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Leaving you spellbound every step of the way, bestselling author Nora Roberts takes you to Three Sisters Island, where a fabled lighthouse beckons three young women to seek their true destinies.
Meet Mia, Nell and Ripley, all witches, and the enchanting descendents of the island's founding trio. Nell has just found a new love with Zack Todd; but she's haunted by her abusive husband, Evan, the man she fled from eight months ago. With the help of her "charmed" confidantes, Mia and Ripley, will Nell be able to stop Evan from destroying the happiness she's finally found?
Meet Mia, Nell and Ripley, all witches, and the enchanting descendents of the island's founding trio. Nell has just found a new love with Zack Todd; but she's haunted by her abusive husband, Evan, the man she fled from eight months ago.
Roberts weaves a story like no one else, and if possible, she just gets better.
More Reviews and RecommendationsOne of the most prolific and popular writers in the world, Nora Roberts (who also writes as her edgier alter-ego J. D. Robb) publishes multiple books a year. Not that it’s enough for her fans, who tear through her unconventional romances. With her trademark mix of fantasy, mystery, and romance, Roberts has created her own genre -- and romance fans are grateful for it!
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November 15, 2009: Love how Nora Roberts makes you feel like you are in the book.
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January 15, 2009: Thought this to be a great book. If any of us lady's have ever been through something similar as our Nell went through you might find interesting Nell's way of a new start. You'll find love, courage and passion to be part of this book. I loved how the characters got together. I felt like I wanted to just start over like Nell did. The love scenes I thought were great. I wish my guy would have wanted me that bad. In either case I thought it had a great plot, great characters and a great punch. The ending was a little disappointing but the book itself was great.
Name:
Nora Roberts
Also Known As:
J. D. Robb; Sarah Hardesty; Jill March; Eleanor Marie Robertson (birth name)
Current Home:
Keedysville, Maryland
Date of Birth:
1950
Place of Birth:
Silver Spring, Maryland
Awards:
Romance Writers of America Hall of Fame, 1986; Romantic Times Career Achievement Award, 1991; Romance Writers of America Centennial Award, 1997; Romance Writers of America Golden Medallion Award (seven times); Quill Award for Blue Smoke, 2006
Not only has Nora Roberts written more bestsellers than anyone else in the world (according to Publishers Weekly), she’s also created a hybrid genre of her own: the futuristic detective romance. And that’s on top of mastering every subgenre in the romance pie: the family saga, the historical, the suspense novel. But this most prolific and versatile of authors might never have tapped into her native talent if it hadn't been for one fateful snowstorm.
As her fans well know, in 1979 a blizzard trapped Roberts at home for a week with two bored little kids and a dwindling supply of chocolate. To maintain her sanity, Roberts started scribbling a story -- a romance novel like the Harlequin paperbacks she'd recently begun reading. The resulting manuscript was rejected by Harlequin, but that didn't matter to Roberts. She was hooked on writing. Several rejected manuscripts later, her first book was accepted for publication by Silhouette.
For several years, Roberts wrote category romances for Silhouette -- short books written to the publisher's specifications for length, subject matter and style, and marketed as part of a series of similar books. Roberts has said she never found the form restrictive. "If you write in category, you write knowing there's a framework, there are reader expectations," she explained. "If this doesn't suit you, you shouldn't write it. I don't believe for one moment you can write well what you wouldn't read for pleasure."
Roberts never violated the reader's expectations, but she did show a gift for bringing something fresh to the romance formula. Her first book, Irish Thoroughbred (1981), had as its heroine a strong-willed horse groom, in contrast to the fluttering young nurses and secretaries who populated most romances at the time. But Roberts's books didn't make significant waves until 1985, when she published Playing the Odds, which introduced the MacGregor clan. It was the first bestseller of many.
Roberts soon made a name for herself as a writer of spellbinding multigenerational sagas, creating families like the Scottish MacGregors, the Irish Donovans and the Ukrainian Stanislaskis. She also began working on romantic suspense novels, in which the love story unfolds beneath a looming threat of violence or disaster. She grew so prolific that she outstripped her publishers' ability to print and market Nora Roberts books, so she created an alter ego, J.D. Robb. Under the pseudonym, she began writing romantic detective novels set in the future. By then, millions of readers had discovered what Publishers Weekly called her "immeasurable diversity and talent."
