly, then the sound of footsteps in the hall reminded
Maggie that she had to get out of here. She quickly finished
raising the mask to her face, tied the strings of it in place,
then slipped from the room without a murmur of apology.
She had just finished pulling the door closed when a hand slid
around her from behind, covering her mouth and smothering her
startled cry. She was lifted bodily, bundled in her cape, and
carted swiftly down the hall.
(Continues...)
Excerpted from The Reluctant Reformer
by Lynsay Sands
Copyright © 2002 by Lynsay Sands .
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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