Starfish lit the fuse. Maelstrom was the explosion. But five years into the aftermath, things aren't quite so simple as they once seemed...
Lenie Clarke-rifter, avenger, amphibious deep-sea cyborg-has destroyed the world. Once exploited for her psychological addiction to dangerous environments, she emerged in the wake of a nuclear blast to serve up vendetta from the ocean floor. The horror she unleashed-an ancient, apocalyptic microbe called ßehemoth- has been free in the world for half a decade now, devouring the biosphere from the bottom up. North America lies in ruins beneath the thumb of an omnipotent psychopath. Digital monsters have taken Clarke's name, wreaking havoc throughout the decimated remnants of something that was once called Internet. Governments have fallen across the globe; warlords and suicide cults rise from the ashes, pledging fealty to the Meltdown Madonna. All because five years ago, Lenie Clarke had a score to settle.
But she has learned something in the meantime: she destroyed the world for a fallacy.
Now, cowering at the bottom of the Atlantic Ocean, rifters and the technoindustrial "corpses" who created them hide from a world in its death throes. But they cannot hide forever: something is tracking them, down amongst the lightless cliffs and trenches of the Midatlantic Ridge. The consequences of past acts reach inexorably towards the very bottom of the world, and Lenie Clarke must finally confront the mess she made.
Redemption doesn't come easy with the blood of a world on your hands. But even after five years in purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyonewho gets in her way-and worse ones, perhaps, if she succeeds. . . .
ßehemoth: ß-Max is the first of two volumes. The story will conclude in ßehemoth: Seppuku.
In Canadian author Watts's third but not final installment in the hard SF trilogy (see Forecast below) that began with Starfish (1999) and Maelstrom (2001), the surviving corporate elite from the earlier books and "rifters" (cyborgs created and enslaved to explore the ocean depths for corporations) hide beneath the North Atlantic while surface civilization crumbles. One of the novel's most fascinating aspects is its extremely inhospitable setting, under 300 atmospheres pressure at the ocean's sunless floor. Readers will also find themselves unwillingly gripped by the simultaneously flawed and ferocious characters, shaped by a social situation bleaker than anything outside John Shirley's early novels. They know they need to cooperate, so they are trying grudgingly to overcome their anger and hatred, though they've discovered that one way to deny personal guilt is to pursue revenge. They're uncomfortably believable, like us at our least generous moments. Finally, the writing is compelling, jittery, full of dark irony. But readers will need to pick up the earlier books to really appreciate this one. (July 1) Forecast: As Watts explains in an author's note, the publisher insisted that the book be split in two for economic reasons. Since it falls naturally into two parts, this shouldn't be too much of a hardship for readers with advance warning. The last segment, Behemoth: Seppuku, is due in a few months. Copyright 2004 Reed Business Information.
More Reviews and RecommendationsPeter Watts is a marine biologist who lives in Toronto, Ontario.
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April 10, 2005: This book is simply horrible. There are foul words in every single page. The characters are all unlikeable. There is not one redeeming quality about any of them. And they all sound the same, which means, there is a severe lack of characterization in this book. The 'rifters' are especially obnoxious: with their arrogance and foul words/expressions (which make up 90% of their dialogue), they come across as pedantic, immature teenagers who are trying to cover up their collective lack of intelligence. The other main character is a sexual deviant, literally. And the plot is utterly boring. I really couldn't get past page 80. Don't waste your time or your money for reading that is not entertaining. It's more draining than anything else. If you want to read *real* science fiction that is actually thought-provoking and entertaining, turn to Asimov, Bradbury, and Clarke. I really do not understand how The New York Times Book Review could have reviewed this book so highly. It is truly baffling. That, or the NYT Book Review is simply not what it was anymore.
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July 26, 2004: Five years have passed since a vengeful cyborg Lenie Clarke released Behemoth on the world destroying everything in it path as the microbe is eating up matter. Digital monsters add to the pandemic devastation using Clarke as a rallying cry to devastate survivors through what is left of the Internet. Meltdown Madonna cults dedicated to Clarke pledge mass suicide as they rule alongside deadly war lords on the surface................................ However, on the ocean floor, Lenie Clarke has learned the truth that her grudge was built on a false premise. As the altered rifters and the technoindustrial corporate executives hide in fear in Atlantis on the ocean floor of the Midatlantic Ridge, the grim reaper comes for them. Only Lenie Clarke can save the few, but first she must face the consequences of what she wrought for she knows she can never achieve salvation as she can not wash the blood from her hands even with water everywhere................................. As with STARFISH and MAELSTROM, BEHEMOTH: B-MAX is an ultra dark and gritty action-packed thriller yet the tale as with the first two books is character driven especially by Lenie. The story line moves forward at a current faster than most science fiction novels, but contains irony throughout as Lenie learns the truth and like Lady Macbeth cannot simply wash the blood from her hands. Though B-Max is book one of a two book conclusion , this is a well written gripping entry, but fans of post apocalypse thrillers would be better served by waiting a few months for the release of the climatic novel and then read all four books in succession......................... Harriet Klausner