Although the style and substance of her books has grown, Roberts remains loyal to the genre that launched her career. As she says, "The romance novel at its core celebrates that rush of emotions you have when you are falling in love, and it's a lovely thing to relive those feelings through a book."
Roberts still lives in the same Maryland house she occupied when she first started writing -- though her carpenter husband has built on some additions. She and her husband also own Turn the Page Bookstore Café in Boonsboro, Maryland. When Roberts isn't busy writing, she likes to drop by the store, which specializes in Civil War titles as well as autographed copies of her own books.
Roberts sued fellow writer Janet Dailey in 1997, accusing her of plagiarizing numerous passages of her work over a period of years. Dailey paid a settlement and publicly apologized, blaming stress and a psychological disorder for her misconduct.
One afternoon when Nora Roberts was four, her two oldest brothers broke into a violent argument while they were baby-sitting her. "I peeked out of the bedroom, and they're beating the hell out of each other," Roberts says. Then her mother walked in, with a grocery bag in each hand. "One bag goes here, one bag goes there, she steps right in the middle of these two six-foot guys and she goes, boom, bam. Two backhands. And both of them go, 'Maaaaaawwwmm.' I thought right then, There's the power. She's the power."
Elly, as her family still calls her, the youngest of five and the only girl, was a quick study. "She bossed her brothers around," says her mother, Eleanor; today, "her brothers have got her on a throne." Roberts reigns over more than her family, which now includes her husband and two sons. Since her writing debut in 1981, she has helped lead American romance away from its clichés of simpering heroines and heroic rapists toward more complex characters and contemporary, multifaceted plots. Of course, sex -- passionate, tender, delayed, avoided, forced, in castles, in fields, in treetops -- continues to be a central hook. And often, the prose remains purple; Roberts herself has a propensity for phrases like "she rocked them both toward madness." But the genre with which her name is synonymous is one -- the only one -- that always puts women at the center of the universe.
***
Two Mercedes -- a Kompressor convertible and an M-Class SUV -- and a Chrysler PT Cruiser are parked outside the rural Keedysville, Maryland, home Roberts shares with her husband. Inside, several gauzy photographs of nude models hang above the bed in the ground-floor master bedroom, and a rendition of the Casablanca movie poster -- with the couple painted in as Ilsa and Rick -- is prominent above the fireplace. Three ebullient dogs and one gnarled old mutt track in dirt and litter the house with deer bones that they've found outside.
Since moving here twenty-nine years ago, Roberts has divorced her first husband, raised their two sons (Dan, now twenty-nine, lives with his wife down the lane; Jason, twenty-six, is just over an hour away) and remarried. She has also added on a few rooms and an indoor pool; a few years ago, she bought twenty adjoining acres so she could continue to shoo deer out of the garden in her underwear without worrying about neighbors. She and her husband own a tiny bookshop in nearby Boonsboro, but Roberts spends most of her time in an upstairs office where she types, smokes and drinks diet colas eight hours a day, five days a week. It's a routine that's produced an average of seven books a year since 1981, many of them bestsellers.
Roberts knows that her work is commercial fiction and doesn't lose any sleep waiting for National Book Award nominations. The high-art literary tradition isn't what's gotten her to where she is; what has is her "real talent for storytelling," as author Jennifer Crusie (Fast Women; Welcome to Temptation) says, and a commensurate skill with plot and pacing. Readers are pulled into her story lines (which often bounce from one continent to the next) and her well-drawn characters. Fans especially admire Roberts' tough, independent heroines. "When they fit with your own circumstances," says Elizabeth Mayfield, a database administrator from Norwalk, Connecticut, "you think, Gee, there's hope for me." Roberts, however, contends that she's not writing to provide role models for anyone. "I'm gonna tell a good, entertaining story," she says. "I'm not looking to change the world."
Roberts was born Eleanor Marie Robertson, and she grew up in Silver Spring, Maryland, about an hour from where she lives now. Her father worked as a projectionist at the local movie theater and as a stagehand until 1964, when he started a lighting company -- which is where most of the Robertson family still works. Her mother ran the family. "Mom was a very strict disciplinarian," says Roberts' brother Buzz, who is now the president of his dad's company, "but as long as you followed the rules and were polite, you didn't have a problem." He says Nora had it a little easier than her brothers. "Us boys, we knew we were low men on the totem pole. Mom was tickled pink when she had Nora."
"Her daddy worked two jobs all his life, and during the Depression, I took in roomers," says Eleanor Robertson, who at eighty-five still lives in Silver Spring and is now secretary-treasurer of the company her husband started (Bernie Robertson died in 2000). "She knows how hard we worked to give them an education and a nice home." Roberts went to Catholic schools as a child and credits much of her success to the nuns who taught her -- the discipline and guilt in her formative years did her a lot of good.
In her sophomore year of high school, Roberts transferred to public school, where she met Ronald Aufdem-Brinke; she married him at seventeen, in 1968, right after graduation. The young couple moved to Keedysville and had a small house built in the woods. While Aufdem-Brinke worked at his father's sheet-metal business and later the Robertson lighting company, Roberts took care of their two children and the house. "Oh God, I had craft addictions," Roberts says, taking a drag on a cigarette. (She runs through a pack of Winstons at a pace that doesn't quite catch up to chain-smoking but runs several steps beyond casual.) "You name it, I made it. I macraméd two hammocks once. I did ceramics, I sewed the kids' clothes. I even put flies into overalls -- that is sick. I was a sick woman. I baked bread once a week. I canned jellies and made my own spaghetti sauce using my own tomatoes."
Sometime during the next decade (she calls the period her "Earth Mother" years), Roberts started to read Harlequin novels -- the short books were easy for her to finish while the kids were napping. During a blizzard in 1979, trapped inside with little more than her three- and six-year-old sons and a game of Candy Land, Roberts sat down with a pencil and wrote a manuscript of her own, a romance that she's since described as "very bad." In the next year and a half, while her kids were napping or at T-ball practice, she wrote at least six manuscripts in longhand. She submitted some of them to Harlequin, which at the time was using mainly British writers. Roberts didn't hear back, but her enthusiasm wasn't subdued. "I became a writing junkie," she says. Although she was rejected several times, she continued to write -- but started filing her manuscripts in a back drawer rather than submitting them.
Roberts then heard that a new romance publisher, Silhouette, was looking specifically for American writers, so she sent in her work. In 1980 she got a call from Nancy Jackson, a Silhouette editor, saying she had plucked one of Roberts' manuscripts -- Irish Thoroughbred, a slender love story about an Irish stable hand and her boss -- out of the slush pile. Jackson told Roberts she wanted to publish it. Eleanor Aufdem-Brinke changed her name to Nora Roberts because she says she assumed all romance authors used a nom de plume. The book "didn't make waves when it first came out," says Isabel Swift, her current editor, but it sold well in reprint. Roberts was hooked on the process, though, and published five more books the following year, eight the following and ten the year after that.
Roberts hit it big in 1985 when she wrote the first of her MacGregor family series, Playing the Odds. The book, which focuses on a matchmaking Scottish patriarch and his brood, became an immediate bestseller. Romance readers began associating the name Nora Roberts with multigenerational sagas: In addition to the MacGregors, she has written about the Donovans, a modern family of Irish magicians; the Calhouns, a family of pigheaded sisters in Maine; and the Stanislaskis, tempestuous Ukrainian immigrants.
***
From the beginning, Roberts' heroines were not content to wear aprons or take dictation. In Irish Thoroughbred, though Roberts' heroine was young (early twenties) and virginal (well, she was a virgin), she was a horse groomer with an independent streak. Roberts wasn't alone in giving her female characters more authority in the workforce; other American romance authors -- like Jayne Ann Krentz, Sandra Brown and Elizabeth Lowell -- were doing the same. "I think one of the great things the American writer has brought to the romance novel," Krentz says, "is a modern interpretation of women's roles and women's values." Author Janet Evanovich adds, "The genre reflects the increased power and opportunity afforded today's women. We see more variety in the genre in terms of heroine age and occupation. And today's heroine is stronger, more self-reliant. Of course, Nora was always ahead of the pack. Her heroines were always strong."
Rebecca Sullivan, a heroine in Roberts' latest romantic suspense, Three Fates, is a quintessential Nora Roberts lead: She runs the family business (giving boat tours off the western coast of Ireland) and engineers the search for the family's lost treasure. Rebecca's a smart, capable lady with a sense of humor. In the course of the story, she falls in love with a computer expert who eventually marries her -- the book ends in Ireland with the assumption that the husband will help her with the business. "I'm not interested in telling stories about weak women," Roberts says. "Or if they're weak, I want to show how they grow and how they become strong. I'm not writing about Cinderella sitting waiting for her prince to come and take her away. She'll get out of it herself. The prince is a bonus, a completion, another element -- but it's not the answer to all of her problems."
***
Perched on a stool next to her kitchen counter, Roberts doesn't look like a purveyor of dreams. She could be any of a million women, taking a break from a million jobs, looking toward the end of a million days. Right now, her husband is outside, working in the yard before heading to town. Later on, he'll pick up groceries, and Nora will cook dinner; favorites are pasta with red sauce or Cajun chicken. Around 7:30, the two will retire for the evening, probably settling down for a while in front of the television -- it's Thursday, so they'll probably tune in for some of Friends or ER. And that's a typical end to a typical day for the world's most popular romance author. "I always wonder if they asked Agatha Christie if she was homicidal," Roberts says with a laugh. "I don't have a romantic lifestyle."
Still, she says, it's romance books she turns to when she wants to escape reality, so maybe the queen of the realm is, finally, one of its true citizens as well. Roberts, after all, spends her days holed up in her office, writing, researching and investigating the backgrounds for her books. She loves it, she says, but it's work. And when she's done, she's done. "When I read for pleasure," she says, "give me a story."
If today's romance is escapism, millions of its readers would argue that it is also girl-power between pastel covers: adventures that belong to characters who are at their strongest -- and sexiest -- because they are women. So Roberts essentially shrugs off the contempt reserved for romance novels as sexist and ignorant. Still, she recognizes that the genre carries a lot of baggage -- even she finds herself sneaking reads when she's out in public. A lot of the embarrassment, she says, has to do with the way the books look. "It's mostly hard for me when she's falling out of her dress, and he has his mouth on her tit," Roberts says, describing what she calls "nursing mother" covers. She taps her lighter against the counter and rolls her eyes. "To sit on an airplane and read that?"
When Nell Channing arrives on charming Three Sisters Island, she believes that she's finally found refuge from her abusive husband - and from the terrifying life she fled so desperately eight months ago . . .
But even in this quiet, peaceful place, Nell never feels entirely at ease. Careful to conceal her true identity, she takes a job as a cook at the local bookstore café - and begins to explore her feelings for the island sheriff, Zack Todd. But there is a part of herself she can never reveal to him - for she must continue to guard her secrets if she wants to keep the past at bay. One careless word, one misplaced confidence, and the new life she's so carefully created could shatter completely.
Just as Nell starts to wonder if she'll ever be able to break free of her fear, she realizes that the island suffers from a terrible curse - one that can only be broken by the descendants of the Three Sisters, the witches who settled the island back in 1692. And now, with the help of two other strong, gifted women - and the nightmares of the past haunting her every step - she must find the power to save her home, her love . . . and herself . . .
Roberts weaves a story like no one else, and if possible, she just gets better.
Escaping to Three Sisters Island to put her life together after an abusive marriage, Nell Channing gradually begins to think that she has finally found a place where she can create a new life. But her husband isn't about to let her go, and when he finally finds her, it takes all her new-found strength and a little help from her "sisters" to deal with his violence. A magnetic hero, a heroine who finds herself, and some memorable secondary characters weave a mesmerizing tale of witchcraft and magic that launches Robert's latest trilogy in fine style. One of the best and most consistent writers in the genre, Roberts (The Villa) is a member of the RWA Hall of Fame and lives in Keedysville, MD. Copyright 2001 Cahners Business Information.
Loading...Chapter One
THREE SISTERS ISLANDShe kept staring straight ahead as the knuckle of land, bumpy and green with distance, began revealing its secrets. The lighthouse, of course. What was an offshore New England island without its stalwart spear? This one, pure and dazzling white, rose on a craggy cliff. Just as it should, Nell thought.
There was a stone house near it, fog-gray in the sharp summer sunlight, with peaked roofs and gables and what she hoped was a widow's walk circling the top story.
She'd seen paintings of the Light of the Sisters and the house that stood so strong and firm beside it. It was the one she'd seen in the little shop on the mainland, the one that had sent her impulsively to the car ferry.
She'd been following impulse and instinct for six months, just two months after her meticulous and hard-worked plan had freed her.
Every moment of those first two months had been terror. Then, gradually, terror had eased to anxiety, and a different kind of fear, almost like a hunger, that she would lose what she had found again.
She had died so she could live.
Now she was tired of running, of hiding, of losing herself in crowded cities. She wanted a home. Wasn't that what she'd always wanted? A home, roots, family, friends. The familiar that never judged too harshly.
Maybe she would find some part of that here, on this spit of land cradled by the sea. Surely she could get no farther away from Los Angeles than this pretty little island-not unless she left the country altogether.
If she couldn't find work on the island, she could still take a few days there. A kind of vacation from flight, she decided. She would enjoy the rocky beaches, the little village, she would climb the cliffs and roam the thick wedge of forest.
She'd learned how to celebrate and cherish every moment of being. It was something she would never, ever forget again.
Delighted with the scatter of clapboard cottages tucked back from the dock, she leaned on the rail of the ferry, let the wind blow through her hair. It was back to its natural sun-drenched blond. When she'd run, she'd hacked it short as a boy's, gleefully snipping off the long, tumbling curls, then dying it deep brown. Over the past months, she'd changed the color periodically-bright red, coal black, a soft sable brown. She still kept it fairly short and very straight.
It said something, didn't it, that she'd finally been able to let it be. Something about reclaiming herself, she thought.
Evan had liked it long, with a riot of curls. At times he had dragged her by it, across the floor, down the stairs. Using it like chains.
No, she would never wear it long again.
A shudder ran through her, and she glanced quickly over her shoulder, scanning the cars, the people. Her mouth went dry, her throat hot as she searched for a tall, slim man with gilded hair and eyes as pale and hard as glass.
He wasn't there, of course. He was three thousand miles away. She was dead to him. Hadn't he told her a hundred times that the only way she would be free of him was in death?
Helen Remington had died so Nell Channing could live.
Furious with herself for going back, even for a moment in her mind, Nell tried to calm herself. She breathed in slowly. Salt air, water. Freedom.
As her shoulders relaxed again, a tentative smile played around her mouth. She stayed at the rail, a small woman with short, sunny hair that danced cheerfully around a delicate face. Her mouth, unpainted and soft, curved up and teased out the hint of dimples in her cheeks. Pleasure brought a rosy glow to her skin.
She wore no makeup, another deliberate act. There was a part of her that was still hiding, still hunted, and she did whatever she could to pass unnoticed.
Once she had been considered a beauty, and had groomed herself accordingly. She'd dressed as she'd been told to dress, wearing sleek, sexy, sophisticated clothes selected by a man who claimed to love her above all things. She'd known the feel of silk against her skin, what it was to casually clasp diamonds around her throat. Helen Remington had known all the privileges of great wealth.
And for three years had lived in fear and misery.
Nell wore a simple cotton shirt over faded jeans. Her feet were comfortable in cheap white sneakers. Her only jewelry was an antique locket that had been her mother's.
Some things were too precious to leave behind.
As the ferry slowed to dock, she walked back to her car. She would arrive on Three Sisters with one small bag of belongings, a rusted secondhand Buick, and $208 to her name.
She couldn't have been happier.
Nothing, she thought as she parked the car near the docks and began to wander on foot, could have been farther from the pleasure palaces and glitz of Beverly Hills. And nothing, she realized, had ever called more truly to her soul than this little postcard village. Houses and shops were both tidy and prim with their colors faded by sea salt and sun. Cobblestone streets were curvy and whistle-clean as they climbed the hilly terrain or arrowed back to the docks. Gardens were lovingly tended, as if weeds were illegal. Dogs barked behind picket fences and children rode bikes of cherry red and electric blue.
The docks themselves were a study in industry. Boats and nets and ruddy-cheeked men in tall rubber boots. She could smell fish and sweat.
She hiked up the hill from the docks and turned to look back. From there she could see the tour boats plugging along in the bay, and the little sickle slash of sand beach where people spread out on towels or bobbed in the energetic surf. A little red tram with white letters that read three sisters tours was rapidly filling up with day-trippers and their cameras.
Fishing and tourism, she supposed, were what kept the island afloat. But that was economics. It stood against sea, storms, and time, surviving and flourishing at its own pace. That, she thought, was courage.
It had taken her too long to find her own.
High Street speared across the hill. Shops and restaurants and what she supposed were island businesses lined it. One of the restaurants should be her first stop, she thought. It was possible she could hook a job as a waitress or short-order cook, at least for the summer season. If she could find work, she could hunt up a room.
She could stay.
In a few months, people would know her. They'd wave as she walked by, or call out her name. She was so tired of being a stranger, of having no one to talk to. No one who cared.
She stopped to study the hotel. Unlike the other buildings it was stone instead of wood. Its three stories with elaborate gingerbread, iron balconies, and peaked roofs were undeniably romantic. The name suited it, she decided. The Magick Inn.
It was a good bet that she'd find work there. Waitressing in the dining room, or as part of the housekeeping staff. A job was the first order of business. But she couldn't make herself go inside, deal with it. She wanted time first, a little time before she settled down to the practical.
Flighty, Evan would have said. You're much too flighty and foolish for your own good, Helen. Thank God you have me to take care of you.
Because his voice played all too clearly in her ears, because the words nipped at the confidence she'd slowly rebuilt, she turned deliberately away and walked in the opposite direction.
She would get a damn job when she was ready to, but for now she was going to wander, to play tourist, to explore. When she was finished roaming High Street, she'd go back to her car and drive all over the island. She wouldn't even stop at the Island Tourist Board to get a map.
Following her nose, she hitched up her backpack and crossed the street. She passed craft shops, gift shops, loitered at the windows. She enjoyed pretty things that sat on shelves without purpose. One day, when she settled again, she'd make a home just as she pleased, full of clutter and fun and color. An ice cream shop made her smile. There were round glass tables and white iron chairs. A family of four sat at one, laughing as they spooned up whipped cream and confetti-colored sprinkles. A boy wearing a white cap and apron stood behind the counter, and a girl in snug cutoff jeans flirted with him as she considered her choices.
Nell sketched the picture in her mind and walked on.
The bookstore stopped her, made her sigh. Her home would be full of books, too, but not rare first editions never meant to be opened and read. She'd have old, scarred books, shiny new paperbacks all in a jumble of stories. In fact, that was one thing she could start now. A paperback novel wouldn't add much weight to her pack if she had to move on.
She looked up from the display in the window to the Gothic lettering spilling across the glass. Cafˇ Book. Well, that was perfect. She would hunt through the stacks, find something fun to read, and look through it over a cup of coffee. She stepped inside to air that was fragrant with flowers and spice, and heard music played on pipes and harps. Not only the hotel was magic, Nell thought the minute she crossed the threshold.
Books, in a banquet of colors and shapes, lined deep blue shelves. Overhead, tiny pricks of light showered down from the ceiling like stars. The checkout counter was an old oak cabinet, deeply carved with winged faeries and crescent moons.
A woman with dark, choppy hair sat on a high stool behind it, idly paging through a book. She glanced up and adjusted silver-framed reading glasses. "Morning. Can I help you?"
"I'm just going to look around, if that's all right."
"Enjoy. Let me know if I can help you find anything."
As the clerk went back to her book, Nell roamed. Across the room two generous chairs faced a stone hearth. On the table between stood a lamp fashioned from a figurine of a robed woman with her arms lifted high. Other shelves held trinkets, statues of colored stone, crystal eggs, dragons. She wandered through, passing books on one side, rows of candles on the other.
At the rear, stairs curved to the second floor. She climbed and found more books, more trinkets, and the cafˇ.
Half a dozen tables of glossy wood were arranged near the front window. Along the side was a glass display and counter boasting an impressive array of pastries, sandwiches, and a kettle of that day's soup. The prices were on the high side, but not unreasonable. Nell thought she might have some soup to go with her coffee.
Moving closer, she heard the voices from the open door behind the counter.
"Jane, this is ridiculous, and totally irresponsible."
"It is not. It's Tim's big chance, and it's a way off this damn island. We're taking it."
"The possibility of an audition for a play that may or may not be produced Off Broadway is not a big chance. Neither one of you will have a job. You won't-"
"We're going, Mia. I told you I'd work till noon today, and I worked till noon."
"You told me that less than twenty-four hours ago."
There was impatience in the voice-a low, lovely voice. Unable to help herself, Nell edged closer.
"How the hell am I going to keep the cafˇ up without anyone to cook?"
"It's all about you, isn't it? You can't even wish us luck."
"Jane, I'll wish you a miracle, because that's what it's going to take. No, wait-don't go off in a huff."
Nell caught movement in the doorway and stepped to the side. But she didn't move out of earshot.
"Be careful. Be happy. Oh, damn it. Blessed be, Jane."
"Okay." There was a loud sniffle. "I'm sorry, really, I'm sorry for leaving you in the lurch this way. But Tim needs to do this, and I need to be with Tim. So . . . I'll miss you, Mia. I'll write."
Nell managed to duck behind shelves just as a weeping woman raced out of the back and ran down the stairs.
"Well, isn't this just fine."
Nell peeked out, blinked in automatic admiration.
The woman who stood in the doorway was a vision. Nell couldn't think of another word for her. She had a mass of hair the color of autumn leaves. Reds and golds spilled over the shoulders of a long blue dress that left her arms bare to the silver bracelets that winked bright on each wrist. Her eyes, sparking with temper, were gray as smoke and dominated a flawless face. Slashing cheekbones, a full, wide mouth painted siren red. Skin like. . . Nell had heard skin compared to alabaster, but this was the first time she'd seen it.
She was tall, willow-slim and perfect.
Nell glanced toward the cafˇ tables to see if any of the customers who loitered there were as awestruck as she herself. But no one seemed to notice the woman or the temper swirling around her like water on the boil.
She inched out to get a better look, and those gray eyes shifted. Pinned her.
"Hello. Can I help you?"
"I was . . . I thought . . . I'd like a cup of cappuccino and a bowl of soup. Please."
Annoyance flashed in Mia's eyes and nearly sent Nell back behind the shelves. "I can handle the soup. We have lobster bisque today. I'm afraid the espresso machine is beyond my current capabilities."
Nell looked at the beautiful copper-and-brass machine, felt a little tingle. "I could make it myself."
"You know how to work this thing?"
"Yes, actually, I do."
Considering, Mia gestured and Nell scurried behind the counter.
"I could make you one while I'm at it."
"Why not?" Brave little rabbit, Mia mused, as she watched Nell take over the machine. "Just what sent you to my door? Backpacking?"
"No. Oh." Nell flushed, remembering her pack. "No, just exploring a little. I'm looking for a job, and a room."
"Ah."
"Excuse me, I know it was rude, but I overheard your . . . conversation. If I understand it correctly, you're in a bit of a jam. I can cook." Mia watched the steam rise, listened to the hiss. "Can you?"
"I'm a very good cook." Nell offered Mia the frothing coffee. "I've done catering, I've worked in a bakery, and I've waitressed. I know how to prepare food and how to serve it."
"How old are you?"
"Twenty-eight."
"Do you have a criminal record?"
A giggle nearly burst out of Nell's throat. For a moment it danced lively in her eyes. "No. I'm tediously honest, a dependable worker and a creative cook." Don't babble, don't babble! she ordered herself, but she couldn't seem to stop. "I need the job because I'd like to live on the island. I'd like a job here because I enjoy books and I liked the, well, the feel of your shop as soon as I walked in."
Intrigued, Mia angled her head. "And what did you feel?"
"Possibilities."
Excellent answer, Mia mused. "Do you believe in possibilities?"
Nell considered. "Yes. I've had to."
"Excuse me?" A couple stepped up to the counter. "We'd like to have two iced mochas and two of those ˇclairs."
"Of course. Just a moment." Mia turned back to Nell. "You're hired. Apron's in the back. We'll work out the details later today." She sipped her cappuccino.
"Well done," she added and stepped out of the way. "Oh-what's your name?"
"I'm Nell. Nell Channing."
"Welcome to Three Sisters, Nell Channing."
From Dance Upon the Air by Nora Roberts. (c) June 2001, Jove Publications, a division of Penguin Putnam, used by permission.
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